Chet Baker (23.12.1929-13.05.1988) 21.12.2019 22:06-24:00 Uhr ======Musikredaktion Und Moderation: Andreas Müller-Crepon

Total Page:16

File Type:pdf, Size:1020Kb

Chet Baker (23.12.1929-13.05.1988) 21.12.2019 22:06-24:00 Uhr ======Musikredaktion Und Moderation: Andreas Müller-Crepon Late Night Jazz: Chet Baker (23.12.1929-13.05.1988) 21.12.2019 22:06-24:00 Uhr =============================================================================================== Musikredaktion und Moderation: Andreas Müller-Crepon Als junger Musiker wird er zur Ikone des Cool Jazz, eine Art James Dean der Musik. Schnell leben, jung sterben, war dessen Devise. Chet Baker's Leben (mit und manchmal ohne Drogen) dauerte doch knapp neunundfünfzig Jahre, bis zu seinem tragischen und skandalumwitterten Sturz aus einem Hotelfenster in Amsterdam. Sein musikalisches Erbe aber strahlt weiter - als Sänger wie als Trompeter. Titel: Komponist Interpreten Label CD-Titel A LITTLE DUET Chet Baker CHET BAKER Columbia 1953 Chet Baker with strings LOVE WALKED IN Chet Baker CHET BAKER Columbia 1953 Chet Baker with strings MY FUNNY Richard CHET BAKER Pacific 1954 LET'S GET LOST - THE BEST VALENTINE Rodgers OF CHET BAKER SINGS MY FUNNY Richard MILES DAVIS Columbia 1956 The Complete Columbia VALENTINE Rodgers Recordings I'LL REMEMBER Gene De Paul CATERINA VALENTE & Emarcy 1956 'Compact Jazz - Chet Baker' APRIL CHET BAKER EVERYTHING Hoagy BILL EVANS Verve Bill Evans: Trio 64 HAPPENS TO ME Carmichael Recor EVERYTHING Matt Dennis CHET BAKER Barclay 1955 IN PARIS COMPLETE HAPPENS TO ME BARCLAY SESSIONS LOVE ME OR LEAVE Walter GERRY MULLIGAN Pacific Jaz 1952 The Best of the Gerry ME Donaldson QUARTET Mulligan Quartet with Chet Baker THE DUKE Dave Brubeck DAVE BRUBECK CBS 1958 Dave Brubeck: Dave Brubeck's Greatest Hits I'M BEGINNING TO Duke Ellington GERRY MULLIGAN Pacific Jaz 1953 The Best of the G.M. 4 with SEE THE LIGHT Chet Baker LINE FOR LYONS Gerry Mulligan STAN GETZ Verve 1983 The Stockholm Concerts WHO'S GOT Gerry Mulligan GERRY MULLIGAN Ver ve 1959 Gerry Mulligan meets Ben RHYTHM Webster LET'S GET LOST Jimmy CHET BAKER Gambit 1954 The Complete Original Chet McHugh Baker Sings Sessions MY MELANCHOLY Ernie Burnett CHET BAKER Timeless 1986 Chet Baker: As time goes by. BABY Re Love Songs NIGHTFALL Charlie Haden DIEGO IMBERT Trebim 2017 Tribute To Charlie Haden Musi NIGHT BIRD Enrico CHET BAKER - ENRICO EGEA 1980 SOFT JOURNEY Pieranunzi PIERANUNZI PARISIAN Bud Powell CLIFFORD BROWN & MAX Verve 1954 'Clifford Brown and Max THOUROGHFARE ROACH Roach' WHAT'S NEW Bob Haggart HELEN MERRILL Lonehilljaz 1954 HELEN MERRILL WITH CLIFFORD BROWN MOVE Denzil Best CHET BAKER & STAN Pacific Jaz 1953 'Chet Baker & Stan Getz - GETZ West Coast Live' at 'The Haig' Lo MY FUNNY Richard CHET BAKER ENJA 1988 The Great Last Concert Vol 2 VALENTINE Rodgers WALTZ FOR WALT Minako WALTER NORRIS Concord 1990 Live at Maybeck Recital Hall Tanahashi- Tokuyama TOPSY Eddie Durham LEE KONITZ Atlantic 1955 Lee Konitz with Warne Marsh STAR EYES Don Raye CHET BAKER RCA 1962 Chet Baker: The Italian Sessions STOLEN MOMENTS Oliver Nelson PHIL WOODS EMI 1968 Americans swinging in Paris .
