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Golden Ticket Awards • September 16 & 17, 2011 COURTESY S
GOLDEN TICKET BONUS ISSUE TM www.GoldenTicketAwards.com Vol. 15 • Issue 6.2 SEPTEMBER 2011 Holiday World hosts Golden Ticket event for third time Amusement Today sees the biggest voter response in survey history 2011 . P . I GOLDEN TICKET . V AWARDS BEST OF THE BEST! Holiday World & Splashin’ Safari Host Park • 2011 Golden Ticket Awards • September 16 & 17, 2011 COURTESY S. MADONNA HORCHER STORY: Tim Baldwin strate the big influx of additional voters. [email protected] Tabulating hundreds of ballots can seem SANTA CLAUS, Indiana — It was Holiday like a somewhat tedious and daunting task, World’s idea for Amusement Today to pres- but a few categories were such close races, ent the Golden Ticket Awards live in 2000. that a handful of winners were not determined The ceremony was on the simple side, and until the very last ballots in the last hour of now over a decade later, the park welcomes tabulation. These ‘nail biters’ always keep us AT for the third time. A lot has changed since on our toes that there is never a guarantee of that time, as the Golden Ticket Awards cere- any category. mony has grown into a popular industry event, The dedication of our voters is also admi- filled with networking opportunities and occa- rable. People have often gone to great lengths sions to see what is considered the best in the to make sure we receive their ballot in time. industry. And as mentioned before, every vote abso- What has also grown is the voter response. lutely counts as just a few ballots determined The 2011 awards saw the biggest response some winning categories. -
ACE's Scandinavian Sojourn
ACE’s Scandinavian Sojourn : A Southerner’s Perspective Story by: Richard Bostic, assisted by Ronny Cook When I went on the ACEspana trip back in 2009, it was by far one of the most amazing vacations I have ever experienced. In addition to getting to visit parks in a different culture than we see here, it is also a great opportunity to spend time with fellow enthusiasts and grow friendships while enjoying our common interests. When Scandinavia Sojourn was announced for the summer of 2011, I knew it was a trip I could not miss. Since the 2009 trip was my first trip to Europe I thought that there was no way the over- all experience could be better in Scandinavia. I was wrong. We landed in Helsinki, Finland around 1300 the day before we were required to be at the hotel to meet with the group. Helsinki is an interesting city and fairly new compared to many cities in Europe. Walking around the city you can see the Russian influence in the city’s architecture. In fact, many movies during the cold war would use Helsinki to shoot scenes that are supposed to be set in the Soviet Union. After making our way to the Crowne Plaza Hotel and getting a quick lunch at the hotel restaurant we decided to spend the remaining time that afternoon checking out some of the sites around our hotel. Some of these sites included the Temppeliaukio Church inside of a rock formation, the train station, Routatientori Square and National Theater, and a couple of the city’s art museums. -
International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Santa Cruz Beach Boardwalk's Carousel Turns
TM Celebrating Our 15th Year Vol. 15 • Issue 8.2 NOVEMBER 2011 Santa Cruz Beach Boardwalk’s carousel turns 100 STORY: Jeffrey L. Seifert gigantic natatorium that of- [email protected] fered one of the largest heated saltwater pools ever created. SANTA CRUZ, Calif. — Other attractions soon fol- The oldest ride at the Santa lowed including a miniature Cruz Beach Boardwalk passed steam train that same year, a the century mark earlier this Thompson Scenic Railway in summer. 1908 and the Looff Carousel in Charles I.D. Looff, one of 1911. the earliest and most success- ful builders of carousels deliv- Americans fall in love ered the “Merry Go Round” come a popular pastime. with the ‘Carousel’ to the Boardwalk in August of John Leibrandt opened Though dating back to 1911. the first public bathhouse on France in the mid 16th centu- Looff, who immigrated the beach in 1865. The Santa ry, it wasn’t until the late 1800s from Denmark as a young Cruz beach, with its south- and the adaptation of a steam man, began building carousels ern shore on the north side of engine that carousels became in 1875, installing his first at Monterey Bay was protected popular. Mrs. Lucy Vanderveer’s Bath- from the harsh waves typical Americans had become ing Pavilion at Coney Island, of the west coast and offered a enchanted with these new New York City, in 1876. Be- beautiful and serene area with rides in the late 1800s and ear- The historic Santa ing one of the first, many of safe, open-water swimming. -
