DOCSLIB.ORG

Design and Production of an Episodic Online Animation: Cairns of Apeiron

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Design and Production of an Episodic Online Animation: Cairns of Apeiron DESIGN AND PRODUCTION OF AN EPISODIC ONLINE ANIMATION: CAIRNS OF APEIRON by ANDREW RICHARD CADIEUX B.F.A. University of Central Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Entrepreneurial Digital Cinema in the School of Visual Arts and Design in the Department of Film in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2017 © 2017 Andrew R. Cadieux ii ABSTRACT This paper describes the development of a feature length script and an independent episodic animation to be distributed online. The goal is to show that appealing animation can be achieved using digital tools, a limited animation workflow, few artists and a strict micro-production budget. I will detail the methods of animation used for the project and describe plans for its distribution to an online audience, including a market analysis and business plan. iii TABLE OF CONTENTS LIST OF FIGURES .............................................................................................................................. vii LIST OF TABLES ............................................................................................................................... viii CHAPTER ONE: FILMMAKER’S STATEMENT ........................................................................... 1 CHAPTER TWO: EVIDENCE OF AESTHETIC LITERACY .................................................... 3 Industrial Animation ..................................................................................................................................... 3 The Sum of All Parts .................................................................................................................................... 4 Limited Animation ........................................................................................................................................ 6 Inspiration and Influences for Cairns ......................................................................................................... 9 Post-Modern Japanese Animation and New Technology .................................................................... 9 Conclusion .................................................................................................................................................... 13 CHAPTER THREE: EVIDENCE OF PRODUCTION LITERACY ...................................... 15 Script Production ........................................................................................................................................ 15 Animation ..................................................................................................................................................... 15 Character Animation ................................................................................................................................. 16 Rendering “Locations” ............................................................................................................................... 18 Sound ............................................................................................................................................................. 20 Music .............................................................................................................................................................. 20 Voice .............................................................................................................................................................. 20 Influence ........................................................................................................................................................ 21 CHAPTER FOUR: EVIDENCE OF FINANCIAL LITERACY AND BUSINESS PLAN ..... 23 Information and Risk Statement .............................................................................................................. 23 For Information Only ............................................................................................................................ 23 iv Risk Factors ............................................................................................................................................. 24 Executive Summary .................................................................................................................................... 25 Introductory Statement ........................................................................................................................ 25 Management Team ................................................................................................................................. 26 Product Description .............................................................................................................................. 26 Industry Overview ................................................................................................................................. 26 Market Analysis and Marketing Strategy ........................................................................................... 27 Funding ..................................................................................................................................................... 27 Company Description ................................................................................................................................ 27 Company Details .................................................................................................................................... 27 Product Description ................................................................................................................................... 28 Synopsis .................................................................................................................................................... 28 Project Details ........................................................................................................................................ 29 Industry Overview ...................................................................................................................................... 30 Successful Business Model ................................................................................................................... 31 Why Cairns of Apeiron Is Different ...................................................................................................... 32 Market Analysis and Market Strategy ..................................................................................................... 33 Internet Distribution ............................................................................................................................. 33 General Marketing Strategy ................................................................................................................. 36 Target Audience ..................................................................................................................................... 37 Distribution of Web Content ............................................................................................................. 39 Financing ........................................................................................................................................................ 41 Method of Financing .............................................................................................................................. 41 Donations ................................................................................................................................................ 42 Financing Through Website and Distributed Episodes ................................................................. 42 Copyleft and Sita Sings the blues .......................................................................................................... 45 v CHAPTER FIVE: RETROSPECTIVE AND CONCLUSION ................................................... 50 Early Development of Cairns of Apeiron ................................................................................................. 50 APPENDIX A: SCRIPT .................................................................................................................... 56 APPENDIX B: EPISODE BREAKDOWNS AND SUMMARIES ........................................... 128 Episode 1 ................................................................................................................................................ 129 Episode 2 ................................................................................................................................................ 130 Episode 3 ................................................................................................................................................ 130 Episode 4 ................................................................................................................................................ 131 Episode 5 ................................................................................................................................................ 131 Episode 6 ................................................................................................................................................ 131 Episode 7 ...............................................................................................................................................