Recommended publications
  • Primoz Bioeng
    Guitar player Primož Graši č was born in 1968 in Kranj, Slovenia. After high school in Kranj he went abroad and studied guitar at the Klagenfurt Conservatirium. Very soon jazz bands and orchestras became aware of the young but very talented musician and so after his studies he imediately became a member of the “Greentown Jazz Band”.' He was then cooperating with the “Dixieland” band from Kranj. His music career flurished after this and we can only share his biggest achievements with you. In the years 1991 – 93 he was a member of the “Ugrin-Divjak Quintet” and has regularly been cooperating with the “Big Band of RTVS (Radio Television Slovenia)” since 1992 he is also a member of “Boško Petrovi č's All Stars Band”, of “Ratko Divjak's Ensemble ”, the “Dominik Kranj čan Quartet”, “SLO Jazz Project” and has been cooperating as a studio musician at many recordings of such bands as the “Big Band RTVS”, the “Big Orchestra” and the “Symphonic Orchestra of RTVS”, the “New Swing Quartet”, “Vocal Art”, “Alenka Godec”, “Darja Švajger”, “Janez Bon čina”, “Marta Zore”… Since April 1998 he has been a full-time member of “Big Band RTV Slovenija” and the “Big Orchestra of RTV Slovenija”. In cooperation with Janez Bon čina-Ben č he has received two awards for his arrangements from International Professional Juries. In 1995 he was nominated for the musical award “Zlati petelin” (Golden Rooster) for the best arrangement of a foreign song. He was then cooperating with the “Jože Privšek Orchestra” at concerts in Portorož and in Ljubljana’s “Cankarjev Dom ” and also as a studio musician at their recordings of more than sixty albums.In July 1993 he was performing at one of the biggest jazz festivals in Europe, in Perrugia,Italy.
    [Show full text]
  • Chet Baker Pretty/Groovy Mp3, Flac, Wma
    Chet Baker Pretty/Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty/Groovy Country: US Released: 1958 MP3 version RAR size: 1735 mb FLAC version RAR size: 1189 mb WMA version RAR size: 1592 mb Rating: 4.8 Votes: 397 Other Formats: APE FLAC WMA MP2 AUD AIFF APE Tracklist A1 Look For The Silver Lining A2 Time After Time A3 Travelin' Light A4 My Funny Valentine A5 There Will Never Be Another You A6 The Thrill Is Gone A7 But Not For Me B1 Band Aid B2 The Lamp Is Low B3 Carson City Stage B4 Long Ago And Far Away B5 Easy To Love B6 Winter Wonderland B7 Batter Up Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Saxophone – Bill Perkins Trumpet – Chet Baker Notes Plain labels with writing on both sides. Barcode and Other Identifiers Matrix / Runout: Side A : PJ-ST-774 H Matrix / Runout: Side B : PJ-ST-775 H Other versions Category Artist Title (Format) Label Category Country Year Chet Pretty/Groovy (LP, World Pacific WP-1249 WP-1249 US 1958 Baker Comp) Records Chet Pretty/Groovy (LP, LPM 2082 Music LPM 2082 Italy Unknown Baker Comp) TOCJ-9443, Chet Pretty / Groovy (CD, World Pacific, TOCJ-9443, Japan 2002 WP-1249 Baker Comp, Ltd, RE, RM) World Pacific WP-1249 World Pacific K18P-9262, Chet Pretty/Groovy (LP, K18P-9262, Records, Japan 1983 WP-1249 Baker Comp, RE) WP-1249 Pacific Jazz World Pacific PJ 1249, Chet Pretty/Groovy (LP, PJ 1249, Records, Japan 1991 PJ-1249 Baker Comp, Mono, RE) PJ-1249 Pacific Jazz Related Music albums to Pretty/Groovy by Chet Baker Chet Baker - The Thrill Is Gone My Ideal Chet Baker - Baker's Holiday: Chet Baker Sings And Plays Billie Holiday Chet Baker - The Best Of Chet Baker Matt Dusk - My Funny Valentine: The Chet Baker Songbook Chet BAKER - Sings and plays with bud shank russ freeman and strings Chet Baker - Deep In A Dream - The Ultimate Chet Baker Collection Chet Baker - Chet Baker Chet Baker - Chet Baker In Tokyo Chet Baker - The Very Best Of Chet Baker Chet Baker Quartet - Chet Baker Quartet.
