H T L A E H D R O F N A T S

FROSTNIXON Palo Alto’s best address.

Located steps from downtown Palo Alto and University Avenue and just blocks from Stanford, Webster House offers you world-class community living. The area is perfect for exploring by foot with museums, performances, dining, shopping, and galleries all close at hand.

An intimate Life Plan Community, Webster House makes it easy for you to stay connected to the culture, academia, and vibrancy of Palo Alto while enjoying convenient services and security for the future.

Explore your options and learn more about moving to Webster House. For information, or to schedule a visit, call 650.838.4004.

covia.org/webster-house 401 Webster St, Palo Alto, CA 94301

A not-for-profit community owned and operated by Covia. License No. 435202504 COA# 328 January 2019 Volume 50, No. 5 About TheatreWorks Silicon Valley

Welcome to TheatreWorks Silicon Valley and our 49th season of award-winning theatre! Led by Founding Artistic Director Robert Kelley and Executive Director Phil Santora, TheatreWorks Silicon Valley presents a wide range of productions and programming throughout the region. Founded in 1970, we continue to celebrate the human spirit and the diversity Paul Heppner of our community, presenting contemporary plays and musicals, revitalizing President great works of the past, championing arts education, and nurturing new Mike Hathaway works for the American theatre. TheatreWorks has produced 70 world Senior Vice President premieres and over 160 US and regional premieres. In the 2018/19 season, Kajsa Puckett we add the world premiere of Hershey Felder: A Paris Love Story and five Vice President, Sales & Marketing more regional premieres to our résumé. Genay Genereux TheatreWorks’ 2017/18 season included the world premieres of The Four Accounting & Office Manager Immigrants: An American Musical Manga and The Prince of Egypt, as well as Production regional premieres of Constellations, Our Great Tchaikovsky, Skeleton Crew, Susan Peterson and Finks. In the course of the year, shows that debuted here were produced Vice President, Production at theatres around the world. Jennifer Sugden Assistant Production Manager With an annual operating budget of $9 million, TheatreWorks produces eight mainstage productions at the Lucie Stern Theatre in Palo Alto and the Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Mountain View Center for the Performing Arts, and a special add-on holiday production at the Lohman Theatre on the campus of Foothill College in Sales Los Altos. Seventeen years ago, we launched the New Works Initiative, Amelia Heppner, Marilyn Kallins, Terri Reed dedicating ourselves to the development of new plays and musicals. The San Francisco/Bay Area Account Executives ENCORE Initiative has since supported over 160 new works through retreats, work- Palo Alto’s best address. Devin Bannon, Brieanna Hansen, Ann Manning shops, staged readings, developmental productions, and the annual New Seattle Area Account Executives Works Festival, inspiring The Mercury News to call us ”a premiere breeding Carol Yip ground for new musicals, which has put the company on the national map.” Located steps from downtown Palo Alto and University Avenue and Sales Coordinator TheatreWorks believes in making theatre accessible to the entire Silicon Valley Marketing just blocks from Stanford, Webster House offers you world-class community. Our Education Department reaches on average 20,000 students Shaun Swick community living. The area is perfect for exploring by foot with museums, Senior Designer & Digital Lead from 70 schools in 7 counties annually. It sponsors outreach programs that include the Children’s Healing Project at Lucile Packard Children’s Hospital, performances, dining, shopping, and galleries all close at hand. Ciara Caya the Young Playwrights Project, specially-priced student matinees, extensive Marketing Coordinator school tours, post-show discussions, theatre camps, and programs for youth. An intimate Life Plan Community, Webster House makes it easy for you to Encore Media Group For more information on our 2018/19 season, New Works Initiative, and stay connected to the culture, academia, and vibrancy of Palo Alto while 425 North 85th Street Education programs, please visit theatreworks.org or call 650.463.1960. Seattle, WA 98103 enjoying convenient services and security for the future. p 800.308.2898 | 206.443.0445 f 206.443.1246 AFFILIATIONS—TheatreWorks Silicon Valley is a member of the League of Resident Theatres (LORT) and [email protected] operates under agreement between LORT and Actors’ Equity Association (AEA), the union of professional actors Explore your options and learn more about moving to Webster House. For www.encoremediagroup.com and stage managers in the United States. TheatreWorks is a constituent member of Theatre Communications Group, Inc., the national organization for the nonprofit professional theatre. TheatreWorks is a member of the information, or to schedule a visit, call 650.838.4004. National Alliance for Musical Theatre, a national service organization for musical theatre. In addition, TheatreWorks is a member of Theatre Bay Area, the Palo Alto Chamber of Commerce, the Mountain View Encore Arts Programs and Encore Stages are published monthly Chamber of Commerce, and the Los Altos Chamber of Commerce. TheatreWorks’ 2018/19 Season is presented by Encore Media Group to serve musical and theatrical events in cooperation with the City of Mountain View and the City of Palo Alto, Community Services Department, in the Puget Sound and San Francisco Bay Areas. All rights Division of Arts and Sciences. reserved. ©2019 Encore Media Group. Reproduction without written permission is prohibited. The director and choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. The scenic, lighting, costume, and sound designers are mem- bers of United Scenic Artists. This season is supported in part by an award from the National Endowment for the Arts. TheatreWorks Silicon Valley is a proud home company of the Mountain View covia.org/webster-house Center for the Performing Arts.

401 Webster St, Palo Alto, CA 94301 Garden Court is the official J. LJo. hLro ihsr tihse t hoeff iocfiafilc wiailn we ine hotel of TheatreWorks. of Tohf eTahtreeaWtreoWrkosr.ks. The Mercury News is TheatreWorks’ 20178/189 Season Media Sponsor. Heennggeehhoolldd TTrruucckkss iiss tthhee ooffffiicciiaall ttrruucckkiinngg pprroovviiddeerr ooff TThheeaattrreeWoorrkkss..

A not-for-profit community owned and operated by Covia. License No. 435202504 COA# 328

encoremediagroup.com/programs 3 In this Issue From the Board Chair 3 About TheatreWorks Here we are again—a new calendar year and another opportunity to ponder, through theatre, the challenges our social and political Silicon Valley environment present. Frost/Nixon, based in a past era and yet so poignantly connected to the current one, plunges, rather Get 3 Plays for $120* 5 3 Play Mini Subscription than tiptoes, into the issues of presidential power, its limits and excesses, and the role of the media—heroes or villains, seeking Last chance to get the best price for 7 TW Education Camps truth or ratings? When did the characterization of liberals versus conservatives become so stark? Hershey Felder’s new show! 9 From the Artistic Director How did television influence the nature of journalism and blur the lines between entertainment and investigation? Do we watch to satisfy our need for information 10 About the Play and Playwright or a need for emotional fulfillment? Does reality happen only offline, off-screen, See the final three plays of where things like cameras and makeup and lucrative contracts aren’t part of the process? When Richard Nixon crossed a line, did the line move? this season for just $40 per ticket Frost/Nixon makes it clear that motives matter—they influence the decisions, with premium seating in Section A. participation, and preparation of both interviewer and interviewee, and in the end, the public perception is measured in ratings and reputation. There are winners and losers in the games of media and politics; but these intertwined gameplayers PHOTO COURTESY OF HERSHEY FELDER PRESENTS seem a necessary evil, one that may confirm our prior beliefs or reveal new truths that change our perspective, and possibly our lives. ROOF-RAISING GOSPEL OF ROCK THE MUSIC OF ROMANCE SENSATIONAL COMIC DRAMA Frost/Nixon is an entertaining examination of truth, justice and the ”American Way.” We hope you will find it thought-provoking, perhaps a little disturbing— Hershey Felder ARCHDUKE in the way an echo is fun to hear and yet a little eerie. MARIE AND By Rajiv Joseph We will be announcing our 50th anniversary season soon, and we promise it ROSETTA A PARIS Directed by Giovanna Sardelli too will be full of opportunities to learn, laugh, and bask in music and memories. By George Brant NORTHERN CALIFORNIA PREMIERE Playwright Peter Morgan It’s Robert Kelley’s last season as founding Artistic Director—the capstone of Directed by Robert Kelley LOVE STORY Can one man, one moment, derail a century? 50 years guiding TheatreWorks to become the meaningful experience it is. WEST COAST PREMIERE Featuring the music of Pulitzer Prize finalist and OBIE winner Rajiv 11 The Scandal that Brought You absolutely will want to be there! Tap your feet and shake the rafters with Claude Debussy Joseph takes us back to the flash that this music-filled saga of a soul singer who Written and performed by ignited World War I in this equal parts dark Down the Presidency Sincerely, inspired Elvis and Ray Charles on her way Hershey Felder and comic new play. “First-rate! Humor with a global to the Rock and Roll Hall of Fame. Directed by Trevor Hay LA Times “Hip-shaking!” The NY Times conscience.” Director’s Notes Judy Heyboer WORLD PREMIERE 12 March 6–31, 2019 June 5–30, 2019 Virtuoso pianist and actor Hershey Felder Mtn View Ctr for the Performing Arts Lucie Stern Theatre, Palo Alto takes us on a personal journey though the 13 TheatreWorks Silicon Valley BOARD OF TRUSTEES life and music of Impressionist composer Claude Debussy in a soaring tribute. Judy Heyboer, Chair presents FROST/NIXON “There are no precedents, I must Cabell Chinnis Charlotte Jacobs Barbara Shapiro create anew.” Claude Debussy Bill Coughran Roy Johnson Nancy Ginsburg Stern April 3–May 5, 2019 14 Who’s Who Sarah Donaldson Derry Kabcenell Lynn Szekely-Goode Mtn View Ctr for the Performing Arts Peggy Woodford Forbes Michael Kahn Ewart Thomas 18 Contributors Matt Fuller Julie Kaufman Kristina Vetter Ciro Giammona Robert Kelley Holly Ward Anne Hambly Ellice Papp Lisa Webster 21 TWSV Staff Rose Hau Phil Santora Jane Weston Ron Hayden Loren Saxe Gayla Lorthridge Wood 22 TWSV General Information BOARD EMERITUS Nancy Meyer, Founder • William F. Adler • Edward T. Anderson, MD • Doug Barry • Lauren Berman • Chuck Bernstein • Jayne Booker • Sharon Anthony Bower • Michael Braun • Polly W. Bredt • Bruce C. Cozadd • Jeff Crowe • Peggy Dalal • Yogen Dalal • Jenny Dearborn • Susan Fairbrook • Michael R. Continue the conversation online! Flicker • Dan Garber • Doug Garland • Aaron Gershenberg • Marcia Goldman • Emeri Handler • Larry Horton • Susan M. Huch • Perry A. Irvine • Nancy Lee Jalonen • Lisa Jones • Gina Jorasch • Roberta R. Katz • Tom Kelley • Robin Kennedy • Michael Kwatinetz • Dick Maltzman • Suzanne Martin • Patti theatreworks.org 650.463.1960 McClung • Don McDougall • Bruce McLeod • Cynthia S. Miller • Leslie Murphy-Chutorian • Eileen Nelson • Karen Nierenberg • Carrie Perzow • Carey Pickus • Margot Mailliard Rawlins • John Reis • @TheatreWorksSV Eddie Reynolds • Sandi Risser • Lynn Wilson Roberts • Ray A. Rothrock • Denise Stanford • Rosina Lo Sun • James Sweeney • Cathie Thermond • Helaina Titus • Tzipor Ulman • Robert J. Van der Leest, * Non-refundable. Non-transferable. May not be used on previous purchases. May not be combined with any #FrostNixonTWSV MD • Mark Vershel • Ronni Watson • Elissa Wellikson other offers or discounts. Additional charges may apply to ticket exchanges. Some restrictions may apply.

4 THEATREWORKS Get 3 Plays for $120* Last chance to get the best price for Hershey Felder’s new show!

See the final three plays of this season for just $40 per ticket with premium seating in Section A.

PHOTO COURTESY OF HERSHEY FELDER PRESENTS

ROOF-RAISING GOSPEL OF ROCK THE MUSIC OF ROMANCE SENSATIONAL COMIC DRAMA MARIE AND Hershey Felder ARCHDUKE By Rajiv Joseph ROSETTA A PARIS Directed by Giovanna Sardelli By George Brant NORTHERN CALIFORNIA PREMIERE Directed by Robert Kelley LOVE STORY Can one man, one moment, derail a century? WEST COAST PREMIERE Featuring the music of Pulitzer Prize finalist and OBIE winner Rajiv Tap your feet and shake the rafters with Claude Debussy Joseph takes us back to the flash that this music-filled saga of a soul singer who Written and performed by ignited World War I in this equal parts dark inspired Elvis and Ray Charles on her way Hershey Felder and comic new play. “First-rate! Humor with a global to the Rock and Roll Hall of Fame. Directed by Trevor Hay LA Times “Hip-shaking!” The NY Times conscience.” WORLD PREMIERE March 6–31, 2019 June 5–30, 2019 Virtuoso pianist and actor Hershey Felder Mtn View Ctr for the Performing Arts Lucie Stern Theatre, Palo Alto takes us on a personal journey though the life and music of Impressionist composer Claude Debussy in a soaring tribute. “There are no precedents, I must create anew.” Claude Debussy April 3–May 5, 2019 Mtn View Ctr for the Performing Arts

theatreworks.org 650.463.1960

* Non-refundable. Non-transferable. May not be used on previous purchases. May not be combined with any other offers or discounts. Additional charges may apply to ticket exchanges. Some restrictions may apply.

encoremediagroup.com/programs 5 TheatreWorks Spring & Summer Camps TWSV Events IT’S NOT TOO LATE TO JOIN A.C.T.’S NEXT CHAPTER NOW ON SALE Jan, Feb, Mar With New Artistic Director Pam MacKinnon & New Executive Director Jennifer Bielstein 1/23 @ 11:30am FUTUREWORKS BRUNCH An annual event for those who have remembered TheatreWorks in their estate planning Lucie Stern Ballroom

1/23, 1/30, 2/6 FROST/NIXON POST-SHOW DISCUSSIONS Q & A with the cast and staff following the performance

1/27 @ noon PRODUCER’S BRUNCH In her A.C.T. directorial debut, Artistic Director Meet the Writers’ Retreat Artists and Tony Award winner Pam MacKinnon For Producer Circle donors continues her career-long exploration of SIBLING $10,000+ American theater’s legendary playwright. DISCOUNTS TWSV Green Room

AT THE GEARY AT 2019 23–FEB 17, JAN AVAILABLE! Sobrato Center for Nonprofits

1/27 @ 2:00pm FIVE FUN FACTS WRITERS’ SHOWCASE A fascinating showcase of freshly Campers learn acting, movement, and stage craft skills in a fun, playful, ∂ written drafts of new plays and and engaging way! musicals ∑ Campers make new friends and work together in a team! For Inner Circle donors $1500+ TWSV Rehearsal Hall ∏ Campers learn from TheatreWorks-trained Teaching Artists! Sobrato Center for Nonprofits Campers create a new character to bring to life with their new AT THE GEARY AT 2019 MARCH 6–31, π 2/4 @ 6:00pm AT THE STRAND AT FEB 15–MARCH 31, 2019 by Mfoniso Udofia by Lauren Lee theatrical skills! DINE WITH ARTISTS – ∫ Campers show off all that they have learned during a final presentation FROST/NIXON by Eugène Ionesco for family and friends! For Inner Circle donors $1500+ Translated by Derek Prouse Grades K–6 in Palo Alto, Menlo Park, & Los Altos Ristorante Don Giovanni’s Mountain View $75 per registration SPRING CAMPS April 1–5 in Palo Alto & Menlo Park 3/9 @ 8:00pm SUMMER CAMPS OPENING NIGHT June 3–August 2 6 sessions in Palo Alto, Menlo Park, & Los Altos MARIE AND ROSETTA by Kate Hamill Join us for the excitement of

Based on the novel by William Makepeace Thackeray THE GEARY AT 23, 2019 29–JUN MAY Sibling Discounts (Use code 2SBSIBS @ check-out online) AT THE GEARY AT 12, 2019 APRIL 17–MAY Opening Night and enjoy a A coproduction with Shakespeare Theatre Company Need-based scholarships and extended care are available. post-performance champagne PACKAGES START AT $14 A PLAY REGISTER NOW: theatreworks.org/youth-programs reception with the cast and crew email [email protected] or call 650.463.7146 Lucie Stern Theatre, Palo Alto ACT-SF.ORG/JOIN | 415.749.2228

Untitled-3 1 12/4/18 5:15 PM TheatreWorks Spring & Summer Camps TWSV Events IT’S NOT TOO LATE TO JOIN A.C.T.’S NEXT CHAPTER NOW ON SALE Jan, Feb, Mar With New Artistic Director Pam MacKinnon & New Executive Director Jennifer Bielstein 1/23 @ 11:30am FUTUREWORKS BRUNCH An annual event for those who have remembered TheatreWorks in their estate planning Lucie Stern Ballroom

1/23, 1/30, 2/6 FROST/NIXON POST-SHOW DISCUSSIONS Q & A with the cast and staff following the performance

1/27 @ noon PRODUCER’S BRUNCH In her A.C.T. directorial debut, Artistic Director Meet the Writers’ Retreat Artists and Tony Award winner Pam MacKinnon For Producer Circle donors continues her career-long exploration of SIBLING $10,000+ American theater’s legendary playwright. DISCOUNTS TWSV Green Room