Load more

Recommended publications
  • STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
    STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER.
    [Show full text]
  • Winners BAFTA Children's Awards Announced Big CBS Prime Wants To
    Inside TV International 280 November 26 - December 2, 2010 weekly magazine with a focus on content www.insidetv.info [email protected] I N T INTERNATIONAL E Winners BAFTA Children’s FremantleMedia ap- R points Kim Ardal as MD N A Awards announced of Blu in T The British Academy of Film and Television Arts has Denmark - p. 2 I NBC Universal Interna- Body Of Proof 4 unveiled the winners of the 2010 Children’s Awards. In O the Animation category Aardman Animations’ ‘Shaun The tional signs deal with N Sheep’ (CBBC) won. The BAFTA for best Comedy went to Canadian Lark A L ‘Horrible Histories’ (Lion TV/Citrus TV/CBBC) and best Productions - p. 3 Drama was CBBC’s ‘Tracy Beaker Returns’; while in the 2 Entertainment category CBBC’s ‘Relic: Guardians of the Museum’ was the winner. At the International front Nick- elodeon’s ‘The Penguins of Madagascar’ won the BAFTA. F (cont. page 2) FICTION Archer 5 Acorn Media acquires I Greenlit shows - p. 5 C Dexter close to renewal T Big CBS Prime wants to - p. 6 I Endemol signs distribu- O Indianise international shows tion deal for Leverage N Big CBS Networks, a joint venture between Reliance - p. 6 Broadcast Network Limited and CBS Studios Interna- 3 7 tional launches this week Big CBS Prime, an English general entertainment television channel for the Indian sub-continent.A key component of BIG CBS Networks’ programming strategy is to Indianise international shows KIDS for its Indian viewers. There is hardly any localization of Galaxy Pop is working K international formats in India, considerably limiting the on new comedy series I potential of consumer engagement.
    [Show full text]
  • Georgia's Economy
    GEORGIA’S CREA TIVE ECONOMY CREATIVE INDUSTRIES GEORGIA’S 1 Establishments: 13,500 Jobs: 140,0001 Wages: $10.5 billion1 Self-Employed: 60,0002 Earnings: $1.6 billion2 CREA Revenue: $37 billion3 Economic Impact: $62.5 billion4 Sources: 1EMSI 2016 2Nonemployer Statistics 2012 TIVE 3Economic Census and Nonemployer Statistics 2012 4ACPSA Issue Brief #6: ECONOMY The Impact of New Demand for Arts and Culture FILM AND TELEVISION Combined Productions: 245 Direct Spend of Productions: $2.0 billion Direct Jobs: 25,700 Direct and Indirect Jobs: 85,300 Direct and Indirect Wages: $4.2 billion Economic Impact: $7 billion Source: Georgia Entertainment Industry Profile FY16 2 MUSIC Direct and Indirect Jobs: 26,0001 Direct and Indirect Wages: $1.1 billion1 Total Revenues to State and Local Governments: $314 million2 1 Economic Impact: $3.6 billion Source: 1Estimated Economic Impact of the Music Industry on Georgia’s Metropolitan Areas and the State, 2014 2Source: Economic and Fiscal Impact Analysis of the Music Industry in Georgia, 2011 DIGITAL ENTERTAINMENT Direct Jobs: 3,100 Direct Wages: $200 million Direct and Indirect Jobs: 12,000 Total Labor Impact: $425 million Gross Revenue: $278 million Total Output/ Economic Impact: $550 million Source: Economic Contributions of the Georgia Video Game Industry in 2015 3 ARTS & CULTURE Organizations: 2,8741 Jobs: 31,0002 Wages: $690 million2 Revenue: $1.3 billion3 Assets: $2.8 billion4 Economic Impact: $2.2 billion5 Source: 1National Center for Charitable Statistics, 2015 2Economic Census and Nonemployer Statistics, 2012 3National Center for Charitable Statistics, 2015 and Nonemployer Statistics, 2012 4National Center for Charitable Statistics, 2015 5ACPSA Issue Brief #6: The Impact of New Demand for Arts and Culture 4 GEORGIA COUNCIL FOR THE ARTS A division of the Georgia Department of Economic Development, Georgia Council for the Arts (GCA) empowers the arts industry in Georgia and artists around the state to cultivate healthy, vibrant communities that are rich in civic participation, cultural experiences, and economic prosperity.