Main Street, U.S.A. • Fantasyland• Frontierland• Adventureland• Tomorrowland• Liberty Square Fantasyland• Continued
L Guest Amenities Restrooms Main Street, U.S.A. ® Frontierland® Fantasyland® Continued Tomorrowland® Companion Restrooms 1 Walt Disney World ® Railroad ATTRACTIONS ATTRACTIONS AED ATTRACTIONS First Aid NEW! Presented by Florida Hospital 2 City Hall Home to Guest Relations, 14 Walt Disney World ® Railroad U 37 Tomorrowland Speedway 26 Enchanted Tales with Belle T AED Guest Relations Information and Lost & Found. AED 27 36 Drive a racecar. Minimum height 32"/81 cm; 15 Splash Mountain® Be magically transported from Maurice’s cottage to E Minimum height to ride alone 54"/137 cm. ATMs 3 Main Street Chamber of Commerce Plunge 5 stories into Brer Rabbit’s Laughin’ Beast’s library for a delightful storytelling experience. Fantasyland 26 Presented by CHASE AED 28 Package Pickup. Place. Minimum height 40"/102 cm. AED 27 Under the Sea~Journey of The Little Mermaid AED 34 38 Space Mountain® AAutomatedED External 35 Defibrillators ® Relive the tale of how one Indoor roller coaster. Minimum height 44"/ 112 cm. 4 Town Square Theater 16 Big Thunder Mountain Railroad 23 S Meet Mickey Mouse and your favorite ARunawayED train coaster. lucky little mermaid found true love—and legs! Designated smoking area 39 Astro Orbiter ® Fly outdoors in a spaceship. Disney Princesses! Presented by Kodak ®. Minimum height 40"/102 cm. FASTPASS kiosk located at Mickey’s PhilharMagic. 21 32 Baby Care Center 33 40 Tomorrowland Transit Authority AED 28 Ariel’s Grotto Venture into a seaside grotto, Locker rentals 5 Main Street Vehicles 17 Tom Sawyer Island 16 PeopleMover Roll through Come explore the Island. where you’ll find Ariel amongst some of her treasures. -
Amusement Industry Helps Light the Way for Hope
SPECIAL DIGITAL EDITION: Industry reacts to COVID-19 TM & ©2020 Amusement Today, Inc. pandemic April 2, 2020 | Vol. 24 • Issue 1.1 www.amusementtoday.com Amusement industry helps light the way for hope As the nation — and the world — battles the COVID-19 pandemic, the amusement and attractions industry is doing its best to keep people's spirits up, remind them that better days are ahead and to be the light at the end of the tunnel. Demonstrations of hope by the attractions industry are being seen and enjoyed worldwide. Kentucky Kingdom took out bill boards throughout Lousiville reminding the community that they were in this together with them (above left). Playland's Castaway Cove showed everyone they can always look forward to the future by keeping its Ferris wheel illuminated (above right). Walt Disney World Resort and Universal Orlando Resort illuminated several of the resorts' hotel towers with hearts (Universal's Aventura pictured right). Carnival Cruise ships were seen off the coast of Florida with the message "We will be back" lit up across them (below right). Entertaining guests in their homes, Disneyland's Dapper Dans (below left) performed live via the internet, taking requests and harmonizing from their living rooms. COURTESY KENTUCKY KINGDOM, PLAYLAND'S CASTAWAY COVE, WEAR-TV, DISNEY PARKS; AT/ DAVID FAKE Industry Voices...Pages 2-3 Get the most up-to-date industry news from Theme parks find silver linings...Pages 4-5 Amusement Today, Manufacturer's and suppliers forge on...Pages 6-7 Insurance, finance companies find solutions...Page 8 AmusementToday.com and Industry organizations guide members...Page 9 EXTRA! EXTRA! Your Desktop Edition Family-owned parks display hope...Pages 12-13 INSIDE: Carnivals, midways strive onward...Pages 14-15 daily email newsblast! FECs eager to welcome back families...Page 16 Water parks look to keep flowing...Page 17 2 AMUSEMENT TODAY COVID-19 Special Edition 2020 AMUSEMENT VIEWS AT NOTEBOOK: John W.C. -
Halloween Horror Nights 2016 Order Form More Than 20 Group Ticket Order Form for Information on Groups of 20 Or Less, Please Call Us at 1-800-YOUTH15
