Managing Media
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20130218 Technical White Paper.Bw.Jp
Sending, Storing & Sharing Video With latakoo © Copyright latakoo. All rights reserved. Revised 11/12/2012 Table of contents Table of contents ................................................................................................... 1 1. Introduction ...................................................................................................... 2 2. Sending video & files with latakoo ...................................................................... 3 2.1 The latakoo app ............................................................................................ 3 2.2 Compression & upload ................................................................................. 3 2.3 latakoo minutes ............................................................................................ 4 3. The latakoo web interface .................................................................................. 4 3.1 Web interface requirements .......................................................................... 4 3.2 Logging into the dashboard .......................................................................... 4 3.3 Streaming video previews ............................................................................. 4 3.4 Downloading video ...................................................................................... 5 3.5 latakoo Pilot ................................................................................................. 5 3.6 Search and tagging ...................................................................................... -
List of Search Engines
A blog network is a group of blogs that are connected to each other in a network. A blog network can either be a group of loosely connected blogs, or a group of blogs that are owned by the same company. The purpose of such a network is usually to promote the other blogs in the same network and therefore increase the advertising revenue generated from online advertising on the blogs.[1] List of search engines From Wikipedia, the free encyclopedia For knowing popular web search engines see, see Most popular Internet search engines. This is a list of search engines, including web search engines, selection-based search engines, metasearch engines, desktop search tools, and web portals and vertical market websites that have a search facility for online databases. Contents 1 By content/topic o 1.1 General o 1.2 P2P search engines o 1.3 Metasearch engines o 1.4 Geographically limited scope o 1.5 Semantic o 1.6 Accountancy o 1.7 Business o 1.8 Computers o 1.9 Enterprise o 1.10 Fashion o 1.11 Food/Recipes o 1.12 Genealogy o 1.13 Mobile/Handheld o 1.14 Job o 1.15 Legal o 1.16 Medical o 1.17 News o 1.18 People o 1.19 Real estate / property o 1.20 Television o 1.21 Video Games 2 By information type o 2.1 Forum o 2.2 Blog o 2.3 Multimedia o 2.4 Source code o 2.5 BitTorrent o 2.6 Email o 2.7 Maps o 2.8 Price o 2.9 Question and answer . -
Realplayer 8 Plususer Manual
REALPLAYER 8 PLUS USER MANUAL Information in this document is subject to change without notice. No part of this document may be reproduced or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the express written permission of RealNetworks, Inc. RealPlayer 8 Plus User Manual, Revision 1.0 ©RealNetworks, Inc. 2000 The RealPlayer, RealNetworks, RealJukebox, RealMedia, Real.com, Real.com Take 5, RealSystem, RealAudio, Sure Stream, RealProducer, RealVideo, RealText, RealPix, RealServer, and the Real logo are trademarks or registered trademarks of RealNetworks, Inc. All other products and companies listed herein are trademarks or registered trademarks of their respective owners. RealPlayer User Education Team: Harold Gross (lead), Alan Bedard, Jacquelin Vanderwood (artist). RealNetworks, Inc. 2601 Elliott Avenue Seattle, WA 98121 USA Corporate Information, Servers, and Tools http://www.realnetworks.com Consumer Software and Content http://www.real.com Technical Support and Customer Service http://service.real.com TABLE OF CONTENTS ABOUT THIS MANUAL 1 Document Conventions.........................................................2 1 INSTALLING REALPLAYER 3 System Requirements............................................................3 PC (Windows based computer).........................................3 Minimal Computer.................................................3 Recommended Computer.......................................3 Macintosh........................................................................4 -
000 Front Spine Back-12-08 V2.Indd