    [Show full text]
  • Settling Down for the Long Haul: the Black Freedom Movement
    SETTLING DOWN FOR THE LONG HAUL: THE BLACK FREEDOM MOVEMENT IN SOUTHWEST GEORGIA, 1945-1995 by JAMES BOWERS WALL (Under the Direction of Cindy Hahamovitch) ABSTRACT “Settling Down for the Long Haul” examines black freedom and white resistance movements in the Black Belt of Southwest Georgia over the course of several decades. The study centers on Albany, one of the most important yet under-examined battlegrounds of the modern African American civil rights movement. By investigating the prolonged and varied campaigns for racial equality before and after the brief involvement of Martin Luther King, Jr., the project sheds new light on how grassroots movements are formed–and persist–after their supposed “climax” has passed. INDEX WORDS: Civil Rights Movement, African American, Southwest Georgia, Albany, Albany Movement, Long Civil Rights Movement, War on Poverty, Agricultural Cooperatives, Disaster Relief, Flint River Flood, Labor History, Community Studies SETTLING DOWN FOR THE LONG HAUL: THE BLACK FREEDOM MOVEMENT IN SOUTHWEST GEORGIA, 1945-1995 by JAMES BOWERS WALL B.A., University of North Texas, 2008 M.A., University of Houston, 2011 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2018 © 2018 James Bowers Wall All Rights Reserved SETTLING DOWN FOR THE LONG HAUL: THE BLACK FREEDOM MOVEMENT IN SOUTHWEST GEORGIA, 1945-1995 by JAMES BOWERS WALL Major Professor: Cindy Hahamovitch Committee: James C. Cobb John Inscoe J. Todd Moye Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia August 2018 iv To Mom and Dad v ACKNOWLEDGEMENTS Seeing as I’m supposedly a real historian now, and this is in fact a work of history, it’s only appropriate that I present my acknowledgements in chronological fashion.
    [Show full text]
  • Digital Media & Entertainment
    Where Georgia Leads: Digital Media & Entertainment Georgia stands as a clear leader in the digital media and entertainment software industry. From interactive game design, filmed entertainment, music, and broadcast radio and television, to animation and digital effects, and augmented/immersive entertainment, the state is truly an industry powerhouse. More than 13 national/regional media outlets are based in Georgia including CNN and Turner Broadcasting, Cox Communications, Fox Sports South, the Weather Company and others. Over 10,000 individuals are employed full-time in the broadcast sector (radio, TV, network and cable) throughout the ten-county metro Atlanta region. Another 4,000 professionals are employed in the motion picture and sound recording sectors. This highly skilled workforce, along with the state’s infrastructure, industry innovators, incentives and world-class educational institutions, create a vibrant ecosystem that entertains the world. Gaming: Georgia’s video game industry accounted Film and Television: TV networks, Hollywood studios, for nearly 2,000 direct jobs in 2012 and $1.6 billion and more created $6B in economic impact in FY15 in total economic activity. The state has about 75 and the state is the 3rd most profitable in the nation game studios and more than 4,000 Georgia college when it comes to entertainment, behind California students are pursuing game-related degrees. and New York, respectively Music: Georgia is home to GRAMMY® winners in multiple categories and genres, and has 300-plus recording studios. Roughly 20,000 individuals work in various aspects of Georgia’s music industry and generates an annual economic impact of $3.7 billion according to 2011 study.
