2017 Summer-Fall Schedule of Classes
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Tariku Shiferaw's First International Solo Exhibition at Addis Fine Art London
Tariku Shiferaw’s First International Solo Exhibition at Addis Fine Art London Published by Tadias Magazine August 28th, 2017 in Art and Featured. Closed Tariku Shiferaw. (Photo via Anthony Philip Fine Art) Tadias Magazine By Tadias Staff August 28th, 2017 New York (TADIAS) — Tariku Shiferaw will hold his first international solo exhibition at Addis Fine Art’s London project space from September 14th to October 8th, 2017. The exhibition entitled Erase Me is also the gallery’s inaugural show at their London location. Tariku’s latest body of work “interrogates the concept of mark-making both physically and metaphysically,” states Addis Fine Art’s announcement. “Using titles of songs from Hip-Hop, R&B, Jazz, Blues, and Reggae music, these paintings embody both the experiences and struggles expressed through music by Black artists…In appropriating song titles as painting titles, the work automatically inherits the references, identities, and the history portrayed through the songs. Tadias profiled the Ethiopian-born, LA-raised and New York-based emerging artist last year focusing on his collection of paintings that he described as featuring “contradictions, glitches, interruptions, and disagreements in a system.” In addition, this past Spring Tariku’s work was part of the 2017 Whitney Biennial, an influential annual exhibition held at the Whitney Museum of American Art in New York City that’s considered the leading contemporary art show in the world. Addis Fine Art gallery shares that in Tariku’s upcoming display “every song used to title paintings tells a story that refers to a certain reality. The work becomes a reference of a reference, much like a signifier to another symbol. -
Koichi Matsufuji
KOICHI MATSUFUJI Solo Exhibitions 2019 COCONO Art Place Gallery, Fukui, Japan. 2019 Gallery O2, Kanazawa, Japan. 2018 DiEGO, Tokyo, Japan. 2017 Shizuoka Convention & Arts Center, Sizuoka, Japan. 2013 Gallery Cellar, Tokyo, Japan. 2010 Gallery Cellar, Tokyo, Japan. 2009 Gallery Cellar, Tokyo, Japan. 2008 Aichi Prefectural Museum of Art, Space 6, Nagoya, Japan. 2006 Gallery Plannet, Nagoya, Japan. 2004 Gallery Q, Tokyo, Japan. 2002 Gallery Ten, Kanazawa, Japan. 2001 Gallery Q, Tokyo, Japan. Selected Group Exhibitions 2019 “ Panoramic ” Daiichi Museum, Nagoya, Japan. 2019 “ 2019 KOGEI World Competition in Kanazawa ” People’s Gallery at the 21st Century Museum of Contemporary Art, Kanazawa, Japan. 2019 “ BIENNALE TOYAMA ” Toyama Prefectural Museum of Art and Design, TAD gallery, Toyama, Japan. 2019 “ The Spirit of Toyama Glass ” Japan Creative Centre, Embassy of JAPAN, Singapore. 2018 “ LYRICAL TRANSFORMATIONS ” LEVANT ART, Shanghai, China. 2017 “ Spatial Arts 2017 in Art House Oyabe ” Art House Oyabe, Toyama, Japan. 2017 “ Aspects of Glass in Izu Highlands Art Festival ” Izu Kogen Hotel Five Stars, Sizuoka, Japan. 2017 “ Contemporary Art Competition in Art House Oyabe ” Art House Oyabe, Toyama, Japan. 2017 “ 2017 KOGEI World Competition in Kanazawa ” People’s Gallery at the 21st Century Museum of Contemporary Art, Kanazawa, Japan. 2016 “ TOYAMA GLASS -No limit No border- ” Toyama Glass Art Museum, Toyama, Japan. 2016 “ Kohei Kishimoto and Koichi Matsufuji Exhibition ” Seto Ceramics and Glass Art Center, Aichi, Japan. 2013 “ Aichi Triennale 2013 ” Curatorial Competition in Choja-machi District, Nagoya, Japan. 2007 “ Young Glass 2007 ” Glasmuseet Ebeltoft, Denmark. 2007 “ The Fires Burn On ” American Glass Museum, NJ, United States. 2006 “ For Rent! For Talent! 2 ” Mitsubishijisho Artium, Fukuoka, Japan. -
2018 Conference of the Universities Art Association of Canada Congrès 2018 De L’Association D’Art Des Universités Du Canada
Session 1 | Séance 1 : Theuaac-aauc Artery 2018 Conference of the Universities Art Association of Canada Congrès 2018 de l’Association d’art des universités du Canada October 25–28 octobre, 2018 University of Waterloo uaac-aauc.com Congrès UAAC-AAUC Conference October 25-28 octobre 2018 University of Waterloo 1 Welcome As someone who started attending UAAC conferences three decades ago, I can say that no two are alike: continuities exist, but there’s always something new. This year, for example, along with the customary launch of the Fall RACAR–a “Critical Curating” special issue edited by Marie Fraser and Alice Ming Wai Jim–and the perennial opportunity to renew old relationships and start fresh ones, we’ll kick off UAAC’s new website. Also, rather than a keynote lecture, we’ll have keynote performances by Louise Liliefeldt and Lori Blondeau, an exciting outgrowth of performance’s rising importance as a mode of presentation at our conference. Thanks to the conference organizers, Joan Coutu and Bojana Videkanic, for their insight in suggesting this shift, and for the rest of their hard work on this conference. The programming committee– Joan Coutu, Bojana Videkanic and Annie Gérin– also must be recognized for its great work reviewing session proposals. And, as always, huge applause for Fran Pauzé, UAAC’s administrator, who has kept us on track day in and day out for years now. As you know, our conference’s dynamism flows from the continued broadening and revitalization of UAAC’s constituency. However, the difficult state of culture and education today makes participation by students and precariously-employed faculty harder and harder. -