    [Show full text]
  • Discography of the Mainstream Label
    Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet
    [Show full text]
  • BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
    BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
    BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
    [Show full text]
  • COMPLETE CATALOG with All Information
    Available Pat Martino transcription books: PM #1 € 9,95/$ 15,95 Pat Martino: Solos 1968-1974 Bebop & Beyond: Sideman Years I (40 pages) PM #2 € 9,95/$ 15,95 Pat Martino: Solos 1963-1964 Swing To Bop: Sideman Years II (42 pages) PM #3 € 9,95/$ 15,95 Pat Martino: Solos 1964/1965 More Swing To Bop: Sideman Years III (38 pages) PM #4 € 9,95/$ 15,95 Pat Martino: Solos 1965 - 1967 Organ Standards: Sideman Years IV (41 pages) PM #5 € 9,95/$ 15,95 Pat Martino: Solos 1973-1977 In The Seventies: Sideman Years V (43 pages) PM #6 € 9,95/$ 15,95 Pat Martino: EL HOMBRE [1967] (34 pages) PM #7 € 9,95/$ 15,95 Pat Martino: STRINGS! [1967] (27 pages) PM #8 € 9,95/$ 15,95 Pat Martino: EAST! [1968] (35 pages) PM #9 € 9,95/$ 15,95 Pat Martino: FOOTPRINTS [1972] (36 pages) PM #10 € 9,95/$ 15,95 Pat Martino: LIVE! [1972] (29 pages) PM #11 € 9,95/$ 15,95 Pat Martino: CONSCIOUSNESS [1974] (38 pages) PM #12 € 9,95/$ 15,95 Pat Martino: WE'LL BE TOGETHER AGAIN [1976] (34 pages) PM #13 € 9,95/$ 15,95 Pat Martino: JOYOUS LAKE [1976] (32 pages) PM #14 € 14,95/$ 22,95 Pat Martino: THE RETURN [1987] (58 pages) PM #15 € 5,95/$ 8,95 P.M.'s solos on Bob Kenmotsu's BRONX TALE [1994] (17 pages) PM #16 € 9,95/$ 15,95 Pat Martino: INTERCHANGE [1994] (44 pages) PM #17 € 9,95/$ 15,95 Pat Martino: NIGHTWINGS [1994] (32 pages) PM #18 € 9,95/$ 15,95 Pat Martino: THE MAKER [1994] (32 pages) PM #19 € 9,95/$ 15,95 Pat Martino: STONE BLUE [1998] (36 pages) PM #20 € 9,95/$ 15,95 Pat Martino: EXIT [1976] (35 pages) PM #21 € 19,95/$30,95 Pat Martino: LIVE AT YOSHI's [2000] (70 pages) PM
    [Show full text]
  • Late Night Jazz: Frühling
    Late Night Jazz: Frühling Samstag, 14. April 2018, 22.05 - 24.00 Uhr Nach langen Monaten in denen es früh dunkel wurde und wir uns im Haus verschanzten, lässt der Frühling nicht nur sein Blaues Band durch die Lüfte wehen. Sondern er lässt unsere Herzen leicht werden und die Haut warm, das Gemüt heiter und den Kopf frei, kurz: Er lässt uns wieder uns selber sein, draussen an der Sonne, mit Amselgesang im Ohr! Das haben viele Songschreiber auch so oder ähnlich gespürt, und ihre Empfindungen in Wort und Ton gefasst. 26 Spring Songs in Late Night Jazz. Redaktion: Beat Blaser Moderation: Annina Salis Gerry Mulligan Quartet: Compact Jazz - Gerry Mulligan ((1996) Label: Mercury Track 8: Spring Is Sprung June Christy: Gone For the Day (1957) Label: Capitol Track 5: Love Turns Winter To Spring J.J. Johnson: The Brass Orchestra (1997) Label: Verve Track 14: Swing Spring Carol Sloane: We'll Meet Again (2009) Label: Arbors Track 10: Spring Will Be A Little Late This Year Karin Krog: Jubilee (1967) Label: Verve Track 10: Spring Affair Stephanie Trick: Live at The Sheldon Concert Hall (2010) Label: TR Track 16: Echoes of Spring Nina Simone: Sugar In My Bowl. The Very Best Of. 1967-1972 (1969) Label: RCA CD 2 Track 4: Another Spring Richard Grooves Holmes: Groove (1961) Label: Pacific Jazz Track 8: Next Spring Duke Ellington: The Piano Player (1968) Label: Storyville Track 8: The River - A Ballet Suite: The Spring Sophie Milman: Make Someone Happy (2007) Laber: Linus Entertainment Track 12: It Might as Well Be Spring John Pizzarelli Trio: Live at Birdland