AT THE GEARY AT 2019 23–FEB 17, JAN AVAILABLE! Sobrato Center for Nonprofits

1/27 @ 2:00pm FIVE FUN FACTS WRITERS’ SHOWCASE A fascinating showcase of freshly Campers learn acting, movement, and stage craft skills in a fun, playful, ∂ written drafts of new plays and and engaging way! musicals ∑ Campers make new friends and work together in a team! For Inner Circle donors $1500+ TWSV Rehearsal Hall ∏ Campers learn from TheatreWorks-trained Teaching Artists! Sobrato Center for Nonprofits Campers create a new character to bring to life with their new AT THE GEARY AT 2019 MARCH 6–31, π 2/4 @ 6:00pm AT THE STRAND AT FEB 15–MARCH 31, 2019 by Mfoniso Udofia by Lauren Lee theatrical skills! DINE WITH ARTISTS – ∫ Campers show off all that they have learned during a final presentation FROST/NIXON by Eugène Ionesco for family and friends! For Inner Circle donors $1500+ Translated by Derek Prouse Grades K–6 in Palo Alto, Menlo Park, & Los Altos Ristorante Don Giovanni’s Mountain View $75 per registration SPRING CAMPS April 1–5 in Palo Alto & Menlo Park 3/9 @ 8:00pm SUMMER CAMPS OPENING NIGHT June 3–August 2 6 sessions in Palo Alto, Menlo Park, & Los Altos MARIE AND ROSETTA by Kate Hamill Join us for the excitement of

Based on the novel by William Makepeace Thackeray THE GEARY AT 23, 2019 29–JUN MAY Sibling Discounts (Use code 2SBSIBS @ check-out online) AT THE GEARY AT 12, 2019 APRIL 17–MAY Opening Night and enjoy a A coproduction with Shakespeare Theatre Company Need-based scholarships and extended care are available. post-performance champagne PACKAGES START AT $14 A PLAY REGISTER NOW: theatreworks.org/youth-programs reception with the cast and crew email [email protected] or call 650.463.7146 Lucie Stern Theatre, Palo Alto ACT-SF.ORG/JOIN | 415.749.2228 encoremediagroup.com/programs 7

Untitled-3 1 12/4/18 5:15 PM From Artistic Director Robert Kelley

THEN AND NOW We selected Frost/Nixon for TheatreWorks’ season last January, certain that its focus on the presidency and the media would be relevant no matter what happened in the year to come. That wasn’t a great moment of prophecy, as the play has remained relevant since its first performance and our deeply conflicted America was clearly focused on the drama, trappings, and limits of power—just as we were in the days of the Nixon presidency. What we couldn’t predict, however, was that the intensity of our debate and division would reach a boiling point at this exact moment; that we would join all Americans in wondering, day to day, what the future might hold, what unimagined truths might emerge at any moment, and whether the truth, once known, would actually matter at all. The contentious relationship between the government and the media has always been a feature of American politics. As the tools of reporting have progressed—from broadsides to editorials to tweets, from illustrations to photographs to videos—the intensity and depth of scrutiny of our leaders has dramatically increased. And if readership of the press has declined, viewership of the media has multiplied exponentially. Many believe Richard Nixon was the first President to be deeply affected by television, and it seems only appropriate that our exploration of his most extensive TV interviews should include significant use of video and projections as well. Director Leslie Martinson and Scenic/Media Designer David Lee Cuthbert have made Frost/Nixon one of our most ambitious video-embracing shows to date, demonstrating that the theatre is another form of media as well. Current politics aside, Frost/Nixon offers an intimate, engaging exploration of both the lure and the limits of power and denial. Self-deception is common to all of us. We are tempted to weigh our failures against our successes and find in our own favor. Spin can be a personal as well as a public function. But for a world leader, failure may be impossible to accept or acknowledge. Richard Nixon’s fall from power was precipitated by the persistence of a fiercely determined free press; his acceptance of his own role in that fall was left to an insouciant David Frost, an easygoing but ambitious entertainer looking to restore his ratings. If no one will ever fully know the psychology of each man, master playwright Peter Morgan paints a believable, enlightening, and thoroughly entertaining portrait of these combatants as they circle, Connecting you to the best feint, prod, and finally arrive at the truth. After decades to learn from the past, to contemplate our belief that the truth of the peninsula. will eventually come out, we’re left with one question: could such honesty possibly happen today?

Pacific Grove is known for fresh breezes, small town charm, and relaxed living and Canterbury Woods gives you easy access to these pleasures. We’re Join us as Kelley announces known for convenient services, welcome comforts and health care services his final season! that provide you security for the future.

Get to know us and learn more about moving to Canterbury Woods. For information, or to schedule a visit, call 831.657.4224.

2019/20 SEASON RELEASE PARTY Monday, February 11 6:00pm Doors open covia.org/canterbury-woods 7:00pm Artistic Director Robert Kelley reveals his final season 651 Sinex Ave, Pacific Grove, CA 93950 Mountain View Center for the Performing Arts RSVP at 650.463.1960 or [email protected] Sponsored by

A not-for-profit community owned and operated by Covia. License No. 270708224 COA# 323 PHOTO NIKO KITAOKA

Untitled-3 1 10/18/18 4:21 PM From Artistic Director Robert Kelley

THEN AND NOW We selected Frost/Nixon for TheatreWorks’ season last January, certain that its focus on the presidency and the media would be relevant no matter what happened in the year to come. That wasn’t a great moment of prophecy, as the play has remained relevant since its first performance and our deeply conflicted America was clearly focused on the drama, trappings, and limits of power—just as we were in the days of the Nixon presidency. What we couldn’t predict, however, was that the intensity of our debate and division would reach a boiling point at this exact moment; that we would join all Americans in wondering, day to day, what the future might hold, what unimagined truths might emerge at any moment, and whether the truth, once known, would actually matter at all. The contentious relationship between the government and the media has always been a feature of American politics. As the tools of reporting have progressed—from broadsides to editorials to tweets, from illustrations to photographs to videos—the intensity and depth of scrutiny of our leaders has dramatically increased. And if readership of the press has declined, viewership of the media has multiplied exponentially. Many believe Richard Nixon was the first President to be deeply affected by television, and it seems only appropriate that our exploration of his most extensive TV interviews should include significant use of video and projections as well. Director Leslie Martinson and Scenic/Media Designer David Lee Cuthbert have made Frost/Nixon one of our most ambitious video-embracing shows to date, demonstrating that the theatre is another form of media as well. Current politics aside, Frost/Nixon offers an intimate, engaging exploration of both the lure and the limits of power and denial. Self-deception is common to all of us. We are tempted to weigh our failures against our successes and find in our own favor. Spin can be a personal as well as a public function. But for a world leader, failure may be impossible to accept or acknowledge. Richard Nixon’s fall from power was precipitated by the persistence of a fiercely determined free press; his acceptance of his own role in that fall was left to an insouciant David Frost, an easygoing but ambitious entertainer looking to restore his ratings. If no one will ever fully know the psychology of each man, master playwright Peter Morgan paints a believable, enlightening, and thoroughly entertaining portrait of these combatants as they circle, Connecting you to the best feint, prod, and finally arrive at the truth. After decades to learn from the past, to contemplate our belief that the truth of the peninsula. will eventually come out, we’re left with one question: could such honesty possibly happen today?

Pacific Grove is known for fresh breezes, small town charm, and relaxed living and Canterbury Woods gives you easy access to these pleasures. We’re Join us as Kelley announces known for convenient services, welcome comforts and health care services his final season! that provide you security for the future.

Get to know us and learn more about moving to Canterbury Woods. For information, or to schedule a visit, call 831.657.4224.

2019/20 SEASON RELEASE PARTY Monday, February 11 6:00pm Doors open covia.org/canterbury-woods 7:00pm Artistic Director Robert Kelley reveals his final season 651 Sinex Ave, Pacific Grove, CA 93950 Mountain View Center for the Performing Arts RSVP at 650.463.1960 or [email protected] Sponsored by

A not-for-profit community owned and operated by Covia. License No. 270708224 COA# 323 PHOTO NIKO KITAOKA

encoremediagroup.com/programs 9

Untitled-3 1 10/18/18 4:21 PM About the Play and Playwright

ritish screenwriter Peter another important trait: unbridled BMorgan has a unique insight ambition. ”There’s a correlation into power dynamics, a trait that he between damage and ambition,” attributes to being the son of Morgan has said. ”Show me an refugees (German Jewish on his ambitious man, and I’ll show you a father’s side, Polish Catholic on his damaged man.” In Frost/Nixon, mother’s.) When asked about his Morgan does just that. works’ common themes of ”the acquisition, exercise, and loss of Frost/Nixon had its world premiere

power,” Morgan explained in The at the Donmar Warehouse in Y Guardian, ”If you don’t belong London in August 2006, starring THE SCANDAL THAT BROUGHT somewhere, that outsider status Michael Sheen as David Frost and you have gives you perspective .” Frank Langella as Richard Nixon. T E S Y U A O D DOWN A PRESIDENCY

A smashing success, t he production C O U R Best known now as the creator of transferred to the Gielgud Theatre Richard Nixon leaving the White House after his resignation on August 9, 1974. the Golden Globe-winning Netflix in London’s West End. It then went series The Crown, Morgan first rose on to play 137 performances at n the early hours of June 17, 1972, police arrested men. John Dean, who had decided to cooperate with to prominence in 2003 with the Playwright Peter Morgan the Bernard B. Jacobs Theatre on Ifive men carrying wiretapping equipment who had authorities, testified that Nixon led a cover-up of the televised drama The Deal, the first Broadway in 2007, a limited broken into the Democratic National Committee burglary. That same month, Attorney General Elliot in a series of works centered where he is said to have endured engagement before Frost/Nixon headquarters at the Watergate complex in Washington Richardson appointed Archibald Cox Special Prosecutor around Prime Minister Tony Blair. some snobbery and derision from transitioned to the silver screen. DC. Citing the burglars’ equipment, the FBI opened an to investigate the scandal. The next installment, The Queen, his peers. Shortly after university he The Broadway production was investigation. President Richard Nixon had not known On July 16, 1973, Nixon aide Alexander Butterfield earned Morgan his first Golden was invited to host his first TV nominated for five Tony Awards of the burglary prior to the arrests, but he quickly revealed to the SWC a sound-activated tap ing system Globe and was nominated for a serie s, a satirical program called including Best Play (Langella won ordered his aides to stymie investigations into the had operated in the White House since February 1971. Best Picture Oscar in 2007. His That Was the Week That Was that for Best Actor), as well as a bevy of burglary, lest they trace the burglars’ funding back to Cox subpoenaed nine tapes he believed would body of work examines historical ran from 1962 to 1963. In the ensu- Drama Desk, Outer Critics Circle, Nixon’s Committee to Re-Elect the President (CREEP). corroborate Dean’s testimony. Nixon refused to release and political giant s, and Frost/ ing years he enjoyed great celebrity and Drama League Awards. The five burglars were indicted the following September. the tapes but offered a deal: he would submit Nixon is no exception. Penned and was a near constant fixture on They frustrated investigators with their taciturnity. summaries of the tape’s contents and hard-of-hearing during a filming hiatus between British television, but this fact didn’t The film adaptation was directed by Elsewhere, White House Counsel John Dean sat in on Senator John Stennis (MS–D) would review the tapes The Deal and The Queen, prevent some critics from speculat- Ron Howard, with Sheen and FBI interviews of Nixon administration officials, his for accuracy. Cox refused this deal. Nixon demanded Frost/Nixon represents Morgan’s ing on what he had ever done to Langella retaining the roles they’d presence hampering FBI efforts. Congressman Wright Cox be fired. In what became known as th e Saturday first foray into playwriting. earn his fame. embodied since the play’s premiere. Patman (TX–D) attempted to subpoena aides and Night Massacre, Attorney General Richardson and his Morgan himself adapted the screen- CREEP leaders before the House Banking Committee deputy William Ruckelshaus resigned in protest on Morgan did extensive research for Richard Nixon also rose from play. The film was released in the to investigate the burglars’ finances, but Minority October 20. The next acting AG, Robert Bork, fired Cox. the play, working with a tutor to humble origins. He was born to a US in late 2008, and in the UK in Leader Gerald Ford (MI–R) successfully pressured Days later, Bork appointed Leon Jaworski the new understand American politics and family of Quakers in Yorba Linda, early 2009. It was nominated for committee members not to serve subpoenas. Publically, Special Prosecutor. The Massacre and his refusal to conducting dozens of interviews, California, but moved to Whittier five Academy Awards, including the administration continued to deny any connection to release the tapes turned the public against Nixon. including David Frost himself and when the family’s ranch failed. His Best Picture and Best Adapted the burglary. Nixon’s former aides. What he parents opened a grocery store Screenplay. Jaworski subpoenaed 64 tapes in April 1974, but Nixon learned, combined with his keen and gas station, where he worked The burglars were convicted in January 1973. The released only transcripts from se lect tapes. Both understanding of the p sychology of throughout his childhood and In the decade since, Frost/Nixon following month the Senate Watergate Committee Jaworski and Nixon appealed to the US Supreme power, enabled him to humanize college years to help support the has been pr oduced at theatres (SWC) formed t o investigate ”illegal, improper or Court to determine whether Nixon’s noncompliance the giants and find common family. Nixon practiced law and around the country, including unethical activities” perpetrated during the 1972 was legal. The House Judiciary Committee initiated ground between two seemingly served in the navy before entering performances in Chicago, Ohio, presidential election. Thus far, Watergate had been a impeachment proceedings in May. On July 24, 1974, disparate men: David Frost and politics in 1946. By the time we see Pennsylvania, and even an all- minor story with sporadic news coverage. That changed the Supreme Court unanimously ordered Nixon to Richard Nixon. him in the play, he’s risen to the female production in Seattle earlier in March when convicted burglar James McCord comply with the subpoena, which he did. The ”smoking highest office in the land—and this year. It’s a tragic tale of power, revealed the burglars had been bribed to withhold gun” tape, proving Nixon used the CIA to curtail the David Frost was the son of a then fallen. ego, and responsibility, and remains information and commit perjury. FBI’s investigation, became public on August 5. With Methodist minister in a small town an unforgettable parable for our clear evidence of obstruction of justice and no political On May 17, 1973, the SWC’s televised hearings began. in southeastern England. He Besides their rags-to-riches back- times. – Katie Dai support, Richard Nixon resigned the presidency August Over 80% of Americans watched d ozens of witnesses attended Cambridge University, stories, Frost and Nixon shared 9, 1974. – Cameron Wells reveal illegal activities perpetrated by the President’s

10 THEATREWORKS About the Play and Playwright ritish screenwriter Peter another important trait: unbridled BMorgan has a unique insight ambition. ”There’s a correlation into power dynamics, a trait that he between damage and ambition,” attributes to being the son of Morgan has said. ”Show me an refugees (German Jewish on his ambitious man, and I’ll show you a father’s side, Polish Catholic on his damaged man.” In Frost/Nixon, mother’s.) When asked about his Morgan does just that. works’ common themes of ”the acquisition, exercise, and loss of Frost/Nixon had its world premiere

power,” Morgan explained in The at the Donmar Warehouse in Y Guardian, ”If you don’t belong London in August 2006, starring THE SCANDAL THAT BROUGHT somewhere, that outsider status Michael Sheen as David Frost and you have gives you perspective .” Frank Langella as Richard Nixon. T E S Y U A O D DOWN A PRESIDENCY

A smashing success, t he production C O U R Best known now as the creator of transferred to the Gielgud Theatre Richard Nixon leaving the White House after his resignation on August 9, 1974. the Golden Globe-winning Netflix in London’s West End. It then went series The Crown, Morgan first rose on to play 137 performances at n the early hours of June 17, 1972, police arrested men. John Dean, who had decided to cooperate with to prominence in 2003 with the Playwright Peter Morgan the Bernard B. Jacobs Theatre on Ifive men carrying wiretapping equipment who had authorities, testified that Nixon led a cover-up of the televised drama The Deal, the first Broadway in 2007, a limited broken into the Democratic National Committee burglary. That same month, Attorney General Elliot in a series of works centered where he is said to have endured engagement before Frost/Nixon headquarters at the Watergate complex in Washington Richardson appointed Archibald Cox Special Prosecutor around Prime Minister Tony Blair. some snobbery and derision from transitioned to the silver screen. DC. Citing the burglars’ equipment, the FBI opened an to investigate the scandal. The next installment, The Queen, his peers. Shortly after university he The Broadway production was investigation. President Richard Nixon had not known On July 16, 1973, Nixon aide Alexander Butterfield earned Morgan his first Golden was invited to host his first TV nominated for five Tony Awards of the burglary prior to the arrests, but he quickly revealed to the SWC a sound-activated tap ing system Globe and was nominated for a serie s, a satirical program called including Best Play (Langella won ordered his aides to stymie investigations into the had operated in the White House since February 1971. Best Picture Oscar in 2007. His That Was the Week That Was that for Best Actor), as well as a bevy of burglary, lest they trace the burglars’ funding back to Cox subpoenaed nine tapes he believed would body of work examines historical ran from 1962 to 1963. In the ensu- Drama Desk, Outer Critics Circle, Nixon’s Committee to Re-Elect the President (CREEP). corroborate Dean’s testimony. Nixon refused to release and political giant s, and Frost/ ing years he enjoyed great celebrity and Drama League Awards. The five burglars were indicted the following September. the tapes but offered a deal: he would submit Nixon is no exception. Penned and was a near constant fixture on They frustrated investigators with their taciturnity. summaries of the tape’s contents and hard-of-hearing during a filming hiatus between British television, but this fact didn’t The film adaptation was directed by Elsewhere, White House Counsel John Dean sat in on Senator John Stennis (MS–D) would review the tapes The Deal and The Queen, prevent some critics from speculat- Ron Howard, with Sheen and FBI interviews of Nixon administration officials, his for accuracy. Cox refused this deal. Nixon demanded Frost/Nixon represents Morgan’s ing on what he had ever done to Langella retaining the roles they’d presence hampering FBI efforts. Congressman Wright Cox be fired. In what became known as th e Saturday first foray into playwriting. earn his fame. embodied since the play’s premiere. Patman (TX–D) attempted to subpoena aides and Night Massacre, Attorney General Richardson and his Morgan himself adapted the screen- CREEP leaders before the House Banking Committee deputy William Ruckelshaus resigned in protest on Morgan did extensive research for Richard Nixon also rose from play. The film was released in the to investigate the burglars’ finances, but Minority October 20. The next acting AG, Robert Bork, fired Cox. the play, working with a tutor to humble origins. He was born to a US in late 2008, and in the UK in Leader Gerald Ford (MI–R) successfully pressured Days later, Bork appointed Leon Jaworski the new understand American politics and family of Quakers in Yorba Linda, early 2009. It was nominated for committee members not to serve subpoenas. Publically, Special Prosecutor. The Massacre and his refusal to conducting dozens of interviews, California, but moved to Whittier five Academy Awards, including the administration continued to deny any connection to release the tapes turned the public against Nixon. including David Frost himself and when the family’s ranch failed. His Best Picture and Best Adapted the burglary. Nixon’s former aides. What he parents opened a grocery store Screenplay. Jaworski subpoenaed 64 tapes in April 1974, but Nixon learned, combined with his keen and gas station, where he worked The burglars were convicted in January 1973. The released only transcripts from se lect tapes. Both understanding of the p sychology of throughout his childhood and In the decade since, Frost/Nixon following month the Senate Watergate Committee Jaworski and Nixon appealed to the US Supreme power, enabled him to humanize college years to help support the has been pr oduced at theatres (SWC) formed t o investigate ”illegal, improper or Court to determine whether Nixon’s noncompliance the giants and find common family. Nixon practiced law and around the country, including unethical activities” perpetrated during the 1972 was legal. The House Judiciary Committee initiated ground between two seemingly served in the navy before entering performances in Chicago, Ohio, presidential election. Thus far, Watergate had been a impeachment proceedings in May. On July 24, 1974, disparate men: David Frost and politics in 1946. By the time we see Pennsylvania, and even an all- minor story with sporadic news coverage. That changed the Supreme Court unanimously ordered Nixon to Richard Nixon. him in the play, he’s risen to the female production in Seattle earlier in March when convicted burglar James McCord comply with the subpoena, which he did. The ”smoking highest office in the land—and this year. It’s a tragic tale of power, revealed the burglars had been bribed to withhold gun” tape, proving Nixon used the CIA to curtail the David Frost was the son of a then fallen. ego, and responsibility, and remains information and commit perjury. FBI’s investigation, became public on August 5. With Methodist minister in a small town an unforgettable parable for our clear evidence of obstruction of justice and no political On May 17, 1973, the SWC’s televised hearings began. in southeastern England. He Besides their rags-to-riches back- times. – Katie Dai support, Richard Nixon resigned the presidency August Over 80% of Americans watched d ozens of witnesses attended Cambridge University, stories, Frost and Nixon shared 9, 1974. – Cameron Wells reveal illegal activities perpetrated by the President’s

