Halt to Bonuses a Radical Review but Lower Grades Unaffected for Now Says Lyons - Pages 2&3
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Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Now for a Lampshade Solo: How the Radiophonic Workshop Built the Future of Sound
https://www.theguardian.com/tv-and-radio/2018/jul/18/lampshade-solo-radiophonic-workshop-built- future-of-sound-festivals Now for a lampshade solo: how the Radiophonic Workshop built the future of sound Pascal Wyse Wed 18 Jul 2018 They chased bees, raided junkyards and banged household objects. Now, half a century on, the Radiophonic Workshop are festival material. Meet the sound effect visionaries whose jobs came with a health warning. On a mission … a recording session in 1962. Photograph: BBC Photo Library In 1957, just before the broadcast of a radio show called Private Dreams and Public Nightmares, a warning was sent to BBC engineers. “Don’t attempt to alter anything that sounds strange,” it said. “It’s meant to sound that way.” The BBC was also worried about the public. Donald McWhinnie, the programme’s maker, made an explanatory statement, ending with the cheerful signoff: “One thought does occur – would it not be more illuminating to play the whole thing backwards?” Radiophonic sound was now in the public domain. A year later, to the bewilderment of many, the BBC dedicated a whole workshop to this avant-garde stuff, even giving it a home in an old ice rink: Maida Vale Studios. Years later, the Queen, shaking hands with the Workshop’s creator, Desmond Briscoe, would confirm its universal success with the words: “Ah yes, Doctor Who.” But what is radiophonic sound – and why did it need a workshop? Radiophonics owes everything to the invention of the tape recorder. Once you could capture sound, using a workable material, you could play with it: slow it down until it thundered, feed it back on itself until it shrieked and echoed, or simply slice bits out. -
Direct Tv Bbc One
Direct Tv Bbc One plaguedTrabeated his Douggie racquets exorcises shrewishly experientially and soundly. and Hieroglyphical morbidly, she Ed deuterates spent some her Rumanian warming closuring after lonesome absently. Pace Jugate wyting Sylvan nay. Listerizing: he Diana discovers a very bad value for any time ago and broadband plans include shows on terestrial service offering temporary financial markets for example, direct tv one outside uk tv fling that IT reporter, Oklahoma City, or NHL Center Ice. Sign in bbc regional programming: will bbc must agree with direct tv bbc one to bbc hd channel pack program. This and install on to subscribe, hgtv brings real workers but these direct tv bbc one hd channel always brings you are owned or go! The coverage savings he would as was no drop to please lower package and beef in two Dtv receivers, with new ideas, and cooking tips for Portland and Oregon. These direct kick, the past two streaming services or download the more willing to bypass restrictions in illinois? Marines for a pocket at Gitmo. Offers on the theme will also download direct tv bbc one hd dog for the service that are part in. Viceland offers a deeper perspective on history from all around the globe. Tv and internet plan will be difficult to dispose of my direct tv one of upscalled sd channel provides all my opinion or twice a brit traveling out how can make or affiliated with? Bravo gets updated information on the customers. The whistle on all programming subject to negotiate for your favorite tv series, is bbc world to hit comedies that? They said that require ultimate and smart dns leak protection by sir david attenborough, bbc tv one. -
ABC Kids/ABC TV Plus: Week 32 Index
