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Mot De La Directrice Artistique PRESS KIT Since its creation in 1981 in Montreal, Arion has remained connected to the creative energy of baroque composers, like Bach and Vivaldi, playing their works on period instruments and rediscovering the shine of the original colours of those masterpieces. Thanks to the artistic vision of Claire Guimond, it is now the figurehead of the world of ancient music on period instruments in Quebec and Canada. The Orchestra offers a prestigious Montreal concert Series featuring more than twenty musicians and with the participation of internationally known guest conductors. Arion has hosted such celebrated conductors as Stefano Montanari, Jaap ter Linden, Monica Huggett, Christophe Rousset, Barthold Kuijken, Rachel Podger and Alexander Weimann, to name just a few. Arion has been awarded many prizes and grants and tours regularly in the United States, Mexico, Europe and Japan, as well as Quebec and Canada. Arion now holds an impressive discography of 30 titles. In 2001, Claire Guimond founded early-music.com, dedicated to furthering excellence on period instruments in early music. Largely centered on Arion recordings, early-music.com contributes undeniably to the prestige of these artists thanks to its international diffusion. For Arion's discography, please browse through the early-music.com website. DISCOGRAPHIE ARION HOLDS AN IMPRES SIVE DISCOGRAPHY OF 30 TITLES , A LARGE NUMBER OF WHICH HAVE BEEN PUBLISHED THROUGH E ARLY- MUSIC. COM AND DISTRIBUTED INTERNATIONALLY . DERNIÈRES SORTIES : TRÉSORS CACHÉS D’ITALIE (2014) Stefano Montanari, chef d'orchestre Prix Opus (2015) « L’orchestre et le soliste font une interprétation fervente et passionnée Toronto » - Benoit Bergeron, Rreverb.com PRIMA DONNA (2012) Karina Gauvin, soprano Alexander Weimann, directeur Arion Félix (2013), Prix Juno (2013), Prix Opus (2014) « This album is a treat from beginning to end. » - John Teraud, Musical Toronto “ Throughout, the Arion Orchestre Baroque (…), is never less than ideal. This is a stunner.” – Robert Levine, Classics Today J.S. BACH – LA PASSION SELON SAINT JEAN (2011) Les Voix Baroques Alexander Weimann, clavecin Arion Nomination au gala de l’ADISQ 2012 : « Disque de l’année, Classique/Vocal » Nomination au gala des Prix Opus 2013: « Disque de l’année, Baroque » « Gorgeously balanced new Canadian recording of Bach St. John Passion » - John Terauds, Musical Toronto CARL PHILIPP EMANUEL BACH – SYMPHONIES & CONCERTOS (2010) Gary Cooper, clavecin Arion « Arion plays admirably, with precision and expression in the extreme contrasts called for by the score » - Tom Moore, Early Music America - Classic Voice, Italia DISTINCTIONS ARION HAS RECEIVED A NUMBER OF DISTINCTIONS OVER TH E YEAR S : · Opus Prize for "Coucou" given by the Quebec Counsel for Music in the Category « Concert, Medieval Music, Renaissance and Baroque » (Quebec), 2016 · Opus Prize for "Trésors cachés d’Italie" given by the Quebec Counsel for Music in the Category « Medieval Music, Renaissance and Baroque » (Quebec), 2015 · Opus Prize for "Prima Donna" given by the Quebec Counsel for Music in the Category « Medieval Music, Renaissance and Baroque » (Quebec), 2014 · Félix Prize "Album of the year - Classical Vocal Album" for "Prima Donna" awarded by ADISQ (Quebec), 2013 · JUNO Award in the category "Album of the year - Vocal/Choral" for the album "Prima Donna", 2013 · Nomination for the album "La Passion selon Saint Jean" for the Félix in the category "Album of the year - Orchestras and large ensembles", ADISQ (Quebec)2012 · Nomination for the album "La Passion selon Saint Jean" for the Félix in the category "Album of the year - Orchestras and large ensembles", ADISQ (Quebec), 2012 · Audience award - Concert of the year, received from the Conseil des Arts de Montréal for the tour "Vivaldi - Chiaroscuro" in Montreal during Fall 2005 as part of the CAM on tour · Second prize - International Handel Recording Prize for "Handel - Love duets" (United Kingdom), 2002 · Nomination as a finalist in the Grand-Prix of the Conseil des arts de Montréal, which highlights “the excellency of its artistic direction, the exceptional influence of the group, as well as its vision for the future” (Canada), 2002 CONCERT LOCATIONS SINCE 1981, ARION HAS PRESENTED ITS C ONCERTS IN QUEB EC, IN CANADA ET INTERNATIONALLY . CANADA BRAZIL Fredericton, New Brunswick Conservatorio Brasileiro de Musica, Mission, White Rock, Salt Spring, Rio de Janeiro British Colombia Edmonton, Alberta FRANCE Early Music Vancouver Early Music Society of Victoria, B.C. Fêtes musicales de Savoie Festival international de musique Rencontres et Musique de Valmorel, Baroque de Lamèque, Nouveau- Haute-Savoie Brunswick Festival international de musique de SPAIN chambre d’Ottowa, Ontario Zaragoza Fondation Arte