Halloween Horror Nights 2016 Order Form More than 20 Group Ticket Order Form For information on Groups of 20 or less, please call us at 1-800-YOUTH15 Ticket Reservations Business Hours: 7 Days a Week- 8:30am to 5:30pm EST (407) 363-8182 GROUP INFORMATION ORGANIZATION NAME DATE OF VISIT CONTACT NAME CONTACT EMAIL MAILING ADDRESS CITY STATE ZIP CODE DAY PHONE CELL PHONE FAX SCHOOL NAME GROUP TYPE: General Youth Group College Groups TICKET ORDER Rates Date Requested Quantity Amount *Rates apply to groups of 20 or more Sunday-Thursday Nights September 18, 22, 25, 29 $50.39 + tax ($53.67) October 2, 6, 12, 19, 26, 27, 30, 31 Sunday-Thursday Nights October 9, 13, 16, 20, 23 $53.99 + tax ($57.50) Friday Nights September 16, 23, 30 $ October 7, 28 60.29 + tax ($64.21) Friday Nights $ October 14, 21 65.69 + tax($69.96) Saturday Nights September 17, 24 $82.99 + tax($88.39) October 1, 8, 15, 22, 29 TOTAL DUE: HALLOWEEN HORROR NIGHTS EVENT DETAILS Event begins at 6:30 pm. Closing times may vary. Rates apply to groups of 20 or more. Tickets are date specific and nonrefundable. Halloween Horror Nights takes place rain or shine. Advance reservations are required. A minimum of 1 (one) week advance notice is required for pick-up orders and 2 (two) weeks is required for prepaid mail-out orders. Reservation is not confirmed until you have received a confirmation number. Please include confirmation number on your form of payment. Florida law states that each admission charge is taxable unless the transaction is specifically exempt. -
Does It Have Fur Or Feathers? a Categorisation of Theme Park Attractions
Does it have fur or feathers? A Categorisation of Theme Park Attractions Author: Frank Cornelissen Author ANR: U0396714 Supervisor: Pieter Cornelis 2nd Reader: Greg Richards Date: August 17th, 2010 Tilburg University Tilburg School of Social and Behavioural Sciences Department of Leisure Studies Preface & Acknowledgements One should think that the concept of ‘once bitten, twice shy’ would apply after finishing my bachelor thesis, yet a little over four months ago I once again found myself at the beginning of what then seemed an impossible task. The goal? To devise an empirically founded categorisation of theme park attractions. That task may seem simply at first, but when looking at attractions in the likes of, to name but a few, Tower of Terror, Hocus Pocus Hall, The Flying Dutchman, Lisebergtower, Hex or Dragon Khan, it will seen become apparent that each and every of these attractions is highly unique. As the seemingly endless imagination and the incredible skills that come into play in converting the most impossible of ideas into reality was part of what raised my interest in the theme park industry many years ago, that didn’t come as a surprise. It did, however, make things considerably more difficult. Luckily, I wasn’t on my own in taking on this challenge. First and foremost I would like to thank my supervisor Pieter Cornelis; I would not have been able to finish my thesis without his support, guidance, wisdom and ruthless criticism. I sincerely appreciate the advice Fetene Tekle, Marie-Anne Mittelhaeuser and especially Theo van der Weegen have given me regarding statistics in general and dimension reduction of dichotomous data in particular. -
Randy Vissing: “Lenawe Nilla” by Paula Mchugh a Mystery, Or Maybe Better Described As a Perplexity, Had Haunt- Ed Randy Vissing for Decades
Volume 17, Number 21 Thursday, May 31, 2001 Randy Vissing: “Lenawe Nilla” by Paula McHugh A mystery, or maybe better described as a perplexity, had haunt- ed Randy Vissing for decades. Never quite able to pinpoint why he felt that his family was some- how “different” from the others he observed as a young boy growing up in Northwest Indiana, Randy proceeded on with his life, marry- ing, becoming a father, and settling down in Long Beach. That nagging enigma evoked among other things, memories of out-of-earshot conversations between Randy’s grandmother and grandfather. Their words were spoken in a mystifying tongue, one unknown to Randy. And the bits of folk wisdom and remedies from his mother, such as suggesting he go out and find a willow bark branch when he lost his toothbrush, also hinted of the uncommon. Randy said that his