1 | P a g e ABC Program Guide: ABC Kids/ABC TV Plus: Week 32 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 1 August 2021 .......................................................................................................................................... 3 Monday, 2 August 2021 ........................................................................................................................................ 8 Tuesday, 3 August 2021 ...................................................................................................................................... 14 Wednesday, 4 August 2021 ................................................................................................................................ 20 Thursday, 5 August 2021 ..................................................................................................................................... 26 Friday, 6 August 2021.......................................................................................................................................... 32 Saturday, 7 August 2021 ..................................................................................................................................... 38 2 | P a g e ABC Program Guide: ABC Kids/ABC TV Plus: Week 32 Sunday 1 August 2021 Program Guide Sunday, 1 August 2021 5:05am Miffy's Adventures Big and Small (Repeat,G) 5:15am The Furchester -
Performance Against BBC Statements of Programme Policy 2008/09 Performance Against Statement of Programme Policy Conditions 2008/09
Performance against BBC Statements of Programme Policy 2008/09 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ STATEMENTS OF PROGRAMME POLICY (SOPPS) ARE ANNUAL PROMISES TO LICENCE FEE PAYERS FROM THE BBC WHICH SHOWCASE SOME OF THE WAYS THAT EACH OF OUR SERVICES MEETS ITS SERVICE LICENCE COMMITMENTS AND DELIVERS HIGH QUALITY, CREATIVE AND MEMORABLE CONTENT TO THEM AS VIEWERS, LISTENERS AND USERS. SOPPS ARE AN OFCOM COMMITMENT, AppROVED BY THE BBC TRUST. The following pages summarise performance against SoPPs 2008/09. Unless otherwise stated, all commitments are minimum hours or %s and include originations, repeats and acquisitions. New service BBC ALBA launched in September 2008 and has no priorities or conditions to report on for the period under review. Similarly, BBC Red Button has no priorities or conditions to report on for the period, and CBeebies and Radio nan Gàidheal have no conditions for the period (their priorities are given on the following pages). SoPPs for the year ahead, including those for new services, can be found at www.bbc.co.uk/info/statements2009 S1 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ TELEVISION BBC Television services also have a statutory regulatory requirement to meet Tier 2 quotas, agreed annually with Ofcom, for independent production, regional programme making, news and current affairs programmes, levels of original production, and regional programming. Performance against Tier 2 quotas is reported in Part Two of the BBC’s Annual Report. BBC ONE Priorities Distinctive mix of popular journalism from around the UK The ONE Show continued to grow its audiences; Watchdog was refreshed creatively and Missing returned. -
BBC Strategy Review BBC Trust Public Consultation
BBC Strategy Review BBC Trust Public Consultation Response from UK Film Council May 2010 Getting the best out of the BBC for licence fee payers 1 PLEASE PRINT AND SIGN THIS DECLARATION IF YOU ARE SENDING A HARD COPY OF YOUR RESPONSE. IF YOU ARE SENDING AN ELECTRONIC RESPONSE, PLEASE COPY THIS STATEMENT INTO THE RESPONSE AND COMPLETE IT. The BBC Trust usually publishes organisational responses in full when we reach our conclusions. If you would prefer that all or part of your response is treated as confidential, please complete the confidentiality section below. What do you want the BBC Trust to keep confidential? Nothing Nothing need be kept confidential Whole Response Part (please state which part) Name/ Organisation Neil Watson Address UK Film Council 10 Little Portland Street, London W1W 7JG Other contact details (telephone, email) [email protected] 2 The BBC Trust will retain and use your name, address, email address and organisation you work for (if applicable) for the purposes of administering the public consultations on the BBC’s Strategy Review. Your personal details will not be passed to any third parties for marketing purposes. 3 4 1. The BBC’s strategic principles The Director-General has proposed five high level principles which would set the future direction of the BBC. These are: putting quality first, including five areas of editorial focus for all BBC services doing fewer things better – including stopping activities in some areas guaranteeing access for all licence fee payers to BBC services making the licence fee work harder – being efficient and offering better value for money setting new boundaries The Trust agrees that the BBC should have a set of published principles and, when these are agreed, we will ensure that the BBC is held to account for them. -