encoremediagroup.com/programs 11 Director’s Notes by Leslie Martinson UNFINISHED BUSINESS

last forty-five years, many books, movies, dissertations, theories, and television specials have explored the implications and legacy of both crimes and cover-ups. presents The central ques tion, as posed by Howard Baker in the Senate hearings, was ”what did the President know and when did he know it?”

I am grateful for the continued examination. As a post- FROSTNIXON Watergate undergraduate, I experienced it later through comedy skits and impersonations on late-night By Peter Morgan

A S H I N G T O P television. I am embarrassed to say, I’m as likely to picture Dan Akroyd in a Saturday Night Live sketch or Directed by Leslie Martinson

T E S Y H W impressionist Rich Little t han Richard Nixon himself. David Frost and Richard Nixon So a play which lives at the intersection of politics and C O U R Scenic and Media Designer David Lee Cuthbert entertainment is tremendously intriguing to me. Costume Designer Cathleen Edwards ven in 2019, hardly a day goes by that the events Lighting Designer David Frost was a celebrity by the mid-70s, seen as a Steven B. Mannshardt E which ended Richard Nixon’s presidency don’t witty, insightful entertainer, although in no way the Sound Designer Gregory Robinson show up in the evening news. Or do I mean, especially intellectual match for Nixon, so the Frost/Nixon inter- Dialect Coach Nancy Carlin in 2019? views were an iffy proposition from the start. Gerald Casting Director Jeffrey Lo Ford’s pardon of Nixon meant that he never testified Podcasts such as Slow Burn and Bag Man take up the New York Casting Director Alan Filderman no r stood trial, and he never admitted or apologized stories of the Watergate cover-up and Spiro Agnew’s for his deceit or misdeeds. As Time Magazine asked in Stage Manager Ashley Taylor Frampton* criminal deeds from the late ’70s as if they were breaking May 1977, ”Can David Frost succeed where John Sirica, Assistant Stage Manager Emily Anderson Wolf* news. The indictment ”road map” written by Watergate Archibald Cox, and Leon Jaworski failed?” Special Prosecutor Leon Jaworski in 1974 was released FROST/NIXON was first presented onstage in London by Matthew Byam Shaw and St. Elmo Productions Ltd. last October. Bob Woodward, Carl Bernstein and even Frost’s special power was that he brought an informal FROST/NIXON was subsequently produced on Broadway by John Dean are regular television pundits. Headlines now, Arielle Tepper Madover, Matthew Byam Shaw, Robert Fox, Act Productions, David Binder, Debra Black, Annette Niemtzow, touch to formal interviews. He used a disarming as then, talk about ”unindicted co-conspirators” and the Harlene Freezer and The Weinstein Company. conversational tone of British understatement which relationship between a Special Prosecutor and several FROST/NIXON is presented by special arrangement with Dramatists Play Service, Inc., New York. allowed his subjects to open up to him. The Guard ian Attorneys General. Working on this ”historical” play has once described him as ”a friendly college admissions a sense of urgency. How do we hold a President tutor who would occasionally slip in a zinger.” He was PRODUCERS accountable? also an ambitious entrepreneur, a television impresario, Gordon & Carolyn Davidson arranging for himself what the major networks would Television marked the key moments in Richard Nixon’s Judy Heyboer & Brian Shally not provide. career—defending himself in the ”Checkers” speech; Mark & Debra Leslie pale and sweaty while debating a fit, charismatic Susanne Stevens & Monte Mansir John F. Kennedy in the 1960 Presidential Debate; bitter Playwright Peter Morgan, creator of The Crown on with the press who ”wouldn’t have Nixon to kick Netflix, is a master of point-of-view, and no stranger to around”; protesting that ”I am not a crook”; and on using the camera as a witness. Our production switches SEASON SPONSORS August 8, 1974, where our play opens, announcing that rapidly bet ween the on-camera and off-camera behavior J. Lohr Vineyards & Wines • The Mercury News • Sobrato Philanthropies he would be the first US President to resign the office. of Nixon and Frost, two ”self-made” men who both craved the public gaze, although with very different Something broke during Watergate; som ething about styles and intentions. Add in Frost’s team of producers THE VIDEOTAPING OR OTHER VIDEO OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED. many Americans’ rosy understanding of how government and impassioned journalists, and we’ve set the scene works, and we’ve been trying to figure it out ever since. for a unique television showdown. I invite you to join FROST/NIXON PLAYS JAN 16 –FEB 10, 2019 Watergate marked a change in our cynicism, our the conversation—sit down with this unlikely pair, and skepticism about those who hold political power. In the see what they reveal.

12 THEATREWORKS Director’s Notes by Leslie Martinson UNFINISHED BUSINESS

last forty-five years, many books, movies, dissertations, theories, and television specials have explored the implications and legacy of both crimes and cover-ups. presents The central ques tion, as posed by Howard Baker in the Senate hearings, was ”what did the President know and when did he know it?”

I am grateful for the continued examination. As a post- FROSTNIXON Watergate undergraduate, I experienced it later through comedy skits and impersonations on late-night By Peter Morgan

A S H I N G T O P television. I am embarrassed to say, I’m as likely to picture Dan Akroyd in a Saturday Night Live sketch or Directed by Leslie Martinson

T E S Y H W impressionist Rich Little t han Richard Nixon himself. David Frost and Richard Nixon So a play which lives at the intersection of politics and C O U R Scenic and Media Designer David Lee Cuthbert entertainment is tremendously intriguing to me. Costume Designer Cathleen Edwards ven in 2019, hardly a day goes by that the events Lighting Designer David Frost was a celebrity by the mid-70s, seen as a Steven B. Mannshardt E which ended Richard Nixon’s presidency don’t witty, insightful entertainer, although in no way the Sound Designer Gregory Robinson show up in the evening news. Or do I mean, especially intellectual match for Nixon, so the Frost/Nixon inter- Dialect Coach Nancy Carlin in 2019? views were an iffy proposition from the start. Gerald Casting Director Jeffrey Lo Ford’s pardon of Nixon meant that he never testified Podcasts such as Slow Burn and Bag Man take up the New York Casting Director Alan Filderman no r stood trial, and he never admitted or apologized stories of the Watergate cover-up and Spiro Agnew’s for his deceit or misdeeds. As Time Magazine asked in Stage Manager Ashley Taylor Frampton* criminal deeds from the late ’70s as if they were breaking May 1977, ”Can David Frost succeed where John Sirica, Assistant Stage Manager Emily Anderson Wolf* news. The indictment ”road map” written by Watergate Archibald Cox, and Leon Jaworski failed?” Special Prosecutor Leon Jaworski in 1974 was released FROST/NIXON was first presented onstage in London by Matthew Byam Shaw and St. Elmo Productions Ltd. last October. Bob Woodward, Carl Bernstein and even Frost’s special power was that he brought an informal FROST/NIXON was subsequently produced on Broadway by John Dean are regular television pundits. Headlines now, Arielle Tepper Madover, Matthew Byam Shaw, Robert Fox, Act Productions, David Binder, Debra Black, Annette Niemtzow, touch to formal interviews. He used a disarming as then, talk about ”unindicted co-conspirators” and the Harlene Freezer and The Weinstein Company. conversational tone of British understatement which relationship between a Special Prosecutor and several FROST/NIXON is presented by special arrangement with Dramatists Play Service, Inc., New York. allowed his subjects to open up to him. The Guard ian Attorneys General. Working on this ”historical” play has once described him as ”a friendly college admissions a sense of urgency. How do we hold a President tutor who would occasionally slip in a zinger.” He was PRODUCERS accountable? also an ambitious entrepreneur, a television impresario, Gordon & Carolyn Davidson arranging for himself what the major networks would Television marked the key moments in Richard Nixon’s Judy Heyboer & Brian Shally not provide. career—defending himself in the ”Checkers” speech; Mark & Debra Leslie pale and sweaty while debating a fit, charismatic Susanne Stevens & Monte Mansir John F. Kennedy in the 1960 Presidential Debate; bitter Playwright Peter Morgan, creator of The Crown on with the press who ”wouldn’t have Nixon to kick Netflix, is a master of point-of-view, and no stranger to around”; protesting that ”I am not a crook”; and on using the camera as a witness. Our production switches SEASON SPONSORS August 8, 1974, where our play opens, announcing that rapidly bet ween the on-camera and off-camera behavior J. Lohr Vineyards & Wines • The Mercury News • Sobrato Philanthropies he would be the first US President to resign the office. of Nixon and Frost, two ”self-made” men who both craved the public gaze, although with very different Something broke during Watergate; som ething about styles and intentions. Add in Frost’s team of producers THE VIDEOTAPING OR OTHER VIDEO OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED. many Americans’ rosy understanding of how government and impassioned journalists, and we’ve set the scene works, and we’ve been trying to figure it out ever since. for a unique television showdown. I invite you to join FROST/NIXON PLAYS JAN 16 –FEB 10, 2019 Watergate marked a change in our cynicism, our the conversation—sit down with this unlikely pair, and skepticism about those who hold political power. In the see what they reveal.

encoremediagroup.com/programs 13 TIME AND PLACE Through. Mr. Saucedo has performed KENNY TOLL Who’s Who throughout Monterey and Santa Cruz (James Reston) has From 1974 to 1977 Counties, and was last seen at Cabrillo performed with In Washington DC, Sydney, London, New York City, Los Angeles, and San Clemente ALICIA PIEMME Stage as Gomez in The Addams TheatreWorks in Peter NELSON (Evonne Family. He is a graduate of Cal State and the Starcatcher. He FROST/NIXON WILL BE PERFORMED WITHOUT INTERMISSION. Goolagong) is making Fullerton’s BFA musical theatre program. recently appeared as her TheatreWorks As always, he thanks his family, mentors, George Wickham in debut in Frost/Nixon. and friends for their continued love and the world premiere of THE CAST Regional credits support. The Wickhams: Christmas at Pemberley In order of appearance include WAM Theatre and Shakespeare in Love at Marin (The Last Wife). ADAM SHONKWILER President Richard M. Nixon Theatre Co. Selected credits include Allen McCullough* Previous Bay Area credits include (John Birt) is a new Bad Jews at Magic Theatre; The Heir James Reston, Jr. Kenny Toll* Berkeley Playhouse, Bay Area Children’s Bay Area resident, Apparent at Aurora Theatre Co.; Julius Theatre, SCU Presents, Crowded Fire Caesar Love’s Labour’s Lost David Frost Jeremy Webb* and is excited to and at Theater, Word for Word, and Buck Hill make his mainstage Kingsmen Shakespeare Co.; Eurydice, Colonel ”Jack” Brennan Craig Marker* Productions. Ms. Nelson has a BFA in TheatreWorks debut Woyzeck and Antigonick at Shotgun Acting from Boston University and is a Evonne Goolagong Alicia Piemme Nelson in Frost/Nixon after Players; Ondine at Cutting Ball Theater; TBA Award winner. www.ampnelson.com appearing in Pride Dracula Inquest at Central Works (TBA John Birt Adam Shonkwiler* and Prejudice at this year’s New Works Award nomination). Mr. Toll recently Manolo Sanchez Adam J. Saucedo* PATRICK RUSSELL Festival. Regional: Weston Playhouse, moved to New York and is so excited be (Swifty Lazar/Mike Goodman Theatre, Goodspeed Musicals, be back working with this team. He is a Irving ”Swifty” Lazar, Mike Wallace Patrick Russell* Wallace) has performed Theatre Under The Stars, San Jose proud member of Actors Equity. Caroline Cushing Elena Wright* in the theatres across Repertory Theatre. Mr. Shonkwiler is a the Bay Area, including graduate of The School at Steppenwolf JEREMY WEBB (David Robert Zelnick Stephen Muterspaugh* American Conservatory Theatre in Chicago and Mountview Frost) makes his Theater, California TheatreWorks Silicon The cast also appear as studio technicians, flight crew, and party guests. Academy of Theatre Arts in London, Shakespeare Theater England. www.adamshonkwiler.com Valley debut with * Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. (As You Like It), Aurora Theatre Co. Frost/Nixon. New York (Body Awareness, Trouble in Mind, Awake credits: The Glorious and Sing! Ones SPECIAL THANKS ), San Francisco Playhouse (Lincoln Center (Noises Off, Red Velvet, Seminar, reasons Theater, Original Cast B. Modern—Santa Cruz Shakespeare to be pretty, 77%, Trouble Cometh), Magic Theatre (Fool for Love), Marin Theatre Co., Marin Shakespeare Co. (Love’s Labour’s Lost, The Three Musketeers), CenterREP (Old Wicked Who’s Who Songs), and Shotgun Players (Care of Trees). Film credits include Being Us and (Jack ALLEN MCCULLOUGH STEPHEN CRAIG MARKER Rapunzel’s Etymology of Zero. As an Brennan) returns to (Richard Nixon) is mak- MUTERSPAUGH educator, he teaches acting and move- TheatreWorks after ing his TheatreWorks (Robert Zelnick) returns ment at University of California, Berkeley previously appearing in debut. Off-Broadway: to the TheatreWorks and ACT, and is also the co-founder of Third, Theophilus North, Amy and the Orphans, stage after appearing The Actors Space SF. Mr. Russell is a Brooklyn Boy, Dolly The Hairy Ape, Men of in Cyrano and The member of Actors’ Equity and SAG- West’s Kitchen, and Tortuga, Ashes to Country House as AFTRA. He received his BFA in acting Shakespeare in Ashes, and National well as Tiny Houses from the University of California, Santa Hollywood. Recent credits include his Tour of Twelve Angry Men. Regional: The in the 2017 New Works Festival. Barbara and an MFA in acting from ACT. roles as Alcippe in The Liar and Ever Folger Theatre DC—As You Like It (both Regional credits include Southwest Montgomery in Dancing Lessons at Dukes), Romeo & Juliet (Montague); Shakespeare Co., Utah Shakespeare ADAM J. SAUCEDO Center REP. He has performed for Baltimore Center Stage—Twlefth Night Festival, Creede Repertory Theatre, (Manolo Sanchez) is GLEIM California Shakespeare Theater, San Jose (Malvolio); TheaterWorks Hartford—The Pacific Conservatory Theatre, thrilled and grateful to Repertory Theatre, Portland Center Seafarer (Mr. Lockhart); Cape Fear Powerhouse Theater, and Geva Theatre be making his Stage, La Jolla Playhouse, Berkeley Regional Theatre—Amadeus (Salieri); Center. He has appeared locally with TheatreWorks debut. Repertory Theatre, American Conservatory Westport Playhouse—Diary of Anne Frank; Jewel Theatre Co., San Francisco He has most recently Theater, San Francisco Shakespeare Living Room Theatre—3 Sisters (Virshinin), Shakespeare Festival, California worked with El Teatro Festival, Aurora Theatre Co., Shotgun Circle Mirror Transformation (James), Men Conservatory Theatre, Livermore Campesino in San Juan Players, Barbican Theatre (UK), of Tortuga (Avery), Exit the King, Cherry Shakespeare Festival, Second Wind Bautista in La Virgen del Tepeyac, La Birmingham Repertory Theatre (UK), Orchard (Gayev), Uncle Vanya (Astrov), Productions, and Marin Shakespeare Carpa de los Rasquachis, and La Edinburgh Fringe Festival (UK), and the Seagull (Trigorin); also Theatre for a New Co.. When not onstage, Mr. Pastorela. Last year, he was also involved Cyprus International Festival of Greek Audience, Williamstown, Long Wharf, and Muterspaugh serves as the Artistic with Santa Clara University’s SCU Drama. Mr. Marker is a graduate of Cal The Shaw Project among others. TV/Film: Operations Manager/Company Presents outreach show of Dr. Francisco State East Bay’s theatre program and is a The Kindergarten Teacher, The Marvelous Manager at TheatreWorks. He is a Jimenez’s The Circuit, and is pleased to proud member of Actors’ Equity Mrs. Maisel, Blindspot, Sweetbitter, Vinyl, graduate of the Pacific Conservatory be joining them again this year for the Association. For the latest news and info Law and Order C.I., Martha Marcy May Theatre and a proud member of adaptation of his second book, Breaking go to craig-marker.com. Marlene. Love to Randolyn. Actor’s Equity.