Visualization of Biomedical Data
Visualization of Biomedical Data Corresponding author: Seán I. O’Donoghue; email: [email protected] • Data61, Commonwealth Scientific and Industrial Research Organisation (CSIRO), Eveleigh NSW 2015, Australia • Genomics and Epigenetics Division, Garvan Institute of Medical Research, Sydney NSW 2010, Australia • School of Biotechnology and Biomolecular Sciences, UNSW, Kensington NSW 2033, Australia Benedetta Frida Baldi; email: [email protected] • Genomics and Epigenetics Division, Garvan Institute of Medical Research, Sydney NSW 2010, Australia Susan J Clark; email: [email protected] • Genomics and Epigenetics Division, Garvan Institute of Medical Research, Sydney NSW 2010, Australia Aaron E. Darling; email: [email protected] • The ithree institute, University of Technology Sydney, Ultimo NSW 2007, Australia James M. Hogan; email: [email protected] • School of Electrical Engineering and Computer Science, Queensland University of Technology, Brisbane QLD, 4000, Australia Sandeep Kaur; email: [email protected] • School of Computer Science and Engineering, UNSW, Kensington NSW 2033, Australia Lena Maier-Hein; email: [email protected] • Div. Computer Assisted Medical Interventions (CAMI), German Cancer Research Center (DKFZ), 69120 Heidelberg, Germany Davis J. McCarthy; email: [email protected] • European Molecular Biology Laboratory, European Bioinformatics Institute, Wellcome Genome Campus, CB10 1SD, Hinxton, Cambridge, UK • St. Vincent’s Institute of Medical Research, Fitzroy VIC 3065, Australia William -
CN D CARAVANE MIDWEST Chicago & Milwaukee 24 > 30 Oct.19
CN D CARAVANE MIDWEST Chicago & Milwaukee 24 > 30 Oct.19 Performances Screenings Master classes Conversations Caravane, a mobile CN D Caravane, a collaborative project, was created by the Centre national de la danse team. Caravane is a mobile CN D that works with lo- cal organisations and audiences in France and abroad. Caravane enables the CN D to travel to the French regions and abroad, enabling it to make its various resources – patrimonial, pedagogical, artistic and professional – avai- lable to local audiences and organisations. After Porto, Guanajuato, Mexico, Le Moule (Guadeloupe), Aurillac, Pau, Madrid, Taipei, Caravane will tour in the US. Conceived with the cultural services of the ge- neral French consulate in Chicago, it will invest several cultural sites in the city. This Caravane is part of a special European moment, Between Gestures, in collaboration with the Goethe Institute, PACT Zollverein in Essen, to offer a broad programme of shows, performances, workshops, encounters and projections, aimed at students, young artists, professionals in the Midwest and the general public. The Caravane will start in Chicago and then will continue in Milwaukee with Noé Soulier, Trajal Harrell, Pol Pi, Ola Maciejewska, Elisabeth Lebovici. CN D Centre National de la Danse Created in 1998 at the instigation of the French Ministère de la Culture, it is a unique place that brings together all of the resources connected with dance. The CN D is unique and original in that it brings together in one establishment a broad range of activities for professionals, from dance training to artistic support and career advice and assistance, while also appealing to the general public. -
Data Visualization by Nils Gehlenborg
Data Visualization Nils Gehlenborg ([email protected]) Center for Biomedical Informatics / Harvard Medical School Cancer Program / Broad Institute of MIT and Harvard ISMB/ECCB 2011 http://www.biovis.net Flyers at ISCB booth! Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg A good sketch is better than a long speech. Napoleon Bonaparte Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg Minard 1869 Napoleon’s March on Moscow Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg 4 I believe when I see it. Unknown Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg Anscombe 1973, The American Statistician Anscombe’s Quartet mean(X) = 9, var(X) = 11, mean(Y) = 7.5, var(Y) = 4.12, cor(X,Y) = 0.816, linear regression line Y = 3 + 0.5*X Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg 6 Anscombe 1973, The American Statistician Anscombe’s Quartet Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg 7 Exploration: Hypothesis Generation trends gaps outliers clusters - A large data set is given and the goal is to learn something about it. - Visualization is employed to perform pattern detection using the human visual system. - The goal is to generate hypotheses that can be tested with statistical methods or follow-up experiments. Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg 8 Visualization Use Cases Presentation Confirmation Exploration Data Visualization / ISMB/ECCB 2011 / Nils Gehlenborg 9 Definition The use of computer-supported, interactive, visual representations of data to amplify cognition. Stu Card, Jock Mackinlay & Ben Shneiderman Computer-based visualization systems provide visual representations of datasets intended to help people carry out some task more effectively.effectively. -