    [Show full text]
  • CHARACTER DESIGNER | ILLUSTRATOR [email protected]
    martinellie.com CHARACTER DESIGNER | ILLUSTRATOR [email protected] SOCIAL EXPERIENCE LINKEDIN | martinellie INSTAGRAM | martinellieart FLOYD COUNTY PRODUCTIONS |ATLANTA, GA TWITTER | martinellie Lead Character Designer August 2015 - Current • Unannounced Marvel series | Lead Character Designer PROGRAMS • Netflix's "America: The Motion Picture" | Character Designer • FXX's Archer: Seasons 7-9 | Illustrator, Prop Designer & Reference Model Adobe Photoshop • The League's "Rafi & Dirty Randy" | ToonBoom Rigging Artist Adobe Illustrator • Unannounced Pitches | Character Designer, Cleanup Animator Toon Boom Harmony For the latest project, I assisted in directing the character design Procreate department, where I produced designs for main and key episodic characters, performed quality checks on turnarounds and mouth cycles, held demos for team training, and collaborated with other departments EDUCATION in the pipeline. I also established the Layout department for the series, and aided in adjusting the design pipeline to WFH during 2020. SAVANNAH COLLEGE OF ART & DESIGN Bachelor of Fine Arts | Animation 2009 - 2013 BENTO BOX ENTERTAINMENT |ATLANTA, GA OATLEY ACADEMY Character Designer Online Mentorship with Jenn Ely April - May 2014, January - July 2015 Spring 2015 • Hulu's The Awesomes:seasons 2 & 3 | Character Designer • Adult Swim's Bad GuysPilot | Character Designer (uncredited) AWARDS For two seasons, I produced designs and turnarounds in ToonBoom Harmony, then set up the artwork for the rigging department. PRIMETIME EMMY AWARDS Following
    [Show full text]
  • Adult Animation White Paper
    2nd Edition | March 2021 ADULT ANIMATION WHITE PAPER Figure 1: Harley Quinn – DC Comics The “Great Adult Animation Boom” is in Full Swing From mind-bending sci-fi comedies likeThe Midnight Gospel to dramatic, action-based mini-series like The Liberator, to comic book inspired shows like Harley Quinn, adult animation has entered a period of rapid growth and genre diversification. The streamers, broadcasters and cablers have caught on — there are over 100 new adult animated series on order. That’s 2a whopping 100% increase from a year ago. The upcoming series includes a whole new class of video game spinoffs, TV series reboots, and anime-inspired productions that will significantly expand the audience for adult animation. I am calling this phenomenon ‘The Great Adult Animation Boom.’ Table of Contents 1. About the Author 4 2. Sources 5 3. What This Report Covers 6 4. Sponsorship 7 5. Summary of the State of the Adult Animation Industry 8 6. Adult Animated Comedy 10 7. Fox’s Animation Domination 12 Fox’s Current Adult Animated Series 15 Fox’s Upcoming Adult Animated Series 16 8. Netflix’s Unbridled Ambition for Adult Animation 17 Netflix Comedy 20 Netflix Anime 21 Netflix Video Game Based Animated Series 21 Netflix’s Current Adult Animated Series 22 Netflix’s Upcoming Adult Animated Series 23 9. Comedy Central Makes a Hard Pivot 25 Viacom’s Current Adult Animation Series 26 Viacom’s Upcoming Adult Animation Series 26 10. WarnerMedia: HBO Max, Adult Swim & DC Comics 27 HBO Max’s Current Adult Animated Series 29 HBO Max’s Upcoming Adult Animated Series 29 Adult Swim’s Current Adult Animated Series 30 Adult Swim’s Upcoming Adult Animated Series 31 11.
    [Show full text]
  • Design and Production of an Episodic Online Animation: Cairns of Apeiron
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Design and Production of an Episodic Online Animation: Cairns of Apeiron Andrew Cadieux University of Central Florida Part of the Film Production Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Cadieux, Andrew, "Design and Production of an Episodic Online Animation: Cairns of Apeiron" (2017). Electronic Theses and Dissertations, 2004-2019. 5649. https://stars.library.ucf.edu/etd/5649 DESIGN AND PRODUCTION OF AN EPISODIC ONLINE ANIMATION: CAIRNS OF APEIRON by ANDREW RICHARD CADIEUX B.F.A. University of Central Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Entrepreneurial Digital Cinema in the School of Visual Arts and Design in the Department of Film in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2017 © 2017 Andrew R. Cadieux ii ABSTRACT This paper describes the development of a feature length script and an independent episodic animation to be distributed online. The goal is to show that appealing animation can be achieved using digital tools, a limited animation workflow, few artists and a strict micro-production budget. I will detail the methods of animation used for the project and describe plans for its distribution to an online audience, including a market analysis and business plan.