14 THEATREWORKS TIME AND PLACE Through. Mr. Saucedo has performed KENNY TOLL Who’s Who throughout Monterey and Santa Cruz (James Reston) has From 1974 to 1977 Counties, and was last seen at Cabrillo performed with In Washington DC, Sydney, London, New York City, Los Angeles, and San Clemente ALICIA PIEMME Stage as Gomez in The Addams TheatreWorks in Peter NELSON (Evonne Family. He is a graduate of Cal State and the Starcatcher. He FROST/NIXON WILL BE PERFORMED WITHOUT INTERMISSION. Goolagong) is making Fullerton’s BFA musical theatre program. recently appeared as her TheatreWorks As always, he thanks his family, mentors, George Wickham in debut in Frost/Nixon. and friends for their continued love and the world premiere of THE CAST Regional credits support. The Wickhams: Christmas at Pemberley In order of appearance include WAM Theatre and Shakespeare in Love at Marin (The Last Wife). ADAM SHONKWILER President Richard M. Nixon Theatre Co. Selected credits include Allen McCullough* Previous Bay Area credits include (John Birt) is a new Bad Jews at Magic Theatre; The Heir James Reston, Jr. Kenny Toll* Berkeley Playhouse, Bay Area Children’s Bay Area resident, Apparent at Aurora Theatre Co.; Julius Theatre, SCU Presents, Crowded Fire Caesar Love’s Labour’s Lost David Frost Jeremy Webb* and is excited to and at Theater, Word for Word, and Buck Hill make his mainstage Kingsmen Shakespeare Co.; Eurydice, Colonel ”Jack” Brennan Craig Marker* Productions. Ms. Nelson has a BFA in TheatreWorks debut Woyzeck and Antigonick at Shotgun Acting from Boston University and is a Evonne Goolagong Alicia Piemme Nelson in Frost/Nixon after Players; Ondine at Cutting Ball Theater; TBA Award winner. www.ampnelson.com appearing in Pride Dracula Inquest at Central Works (TBA John Birt Adam Shonkwiler* and Prejudice at this year’s New Works Award nomination). Mr. Toll recently Manolo Sanchez Adam J. Saucedo* PATRICK RUSSELL Festival. Regional: Weston Playhouse, moved to New York and is so excited be (Swifty Lazar/Mike Goodman Theatre, Goodspeed Musicals, be back working with this team. He is a Irving ”Swifty” Lazar, Mike Wallace Patrick Russell* Wallace) has performed Theatre Under The Stars, San Jose proud member of Actors Equity. Caroline Cushing Elena Wright* in the theatres across Repertory Theatre. Mr. Shonkwiler is a the Bay Area, including graduate of The School at Steppenwolf JEREMY WEBB (David Robert Zelnick Stephen Muterspaugh* American Conservatory Theatre in Chicago and Mountview Frost) makes his Theater, California TheatreWorks Silicon The cast also appear as studio technicians, flight crew, and party guests. Academy of Theatre Arts in London, Shakespeare Theater England. www.adamshonkwiler.com Valley debut with * Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. (As You Like It), Aurora Theatre Co. Frost/Nixon. New York (Body Awareness, Trouble in Mind, Awake credits: The Glorious and Sing! Ones SPECIAL THANKS ), San Francisco Playhouse (Lincoln Center (Noises Off, Red Velvet, Seminar, reasons Theater, Original Cast B. Modern—Santa Cruz Shakespeare to be pretty, 77%, Trouble Cometh), Magic Theatre (Fool for Love), Marin Theatre Co., Marin Shakespeare Co. (Love’s Labour’s Lost, The Three Musketeers), CenterREP (Old Wicked Who’s Who Songs), and Shotgun Players (Care of Trees). Film credits include Being Us and (Jack ALLEN MCCULLOUGH STEPHEN CRAIG MARKER Rapunzel’s Etymology of Zero. As an Brennan) returns to (Richard Nixon) is mak- MUTERSPAUGH educator, he teaches acting and move- Business, meet TheatreWorks after ing his TheatreWorks (Robert Zelnick) returns ment at University of California, Berkeley previously appearing in debut. Off-Broadway: to the TheatreWorks and ACT, and is also the co-founder of Third, Theophilus North, Amy and the Orphans, stage after appearing The Actors Space SF. Mr. Russell is a box office. Brooklyn Boy, Dolly The Hairy Ape, Men of in Cyrano and The member of Actors’ Equity and SAG- West’s Kitchen, and Tortuga, Ashes to Country House as AFTRA. He received his BFA in acting Shakespeare in Ashes, and National well as Tiny Houses from the University of California, Santa Encore connects businesses and brands to the best Hollywood. Recent credits include his Tour of Twelve Angry Men. Regional: The in the 2017 New Works Festival. Barbara and an MFA in acting from ACT. roles as Alcippe in The Liar and Ever Folger Theatre DC—As You Like It (both Regional credits include Southwest of arts & culture in Seattle and the Bay Area.. Montgomery in Dancing Lessons at Dukes), Romeo & Juliet (Montague); Shakespeare Co., Utah Shakespeare ADAM J. SAUCEDO Center REP. He has performed for Baltimore Center Stage—Twlefth Night Festival, Creede Repertory Theatre, (Manolo Sanchez) is GLEIM California Shakespeare Theater, San Jose (Malvolio); TheaterWorks Hartford—The Pacific Conservatory Theatre, From fashion and finance to dining and diamonds, thrilled and grateful to Repertory Theatre, Portland Center Seafarer (Mr. Lockhart); Cape Fear Powerhouse Theater, and Geva Theatre be making his smart business-owners know Encore is the best Stage, La Jolla Playhouse, Berkeley Regional Theatre—Amadeus (Salieri); Center. He has appeared locally with TheatreWorks debut. Repertory Theatre, American Conservatory Westport Playhouse—Diary of Anne Frank; Jewel Theatre Co., San Francisco way to get their brand in the spotlight. He has most recently Theater, San Francisco Shakespeare Living Room Theatre—3 Sisters (Virshinin), Shakespeare Festival, California worked with El Teatro Festival, Aurora Theatre Co., Shotgun Circle Mirror Transformation (James), Men Conservatory Theatre, Livermore Campesino in San Juan Players, Barbican Theatre (UK), of Tortuga (Avery), Exit the King, Cherry Shakespeare Festival, Second Wind Bautista in La Virgen del Tepeyac, La Birmingham Repertory Theatre (UK), Orchard (Gayev), Uncle Vanya (Astrov), Productions, and Marin Shakespeare Carpa de los Rasquachis, and La Edinburgh Fringe Festival (UK), and the Seagull (Trigorin); also Theatre for a New Co.. When not onstage, Mr. Pastorela. Last year, he was also involved Cyprus International Festival of Greek Audience, Williamstown, Long Wharf, and Muterspaugh serves as the Artistic with Santa Clara University’s SCU Drama. Mr. Marker is a graduate of Cal The Shaw Project among others. TV/Film: Operations Manager/Company Presents outreach show of Dr. Francisco State East Bay’s theatre program and is a The Kindergarten Teacher, The Marvelous Manager at TheatreWorks. He is a Learn more at encoremediagroup.com. Jimenez’s The Circuit, and is pleased to proud member of Actors’ Equity Mrs. Maisel, Blindspot, Sweetbitter, Vinyl, graduate of the Pacific Conservatory be joining them again this year for the Association. For the latest news and info Law and Order C.I., Martha Marcy May Theatre and a proud member of adaptation of his second book, Breaking go to craig-marker.com. Marlene. Love to Randolyn. Actor’s Equity.

encoremediagroup.com/programs 15 Shakespeare’s Will (Anne Hathaway). NANCY CARLIN (Dialect Coach) Theatre, Seattle; American Repertory GREGORY ROBINSON (Sound Who’s Who Previous roles include: Much Ado About returns to TheatreWorks where she Who’s Who Theater, Cambridge; Studio Arena Designer) has designed sound for The Baltimore Waltz Nothing (Beatrice), Three Musketeers played Miss Maudie in To Kill a Theatre, Buffalo; Magic Theatre; and several TheatreWorks productions, Recording), (Signature ASHLEY TAYLOR FRAMPTON (Stage Tabletop (Milady), Othello (Emilia, BATCC award), Mockingbird and Chelsea in On Golden Pasadena Playhouse. Mr. Mannshardt including Living Out, You Can’t Take It Theatre), (Working Theater, Manager) matriculated from the Photograph 51 Twelfth Night (Viola), As You Like It Pond. A former company member of currently teaches lighting design and With You, An American Daughter, Be Drama Desk Award), University of California, Santa Cruz and (Rosalind), Comedy of Errors (Luciana), the American Conservatory Theater stage management at San Jose State Aggressive, Present Laughter, and (Ensemble Studio Theatre), among others. Kent University, England with a BA in The Liar (Lucrece), The Spanish Tragedy and associate artist with California University and previously taught Snow Falling on Cedars. Throughout Regional credits: Misalliance (The Old Theatre Arts, Film and Digital Media, (Bellimperia), and Richard III (Elizabeth). Shakespeare Theater, she has performed, lighting design at Santa Rosa Junior the past three decades, his sound Globe); Next Fall (L.A. Theatreworks); respectively. Since 2004 she has Other work includes: Red Velvet (SF directed, and coached extensively in College. He also runs an organization design, sound effects, music, and A Few Good Men, Holmes and Watson, worked internationally as a stage Playhouse); Betrayal, A Doll’s House, In regional theaters, including American dedicated to improving the education recordings have been featured in local, Fools, and Dracula (Alley Theatre); manager, production manager, master Spamalot (Theatre Under The Stars); the Next Room, and The Scene (Capital Conservatory Theater, Berkeley system for both children and adults in regional, and national radio and televi- Repertory Theatre, Aurora Theatre Co., electrician, properties designer, sound Buyer and Cellar (Repertory Theatre of Stage); The Verona Project (California Nepal. www.nepal.wwep.org sion advertisements, documentaries, Shotgun Players, California Shakespeare technician, and stuntwoman. From St. Louis, St. Louis Theatre Circle Award); Shakespeare Theater); Venus in Fur corporate video, and theatre. He has Theater, Jewel Theatre Co., and the theatre to film, music and live events, The Apple Family Plays (Studio Theatre, (Pacific Repertory Theatre); and The Continued on page 22 Oregon Shakespeare Festival. A theatre credits include: San Francisco Helen Hayes Nomination); Williamstown Winter’s Tale (Seattle Shakespeare). She arts lecturer for UC Berkeley, UCSC, and Sketchfest (Assistant Technical Director), Theatre Festival, McCarter Theatre Center, has worked with Marin Theatre Co., SJSU, she holds a BA from Brown California Shakespeare Theater (Master Eugene O’Neill Theater Center, Kennedy Commonwealth Shakespeare Co., University and an MFA from ACT. Ms. Electrician), Legion A/V (Head of Center, Long Wharf Theatre, Shakespeare Central Works, Shotgun Players, B Street Carlin is a member of SDC, AEA, and Lighting), Playfaire Production Theatre Co., among others. Film & TV: Theatre, and is a PlayGround and SAG-AFTRA. Upcoming: Edith Frank in (Swordsman), The Independent SF Love Walked In; Law & Order; Law & Symmetry Theatre company member. The Diary of Anne Frank at Center REP (Lighting Technician), Highlander Films Order: SVU Law & Order: Criminal MFA University of Washington. ; and directing The Year of Magical (Production Assistant), American Intent Guiding Light. ; Thinking for Aurora Theatre Co. Conservatory Theater, Center REP, PETER MORGAN (Playwright) is an Cabrillo Stage, Hillbarn Theatre, ELENA WRIGHT award-winning screenwriter, producer, Magic Theatre, and many more. She DAVID LEE CUTHBERT (Scenic and (Caroline Cushing) was and playwright. His films include The Media Designer) designed media for trains with mêlée weapons at last at TheatreWorks in Deal, The Queen (Golden Globe winner Calligraphy, lighting for Third, and Davenriche European Martial Arts Silent Sky (Henrietta and Academy Award nominee), The Last lighting/media for Wild with Happy at School where she is an assistant Leavitt). Most recently King of Scotland, The Other Boleyn Girl, TheatreWorks. He lit Billy Crystal’s 700 instructor and apprentice to Sir she was in Marin Frost/Nixon (nominated for Golden Globe Sundays on Broadway and its subsequent Steaphen Fick. She goes on tour with Shakespeare Company’s and Academy Awards), The Damned US, Canadian, and Australian tours, as Grammy nominated guitarist, Zane Pericles United, State of Play, The Special (Cerimon), and well as the HBO film. Off-Broadway, his Carey, in the spring of 2019. Relationship, Hereafter, 360, and Rush, lighting and projections for The Snow among others. He also wrote for the Queen won the award for best overall JEFFREY LO (Casting Director) The Jury The Santaland television’s , and is the creator of design at 2014’s New York Musical directed TheatreWorks’ Diaries Waiting For Next the Golden Globe Award-winning Netflix Theatre Festival, and his scenic and , and wrote , The Crown. series For the theatre, he has lighting design for The History (and which was part of the 2017 New Frost/Nixon written plays (Tony Award Mystery) of the Universe has been seen Works Festival. He was the assistant MONTALVO The Audience. The The Four Immigrants, nominee) and In 2008, at major theatres across the country. He director for TW’s Telegraph Water by the Spoonful, Superior named Morgan one of the was a regular collaborator at San Jose and Donuts Art & ”Top 100 most powerful people in British Repertory Theatre, and is a frequent . A graduate of UC Irvine, he is the recipient of the Leigh Weimers Music culture.” In 2017, he was named a fellow collaborator at Arizona Theatre Co. Mr. of the British Film Institute. Cuthbert is a Professor of Design at the Emerging Artist Award, Arts Council Classes University of California, Santa Cruz. Silicon Valley’s Emerging Artist LESL IE MARTINSON (Director) returns Laureate, and Theatre Bay Area’s Titan Award. Additional directing credits to TheatreWorks where her many CATHLEEN EDWARDS (Costume Private The Four Immigrants, Between Riverside and Crazy SCHOOL OF productions include Designer) happily returns for her 14th include Yellow Face Music Proof, Water by the Spoonful, The Pitmen season at TheatreWorks where her at San Jose Stage Co., and The Crucible MUSICLessons Painters, and Superior Donuts. As previous shows include Crimes of the and at Los Altos Stage Associate Artistic Director and Casting Heart, Somewhere, Grey Gardens, Co. In addition to his work as a play- Director, she was part of the company’s Triangle, Once on This Island, The wright and director, he is an alumnus Financial artistic leadership for over 30 years. A Elephant Man, and more. She is well- of the Multicultural Arts Leadership Aid graduate of Occidental College, she established in the Bay Area, having Institute and works as an advocate Offered. has been a Watson Fellow, a member designed for many of the regional the- and educator on issues of equity and of Lincoln Center Director’s Lab, a atres. When not designing for the live diversity throughout the country. participant in the La MaMa Directing stage, she works in film, television, and JeffreyWritesAPlay.com Symposium, and served with Theatre Bay commercials. Among her several awards Area as an adjudicator and committee are two Drama-Logue and two Bay STEVEN B. MANNSHARDT (Lighting member. Silicon Valley Creates has Area Theatre Critics Circle Awards. A Designer) has been the lighting named her an Arts Laureate for artistic member of both United Scenic Artists designer for over 70 productions at achievement and community impact. and Theatrical Wardrobe Unions, she TheatreWorks, having won numerous Bay Area Theatre Critics Circle, Theatre REGISTER NOW! She is currently working internationally strongly believes in guiding those who as a Program Director in leadership are learning their craft, preparing them Bay Area, and Dean Goodman Choice arts4all.org Awards for his work. His regional communication training with Stand & for careers in the course of which they design credits include Long Wharf Deliver Group, and as a Creative can then pass this knowledge on to All Ages, All Abilities Theatre, New Haven; A Contemporary Director of Fieldwork Creations. future generations.