Visualization and Exploration of Transcriptomics Data Nils Gehlenborg
Visualization and Exploration of Transcriptomics Data 05 The identifier 800 year identifier Nils Gehlenborg Sidney Sussex College To celebrate our 800 year history an adaptation of the core identifier has been commissioned. This should be used on communications in the time period up to and including 2009. The 800 year identifier consists of three elements: the shield, the University of Cambridge logotype and the 800 years wording. It should not be redrawn, digitally manipulated or altered. The elements should not be A dissertation submitted to the University of Cambridge used independently and their relationship should for the degree of Doctor of Philosophy remain consistent. The 800 year identifier must always be reproduced from a digital master reference. This is available in eps, jpeg and gif format. Please ensure the appropriate artwork format is used. File formats European Molecular Biology Laboratory, eps: all professionally printed applications European Bioinformatics Institute, jpeg: Microsoft programmes Wellcome Trust Genome Campus, gif: online usage Hinxton, Cambridge, CB10 1SD, Colour United Kingdom. The 800 year identifier only appears in the five colour variants shown on this page. Email: [email protected] Black, Red Pantone 032, Yellow Pantone 109 and white October 12, 2010 shield with black (or white name). Single colour black or white. Please try to avoid any other colour combinations. Pantone 032 R237 G41 B57 Pantone 109 R254 G209 B0 To Maureen. This dissertation is my own work and contains nothing which is the outcome of work done in collaboration with others, except as specified in the text and acknowledgements. This dissertation is not substantially the same as any I have submit- ted for a degree, diploma or other qualification at any other university, and no part has already been, or is currently being submitted for any degree, diploma or other qualification. -
Digital Scholarship Commons Presentation 09.24.14
A short introduction: Information visualizations in teaching & research Isabel Meirelles | [email protected] Associate Professor, Graphic Design, CAMD Digital Scholarship Commons NU Sept.24 Information design Infographics! Information visualization Data visualization Information design Infographics Graphical representations that aim at communicating information with the purpose to reveal patterns and relationships not known or not easily deduced without the aid of the visual presentation of information. ! Information visualization Data visualization “the use of computer-supported, interactive, visual representations of abstract data to amplify cognition” Card et al. : Readings in Information Visualization: Using Vision to Think Information From Latin informare to give form or shape to, from in into + formare to form, from forma a form or shape + -ation indicating a process or condition The Oxford American Thesaurus of Current English Information Definition* Definition information = well-formed and meaningful data *Weak definition. The strong definition includes the further condition of truthfulness. Luciano Floridi (2010): Information, A Very Short Introduction Information taxonomy by Floridi M. Chen & L. Floridi (2012): An Analysis of Information in Visualization in Synthese, Springer (historical) intermezzo Visual/diagrammatic representations over history 9th-ct., France: M. Capella, De nuptiis,. c. 1310, England: Table of the Ten Commandments Planetary diagrams from the De Lisle Psalter To increase working memory 1582: Giordano -
Steps to an Ecology of Networked Knowledge and Innovation Enabling New Forms of Collaboration Among Sciences, Engineering, Arts, and Design