    [Show full text]
  • Ira Gershwin
    Late Night Jazz – Ira Gershwin Samstag, 15. September 2018 22.05 – 24.00 SRF 2 Kultur Der ältere Bruder des Jahrhundertkomponisten George Gershwin (1898 – 1937) verschwindet hinter dem Genie des jüngeren Gershwin zuweilen etwas. Dabei lieferte er kongeniale Texte zu George Gershwin’s Melodien, zum Beispiel für die Oper «Porgy and Bess». Und nach dem frühen Tod des Bruders arbeitete Ira noch fast fünfzig Jahre weiter. Er schrieb Songtexte zu Melodien von Harold Arlen, Jerome Kern und Kurt Weill, die von Stars wie Barbra Streisand oder Frank Sinatra gesungen wurden. Redaktion: Beat Blaser Moderation: Annina Salis Sonny Stitt - Verve Jazz Masters 50 (1959) Label: Verve Track 01: I Got Rhythm Judy Garland - A Star Is Born (1954) Label: Columbia Track 03: Gotta Have Me Go with You Benny Goodman Sextet - Slipped Disc 1945 – 1946 (1945) Label: CBS Track 12: Liza Cab Calloway and His Orchestra - 1942-1947 (1945) Label: Classics Records Track 07: All at Once Ira Gershwin & Kurt Weill - Tryout. A series of private rehearsal recordings (1945) Label: DRG Track 07: Manhattan (Indian Song) Oscar Peterson Trio - The Gershwin Songbooks (1952) Label: Verve Track 06: Oh, Lady Be Good Ella Fitzgerald - Get happy! (1959) Label: Verve Track 02: Cheerful Little Earful Artie Shaw - In the Beginning (1936) Label: HEP Records Track 03: I Used to Be Above Love Stan Getz - West Coast Jazz (1955) Label: Verve Track 08: Of Thee I Sing Judy Garland - A star is born (1954) Label: Columbia Track 16: Here's What I'm Here For The Four Freshmen - The Complete Capitol Four
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. MARIAN McPARTLAND NEA Jazz Master (2000) Interviewee: Marian McPartland (March 20, 1918 – August 20, 2013) Interviewer: James Williams (March 8, 1951- July 20, 2004) Date: January 3–4, 1997, and May 26, 1998 Repository: Archives Center, National Museum of American History Description: Transcript, 178 pp. WILLIAMS: Today is January 3rd, nineteen hundred and ninety-seven, and we’re in the home of Marian McPartland in Port Washington, New York. This is an interview for the Smithsonian Institute Jazz Oral History Program. My name is James Williams, and Matt Watson is our sound engineer. All right, Marian, thank you very much for participating in this project, and for the record . McPARTLAND: Delighted. WILLIAMS: Great. And, for the record, would you please state your given name, date of birth, and your place of birth. McPARTLAND: Oh, God!, you have to have that. That’s terrible. WILLIAMS: [laughs] McPARTLAND: Margaret Marian McPartland. March 20th, 1918. There. Just don’t spread it around. Oh, and place of birth. Slough, Buckinghamshire, England. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 WILLIAMS: OK, so I’d like to, as we get some of your information for early childhood and family history, I’d like to have for the record as well the name of your parents and siblings and name, the number of siblings for that matter, and your location within the family chronologically. Let’s start with the names of your parents.
    [Show full text]
  • Blues in the Blood a M U E S L B M L E O O R D
    March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz.
    [Show full text]