16 THEATREWORKS Shakespeare’s Will (Anne Hathaway). NANCY CARLIN (Dialect Coach) Theatre, Seattle; American Repertory GREGORY ROBINSON (Sound Who’s Who Previous roles include: Much Ado About returns to TheatreWorks where she Who’s Who Theater, Cambridge; Studio Arena Designer) has designed sound for The Baltimore Waltz Nothing (Beatrice), Three Musketeers played Miss Maudie in To Kill a Theatre, Buffalo; Magic Theatre; and several TheatreWorks productions, Recording), (Signature ASHLEY TAYLOR FRAMPTON (Stage Tabletop (Milady), Othello (Emilia, BATCC award), Mockingbird and Chelsea in On Golden Pasadena Playhouse. Mr. Mannshardt including Living Out, You Can’t Take It Theatre), (Working Theater, Manager) matriculated from the Photograph 51 Twelfth Night (Viola), As You Like It Pond. A former company member of currently teaches lighting design and With You, An American Daughter, Be Drama Desk Award), University of California, Santa Cruz and (Rosalind), Comedy of Errors (Luciana), the American Conservatory Theater stage management at San Jose State Aggressive, Present Laughter, and (Ensemble Studio Theatre), among others. Kent University, England with a BA in The Liar (Lucrece), The Spanish Tragedy and associate artist with California University and previously taught Snow Falling on Cedars. Throughout Regional credits: Misalliance (The Old Theatre Arts, Film and Digital Media, (Bellimperia), and Richard III (Elizabeth). Shakespeare Theater, she has performed, lighting design at Santa Rosa Junior the past three decades, his sound Globe); Next Fall (L.A. Theatreworks); respectively. Since 2004 she has Other work includes: Red Velvet (SF directed, and coached extensively in College. He also runs an organization design, sound effects, music, and A Few Good Men, Holmes and Watson, worked internationally as a stage Playhouse); Betrayal, A Doll’s House, In regional theaters, including American dedicated to improving the education recordings have been featured in local, Fools, and Dracula (Alley Theatre); manager, production manager, master Spamalot (Theatre Under The Stars); the Next Room, and The Scene (Capital Conservatory Theater, Berkeley system for both children and adults in regional, and national radio and televi- Repertory Theatre, Aurora Theatre Co., electrician, properties designer, sound Buyer and Cellar (Repertory Theatre of Stage); The Verona Project (California Nepal. www.nepal.wwep.org sion advertisements, documentaries, Shotgun Players, California Shakespeare technician, and stuntwoman. From St. Louis, St. Louis Theatre Circle Award); Shakespeare Theater); Venus in Fur corporate video, and theatre. He has Theater, Jewel Theatre Co., and the theatre to film, music and live events, The Apple Family Plays (Studio Theatre, (Pacific Repertory Theatre); and The Continued on page 22 Oregon Shakespeare Festival. A theatre credits include: San Francisco Helen Hayes Nomination); Williamstown Winter’s Tale (Seattle Shakespeare). She arts lecturer for UC Berkeley, UCSC, and Sketchfest (Assistant Technical Director), Theatre Festival, McCarter Theatre Center, has worked with Marin Theatre Co., SJSU, she holds a BA from Brown California Shakespeare Theater (Master Eugene O’Neill Theater Center, Kennedy Commonwealth Shakespeare Co., University and an MFA from ACT. Ms. Electrician), Legion A/V (Head of Center, Long Wharf Theatre, Shakespeare Central Works, Shotgun Players, B Street Carlin is a member of SDC, AEA, and Lighting), Playfaire Production Theatre Co., among others. Film & TV: Theatre, and is a PlayGround and SAG-AFTRA. Upcoming: Edith Frank in (Swordsman), The Independent SF Love Walked In; Law & Order; Law & Symmetry Theatre company member. The Diary of Anne Frank at Center REP (Lighting Technician), Highlander Films Order: SVU Law & Order: Criminal MFA University of Washington. ; and directing The Year of Magical (Production Assistant), American BRUCE MUNRO Intent Guiding Light. ; Thinking for Aurora Theatre Co. Conservatory Theater, Center REP, PETER MORGAN (Playwright) is an Cabrillo Stage, Hillbarn Theatre, ELENA WRIGHT award-winning screenwriter, producer, Magic Theatre, and many more. She AT DAVID LEE CUTHBERT (Scenic and MONTALVO (Caroline Cushing) was and playwright. His films include The Media Designer) designed media for trains with mêlée weapons at last at TheatreWorks in Deal, The Queen (Golden Globe winner Calligraphy, lighting for Third, and Davenriche European Martial Arts STORIES IN LIGHT Silent Sky (Henrietta and Academy Award nominee), The Last lighting/media for Wild with Happy at School where she is an assistant Leavitt). Most recently King of Scotland, The Other Boleyn Girl, ON VIEW THROUGH MARCH 17, 2019 TheatreWorks. He lit Billy Crystal’s 700 instructor and apprentice to Sir she was in Marin Frost/Nixon (nominated for Golden Globe Sundays on Broadway and its subsequent Steaphen Fick. She goes on tour with Shakespeare Company’s and Academy Awards), The Damned US, Canadian, and Australian tours, as Grammy nominated guitarist, Zane Pericles United, State of Play, The Special “More than lives up to the hype” (Cerimon), and well as the HBO film. Off-Broadway, his Carey, in the spring of 2019. Relationship, Hereafter, 360, and Rush, – San Jose Mercury News lighting and projections for The Snow among others. He also wrote for the Queen won the award for best overall JEFFREY LO (Casting Director) The Jury The Santaland Beauty. Joy. Wonder... as you wander! Come experience Bruce Munro’s television’s , and is the creator of design at 2014’s New York Musical directed TheatreWorks’ Diaries Waiting For Next stunning nighttime exhibition, inspired by C.S. Lewis’s Chronicles of Narnia. the Golden Globe Award-winning Netflix Theatre Festival, and his scenic and , and wrote , The Crown. series For the theatre, he has lighting design for The History (and which was part of the 2017 New Stroll through Montalvo’s gorgeous historic gardens and grounds, written plays Frost/Nixon (Tony Award Works Festival. He was the assistant Mystery) of the Universe has been seen and getM enlightened!ONTA AllL agesVO welcome. The Audience. The The Four Immigrants, nominee) and In 2008, at major theatres across the country. He director for TW’s Telegraph Water by the Spoonful, Superior named Morgan one of the was a regular collaborator at San Jose and Donuts ”Top 100 most powerful people in British Repertory Theatre, and is a frequent . A graduate of UC Irvine, he culture.” In 2017, he was named a fellow collaborator at Arizona Theatre Co. Mr. is the recipient of the Leigh Weimers of the British Film Institute. Cuthbert is a Professor of Design at the Emerging Artist Award, Arts Council University of California, Santa Cruz. Silicon Valley’s Emerging Artist LESL IE MARTINSON (Director) returns Laureate, and Theatre Bay Area’s Titan Award. Additional directing credits to TheatreWorks where her many CATHLEEN EDWARDS (Costume The Four Immigrants, Between Riverside and Crazy SCHOOL OF productions include Designer) happily returns for her 14th include Yellow Face Proof, Water by the Spoonful, The Pitmen season at TheatreWorks where her at San Jose Stage Co., and The Crucible MUSIC Painters, and Superior Donuts. As previous shows include Crimes of the and at Los Altos Stage Associate Artistic Director and Casting Heart, Somewhere, Grey Gardens, Co. In addition to his work as a play- Director, she was part of the company’s Triangle, Once on This Island, The wright and director, he is an alumnus artistic leadership for over 30 years. A Elephant Man, and more. She is well- of the Multicultural Arts Leadership graduate of Occidental College, she established in the Bay Area, having Institute and works as an advocate has been a Watson Fellow, a member designed for many of the regional the- and educator on issues of equity and of Lincoln Center Director’s Lab, a atres. When not designing for the live diversity throughout the country. participant in the La MaMa Directing stage, she works in film, television, and JeffreyWritesAPlay.com Symposium, and served with Theatre Bay commercials. Among her several awards (Lighting Area as an adjudicator and committee are two Drama-Logue and two Bay STEVEN B. MANNSHARDT THE VALLEY member. Silicon Valley Creates has Area Theatre Critics Circle Awards. A Designer) has been the lighting designer for over 70 productions at stART here. FOUNDATION named her an Arts Laureate for artistic member of both United Scenic Artists George & Judy Marcus achievement and community impact. and Theatrical Wardrobe Unions, she TheatreWorks, having won numerous Montalvo Arts Center Bay Area Theatre Critics Circle, Theatre She is currently working internationally strongly believes in guiding those who Reserve your timed tickets at montalvoarts.org! as a Program Director in leadership are learning their craft, preparing them Bay Area, and Dean Goodman Choice Awards for his work. His regional 15400 Montalvo Road, Saratoga, CA 95070 Alice Phelan Sullivan Corporation communication training with Stand & for careers in the course of which they Jeff & Leann Sobrato design credits include Long Wharf Deliver Group, and as a Creative can then pass this knowledge on to 408-961-5858 (M-F, 10am-4pm) Charmaine & Dan Warmenhoven Theatre, New Haven; A Contemporary Director of Fieldwork Creations. future generations.

encoremediagroup.com/programs 17 D & J Hodgson Family Foundation Lauren & Darrell Boyle Anne & Emma Grace Holmes Carrie Perzow & Von Leirer TheatreWorks Silicon Valley Contributors Claiborne S. Jones in memory of Michael & Leslie Braun Wayne & Judith Hooper Dean Philip & Peggy Pizzo Jane Chai James B. Brennock Susan M. Huch John & Valerie Poggi THE PRODUCER CIRCLE Anne Hambly, Executive Producer Co-Chair • Lynn Szekely-Goode, Executive Producer Co-Chair Ron Hayden, Producer Co-Chair • Jane Weston, Producer Co-Chair Jack Jorgenson Ellen & Marc Brown Perry A. Irvine & Susan Rabin Buchanan & TheatreWorks Producers have made a gift of $10,000 or more. They are invited to exclusive events with visiting artists, and on special theatre trips. Producers may select a John & Catharine Kristian Marda Buchholz & Marcie Brown Linda Romley-Irvine David Buchanan production to follow from ”page to stage” by attending the design presentation, rehearsals, and opening nights. Producers also receive all Inner Circle benefits. Contact Bill & Terry Krivan Eric Butler MD & Sudhanshu & Lori Jain Karen & Richard Recht Ronnie Plasters at 650.463.7135 or [email protected] for more information. Arlene & Jack Leslie Suzanne Rocca-Butler Dean & Patricia Johnson Karen & John Reis Visionary Producers Producers Mike & Martha Kahn Ronnie Plasters Janet Littlefield & William Coggshall Jeff & Deborah Byron Hardy & Jane Bryan Jones Eddie Reynolds & Hernán Correa Drs. John & Penny Loeb Ron & Sally Carter Hilary Jones Edward & Verne Rice ($50,000 and above) ($10,000 to $24,999) Julie Kaufman & Doug Klein Joe and Nancy Ragey Ann S. Bowers Dr. Edward & Lois Anderson Robert Kelley & Ev Shiro Philip Santora & Cristian Asher Malcolm MacNaughton Raymond & Patti Chan Mr. & Mrs. Abdo Kadifa Orli & Zack Rinat Suzanne Martin & John Doyle Josephine Chien & Thomas Kailath & Anu Maitra Tom Rindfleisch & Carli Scott Dr. & Mrs. W. M. Coughran, Jr. Paul Asente & Ron Jenks Tom & Sharon Kelley Dorothy Saxe Kevin McCoy Stephen Johnson Stuart & Helen Kane Paul & Sheri Robbins Anne & Larry Hambly Elaine Baskin & Ken Krechmer Hal & Iris Korol Loren & Shelley Saxe Myrna & Hy Mitchner, PhD Lee & Amy Christel Louise Karr Bob Rodert & Bev Kiltz The Dirk & Charlene Kabcenell Lucy Berlin & Glenn Trewitt Dick & Cathy Lampman Martha Seaver & Scott Walecka Annie Nunan Nancy Mahoney Cohen Ruth Ann & David Keefer Howard Lyons Foundation Jayne Booker Mark and Debra Leslie Leonard Shustek & Margo & Roy Ogus Larry & Sara Condit Cynthia & Bert Keely Alan Russell & Fred Thiemann Morgan Family Foundation Tom & Polly Bredt Sue & Dick Levy Donna Dubinsky Beth & Charlie Perrell Jodi Corwin & Irv Duchowny in Arthur Keller Ellen & Jerry Saliman Cynthia Sears Steve & Gayle Brugler Mark Lewis & Barbara Shapiro Lisa & Matthew Sonsini In memory of Pearl Reimer memory of Milt, Michael, & Jack Robin & Don Kennedy Joseph & Sandy Santandrea Lisa Webster & Ted Semple Steven & Karin Chase The Marmor Foundation/ Rick Stern & Nancy Ginsburg Stern Ron & Lila Schmidt Diane & Howard Crittenden Chris Kenrick Lee & Kim Scheuer TheatreWorks Board Emeritus Fran Codispoti Drs. Michael & Jane Marmor Susanne Stevens & Monte Mansir Edward & Jane Seaman Jeff & Amy Crowe Kenichi Kiyama Sonya Schroeder George & Susan Crow Gillian & Tom Moran Mark & Teri Vershel Bart Sears Richard & Anita Davis Akiko Kiyama Tom & Hilary Schroeder Executive Producers Gordon & Carolyn Davidson Leslie & Douglas Murphy- Watkins Family Charitable Fund Joyce Reynolds Sinclair & Scott & Edie DeVine Liz & Rick Kniss Charles G. Schulz & Claire E. Taylor ($25,000 to $49,999) Sarah Donaldson Chutorian Carol Watts Dr. Gerald M. Sinclair Douglas Dexter Michael & Ina Korek Carolyn Schutz* Anonymous (2) Eileen Nelson & Hugh Franks Harriet & Frank Weiss Mark Duncan Ellen & Ed Smith Monica Donovan Woof Kurtzman & Liz Hertz Perry Segal Bruce & Hala Kurdi Cozadd Yvonne & Mike Nevens Bart & Nancy Westcott Dan & Catharine Garber Sheri Sobrato Pamela Dougherty Jim & Marilyn Lattin Pamela & Rick Shames Yogen & Peggy Dalal The Niblock Charitable Trust Bill & Janne Wissel Sylvia & Ron Gerst Jerry Strom & Marilyn Austin Mr. & Mrs. Robert English Henry Lawson & Jack Shannahan The John & Marcia Goldman Richard Partridge & Gayla Lorthridge Wood & Rose Hau & Jim Heslin Odette & Ewart Thomas Suzanne & Allan Epstein Marcia Wells-Lawson Sarah Shema & Neyssa Marina Foundation Rachel Michelberg Walt Wood Emeri & Brad Handler Lorraine VanDeGraaf-Rodriguez & Sheldon Finkelstein & Elizabeth Leep Marge & Jim Shively Ronald Hayden & Sherry Dusza Judy Heyboer & Brian Shally Fred C. Rodriguez* Beatriz V. Infante Janet & Phil Levine Ursula Shultz Phil Kurjan & Noel Butler Jan Horn & Jane Weston Kristina Vetter Sarah Flanagan Donald & Rachel Levy Carolyn & Rick Silberman Michelle & Michael Kwatinetz Larry Horton & George Wilson Thomas Vogelsang Peggy Woodford Forbes & Stephen & Nancy Levy Gerry Sipes Dorothy Lazier Edward Hunter & Mark & Sheila Wolfson Harry Bremond Dr. & Mrs. Bernard I. Lewis Mariangela Smania & Pierre Cintra Mendelsohn Family Fund Michelle Garcia THE INNER CIRCLE Kristina Vetter, Chair Karen & Lorry Frankel Robert J. Lipshutz & Pamela Smith Janet Strauss & Jeff Hawkins Charlotte Jacobs & Members of The Inner Circle contribute a minimum of $1,500 each season and enjoy Assistant Directors Diane & Bob Frankle Nancy Wong, MD Todd Smith Lynn Szekely-Goode & Roderick Young a variety of benefits including priority subscription seating, VIP ticket purchases and ($1,500 to $3,499) Barbara Franklin & Bernie Loth Tom & Sally Logothetti Art Stamness exchanges, access to house seats on Broadway, and invitations to Meet-the-Artists Dr. Richard Goode Leigh & Roy Johnson events. Contact Ronnie Plasters at 650.463.7135 or [email protected] for Anonymous (6) Deborah Freehling, MD Richard & Charlene Maltzman The Sher-Right Fund more information. Marc & Sophia Abramson Jay & Joyce Friedrichs Marilyn Manning & Catherine & Jeff Thermond Douglas & Loretta Allred Markus Fromherz & Heike Schmitz Richard Lonergan Jan Thomson & Roy Levin Directors Associate Directors Kathleen Anderson & Jeffrey Lipkin Matthew Fuller & Monica West Patricia McClung & Allen Morgan Marilyn & Paul Tinderholt ($6,500 to $9,999) ($3,500 to $6,499) Mary Ann Anthony & Ken Fowkes Marilee Gardner Keith Amidon & Rani Menon Helaina Titus The Endowment Fund Anonymous Anonymous (2) Shirley Bailey Rachel Goldeen Gus Meyner in memory of Miriam Ted & Betty Ullman TheatreWorks Silicon Valley thanks the following lead donors Carol Bacchetti Dot Allen Pat Bashaw & Gene Segre Sue & Bill Gould Shauna Mika & Rick Callison Tzipor Ulman & Dan Rubinstein for their extraordinarily generous Endowment gifts. Katherine Bazak & John Dohner Paul & Debbie Baker Mr. & Mrs. David W. Beach Renee & Mark Greenstein William & Sue Miklos Les & Judy Vadasz Dr. Barbara L. Bessey in memory of Joel & Wendy Bartlett Marsha & Bill Adler Betsy & George Bechtel Barbara Gunther Buff & Cindy Miller Robert J. Van der Leest, MD Dr. Kevin J. Gilmartin Jim Bassett & Lily Hurlimann William C. Anderson The BelleJAR Foundation Jim & Linda Hagan Mimi Mourkas Mimi & Jim Van Horne Cabell Chinnis Anne & Buz Battle Ann S. Bowers Don & Deborah Bennett Kovin & Toggle Hagan Gordon Myers Tom Wang John & Susan Diekman David & Lauren Berman Polly & Tom Bredt Caroline Beverstock Elaine & Eric Hahn Jamie & Erin Niemasik Griff & Lynne Weber John & Wynne Dobyns Marah & Gene Brehaut Bruce Cozadd Charlotte & David Biegelsen Russell & Debbie Hall Lynn & Susan Orr Margaret & Curt Weil Richard & Josephine Ferrie Bruce & Gail Chizen Fumiko & Carl Bielefeldt Susan Heller David Pasta in memory of Elissa Wellikson & Tim Shroyer Peter & Melanie Cross Lynda & Steve Fox Dean & Wilma Chu Richard & Audrey Bojack David & Noreen Henig Gloria J.A. Guth Arlene & Bruce S. White Yogen & Peggy Dalal Peter & Rose Friedland Claudia & Bill Coleman Bob & Martha Bowden Craig & Deborah Hoffman Karen Carlson White Carl H. Feldman David E. Gold & Irene Blumenkranz David & Ann Crockett Kathryn Green Linda M. Hinton & Vince Foecke Randy Curry & Kay Simon Advocates The John & Marcia Goldman Foundation Lisa & Marc Jones Katie & Scott Dai* ($1,000 to $1,499) Emeri & Brad Handler Rob & Ann Marangell Redwood Serenity Fund Anonymous • Richard & Clarice Anderson • Doug & Marie Barry • Brigid Barton • Mr. & Mrs. Charles E. Benjamin • Joan Bodenlos • Cheryl Booten & Robert Mannell • Sharon Hoffman Bill & Janet Nicholls Dennis & Cindy Dillon Rita Boren • Sharon & John Brauman • Jack & Lois Brownson • Burke Family Trust • Tom Coates & Kris Bobier • David Cohan • Robert A. Cook • Gwen Crawford • Ron Hurlbut-Johnson Charitable Trusts Matt Orban Susan Fairbrook & Marion Dickel • Rosa and Arthur Feldman • Ms. Sandra Feldman • Roy & Eleanor Ferrari • Mr. & Mrs. Stephen S. Francis • Joseph & Sondra Glider • Jack & Joan Charles & Roberta Katz Family Foundation Holly Ward & Scott Spector Gayle Flanagan Gorham • Ann Griffiths in honor of Gayla Lorthridge Wood • Helen Helson • Nancy Lee Jalonen • Laurie T Jarrett • Mary Louise Johnson • Carl Jukkola & Desmond Lee • David & Joyce Kim • Eileen Landauer • George & Ann Limbach • Cliff & Diana Lloyd • Bob & Kathie Maxfield • Bruce McLeod & Carla Befera • Sharon & Harris Meyers Patricia McClung & Allen Morgan AV Flox & Yonatan Zunger Terry & Carolyn Gannon in honor of • Diane Morton • Jane Morton & Michael Jacobs • Dayne Nicholls • Sharon & John Patterson • James & Alma Phillips • Deborah S. Rose, MD • In memory of Bridget The Rathmann Family Foundation Ross • Mr. & Mrs. John Rudolph • Tom & Nan Ryan • Nancy & Magnus Ryde • Tom & Pat Sanders • Emil & Barbara Sarpa • David & Harriet Schnur • Barbara & David Robert Kelley Eddie Reynolds Sloss * • Laura & Russ Smith • Denise & Jim Stanford • Donald & Miriam Teeter • Holly & Jeff Ullman • Diana & Chris Walsh • Dimitri Maxwell Wentworth Ciro & Eileen Giammona John & Diane Savage Kenneth & Susan Greathouse Contributions listed were received between 12/14/2017 and 12/14/2018. Program deadlines and space limitations prevent us from listing all of our greatly appreciated patrons. Joyce Reynolds Sinclair For corrections, or to make a contribution, please contact Jake Hurwitz at 650.463.7110 or [email protected]. In Memory of Lorie Griswold + Lynn Szekely-Goode & Dr. Richard Goode * Indicates donors whose gifts include in-kind goods or services. Indicates members of the Encore Club, who make ongoing monthly or quarterly gifts. Maren Hitz