Steps to an Ecology of Networked Knowledge and Innovation Enabling New Forms of Collaboration among Sciences, Engineering, Arts, and Design Roger F. Malina, Carol Strohecker, and Carol LaFayette on behalf of SEAD network contributors The MIT Press, Cambridge, Massachusetts and London, England Steps to an Ecology of Networked Knowledge and Innovation Enabling New Forms of Collaboration among Sciences, Engineering, Arts, and Design Roger F. Malina, Carol Strohecker, and Carol LaFayette on behalf of SEAD network contributors Cover image: “Map of Science Derived from Clickstream Data” (2009). Maps of science resulting from large-scale clickstream data provide a detailed, contemporary view of scientific activity and correct the under-representation of the social sciences and humanities that is commonly found in citation data. © Johan Bollen. Used with permission. Originally published in Bollen, J., H. Van de Sompel, A. Hagberg, L. Bettencourt, R. Chute, et al. (2009), “Clickstream Data Yields High-Resolution Maps of Science.” PLoS ONE 4 (3): e4803. doi: 10.1371/journal.pone.0004803. 3 This material is based on work supported by the National Science Foundation under Grant No. 1142510, IIS, Human-Centered Computing, “Collaborative Research: EAGER: Network for Science, Engineering, Arts and Design (NSEAD).” Any opinions, findings, and conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the National Science Foundation. © 2015 ISAST Published under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0) eISBN: 978-0-262-75863-5 CONTENTS Acknowledgments ......................................................................................i SEAD White Papers Committees ...............................................................ii Introduction ...............................................................................................1 1. SEAD White Papers Methodology ......................................................13 2. -
School of Architecture 2016–2017 School of Architecture School Of
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2016–2017 School of Architecture 2016 –2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849. -
Visualizing Biological Data
THIS MONTH y y x x 22 1 22 1 21 21 POINTS OF VIEW 20 20 2 2 19 19 18 18 3 3 17 17 Visualizing biological 16 16 4 4 15 15 data 14 5 14 5 Data visualization is increasingly important, 13 6 13 6 12 7 12 7 8 8 9 but it requires clear objectives and improved 11 11 9 10 10 implementation. Figure 1 | Visualization of whole-genome rearrangement. Representative Researchers today have access to an unprecedented amount of Circos plots1 of whole-genome sequence data from two different tumors data. The challenge is to benefit from this abundance without showing gene duplications and chromosome rearrangements. The outer ring depicts chromosomes arranged end to end. The inner ring displays being overwhelmed. Data visualization for efficient exploration copy-number data in green and interchromosomal translocations in purple. and effective communication is integral to scientific progress. Reprinted from ref. 2 with permission from Elsevier. For visualization to continue to be an important tool for discov- ery, its practitioners need to be present as members of research teams. rapidly turn sketches into software prototypes at a pace relevant One of the goals of data visualization is to enable people to to the research: as data types and research questions evolve, there explore and explain data through interactive software that takes is a constant need to refine and adapt visualizations. One funding advantage of human beings’ ability to recognize patterns. Its suc- mechanism that has enabled an integrated focus on visualiza- cess depends on the development of methods and techniques to tion in the context of biological research is supplemental sup- transform information into a visual form for comprehension. -
The Scientist As Illustrator
TREIMM 1262 No. of Pages 4 Special Issue: and technology. Leonardo's careful study of visual communicators as it ever was Communicating Science of human anatomy and interest in propor- in the past. tions was demonstrated in the Vitruvian Scientific Life man, one of his most famous drawings. Drawing to Understand In molecular and cellular biology, our The Scientist as With the rise of the printing press, scien- understanding of processes is typically Illustrator tists could reach a larger audience with based on experimental data that are indi- whom they could share their findings. In rect, abstract, and collected by different [1_TD$IF] 1, Sidereus Nuncius, Galileo Galilei was the laboratories using an assortment of tech- Janet H. Iwasa * first to publish observations made using a niques over the course of decades. To telescope. A polymath who excelled in understand processes that are taking fi Pro ciency in art and illustration astronomy, mathematics, and physics, place at scales smaller than the wave- was once considered an essential Galileo had also studied medicine and length of light, biologists must synthesize skill for biologists, because text had once considered a career in painting diverse data to generate a working model alone often could not suffice to [1]. His manuscript included over 70 or hypothesis. In contrast with scientists of describe observations of biological detailed illustrations, including the first the past, we must rely on visualizations not systems. With modern imaging realistic depictions of the craggy and pit- to record and share our observations, but technology, it is no longer neces- ted surface of the moon.