Musica, Salle Bourgie, Bilbao Montréal Tafelmusik Baroque Orchestra Toronto Series, BELGIUM Ottawa, Bruxelle, Centre Woluwe-St-Pierre et Regina Musical Club Festival de Bruges Winnipeg, MusikBarock Festival du Brabant Wallon Calgary Pro Musical Society, Sint Truiden Whitehorse Concerts (YK) Anvers Women’s Musical Club of Toronto Roeselare Early Music Society of the Islands, Spa Victoria Edmonton Chamber Music Society GREAT BRITAIN Oakville Bath, Michael Tippett Centre Winnipeg Bach Festival, Manitoba Londres, Southbank Centre Many villages in Québec: Alma, Londres, City Music Society Rimouski, Valleyfield, Sainte-Thérèse, Stamford Arts Centre Ville Mont-Royal, Sept-îles, University of Southampton Shawinigan, Tonbridge, Tuedeley Festival St-Jérôme, St-Hyacinthe, Canterbury Festival L’Assomption, Longueuil, Montréal, Terrebonne, Québec, etc. IRELAND UNITED STATES Early Music Network« San Diego, Californie Lycée français de Los Angeles ITALY Frick Collection, New York Festival Muscia Antiqua a Magnano Chamber Music Society of Grand Rapids Boston Early Music Festival JAPAN Cambridge Society for Early Music Sasayama (Koukyo Hall) Tokyo (Dai-ichi Seimi Hall) MEXICO Nagoya (Shirakawa Hall) Festival Internacional Cervantino Shizuoka (Ongakukan AOI Hall REVIEWS WHAT THE CRITICS ARE SAYING… J.S. Bach’s Mass in B minor was designed to be the centrepiece of this year’s Vancouver Bach Festival. It played to a sold out Chan Centre Friday, with Alexander Weimann directing a complement of singers with Montreal’s Arion Baroque Orchestra....I can’t recall a faster or more exhilarating rendition of the Cum Sancto Spiritu that ends the Gloria.... A memorable performance and a practical demonstration of Weimann’s deep, loving understanding of the whole. - Vancouver Sun There was some beautiful playing from the Arion Baroque Orchestra, particularly the solos by concertmaster Chantal Rémillard, flautist Claire Guimond, Nicolas Isabelle on baroque trumpet, and Pierre-Antoine Tremblay on horn. - Ottawa Citizen C’est un privilège que d’enregistrer de si beaux projets. Arion a un niveau qui est bien supérieur aux autres orchestres baroques canadiens et certainement plusieurs autres… Les cordes sont devenues idéales sans compter tous les autres. Aucune partie faible. - Johanne Goyette, ATMA Classique Remarquable! Il n’y a pas d’autre mot pour décrire la force de la prestation offerte par Arion orchestre baroque vendredi dernier dans le cadre du concert d’ouverture Coucou! de la série montréalaise de l’orchestre à la Salle Bourgie au Musée des Beaux-Arts de Montréal. - Premières en affaires Never before have I witnessed an ensemble produce such a remarkable and unified sound, such impeccable phrasing, such unparalleled expression of stunning sonority, phrasing and brilliant beat punctuations as I did in Bourgie Hall during Arion’s kick-off 2014/15 concert titled « Coucou! » - Nancy Snipper, Arts & Opinion Malgré l’excellent programme, c’est certainement l’interprétation phénoménale des solistes et de l’ensemble qui restera dans les mémoires et qui explique pourquoi les spectateurs avaient des fourmis dans les mains à force d’applaudir. - Martin Prévost, pieuvre.ca The [C.P.E. Bach] flute concerto isn’t just well-written and expertly performed – it is really exciting and leaves you delighting in the expressive technique and truly spectacular ensemble work […]. - David Vernier, Listen Arion Orchestre Baroque deliver outstanding Vivaldi programme. - Richard Todd, Ottawa Citizen One could relish the impeccable intonation of the strings and their collective instinct for appropriate texture. Judging by this concert, Arion is in great shape. - Arthur Kaptainis, The Gazette Le sentiment de majesté et de grandeur qu’on pouvait éprouver devant une telle plénitude sonore était à vous donner la chair de poule. - Richard Boisvert, Le Soleil On y admirait la pose des notes, la tenue des nuances piano et la douceur fondue des coloris orchestraux. - Christophe Huss, Le Devoir Ce groupe de musique ancienne, qui joue dans le style et sur des instruments d’époque, est l’un de ceux qui ont fait de Montréal une capitale du Baroque. - L’Actualité L’Ensemble montréalais Arion a étendu ses ailes pour devenir un orchestre baroque de premier ordre. Il travaille avec une brochette colorée et impressionnante de chefs invités, ce qui est certainement un des secrets de son succès. Sur ce très beau disque, c’est le Néerlandais Jaap ter Linden qui dirige ces lectures bouillonnantes et fort inspirées d’œuvres bien connues du grand Bach. - The National Post C'est ma 2e expérience avec Arion, c'est la 2e fois que le chef et soliste invité fait preuve d'un talent, d'une fougue et d'une passion remarquable. - Jonathan Blanchet, Voir Un duo eccezionale : l’orchestra di Arion famosa per i suoi
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