18 THEATREWORKS D & J Hodgson Family Foundation Lauren & Darrell Boyle Anne & Emma Grace Holmes Carrie Perzow & Von Leirer TheatreWorks Silicon Valley Contributors Claiborne S. Jones in memory of Michael & Leslie Braun Wayne & Judith Hooper Dean Philip & Peggy Pizzo Jane Chai James B. Brennock Susan M. Huch John & Valerie Poggi THE PRODUCER CIRCLE Anne Hambly, Executive Producer Co-Chair • Lynn Szekely-Goode, Executive Producer Co-Chair Ron Hayden, Producer Co-Chair • Jane Weston, Producer Co-Chair Jack Jorgenson Ellen & Marc Brown Perry A. Irvine & Susan Rabin Buchanan & TheatreWorks Producers have made a gift of $10,000 or more. They are invited to exclusive events with visiting artists, and on special theatre trips. Producers may select a John & Catharine Kristian Marda Buchholz & Marcie Brown Linda Romley-Irvine David Buchanan production to follow from ”page to stage” by attending the design presentation, rehearsals, and opening nights. Producers also receive all Inner Circle benefits. Contact Bill & Terry Krivan Eric Butler MD & Sudhanshu & Lori Jain Karen & Richard Recht Ronnie Plasters at 650.463.7135 or [email protected] for more information. Arlene & Jack Leslie Suzanne Rocca-Butler Dean & Patricia Johnson Karen & John Reis Visionary Producers Producers Mike & Martha Kahn Ronnie Plasters Janet Littlefield & William Coggshall Jeff & Deborah Byron Hardy & Jane Bryan Jones Eddie Reynolds & Hernán Correa Drs. John & Penny Loeb Ron & Sally Carter Hilary Jones Edward & Verne Rice ($50,000 and above) ($10,000 to $24,999) Julie Kaufman & Doug Klein Joe and Nancy Ragey Ann S. Bowers Dr. Edward & Lois Anderson Robert Kelley & Ev Shiro Philip Santora & Cristian Asher Malcolm MacNaughton Raymond & Patti Chan Mr. & Mrs. Abdo Kadifa Orli & Zack Rinat Suzanne Martin & John Doyle Josephine Chien & Thomas Kailath & Anu Maitra Tom Rindfleisch & Carli Scott Dr. & Mrs. W. M. Coughran, Jr. Paul Asente & Ron Jenks Tom & Sharon Kelley Dorothy Saxe Kevin McCoy Stephen Johnson Stuart & Helen Kane Paul & Sheri Robbins Anne & Larry Hambly Elaine Baskin & Ken Krechmer Hal & Iris Korol Loren & Shelley Saxe Myrna & Hy Mitchner, PhD Lee & Amy Christel Louise Karr Bob Rodert & Bev Kiltz The Dirk & Charlene Kabcenell Lucy Berlin & Glenn Trewitt Dick & Cathy Lampman Martha Seaver & Scott Walecka Annie Nunan Nancy Mahoney Cohen Ruth Ann & David Keefer Howard Lyons Foundation Jayne Booker Mark and Debra Leslie Leonard Shustek & Margo & Roy Ogus Larry & Sara Condit Cynthia & Bert Keely Alan Russell & Fred Thiemann Morgan Family Foundation Tom & Polly Bredt Sue & Dick Levy Donna Dubinsky Beth & Charlie Perrell Jodi Corwin & Irv Duchowny in Arthur Keller Ellen & Jerry Saliman Cynthia Sears Steve & Gayle Brugler Mark Lewis & Barbara Shapiro Lisa & Matthew Sonsini In memory of Pearl Reimer memory of Milt, Michael, & Jack Robin & Don Kennedy Joseph & Sandy Santandrea Lisa Webster & Ted Semple Steven & Karin Chase The Marmor Foundation/ Rick Stern & Nancy Ginsburg Stern Ron & Lila Schmidt Diane & Howard Crittenden Chris Kenrick Lee & Kim Scheuer TheatreWorks Board Emeritus Fran Codispoti Drs. Michael & Jane Marmor Susanne Stevens & Monte Mansir Edward & Jane Seaman Jeff & Amy Crowe Kenichi Kiyama Sonya Schroeder George & Susan Crow Gillian & Tom Moran Mark & Teri Vershel Bart Sears Richard & Anita Davis Akiko Kiyama Tom & Hilary Schroeder Executive Producers Gordon & Carolyn Davidson Leslie & Douglas Murphy- Watkins Family Charitable Fund Joyce Reynolds Sinclair & Scott & Edie DeVine Liz & Rick Kniss Charles G. Schulz & Claire E. Taylor ($25,000 to $49,999) Sarah Donaldson Chutorian Carol Watts Dr. Gerald M. Sinclair Douglas Dexter Michael & Ina Korek Carolyn Schutz* Anonymous (2) Eileen Nelson & Hugh Franks Harriet & Frank Weiss Mark Duncan Ellen & Ed Smith Monica Donovan Woof Kurtzman & Liz Hertz Perry Segal Bruce & Hala Kurdi Cozadd Yvonne & Mike Nevens Bart & Nancy Westcott Dan & Catharine Garber Sheri Sobrato Pamela Dougherty Jim & Marilyn Lattin Pamela & Rick Shames Yogen & Peggy Dalal The Niblock Charitable Trust Bill & Janne Wissel Sylvia & Ron Gerst Jerry Strom & Marilyn Austin Mr. & Mrs. Robert English Henry Lawson & Jack Shannahan The John & Marcia Goldman Richard Partridge & Gayla Lorthridge Wood & Rose Hau & Jim Heslin Odette & Ewart Thomas Suzanne & Allan Epstein Marcia Wells-Lawson Sarah Shema & Neyssa Marina Foundation Rachel Michelberg Walt Wood Emeri & Brad Handler Lorraine VanDeGraaf-Rodriguez & Sheldon Finkelstein & Elizabeth Leep Marge & Jim Shively Ronald Hayden & Sherry Dusza Judy Heyboer & Brian Shally Fred C. Rodriguez* Beatriz V. Infante Janet & Phil Levine Ursula Shultz Phil Kurjan & Noel Butler Jan Horn & Jane Weston Kristina Vetter Sarah Flanagan Donald & Rachel Levy Carolyn & Rick Silberman Michelle & Michael Kwatinetz Larry Horton & George Wilson Thomas Vogelsang Peggy Woodford Forbes & Stephen & Nancy Levy Gerry Sipes Dorothy Lazier Edward Hunter & Mark & Sheila Wolfson Harry Bremond Dr. & Mrs. Bernard I. Lewis Mariangela Smania & Pierre Cintra Mendelsohn Family Fund Michelle Garcia THE INNER CIRCLE Kristina Vetter, Chair Karen & Lorry Frankel Robert J. Lipshutz & Pamela Smith Janet Strauss & Jeff Hawkins Charlotte Jacobs & Members of The Inner Circle contribute a minimum of $1,500 each season and enjoy Assistant Directors Diane & Bob Frankle Nancy Wong, MD Todd Smith Lynn Szekely-Goode & Roderick Young a variety of benefits including priority subscription seating, VIP ticket purchases and ($1,500 to $3,499) Barbara Franklin & Bernie Loth Tom & Sally Logothetti Art Stamness exchanges, access to house seats on Broadway, and invitations to Meet-the-Artists Dr. Richard Goode Leigh & Roy Johnson events. Contact Ronnie Plasters at 650.463.7135 or [email protected] for Anonymous (6) Deborah Freehling, MD Richard & Charlene Maltzman The Sher-Right Fund more information. Marc & Sophia Abramson Jay & Joyce Friedrichs Marilyn Manning & Catherine & Jeff Thermond Douglas & Loretta Allred Markus Fromherz & Heike Schmitz Richard Lonergan Jan Thomson & Roy Levin Directors Associate Directors Kathleen Anderson & Jeffrey Lipkin Matthew Fuller & Monica West Patricia McClung & Allen Morgan Marilyn & Paul Tinderholt ($6,500 to $9,999) ($3,500 to $6,499) Mary Ann Anthony & Ken Fowkes Marilee Gardner Keith Amidon & Rani Menon Helaina Titus The Endowment Fund Anonymous Anonymous (2) Shirley Bailey Rachel Goldeen Gus Meyner in memory of Miriam Ted & Betty Ullman TheatreWorks Silicon Valley thanks the following lead donors Carol Bacchetti Dot Allen Pat Bashaw & Gene Segre Sue & Bill Gould Shauna Mika & Rick Callison Tzipor Ulman & Dan Rubinstein for their extraordinarily generous Endowment gifts. Katherine Bazak & John Dohner Paul & Debbie Baker Mr. & Mrs. David W. Beach Renee & Mark Greenstein William & Sue Miklos Les & Judy Vadasz Dr. Barbara L. Bessey in memory of Joel & Wendy Bartlett Marsha & Bill Adler Betsy & George Bechtel Barbara Gunther Buff & Cindy Miller Robert J. Van der Leest, MD Dr. Kevin J. Gilmartin Jim Bassett & Lily Hurlimann William C. Anderson The BelleJAR Foundation Jim & Linda Hagan Mimi Mourkas Mimi & Jim Van Horne Cabell Chinnis Anne & Buz Battle Ann S. Bowers Don & Deborah Bennett Kovin & Toggle Hagan Gordon Myers Tom Wang John & Susan Diekman David & Lauren Berman Polly & Tom Bredt Caroline Beverstock Elaine & Eric Hahn Jamie & Erin Niemasik Griff & Lynne Weber John & Wynne Dobyns Marah & Gene Brehaut Bruce Cozadd Charlotte & David Biegelsen Russell & Debbie Hall Lynn & Susan Orr Margaret & Curt Weil Richard & Josephine Ferrie Bruce & Gail Chizen Fumiko & Carl Bielefeldt Susan Heller David Pasta in memory of Elissa Wellikson & Tim Shroyer Peter & Melanie Cross Lynda & Steve Fox Dean & Wilma Chu Richard & Audrey Bojack David & Noreen Henig Gloria J.A. Guth Arlene & Bruce S. White Yogen & Peggy Dalal Peter & Rose Friedland Claudia & Bill Coleman Bob & Martha Bowden Craig & Deborah Hoffman Karen Carlson White Carl H. Feldman David E. Gold & Irene Blumenkranz David & Ann Crockett Kathryn Green Linda M. Hinton & Vince Foecke Randy Curry & Kay Simon Advocates The John & Marcia Goldman Foundation Lisa & Marc Jones Katie & Scott Dai* ($1,000 to $1,499) Emeri & Brad Handler Rob & Ann Marangell Redwood Serenity Fund Anonymous • Richard & Clarice Anderson • Doug & Marie Barry • Brigid Barton • Mr. & Mrs. Charles E. Benjamin • Joan Bodenlos • Cheryl Booten & Robert Mannell • Sharon Hoffman Bill & Janet Nicholls Dennis & Cindy Dillon Rita Boren • Sharon & John Brauman • Jack & Lois Brownson • Burke Family Trust • Tom Coates & Kris Bobier • David Cohan • Robert A. Cook • Gwen Crawford • Ron Hurlbut-Johnson Charitable Trusts Matt Orban Susan Fairbrook & Marion Dickel • Rosa and Arthur Feldman • Ms. Sandra Feldman • Roy & Eleanor Ferrari • Mr. & Mrs. Stephen S. Francis • Joseph & Sondra Glider • Jack & Joan Charles & Roberta Katz Family Foundation Holly Ward & Scott Spector Gayle Flanagan Gorham • Ann Griffiths in honor of Gayla Lorthridge Wood • Helen Helson • Nancy Lee Jalonen • Laurie T Jarrett • Mary Louise Johnson • Carl Jukkola & Desmond Lee • David & Joyce Kim • Eileen Landauer • George & Ann Limbach • Cliff & Diana Lloyd • Bob & Kathie Maxfield • Bruce McLeod & Carla Befera • Sharon & Harris Meyers Patricia McClung & Allen Morgan AV Flox & Yonatan Zunger Terry & Carolyn Gannon in honor of • Diane Morton • Jane Morton & Michael Jacobs • Dayne Nicholls • Sharon & John Patterson • James & Alma Phillips • Deborah S. Rose, MD • In memory of Bridget The Rathmann Family Foundation Ross • Mr. & Mrs. John Rudolph • Tom & Nan Ryan • Nancy & Magnus Ryde • Tom & Pat Sanders • Emil & Barbara Sarpa • David & Harriet Schnur • Barbara & David Robert Kelley Eddie Reynolds Sloss * • Laura & Russ Smith • Denise & Jim Stanford • Donald & Miriam Teeter • Holly & Jeff Ullman • Diana & Chris Walsh • Dimitri Maxwell Wentworth Ciro & Eileen Giammona John & Diane Savage Kenneth & Susan Greathouse Contributions listed were received between 12/14/2017 and 12/14/2018. Program deadlines and space limitations prevent us from listing all of our greatly appreciated patrons. Joyce Reynolds Sinclair For corrections, or to make a contribution, please contact Jake Hurwitz at 650.463.7110 or [email protected]. In Memory of Lorie Griswold + Lynn Szekely-Goode & Dr. Richard Goode * Indicates donors whose gifts include in-kind goods or services. Indicates members of the Encore Club, who make ongoing monthly or quarterly gifts. Maren Hitz

encoremediagroup.com/programs 19 TheatreWorks Silicon Valley Contributors

VISIONARY SPONSORS CORPORATE CIRCLE, FOUNDATION, & GOVERNMENT GIFTS Ciro Giammona, Chair Foundations and Corporate Circle members sponsor productions, support new works, and fund education programs for K–12 students. Sponsors may host events at the theatre, receive heightened community visibility, and enjoy other hospitality benefits. Contact Lynn Davis at 650.463.7159 or [email protected] for more information.