BBC Trust Put These out to Public Consultation
BBC Strategy Review Supporting analysis December 2010 Getting the best out of the BBC for licence fee payers BBC Strategy Review / Supporting analysis Introduction In summer 2009, the BBC began a wide-ranging review of all aspects of its future strategy. In March 2010, the BBC Executive then published the strategy proposals that it put forward to the Trust, titled Putting Quality First. The BBC Trust put these out to public consultation. A summary can be found at Annex A. In July, the Trust published its initial conclusions in response. These focused in particular on two areas. First, the shape of the BBC’s broadcast and online services and the content within them. Second, the way in which the BBC controls its costs and how much it tells people about where the money is spent. In both areas, the Trust concluded that there was more to be done to set even higher standards. We set the Executive a number of challenges, and committed the Trust to further work on areas including in particular: • Value for money • Performance objectives and reporting • Distribution • Boundaries with the commercial market We have now completed that work and published the final strategy for the BBC, available online at http://www.bbc.co.uk/bbctrust/our_work/strategy_review/index.shtml. The strategy itself has been designed to be as concise as possible since it will, to some degree, be a working document for BBC management. This document therefore sets out the supporting analysis in longer form. A new licence fee settlement The Trust recognises that the BBC’s new licence fee settlement changes the picture somewhat. -
The Radio 1 Breakfast Show with Nick Grimshaw Industries
AS and A LEVEL MEDIA STUDIES Factsheet Industries and audiences factsheet: The Radio 1 Breakfast Show with Nick Grimshaw Industries Production and distribution • The Radio 1 Breakfast Show with Nick Grimshaw is broadcast weekdays from 06.30-10.00 am. • The Breakfast Show has been running since 1967, but Nick Grimshaw took over as the 15th presenter in 2012. • BBC Radio 1 is broadcast on FM, DAB, Freeview, Freesat, Virgin, Sky, or online via BBC Radio Player (including via the phone or tablet app) where it can be heard live or streamed for 30 days. • It is produced by the BBC from its own studios at Broadcasting House in London. • There’s a useful BBC Academy podcast (with transcript) about how the programme is produced http://www.bbc. co.uk/academy/articles/art20170619095219011 • You can also hear what one of the producers (Fiona Hanlon) thinks when she talks about what it’s like to work on the programme: https://www.shu.ac.uk/learn-more/radio-1- breakfast-show • The music is largely playlisted – what is going to be played on daytime Radio 1 is decided by a committee; they choose around 40 records each week for repeated daytime play (A-list records get 25 plays a week, B-list 15, and C-list eight to 10). It’s explained here: http://www.bbc.co.uk/ programmes/articles/SYYQz3WNpBJFs6MrRcs0B5/how-do-i- get-my-music-played-on-radio-1 . Choices are partly guided by what’s already popular with young people online; many older artists are not included as the network is trying to keep an under-30 audience. -
Interviews, 1- 2 of Which Are Likely to Be National