CAMCORDERS 259 800.947.1175 | 212.444.6675 Quick Dial: 813 Intro & Media CAMCORDER FORMAT GUIDE DV/MiniDV: The DV format uses 500 lines of horizontal resolution to digitally record video Hard Disk Drive (HDD): HDD camcorders record digitally onto an internal hard drive, onto standard and MiniDV-size magnetic tape. It has become one of the standards for consumer similar to a home computer. The HDD camcorders that carry large hard drives (40GB+) offer and semi-professional video production. Along with intraframe compression for easier editing, very long recording times, which will vary depending on the selected resolution setting (HQ this format features the digital interface port known as FireWire, IEEE 1394 or i-Link. Located or LP). Generally, about one hour of standard video (SP) will consume 12.6GB of hard-drive on camcorders and VTR’s, this port allows you to transfer your recordings digitally to another DV space. device or to a computer’s non-linear editing system without signal loss. HDV: This high-definition format records video onto MiniDV magnetic tapes. Various HDV DVD: This consumer format records directly onto 3" (8 cm) DVD media, with convenient, easy camcorders offer HD recording in 1280 x 720p (progressive) or 1980 x 1080i (interlaced) playback on most home DVD players and computers. DVD discs come in three types: DVD-R resolutions, using 4:2:0 color sampling. HDV uses MPEG-2 video compression, a highly- (write-once) or -RW (rewritable); DVD+R or +RW; and DVD-RAM. The DVD minus series requires compressed video signal, with MPEG-1 audio compression (16-bit stereo). -
EBU Tech 3298-2004 an EBU Routemap to High Definition (HD)
EBU - Tech 3298 An EBU ‘route map’ to high definition (HD) Geneva October 2004 EBU Tech 3298-E An EBU ‘ROUTE MAP’ TO HIGH DEFINITION (HD1) October 2004 PREPARING FOR HIGH DEFINITION Photo DW/EBU off screen shot of Sony HD display. 1 What exactly does ‘High Definition’ mean? It is an area of technical quality with noticeably sharper pictures than ‘Standard Definition’. There are, however, alternative views about where the boundaries lie, and often definitions are ambiguous. The EBU Technical Committee uses the term in the same sense as the current pan European discussions on minimum requirements for HD-ready displays, founded on a minimum vertical resolution of 720 pixels, equivalent horizontal resolution, and a 16:9 aspect ratio. EBU Tech 3298-E SUMMARY All EBU television broadcasters need to sensitize themselves to the current situation for High Definition Television (HD). Equipment is already being sold that will allow the public to experience HD1. HD digital satellite multi-channel services begin in earnest in 2005 or 2006 in Europe from Premiere, TF1, and BSkyB. When they do, the public may find current broadcast quality inadequate - though there is clearly much more to be considered when deciding on HD broadcasting. In this report we look at the background to the current situation, the choices and decisions that need to be made, and suggest a series of near term actions that EBU Members should take. More information is provided in Annexes. 1. Suggested Strategy for the near term for EBU Members The following is a list of some of the steps EBU Members should consider. -
Digital Audio in the Library
University of Pennsylvania ScholarlyCommons Scholarship at Penn Libraries Penn Libraries 6-1-2006 Digital Audio in the Library Richard Griscom University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/library_papers Part of the Library and Information Science Commons Recommended Citation Griscom, R. (2006). Digital Audio in the Library. Retrieved from https://repository.upenn.edu/ library_papers/5 Unpublished, incomplete book manuscript. Version 1.11 (19 July 2006) HTML version is also available. This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/library_papers/5 For more information, please contact [email protected]. Digital Audio in the Library Abstract An incomplete draft of a book intended to serve as a guide and reference for librarians who are responsible for implementing digital audio services in their libraries. The book is divided into two parts. Part 1, "Digital Audio Technology," covers the fundamentals of recorded sound and digital audio, including a description of digital audio formats, how digital audio is delivered to the listener, and how digital audio is created. Part 2, "Digital Audio in the Library," covers digitizing local collections, providing streaming audio reserves, and using digital audio to preserve analog recordings. Keywords digital, audio, digital audio, libraries, library Disciplines Library and Information Science Comments Unpublished, incomplete book manuscript. -
User Manual Thank You for Choosing Ross
Mira/Mira+ User Manual Thank You For Choosing Ross You've made a great choice. We expect you will be very happy with your purchase of Ross Technology. Our mission is to: 1. Provide a Superior Customer Experience • offer the best product quality and support 2. Make Cool Practical Technology • develop great products that customers love Ross has become well known for the Ross Video Code of Ethics. It guides our interactions and empowers our employees. I hope you enjoy reading it below. If anything at all with your Ross experience does not live up to your expectations be sure to reach out to us at [email protected]. David Ross CEO, Ross Video [email protected] Ross Video Code of Ethics Any company is the sum total of the people that make things happen. At Ross, our employees are a special group. Our employees truly care about doing a great job and delivering a high quality customer experience every day. This code of ethics hangs on the wall of all Ross Video locations to guide our behavior: 1. We will always act in our customers' best interest. 2. We will do our best to understand our customers' requirements. 3. We will not ship crap. 4. We will be great to work with. 5. We will do something extra for our customers, as an apology, when something big goes wrong and it's our fault. 6. We will keep our promises. 7. We will treat the competition with respect. 8. We will cooperate with and help other friendly companies. 9. -