Visionary Sponsors Benefactors Friends ($50,000 and above) ($5,000 to $9,999) ($1,000 to $2,499) The Giving Code Fund at Los Altos Robert E. & Adele M. Boydston Babcock and Brown* Community Foundation Charitable Foundation Chase VP* The William Randolph Hearst California Civil Liberties Public Goodwin Proctor* Foundation Education Program Isla Productions, LLC The William & Flora Hewlett Dodge & Cox Investment Pacific Hearing Service Foundation Managers Presidio Bank J.Lohr Vineyards & Wines* Fenwick & West LLP The David & Lucile Packard The Leonard C. & Mildred F. Foundation Ferguson Foundation Matching Gifts The Shubert Foundation Gleim the Jeweler* Many companies will double or triple Sobrato Philanthropies Harrell Remodeling their employees’ contributions to Hurlbut-Johnson Charitable nonprofits. It’s a great way to make Presenting Sponsor Trusts your gift to TheatreWorks go further at ($25,000 to $49,999) The Merrimac Fund no extra cost. Call 650.463.7135 for Koret Foundation National Alliance for Musical more information. Sand Hill Foundation Theatre The Wilson Sonsini Goodrich & Amazon Smile Foundation Supporting Sponsors Rosati Foundation Adobe Systems ($15,000 to $24,999) Agilent Technologies PRESENTING SPONSORS Carla Befera Public Relations* Supporters Apple National Endowment for the Arts ($2,500 to $4,999) Avant! Foundation The Harold & Mimi Steinberg Allegra Entertainment Google Charitable Trust Avidbank Hewlett-Packard Company Cooley LLP* IBM Sponsors Groupware Technology Johnson & Johnson Family of ($10,000 to $14,999) Nikon Precision, Inc Companies Adams Wine Group* Kurt Orban Partners Microsoft The Applied Materials Foundation The Morrison & Foerster Netflix Chubb Insurance Foundation Rambus Inc. Heising-Simons Foundation Opal Events Center* * Indicates donors whose gifts include Hengehold Motor Company* Peninsula Endowment Fund in-kind goods or services. Perkins Coie LLP* Pillsbury Winthrop Shaw Pittman LLP*

SUPPORTING SPONSOR FUTUREWORKS Jayne Booker, Chair FutureWorks members have made an estate gift from a will or living trust, a beneficiary designation in an IRA, a gift of life insurance, a gift that returns lifetime income, or another planned gift. Contact Ronnie Plasters at [email protected] for more information. Anonymous (7) • Marc Abramson • The Estate of William C. Anderson • Ray & Carol Bacchetti • Elaine Baskin & Ken Krechmer • Pauline Berkow & Ronald Kauffman • David & Lauren Berman • Jayne Booker • James & Diane Bordoni • Ann S. Bowers • Steve & Gayle Brugler • Marda Buchholz • Carol Buchser • The estate of Cathryn Z. Cannon • Eleanor W. Caughlan • Steven & Karin Chase • Jodi Corwin & Irv Duchowny • Bruce & Hala Kurdi Cozadd • George & Susan Crow • John & Wynne Dobyns • Mark Duncan • John & Linda Elman • Frances Escherich • Susan Fairbrook • Harriett Ferziger • Gayle Flanagan • Carole & David Florian • Peter & Rose Friedland • Terry & Carolyn Gannon • Ed Glazier • John & Marcia Goldman • Lorie SPONSORS Griswold • Judy Heyboer & Brian Shally • Maureen Hoberg • Sharon Hoffman • Anne & Emma Grace Holmes • Kenny Hom • Sue Homestead • Judith & Wayne Hooper • Elaine & Samuel Housten • Susan M. Huch • Edward Hunter & Michelle Garcia • Nancy Lee Jalonen • Barry Lee Johnson • Stanley Johnson • Claiborne S. Jones • Mary Frances Jourdan • Mike & Martha Kahn • Julie Kaufman & Doug Klein • Robert Kelley & Ev Shiro • Bill & Terry Krivan • Phil Kurjan & Noel Butler • Woof Kurtzman & Liz Hertz • Mark Lewis & Barbara Shapiro • Marilyn & Robert Mangelsdorf • Steve Mannshardt • Suzanne Martin & John Doyle • Leigh Metzler & Jim McVey • Buff & Cindy Miller • Tami & Craney Ogata • Richard Partridge & Rachel Michelberg • Joe & Nancy Ragey • Doris Gottsegen-Reiner • Karen & John Reis • Eddie Reynolds & Ed Jones • Betsy Boardman Ross • Adam Samuels • Philip Santora & Cristian Asher • Dorothy Saxe • Loren & Shelley Saxe • Cynthia Sears • Joyce Reynolds Sinclair & Dr. Gerald M. Sinclair • Mindy Rauch & Carol Snell • Esther Sobel • Jim & Mary Southam • Cherrill M. Spencer • Rick Stern & Nancy Ginsburg Stern • Susanne Stevens & Monte Mansir • Laurie Waldman • Carol Watts • Karen Carlson White • Renee & Herman Winick

20 THEATREWORKS TheatreWorks Silicon Valley Contributors TheatreWorks SV Staff Artistic Director Robert Kelley Executive Director Phil Santora

VISIONARY SPONSORS CORPORATE CIRCLE, FOUNDATION, & GOVERNMENT GIFTS Ciro Giammona, Chair ARTISTIC SCENERY DEVELOPMENT MARKETING Foundations and Corporate Circle members sponsor productions, support new works, and fund education programs for K–12 Director of New Works Technical Director Director of Development Director of Marketing students. Sponsors may host events at the theatre, receive heightened community visibility, and enjoy other hospitality benefits. Contact Lynn Davis at 650.463.7159 or [email protected] for more information. Giovanna Sardelli Frank Sarmiento Ronnie Plasters Peter Chenot Casting Director Lead Scenic Artist/Craftsman Associate Director of Development Art Director Visionary Sponsors Benefactors Friends Jeffrey Lo Tom Langguth Julia Zarcone Ev Shiro ($50,000 and above) ($5,000 to $9,999) ($1,000 to $2,499) The Giving Code Fund at Los Altos Robert E. & Adele M. Boydston Babcock and Brown* Artistic Operations Manager/ Master Carpenter Associate Director of Institutional Marketing & Communications Community Foundation Charitable Foundation Chase VP* Company Manager Bill Roberts Partnerships Manager The William Randolph Hearst California Civil Liberties Public Goodwin Proctor* Stephen Muterspaugh Lynn Davis Heather Orth Foundation Education Program Isla Productions, LLC Carpenters The William & Flora Hewlett Dodge & Cox Investment Pacific Hearing Service Resident Musical Director Andrew Clark, Rodrigo Frausto, Stewardship & Individual Giving Digital Media Manager Foundation Managers Presidio Bank William Liberatore Patrick McKenna Manager Jennifer Gosk Jake Hurwitz J.Lohr Vineyards & Wines* Fenwick & West LLP FutureWorks Fellow Systems Analyst The David & Lucile Packard The Leonard C. & Mildred F. Michelle Skinner PROPERTIES Events Manager Andrew Skelton Foundation Ferguson Foundation Matching Gifts Jodi Corwin Properties Master Box Office Manager The Shubert Foundation Gleim the Jeweler* Many companies will double or triple Artistic Assistant Elana Ron Sobrato Philanthropies Harrell Remodeling their employees’ contributions to Tracy Hayden Christopher Fitzer Development Associate Hurlbut-Johnson Charitable Tracy Hayden nonprofits. It’s a great way to make Properties Artisan Front of House Manager Presenting Sponsor Trusts your gift to TheatreWorks go further at PRODUCTION, Phillip Anderson Telefunding/Telesales Nancy Melmon ($25,000 to $49,999) The Merrimac Fund no extra cost. Call 650.463.7135 for LIGHTING, & SOUND Constance Gannon Koret Foundation National Alliance for Musical more information. Ticket Services Representatives Sand Hill Foundation Theatre Production Manager COSTUMES Andrée Beals, Mary Alley, Amazon Smile Foundation The Wilson Sonsini Goodrich & David A. Milligan EDUCATION Margaret Purdy, Alex Rubin, Adobe Systems Costume Director Supporting Sponsors Rosati Foundation Cameron Wells ($15,000 to $24,999) Agilent Technologies Assistant Production Manager Jill Bowers Director of Education PRESENTING SPONSORS Apple Elizar Ivanov Lisa Edsall Giglio Graphics Assistant Carla Befera Public Relations* Supporters Assistant Costumer Avant! Foundation Katie Dai National Endowment for the Arts ($2,500 to $4,999) Operations Manager/ Noah Marin Associate Education Director Google The Harold & Mimi Steinberg Allegra Entertainment Master Electrician Katie Bartholomew Public Relations & Advertising Charitable Trust Avidbank Hewlett-Packard Company Lead Cutter/Draper Steven B. Mannshardt Carla Befera & Co. Cooley LLP* IBM Yen La Wong Education Associate/ Carla Befera, Lauren Goldfarb Johnson & Johnson Family of Resident Lighting Designer Master Teaching Artist Sponsors Groupware Technology Wardrobe Manager ($10,000 to $14,999) Nikon Precision, Inc Companies Steven B. Mannshardt Meghan C. Hakes Video Content Producer Martha Jo Walton Adams Wine Group* Kurt Orban Partners Microsoft Erin Gould Sound Supervisor Master Teaching Artist The Applied Materials Foundation The Morrison & Foerster Netflix Costume Rentals Manager Dimitri Wentworth Piper LaGrelius Company Photographers Chubb Insurance Foundation Rambus Inc. Melissa Sanchez Kevin Berne, Alessandra Mello Heising-Simons Foundation Opal Events Center* Production Coordinator Teaching Artists * Indicates donors whose gifts include Assistant Cutter/First Hand Hengehold Motor Company* Peninsula Endowment Fund Karen Szpaller Stacey Ardelean, Lauren Berman, in-kind goods or services. Michelle Earney Roque Perkins Coie LLP* Kimberly Braun, Jenni Chapman, ADMINISTRATIVE Electricians Pillsbury Winthrop Shaw Resident Wigmaster Halli Gibson, Matthew Keuter, Pittman LLP* Grace Berger, Jake Bers, General Manager Sharon Ridge Rebecca Longworth, Sam Coleman, Herb Evans, Scott DeVine Josh Marx, Lauren Mayer, Steven Fetter, Kendra Green, Hair Stylist SUPPORTING SPONSOR Michileen Oberst, Jed Pasario, Business Manager FUTUREWORKS Jayne Booker, Chair Cosmo Hom, Ryan Hubbard, Jeanne Naritomi Kelly Rinehart, Martin Rojas Dietrich, Jason Hyde FutureWorks members have made an estate gift from a will or living trust, a beneficiary designation in an IRA, a gift of life Sean Kramer, Joe Krempetz, Costume Shop Interns Cassie Rosenbrock, Amanda Wallace, insurance, a gift that returns lifetime income, or another planned gift. Contact Ronnie Plasters at [email protected] Kyle Langdon, Database Administrator Abigail Leon, Sheralee Beebe Adrienne Walters for more information. Mattias Lange-McPherson, Ken Maitz Anonymous (7) • Marc Abramson • The Estate of William C. Anderson • Ray & Carol Bacchetti • Elaine Noah Listgarten, Eric Liu, Staff Accountant And thanks to our fabulous Baskin & Ken Krechmer • Pauline Berkow & Ronald Kauffman • David & Lauren Berman • Jayne Booker • Evan Lola, Harris Meyers, Barbara Sloss James & Diane Bordoni • Ann S. Bowers • Steve & Gayle Brugler • Marda Buchholz • Carol Buchser • The Dylan Moreland, Gary Nelson, TheatreWorkers! Front Desk Volunteers estate of Cathryn Z. Cannon • Eleanor W. Caughlan • Steven & Karin Chase • Jodi Corwin & Irv Duchowny Sean O’Connor, Darbus Oldham, Joan Doherty, Cindi Sears • Bruce & Hala Kurdi Cozadd • George & Susan Crow • John & Wynne Dobyns • Mark Duncan • John & Emma Pernudi-Moon, Linda Elman • Frances Escherich • Susan Fairbrook • Harriett Ferziger • Gayle Flanagan • Carole & David Chloe Schwitzer, Jarku Tang, Florian • Peter & Rose Friedland • Terry & Carolyn Gannon • Ed Glazier • John & Marcia Goldman • Lorie Henry Wilen SPONSORS Griswold • Judy Heyboer & Brian Shally • Maureen Hoberg • Sharon Hoffman • Anne & Emma Grace FROST/NIXON ADDITIONAL STAFF Holmes • Kenny Hom • Sue Homestead • Judith & Wayne Hooper • Elaine & Samuel Housten • Susan M. Load-in/Strike Volunteers Huch • Edward Hunter & Michelle Garcia • Nancy Lee Jalonen • Barry Lee Johnson • Stanley Johnson • Rick Amerson, Ed Hunter Assistant Director Cameron Wells Projections Operator Dresser Mauricio Suarez Spencer Doughtie Claiborne S. Jones • Mary Frances Jourdan • Mike & Martha Kahn • Julie Kaufman & Doug Klein • Robert Lighting Intern Projection Design Assistant Selected Wigs by Wigboys Spencer Doughtie Ted Reuter Kelley & Ev Shiro • Bill & Terry Krivan • Phil Kurjan & Noel Butler • Woof Kurtzman & Liz Hertz • Mark Lewis Jason Vinson Show Carpenter Costume Design Assistant & Barbara Shapiro • Marilyn & Robert Mangelsdorf • Steve Mannshardt • Suzanne Martin & John Doyle • Scenic Design Assistant Deck Crew Nikolai Perry Nika Cassaro Leigh Metzler & Jim McVey • Buff & Cindy Miller • Tami & Craney Ogata • Richard Partridge & Rachel STAGE MANAGEMENT Monica Ravitch Properties Runner/Stage Stitcher Nina Parker Michelberg • Joe & Nancy Ragey • Doris Gottsegen-Reiner • Karen & John Reis • Eddie Reynolds & Ed Light Board Operator Management Intern Costume Volunteer Barbara Kossy Jones • Betsy Boardman Ross • Adam Samuels • Philip Santora & Cristian Asher • Dorothy Saxe • Loren & Resident Stage Manager Ryan Hubbard Chloe Schweizer Shelley Saxe • Cynthia Sears • Joyce Reynolds Sinclair & Dr. Gerald M. Sinclair • Mindy Rauch & Carol Snell Randall K. Lum Sound Engineer Joe Krempetz Dresser/Hair Franzesca Mayer • Esther Sobel • Jim & Mary Southam • Cherrill M. Spencer • Rick Stern & Nancy Ginsburg Stern • Susanne Stevens & Monte Mansir • Laurie Waldman • Carol Watts • Karen Carlson White • Renee & Herman Winick