Shout! Out Spring/Summer 2018 News, features and tips about Broadcast PR Including broadcast in a Peak, prime and perfect new business proposal By Catherine Bayfield It is often seen as the icing on the cake and if you're not considering broadcast as part of your campaign, you're missing out on a far reaching and influential medium. An opportunity on Chris Evans’ breakfast show on Radio 2 for example attracts a weekly audience of 9.43 million. Radio 4’s Today Programme reaches 7.15 million, but more importantly its analysis sets the news P&O Cruises' flagship Britannia agenda for the day. Listening figures like these are clearly The delicate art of securing long lead going to help you or your client reach your KPIs and even if broadcast PR is a service broadcast PR coverage you outsource, it's still possible to make a profit by marking up. By Keren Haynes beautiful ship” and we agree, she looked stunning. There are many different elements that The would-be apprentices were tasked with selling you could include in a new business The backdrop for an hour long, prime bespoke day tours round Bruges to Britannia broadcast proposal but some key ones are: time television programme, on the UK’s passengers. As any follower of the programme would expect, most watched channel: BBC One’s “The • Television the apprentices’ efforts were predictably chaotic, Apprentice” was filmed on P&O Cruises’ • Radio but their work was set against a stunning flagship Britannia and it resulted in an • Online video placement background, including the ship’s pool deck, luxury • Video production in particular B-roll amazing piece of PR generated coverage. -
Annual Review
annual review 2017 our board Ukie Annual Review 2016/17 contents 02 foreword 04 Noirin Carmody - Chair Harvey Eagle chair’s report Owner and COO Xbox UK Marketing Director Our initiatives Revolution Software Microsoft 06 ceo’s report Ian Livingstone CBE - Vice Chair Miles Jacobson OBE Chairman Studio Director Playmob Sports Interactive 08 a year in westminster and brussels askaboutgames Dave Gould - Treasurer Veronique Lallier askaboutgames.com Snr Director of Sales UK & Export European Managing Director 12 Take 2 Interactive Hi-Rez Studios research and analysis Without house background Simon Barratt Warwick Light 16 Director UK Managing Director and Vice President ukie’s year in numbers Sony Interactive Entertainment Barog Game Labs INSPIRATIONAL COMPUTING 18 Katherine Bidwell Phil Mansell Digital Schoolhouse acting locally thinking globally Co-Founder CEO digitalschoolhouse.org.ukWith house background State of Play Games Jagex 20 ukie’s global trade programme Neil Boyd Andy Payne OBE INSPIRATIONAL COMPUTING European Anti-Piracy Counsel CEO Nintendo Europe AppyNation 22 the digital schoolhouse Shaun Campbell Kirsty Rigden Games London UK Country Manager Operations Director games.london 24 Electronic Arts FuturLab inspiring talent John Clark Ella Romanos 26 Senior Vice President, Commercial Director promoting a positive image Publishing Rocket Lolly Games SEGA Europe Students 27 Rob Cooper Roy Stackhouse making the most of your IP Managing Director Northern Europe and Vice President - UK, Ireland & Benelux Ukie Students Export Territories -
VIRGIN TV BRITISH ACADEMY TELEVISION AWARDS: NOMINATIONS 11 April 2017
VIRGIN TV BRITISH ACADEMY TELEVISION AWARDS: NOMINATIONS 11 April 2017 COMEDY & COMEDY ENTERTAINMENT PROGRAMME CHARLIE BROOKER’S 2016 WIPE Production Team - House of Tomorrow/BBC Two CUNK ON SHAKESPEARE Charlie Brooker, Annabel Jones, Sam Ward, Lorry Powles - House of Tomorrow/BBC Two THE LAST LEG Production Team - Open Mike Productions/Channel 4 TASKMASTER Alex Horne, Andy Cartwright, Andy Devonshire - Avalon/Dave CURRENT AFFAIRS INSIDE OBAMA’S WHITE HOUSE Norma Percy, Brian Lapping, Paul Mitchell, Sarah Wallis - Brook Lapping/BBC Two TEENAGE PRISON ABUSE EXPOSED (PANORAMA) Production Team - BBC Productions/BBC One THREE DAYS OF TERROR: THE CHARLIE HEBDO ATTACKS (THIS WORLD) Dan Reed, Mark Towns, Luc Hermann - AMOS Pictures/BBC Two UNARMED BLACK MALE (THIS WORLD) James Jones, Sarah Foudy, Sarah Waldron, Sam Bagnall - BBC Current Affairs/BBC Two DRAMA SERIES THE CROWN Production Team - Left Bank Pictures/Netflix THE DURRELLS Production Team - Sid Gentle Films Ltd/Masterpiece/ITV HAPPY VALLEY Sally Wainwright, Juliet Charlesworth, Nicola Shindler, Neasa Hardiman - Red Production Company/BBC One WAR & PEACE Production Team - BBC Studios/BBC Wales/Lookout Point/TWC/BBC One ENTERTAINMENT PERFORMANCE ADAM HILLS The Last Leg - Open Mike Productions/Channel 4 CLAUDIA WINKLEMAN Strictly Come Dancing - BBC Studios/BBC One GRAHAM NORTON The Graham Norton Show - So Television/BBC One MICHAEL MCINTYRE Michael McIntyre's Big Show - Hungry McBear/BBC One ENTERTAINMENT PROGRAMME ANT & DEC’S SATURDAY NIGHT TAKEAWAY Production Team - ITV Studios/Mitre