family had told him he was of German and French descent, and who was he to question otherwise, with the surname, Vissing? So, it came as a surprise, but not exactly as a shock, when Randolph (a French name) Vissing (a German name) discovered his Shawnee heritage. Lenawe Nilla—I Am Shawnee “I found the information when I was looking for my mother’s birth certificate approximately four years ago,” Randy said. “I discovered that my grandfather had been a full-blooded Shawnee, and my grand- mother, one-half Shawnee.” Before this discovery, the Vissings— Randy, Sue, and Blake had attended sever- Red, yellow, black, green and white beads, ribbons, al public pow feathers and fringe adorn this young lady. -
Cedar Point Welcomes 2016 Golden Ticket Awards Ohio Park and Resort Host Event for Second Time SANDUSKY, Ohio — the First Chapter in Cedar and Beyond
2016 GOLDEN TICKET AWARDS V.I.P. BEST OF THE BEST! TM & ©2016 Amusement Today, Inc. September 2016 | Vol. 20 • Issue 6.2 www.goldenticketawards.com Cedar Point welcomes 2016 Golden Ticket Awards Ohio park and resort host event for second time SANDUSKY, Ohio — The first chapter in Cedar and beyond. Point's long history was written in 1870, when a bath- America’s top-rated park first hosted the Gold- ing beach opened on the peninsula at a time when en Ticket Awards in 2004, well before the ceremony such recreation was finding popularity with lake island continued to grow into the “Networking Event of the areas. Known for an abundance of cedar trees, the Year.” At that time, the awards were given out be- resort took its name from the region's natural beauty. low the final curve of the award-winning Millennium It would have been impossible for owners at the time Force. For 2016, the event offered a full weekend of to ever envision the world’s largest ride park. Today activities, including behind-the-scenes tours of the the resort has evolved into a funseeker’s dream with park, dinners and receptions, networking opportuni- a total of 71 rides, including one of the most impres- ties, ride time and a Jet Express excursion around sive lineups of roller coasters on the planet. the resort peninsula benefiting the National Roller Tourism became a booming business with the Coaster Museum and Archives. help of steamships and railroad lines. The original Amusement Today asked Vice President and bathhouse, beer garden and dance floor soon were General Manager Jason McClure what he was per- joined by hotels, picnic areas, baseball diamonds and sonally looking forward to most about hosting the a Grand Pavilion that hosted musical concerts and in- event. -
Design of Roller Coasters
Aalto University School of Engineering Master’s Programme in Building Technology Design of Roller Coasters Master’s Thesis 24.7.2018 Antti Väisänen Aalto University, P.O. BOX 11000, 00076 AALTO www.aalto.fi Abstract of master's thesis Author Antti Väisänen Title of thesis Design of Roller Coasters Master programme Building Technology Code ENG27 Thesis supervisor Vishal Singh Thesis advisor Anssi Tamminen Date 24/07/2018 Number of pages 75 Language English Abstract This thesis combines several years of work experience in amusement industry and a litera- ture review to present general guidelines and principles of what is included in the design and engineering of roller coasters and other guest functions attached to them. Roller coasters are iconic structures that provide safe thrills for riders. Safety is achieved using multiple safety mechanisms: for example, bogies have multiple wheels that hold trains on track, a block system prevents trains from colliding and riders are held in place with safety restraints. Regular maintenance checks are also performed to prevent accidents caused by failed parts. Roller coasters are designed using a heartline spline and calculating accelerations in all possible scenarios to prevent rollbacks and too high values of accelerations, which could cause damage to riders’ bodies. A reach envelope is applied to the spline to prevent riders from hitting nearby objects. The speed and curvature of the track combined create acceler- ations that need to be countered with adequate track and support structures. A track cross- section usually consists of rails, cross-ties and a spine, while support structures can vary depending on height and loads.