encoremediagroup.com/programs 21 Festival; and with American Musical the World in 80 Days, Constellations, Who’s Who Theatre of San Jose. Ms. Wolf also Rags, Daddy Long Legs (Theatre Bay OUNTAIN VIEW CENTER Continued from page 17 works as a stagehand throughout the Area Award for Outstanding Direction San Francisco Bay Area and is a proud of a Musical, 2017), Outside Mullingar, FOR THE PERFORMING ARTS created and produced for AC Transit, member of the International Alliance of Cyrano, and Jane Austen’s EMMA. M Amazing People LLC (London), Bank of Theatrical Stage Employees. She holds a MAILING ADDRESS BOOKING INFORMATION America, California Lottery, Carlos BA in Theatre, Cum Laude from Mount PHIL SANTORA (Executive Director) Mountain View Center for the Performing Arts The Mountain View Center for the Performing Arts’ three Santana, HBO, Ivory Coast Pictures Holyoke College. joined TheatreWorks in 2007. He has City of Mountain View theaters and support spaces may be booked for perform- (Hollywood), Lorraine Hansberry served as Managing Director of Post Office Box 7540, Mountain View, CA 94039-7540 ing arts events, meetings, conferences and other events. Theatre, Magic Theatre, Safeway, The ROBERT KELLEY (Artistic Director) is a Northlight Theatre (Chicago) and For booking information, please call 650-903-6556. United Way, Wells Fargo, and many Bay Area native and Stanford University Georgia Shakespeare Festival (Atlanta), TICKETS & INFORMATION others. He’s currently working on a graduate. He founded TheatreWorks in as well as Development Director for 650.903.6000 (24 hours) mvcpa.com HOME COMPANIES [email protected] The Center is proud to serve as host to two Home ’Soundscape’ installation for the city of 1970 and has directed over 175 Great Lakes Theatre Festival (Cleveland) Companies: TheatreWorks Silicon Valley and Berkeley’s new BART Plaza, at the TheatreWorks productions, including and George Street Playhouse (New Ticket Office Hours: Wednesday–Saturday, noon to Peninsula Youth Theatre. We are also proud of our Downtown Berkeley BART entrance. many world and regional premieres. Brunswick). He holds an MFA in 6 pm, and one hour prior to event curtain time. Ticket new SecondStage Home Company, Upstage Theater. Services also features a telephone information hotline. He has received the Silicon Valley Arts Theatre Administration from the Yale These arts organizations perform a significant portion Ticket orders may be placed 24 hours a day. EMILY ANDERSON WOLF (Assistant Council’s Legacy Laureate Award; the School of Drama and a BA in Drama of their seasons in our theaters and contribute to the Phone: 650-903-6000 Fax: 650-965-1727 overall success of the Center.. Stage Manager) has been the Assistant Bay Area Theatre Critics Circle Paine from Duke University. He has served as Stage Manager for TheatreWorks’ Fun Knickerbocker Award and Jerry Friedman Vice President of the National Alliance GENERAL INFORMATION PLEASE NOTE Home, Finks, The Bridges of Madison Award for Lifetime Achievement; BATCC for Musical Theatre Board. Prior board 500 Castro Street, Mountain View • All patrons, regardless of age, must have a ticket. County, The Prince of Egypt, Rags, Awards for Outstanding Direction for service also includes the League of Administrative Office • Due to contract restrictions and the dangers posed Crimes of the Heart, Jane Austen’s The Hound of the Baskervilles; Into the Chicago Theatres, Atlanta Coalition of Phone: 650-903-6565 Fax: 650-962-9900 to performers, cameras and recording devices are EMMA, Triangle, Fire on the Mountain, Woods; Pacific Overtures; Rags; Theatres, and the executive committee prohibited in the theaters during most events. Unauthorized cameras and recording devices Peter and the Starcatcher, Sweeney Sweeney Todd; Another Midsummer of the League of Resident Theatres FIND OUT WHAT’S HAPPENING Todd, The Hound of the Baskervilles, Night; Sunday in the Park with George; will be removed and held by the Center until (LORT). He was named 2000’s Best Arts To receive Preview Magazine by mail, call 650-903-6000. the close of the performance. Little Women, Other Desert Cities, and Jane Eyre; and Caroline,or Change; and Administrator by Atlanta Magazine and Visit mvcpa.com for the latest information on events • Please do not bring food or drink (except bottled Wild with Happy. She was also the Back Stage West Garland Awards for his received the Atlanta Arts and Business at the Center and to sign up for eSpotlight to get the water) into the theaters. special offers and event updates by email. Assistant Stage Manager for Three direction of Side Show and Sunday in Council’s 1998 ABBY Award for Arts • To avoid disruption of the performance, please set Sixty Entertainment’s First National the Park with George. He recently Administrator. pagers to vibrate and disengage alarmed watches and cellular phones before entering the theater. Tour of Peter Pan; Journey to the West directed Tuck Everlasting, Fun Home, REFUNDS AND EXCHANGES no refunds • Please become familiar with the exits. In an The Bridges of Madison County, Around MainStage There are unless a performance is canceled at the New York Musical Theatre or rescheduled. Exchange policies vary and are set by the emergency, listen for instructions from Center staff. presenter of each event. For more information, please call If instructed to do so, walk—do not run—to the exit. Ticket Services at 650-903-6000. In the case of an earthquake, remain seated, or crouch below seats, then listen for instructions from Center staff. TheatreWorks SV General Information LATE ARRIVALS Latecomers are seated at the discretion of the producing CONTACT US GROUP SAVINGS LATE ARRIVALS organization. We recommend that patrons arrive at the u u u u u u u Mailing Address: Savings are available for groups of 10 or more. Latecomers will not be seated until appropriate Center a minimum of 20 minutes prior to curtain time. PO Box 50458, Palo Alto, CA 94303-0458 For more information, call 650.463.1960 or email intervals, and may not be seated in their exact If you are purchasing or picking up tickets, please allow Phone: 650.463.1950 Fax: 650.463.1963 [email protected]. seat locations until intermission. additional time. Our ticket office closes one half hour Email: [email protected] after curtain time. OUNTAIN IEW ITY OUNCIL WHEELCHAIR SEATING LOST AND FOUND M V C C Lenny Siegel, Mayor • Lisa Matichak, Vice Mayor TICKET SERVICES Seating is available for wheelchair For Mountain View Center for the Performing patrons. Please EMERGENCY NUMBER Margaret Abe-Koga • Christopher Clark Tickets to all TheatreWorks Silicon Valley telephone the Ticket Office in advance so that Arts lost and found, please call 650.903.6568. Our House Manager has a cell phone (650-740-0093) John McAlister • Ken Rosenberg • Pat Showalter performances are sold through the TheatreWorks special arrangements may be made. For Lucie Stern Theatre lost and found, please to receive emergency calls during performances. Silicon Valley Box Office call 650.463.1960. Dan Rich, City Manager Hours: Monday–Friday, 11am–6pm; LISTENING SYSTEMS Saturday-Sunday, 12pm-6pm Both theatres are equipped with listening PLEASE REMEMBER ADDITIONAL SERVICES PERFORMING ARTS COMMITTEE The Mountain View Center for the Performing Arts is fully Phone: 650.463.1960 systems for the Deaf and Hard of Hearing. There is no smoking in the theatres or lobbies. accessible. Patrons who require wheelchair seating or Kathleen M. Branyon • Carol Donahue Tickets may also be obtained through the Please see the house manager for details. Audio or video recording during the show is Hafsa Mirza • Daniel Palay • Beth Wise SecondStage other assistance may make arrangements with Ticket Mountain View Center Ticket Office AUDIO-CAPTIONING strictly prohibited. Neither food nor drink is Hours: Wednesday–Saturday, noon–6pm permitted in the theatres. Please ensure that all Services at the time of ticket purchase 650-903-6000. ENTER TAFF Phone: 650.903.6000 Audio captioning for the visually impaired is electronic devices are set to the ”off” position Notifying the Center in advance will make it possible to C S available at certain performances. Please call while you are in the theatre. better serve your needs. Assistive listening system The Mountain View Center for the Performing Arts is a WALK-UP TICKET SERVICES 650.463.1960 for details. headsets are available in the lobby for performances. Children 5 and under are not permitted in division of the City of Mountain View’s Community Services The walk-up ticket office will open one You may also bring your own headphones or earbuds to hour OPEN-CAPTIONED PERFORMANCES the theatre. Persons 14 and under must be Department, J.P. de la Montaigne, Director. prior to each performance. plug into a receiver to utillize the system. Audio described accompanied by an adult. Every person, Open-captioned performances for services Executive Director W. Scott Whisler regardless of age, must have a ticket. for patrons who are visually impaired are PERFORMANCE TIMES Frost/Nixon: 2/3 at 2pm & 7pm, 2/6 @ 2pm available at some performances. Patrons who are hearing Marketing & Public Relations Manager Shonda Ranson Schedules, shows, casts, and ticket prices are Wed, Thur, Fri Previews 8pm Marie and Rosetta: 3/24 at 2pm & 7pm, impaired may request translation services (for information Marketing Outreach Coordinator Susannah Greenwood Tuesday & Wednesday Eve 7:30pm 3/27 @ 2pm subject to change. call 650-903-6000). Assistive ambulatory devices will Business Manager Noelle Magner Thursday–Saturday Eve 8pm Hershey Felder: 4/21 at 2pm & 7pm, 4/24 @ 2pm Single ticket purchases are non-refundable, but be checked at the back of the theater unless the device Sunday Eve 7pm Booking Coordinator Jenn Poret Archduke: 6/23 at 2pm & 7pm, 6/26 @ 2pm are exchangeable for $15 per ticket. fits completely beneath the seats. Wednesday, Saturday, & Sunday Matinee 2pm Technical Services Manager Steven Crandell For more information about open captioning, Some restrictions apply. INDIVIDUAL TICKET PRICES please contact the box office at 650.463.1960 VOLUNTEER AT THE CENTER Patron Services Manager Hannah Crown Starting at $35 (balcony). or [email protected]. Visit theatreworks.org The Center owes a great deal of its success to its Senior Ticket Services Manager Hope Garza Discounts available for Seniors, Educators, Patrons for detailed information or to purchase tickets. dedicated volunteer staff who serve as Ushers, Art Docents Ticket Services Manager Liz Nelson 35 & Under, and active military. For pricing, call and Office Volunteers. Join us, support the arts and be a Senior Ticket Representative Carolyn Marie Len 650.463.1960 or visit theatreworks.org. part of the Center! For moreinformation, please call 650-903-6568. Rotunda 22 THEATREWORKS Festival; and with American Musical the World in 80 Days, Constellations, Who’s Who Theatre of San Jose. Ms. Wolf also Rags, Daddy Long Legs (Theatre Bay OUNTAIN VIEW CENTER Continued from page 17 works as a stagehand throughout the Area Award for Outstanding Direction San Francisco Bay Area and is a proud of a Musical, 2017), Outside Mullingar, FOR THE PERFORMING ARTS created and produced for AC Transit, member of the International Alliance of Cyrano, and Jane Austen’s EMMA. M Amazing People LLC (London), Bank of Theatrical Stage Employees. She holds a MAILING ADDRESS BOOKING INFORMATION America, California Lottery, Carlos BA in Theatre, Cum Laude from Mount PHIL SANTORA (Executive Director) Mountain View Center for the Performing Arts The Mountain View Center for the Performing Arts’ three Santana, HBO, Ivory Coast Pictures Holyoke College. joined TheatreWorks in 2007. He has City of Mountain View theaters and support spaces may be booked for perform- (Hollywood), Lorraine Hansberry served as Managing Director of Post Office Box 7540, Mountain View, CA 94039-7540 ing arts events, meetings, conferences and other events. Theatre, Magic Theatre, Safeway, The ROBERT KELLEY (Artistic Director) is a Northlight Theatre (Chicago) and For booking information, please call 650-903-6556. United Way, Wells Fargo, and many Bay Area native and Stanford University Georgia Shakespeare Festival (Atlanta), TICKETS & INFORMATION others. He’s currently working on a graduate. He founded TheatreWorks in as well as Development Director for 650.903.6000 (24 hours) mvcpa.com HOME COMPANIES [email protected] The Center is proud to serve as host to two Home ’Soundscape’ installation for the city of 1970 and has directed over 175 Great Lakes Theatre Festival (Cleveland) Companies: TheatreWorks Silicon Valley and Berkeley’s new BART Plaza, at the TheatreWorks productions, including and George Street Playhouse (New Ticket Office Hours: Wednesday–Saturday, noon to Peninsula Youth Theatre. We are also proud of our Downtown Berkeley BART entrance. many world and regional premieres. Brunswick). He holds an MFA in 6 pm, and one hour prior to event curtain time. Ticket new SecondStage Home Company, Upstage Theater. Services also features a telephone information hotline. He has received the Silicon Valley Arts Theatre Administration from the Yale These arts organizations perform a significant portion Ticket orders may be placed 24 hours a day. EMILY ANDERSON WOLF (Assistant Council’s Legacy Laureate Award; the School of Drama and a BA in Drama of their seasons in our theaters and contribute to the Phone: 650-903-6000 Fax: 650-965-1727 overall success of the Center.. Stage Manager) has been the Assistant Bay Area Theatre Critics Circle Paine from Duke University. He has served as Stage Manager for TheatreWorks’ Fun Knickerbocker Award and Jerry Friedman Vice President of the National Alliance GENERAL INFORMATION PLEASE NOTE Home, Finks, The Bridges of Madison Award for Lifetime Achievement; BATCC for Musical Theatre Board. Prior board 500 Castro Street, Mountain View • All patrons, regardless of age, must have a ticket. County, The Prince of Egypt, Rags, Awards for Outstanding Direction for service also includes the League of Administrative Office • Due to contract restrictions and the dangers posed Crimes of the Heart, Jane Austen’s The Hound of the Baskervilles; Into the Chicago Theatres, Atlanta Coalition of Phone: 650-903-6565 Fax: 650-962-9900 to performers, cameras and recording devices are EMMA, Triangle, Fire on the Mountain, Woods; Pacific Overtures; Rags; Theatres, and the executive committee prohibited in the theaters during most events. Unauthorized cameras and recording devices Peter and the Starcatcher, Sweeney Sweeney Todd; Another Midsummer of the League of Resident Theatres FIND OUT WHAT’S HAPPENING Todd, The Hound of the Baskervilles, Night; Sunday in the Park with George; will be removed and held by the Center until (LORT). He was named 2000’s Best Arts To receive Preview Magazine by mail, call 650-903-6000. the close of the performance. Little Women, Other Desert Cities, and Jane Eyre; and Caroline,or Change; and Administrator by Atlanta Magazine and Visit mvcpa.com for the latest information on events • Please do not bring food or drink (except bottled Wild with Happy. She was also the Back Stage West Garland Awards for his received the Atlanta Arts and Business at the Center and to sign up for eSpotlight to get the water) into the theaters. special offers and event updates by email. Assistant Stage Manager for Three direction of Side Show and Sunday in Council’s 1998 ABBY Award for Arts • To avoid disruption of the performance, please set Sixty Entertainment’s First National the Park with George. He recently Administrator. pagers to vibrate and disengage alarmed watches and cellular phones before entering the theater. Tour of Peter Pan; Journey to the West directed Tuck Everlasting, Fun Home, REFUNDS AND EXCHANGES no refunds • Please become familiar with the exits. In an The Bridges of Madison County, Around MainStage There are unless a performance is canceled at the New York Musical Theatre or rescheduled. Exchange policies vary and are set by the emergency, listen for instructions from Center staff. presenter of each event. For more information, please call If instructed to do so, walk—do not run—to the exit. Ticket Services at 650-903-6000. In the case of an earthquake, remain seated, or crouch below seats, then listen for instructions from Center staff. TheatreWorks SV General Information LATE ARRIVALS Latecomers are seated at the discretion of the producing CONTACT US GROUP SAVINGS LATE ARRIVALS organization. We recommend that patrons arrive at the u u u u u u u Mailing Address: Savings are available for groups of 10 or more. Latecomers will not be seated until appropriate Center a minimum of 20 minutes prior to curtain time. PO Box 50458, Palo Alto, CA 94303-0458 For more information, call 650.463.1960 or email intervals, and may not be seated in their exact If you are purchasing or picking up tickets, please allow Phone: 650.463.1950 Fax: 650.463.1963 [email protected]. seat locations until intermission. additional time. Our ticket office closes one half hour Email: [email protected] after curtain time. OUNTAIN IEW ITY OUNCIL WHEELCHAIR SEATING LOST AND FOUND M V C C Lenny Siegel, Mayor • Lisa Matichak, Vice Mayor TICKET SERVICES Seating is available for wheelchair For Mountain View Center for the Performing patrons. Please EMERGENCY NUMBER Margaret Abe-Koga • Christopher Clark Tickets to all TheatreWorks Silicon Valley telephone the Ticket Office in advance so that Arts lost and found, please call 650.903.6568. Our House Manager has a cell phone (650-740-0093) John McAlister • Ken Rosenberg • Pat Showalter performances are sold through the TheatreWorks special arrangements may be made. For Lucie Stern Theatre lost and found, please to receive emergency calls during performances. Silicon Valley Box Office call 650.463.1960. Dan Rich, City Manager Hours: Monday–Friday, 11am–6pm; LISTENING SYSTEMS Saturday-Sunday, 12pm-6pm Both theatres are equipped with listening PLEASE REMEMBER ADDITIONAL SERVICES PERFORMING ARTS COMMITTEE The Mountain View Center for the Performing Arts is fully Phone: 650.463.1960 systems for the Deaf and Hard of Hearing. There is no smoking in the theatres or lobbies. accessible. Patrons who require wheelchair seating or Kathleen M. Branyon • Carol Donahue Tickets may also be obtained through the Please see the house manager for details. Audio or video recording during the show is Hafsa Mirza • Daniel Palay • Beth Wise SecondStage other assistance may make arrangements with Ticket Mountain View Center Ticket Office AUDIO-CAPTIONING strictly prohibited. Neither food nor drink is Hours: Wednesday–Saturday, noon–6pm permitted in the theatres. Please ensure that all Services at the time of ticket purchase 650-903-6000. ENTER TAFF Phone: 650.903.6000 Audio captioning for the visually impaired is electronic devices are set to the ”off” position Notifying the Center in advance will make it possible to C S available at certain performances. Please call while you are in the theatre. better serve your needs. Assistive listening system The Mountain View Center for the Performing Arts is a WALK-UP TICKET SERVICES 650.463.1960 for details. headsets are available in the lobby for performances. Children 5 and under are not permitted in division of the City of Mountain View’s Community Services The walk-up ticket office will open one You may also bring your own headphones or earbuds to hour OPEN-CAPTIONED PERFORMANCES the theatre. Persons 14 and under must be Department, J.P. de la Montaigne, Director. prior to each performance. plug into a receiver to utillize the system. Audio described accompanied by an adult. Every person, Open-captioned performances for services Executive Director W. Scott Whisler regardless of age, must have a ticket. for patrons who are visually impaired are PERFORMANCE TIMES Frost/Nixon: 2/3 at 2pm & 7pm, 2/6 @ 2pm available at some performances. Patrons who are hearing Marketing & Public Relations Manager Shonda Ranson Schedules, shows, casts, and ticket prices are Wed, Thur, Fri Previews 8pm Marie and Rosetta: 3/24 at 2pm & 7pm, impaired may request translation services (for information Marketing Outreach Coordinator Susannah Greenwood Tuesday & Wednesday Eve 7:30pm 3/27 @ 2pm subject to change. call 650-903-6000). Assistive ambulatory devices will Business Manager Noelle Magner Thursday–Saturday Eve 8pm Hershey Felder: 4/21 at 2pm & 7pm, 4/24 @ 2pm Single ticket purchases are non-refundable, but be checked at the back of the theater unless the device Sunday Eve 7pm Booking Coordinator Jenn Poret Archduke: 6/23 at 2pm & 7pm, 6/26 @ 2pm are exchangeable for $15 per ticket. fits completely beneath the seats. Wednesday, Saturday, & Sunday Matinee 2pm Technical Services Manager Steven Crandell For more information about open captioning, Some restrictions apply. INDIVIDUAL TICKET PRICES please contact the box office at 650.463.1960 VOLUNTEER AT THE CENTER Patron Services Manager Hannah Crown Starting at $35 (balcony). or [email protected]. Visit theatreworks.org The Center owes a great deal of its success to its Senior Ticket Services Manager Hope Garza Discounts available for Seniors, Educators, Patrons for detailed information or to purchase tickets. dedicated volunteer staff who serve as Ushers, Art Docents Ticket Services Manager Liz Nelson 35 & Under, and active military. For pricing, call and Office Volunteers. Join us, support the arts and be a Senior Ticket Representative Carolyn Marie Len 650.463.1960 or visit theatreworks.org. part of the Center! For moreinformation, please call 650-903-6568. Rotunda encoremediagroup.com/programs 23 PREDICT PREVENT CURE precisely

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