    [Show full text]
  • TELÉFONOS 870-96-39 Y 879-77-87 LLAMAR DESPUÉS DE LAS 10Am HASTA LAS 10Pm DE LUNES a SÁBADO SI NO ESTAMOS LE DEVOLVEREMOS LA LLAMADA
    OFERTA DE PELICULAS ANIMADAS TELÉFONOS 870-96-39 y 879-77-87 LLAMAR DESPUÉS DE LAS 10am HASTA LAS 10pm DE LUNES A SÁBADO SI NO ESTAMOS LE DEVOLVEREMOS LA LLAMADA PARA GRABAR EN MEMORIA Y DISCO DURO O COMPRAR DISCOS DE DVD, DIRÍJASE A LA CALLE BELASCOAIN # 317 BAJOS, ESQUINA A SAN RAFAEL. ESTA ABIERTO DESDE LAS 10am HASTA LAS 8pm. LOS DISCOS CUESTAN 1cuc O 25 pesos mn. LLÁMENOS YA AL 78-70-96-39 Y AL 78-79-77-87 VISITE NUESTRO SITIO WEB seriesroly.com PRECIOS EN MEMORIA O DISCO DURO FORMATOS: MKV – AVI – MP4. MENORES DE 2GB A 5 PESOS mn MAYORES DE 2GB A 10 PESOS mn Llevo pedidos a su casa por 7 cuc (Municipios: Plaza, Cerro, Vedado, Habana Vieja, Playa, Centro Habana, 10 de Octubre.) (Se copian a cualquier dispositivo Externo o Interno SATA) Si desea alguna serie que no se encuentre en el catálogo, solicítela y la tendremos en el menor tiempo posible. Para hacer pedidos a domicilio por correo Favor de poner los siguientes datos: Para: [email protected] Asunto: Pedido Contenido del correo: Todo el pedido bien detallado y coherente más dirección, nombre y teléfono. LLÁMENOS YA AL 78-70-96-39 Y AL 78-79-77-87 VISITE NUESTRO SITIO WEB seriesroly.com A Turtle's Tale 1 Sammy's Adventure Doblada_1.32GB[.mp4] | Subtitulada_1.29GB[.avi] | Doblada_5.99GB[.mkv]3D | Doblada_9.16GB[.mkv]HD Año: 2010 | País(es): Bélgica Director(es): Ben Stassen Productora(s): nWave Pictures / Illuminata Pictures Género(s): Aventuras Sinopsis: A traves de la infancia de una tortuga (unos cincuenta años) se muestran los efectos del calentamiento global y la necesidad de acometer cambios en los hábitos sociales.
    [Show full text]
  • Animation Focus
    DAGNY PHILLIPS-STUMBERGER 206 Randolph Street, Apartment L | Atlanta, GA 30312 | T: 609.571.2487 | Email: [email protected] TELEVISION PRODUCTION PROFESSIONAL – ANIMATION FOCUS v Highly motivated and experienced production professional seeks to transform a demonstrated record of success and achievement into a career role with a dynamic, challenging media company. v Well versed in contributing independent initiative to coordinate and execute production support functions for renowned animated sitcoms that include Archer, Cassius and Clay, Chozen, Unsupervised, and Aqua Teen Hunger Force; skilled in the management of off-site vocal talent and agencies. v Expansive technical expertise in a full spectrum of software applications spanning Adobe Flash, Toonboom Harmony, Adobe Photoshop, Adobe Illustrator, Maya, and Adobe Premiere. v A self-motivated achiever known for the ability to communicate effectively and apply excellent organizational and time management skills to accomplish objectives. Areas of Expertise Television Production • Animation • Casting/Recording Sessions • Scripts and Breakdowns • Collaboration Scene Layout • Illustration • Staff Training • Managing Outside Agencies EXPERIENCES AND ACHIEVEMENTS FLOYD COUNTY PRODUCTIONS, ATLANTA, GA (2011 to 2015) AssoCiate ProduCer – ArCher / Cassius and Clay (FX) A demonstrated record of success and achievement at this Atlanta-based production company, marked by a series of promotions to positions of increased influence, authority, and accountability. As Associate Producer, fulfilled a critical role coordinating production efforts in support of the programs Archer and Cassius and Clay for broadcast on the FX Network, with a focus on scheduling casting and recording sessions, organizing scripts and breakdowns, reviewing edits, and delivering the final product to clients. § Facilitated the flow of key information and communications between Floyd County producers and off-site vocal talent, engaging with agents and making all necessary arrangements to remit payments to voice actors.