Xbox Media Player 2.4
Xbox media player 2.4 Index 1. Introduction ............................4 1.1 The XboxMediaPlayer Project 4 1.2 History 4 1.3 Features 5 2. Basic installation ......................6 2.1 Set up the config.xml file 6 2.2 Using from HDD 9 2.3 Using from CD/DVD 9 2.4 Using XBMP as a Dashboard 9 2.5 Controller Setup 10 2.6 DVD Remote Setup 11 3. Optional Features ................... 13 3.1 Relax XNS Server 13 3.2 SMB Shares 14 3.3 XBMSP 15 3.4 FTP Server 16 3.5 ISO 9660 16 3.6 File/Folder Thumbnails 16 3.7 Subtitles 17 3.8 Filename Filters 17 3.9 Multi File Stacking 17 3.10 DLL Codec's 18 3.11 IMDb support 18 3.12 Skins 18 4. My Programs.......................... 19 4.1 Shortcuts 19 4.2 Program Bookmarks 20 4.3 Hierarchy Flattening 20 5. My Music .............................. 21 5.1 Playlist 21 5.2 Shoutcast 22 5.3 Audio Visualizations 22 6. My Pictures ........................... 23 6.1 Slideshow 23 6.2 Using Background Music 23 7. My Videos ............................. 24 7.1 During Playback 24 7.2 Control Panel 25 7.3 On Screen Display (OSD) 25 7.4 Video bookmarks 25 7.5 Playlist 25 7.6 IMDb Information 25 8. Settings ............................... 26 8.1 Decoder 26 8.2 General 27 8.3 Screen 28 8.4 Slideshow 29 8.5 Sound 29 8.6 System 29 9. Advanced Configuration............ 30 9.1 Fine Tuning XBMP 30 9.2 Upgrading XBMP 31 10. -
Challenges and Opportunities of Broadcast-Broadband Convergence and Its Impact on Spectrum and Network Use
Challenges and opportunities of broadcast-broadband convergence and its impact on spectrum and network use FINAL REPORT A study prepared for the European Commission DG Communications Networks, Content & Technology by: Digital Agenda for Europe This study was carried out for the European Commission by Plum Consulting London LLP and Farncombe Consulting Group Authors: David Lewin, Phillipa Marks, Yi Shen Chan (Plum) William Webb (webbsearch) Chris Chatzicharalampous, Tim Jacks (Farncombe) Internal identification Contract number: 30-CE-0607487/00-85 SMART 2013/0014 DISCLAIMER By the European Commission, Directorate-General of Communications Networks, Content & Technology. The information and views set out in this publication are those of the author(s) and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. ISBN 978-92-79-38601-5 DOI: 10.2759/52766 © European Union, 2014. All rights reserved. Certain parts are licensed under conditions to the EU. Table of Contents Abstract..................................................................................................................................................... 1 Résumé .................................................................................................................................................... 2 Zusammenfassung -
An EBU ‘Route Map’ to High Definition (HD)
EBU - Tech 3298 An EBU ‘route map’ to high definition (HD) Geneva October 2004 EBU Tech 3298-E An EBU ‘ROUTE MAP’ TO HIGH DEFINITION (HD1) October 2004 PREPARING FOR HIGH DEFINITION Photo DW/EBU off screen shot of Sony HD display. 1 What exactly does ‘High Definition’ mean? It is an area of technical quality with noticeably sharper pictures than ‘Standard Definition’. There are, however, alternative views about where the boundaries lie, and often definitions are ambiguous. The EBU Technical Committee uses the term in the same sense as the current pan European discussions on minimum requirements for HD-ready displays, founded on a minimum vertical resolution of 720 pixels, equivalent horizontal resolution, and a 16:9 aspect ratio. EBU Tech 3298-E SUMMARY All EBU television broadcasters need to sensitize themselves to the current situation for High Definition Television (HD). Equipment is already being sold that will allow the public to experience HD1. HD digital satellite multi-channel services begin in earnest in 2005 or 2006 in Europe from Premiere, TF1, and BSkyB. When they do, the public may find current broadcast quality inadequate - though there is clearly much more to be considered when deciding on HD broadcasting. In this report we look at the background to the current situation, the choices and decisions that need to be made, and suggest a series of near term actions that EBU Members should take. More information is provided in Annexes. 1. Suggested Strategy for the near term for EBU Members The following is a list of some of the steps EBU Members should consider.