    [Show full text]
  • PRODUCTION the FX Network Is Directly Involved in the Production Of
    PRODUCTION The FX Network is directly involved in the production of all their shows through either the FX Production Company or Fox 21. These are two production studios owned and operated by Fox. The level of involvement and preparation that each show requires, however, varies greatly. For example, “It’s Always Sunny in Philadelphia” was created by Rob McElhenney, Glenn Howerton and Charlie Day with only a handheld video camera and a $200.00 budget (http://www.tvovermind.com/tv-news/comedy-central- grabs-its-always-sunny-in-philadelphia-for-syndication/11728). These men are responsible for the creative development and they also star in the show. Despite such an inconspicuous conception, it has become wildly successful, and owns the primetime 10pm spot on FX’s Thursday night lineup. In contrast with “Sunny’s” hands-off production, it takes one month to create an episode of Archer. FX employs Floyd County Productions in Atlanta Georgia for creating concept sketches, and Trinity Animation in Kansas for translating them into three-dimensional images. Then animators and illustrators storyboard the entire episode and apply the voices of the actors, recorded in Hollywood. The actors are removed from the experience beyond recording their voice (http://www.youtube.com/watch?v=9ZdJX1jDcYI). FX partners with production companies beyond those owned by FOX. To produce “It’s Always Sunny” FX collaborates with Bluebush Productions, 3 Art Entertainment, RCH, and Sunny Television Productions (http://www.imdb.com/title/tt0472954/). RCH and Sunny Television Productions deal solely with “It’s Always Sunny”. Bluebush Productions works exclusively with FX shows and it has helped shepherd “Damages” and “30 Days” to the air as well (http://www.imdb.com/title/tt0472954/).
    [Show full text]
  • DOCUMENT RESUME ED 116 647 IR 002 887 Fleming, Lois D
    DOCUMENT RESUME ED 116 647 IR 002 887 AUTHOR Fleming, Lois D., Comp. TITLE Proceedings of the Conference "Adult Basic Education and Public Library Service", June 5-6, 1974, Miami Springs, Florida, INSTITUTION Florida State Library, Tallahassee. SPONS AGENCY Florida Dept. of State, Tallahassee. Div. of Library Services.; Florida State Dept. of Education, Tallahassee. Div. of Vocational, Technical and Adult Education. PUB DATE 74 NOTE 165p. EDRS PRICE 3F-$0.76 HC-$8.24 Plus Postage ,DESCRIPTORS *Adult Basic Education; *Conference Reports; Interagency Co'operation; Library Cooperation; *Library Extension; *Library Role; Library Services; Outreach Programs; *Public Libraries; Rural Areas; Tables (Data) IDENTIFIERS Florida ABSTRACT The State Library of Florida sponsored a conference in 1974 to provide an interchange of ideas between public libraries and specialists in adult basic education (ABE). Nine papers were given covering existing ABE programs, the role of libraries in ABE, how to find and evaluate materials, and methods of interagency cooperation. Nine appendixes include a bibliography of bibliographies, a 72-item bibliography of books from the State Library of Florida concerned with adult education and literacy, a listing of over 200 ABE materials, information from the Appalachian Adult Education Center, and a list of library programs in ABE. (DS) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document.
    [Show full text]