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BARBET SCHROEDER VEGA FILM Et LES FILMS DU LOSANGE Présentent
Un film de BARBET SCHROEDER VEGA FILM et LES FILMS DU LOSANGE présentent MARTHE KELLER MAX RIEMELT amnesia UN FILM DE BARBET SCHROEDER Avec la participation de PRESSE : TONY ARNOUX / ANDRÉ-PAUL RICCI BRUNO GANZ 6 place de la Madeleine – 75008 Paris Tel : 01 49 53 04 20 Port. Tony Arnoux : 06 80 10 41 03 assisté de Gustave Schaïmi : 06 50 05 75 35 [email protected] DISTRIBUTION : LES FILMS DU LOSANGE (RÉGINE VIAL / ALEXANDRA LEDUC / CAMILLE VERRY / GREGORY PETREL) 22 avenue Pierre 1er de Serbie - 75012 Paris Tél. : 01 44 43 87 15 / 16 / 17 www.filmsdulosange.fr Photos & dossier de presse téléchargeables sur www.filmsdulosange.fr SORTIE LE 19 AOÛT 2015 SUISSE - FRANCE • 2015 • 1H30 • 1.85 - 2K • COULEUR • SON 5.1 • VISA N°139 604 Ibiza. Début des années 90, Jo a vingt ans, il vient de Berlin, il est musicien et veut faire partie de la révolution électronique qui commence. Pour démarrer, l’idéal serait d'être engagé comme DJ dans le club L'Amnesia. Martha vit seule, face à la mer, depuis quarante ans. Une nuit, Jo frappe à sa porte. La solitude de Martha l'intrigue. Ils deviennent amis alors que les mystères s'accumulent autour d'elle : ce violoncelle dont elle ne joue plus, cette langue allemande qu'elle refuse de parler… Alors que Jo l'entraîne dans le nouveau monde de la musique techno, Martha remet en question ses certitudes… amnesia - 3 - (Les propos qui suivent sont tirés d’un entretien recueilli par Émilie Bickerton) le choix de martha omment une femme qui n’a jamais rien vu sans être une victime. -
Lee Percy Editor
LEE PERCY EDITOR FEATURES CHARMING THE HEARTS OF MEN High Hopes Productions Prod: Brian David Cange, Richard T. Lewis Dir: S.E. DeRose (Editor) THE HALF OF IT (Editor) Netflix Prod: Blair Breard, Anthony Bregman Dir: Alice Wu SKIN (Editor) A24 Prod: Oren Moverman, Dillon D. Jordan Dir: Guy Nattiv Jamie Ray Newman THE KINDERGARTEN TEACHER Netflix Prod: Maggie Gyllenhaal, Ged Dickersin Dir: Sara Colangelo (Editor) MAPPLETHORPE (Editor) Samuel Goldwyn Films Prod: Richard Bosner, Eliza Dushku Dir: Ondi Timoner THE MOUNTAIN BETWEEN US (Editor) 20th Century Fox Prod: Peter Chernin, Dylan Clark Dir: Hany Abu-Assad SNOWDEN (Editor) Open Road Films Prod: Moritz Borman, Eric Kopeloff Dir: Oliver Stone ANGELICA (Editor) Pierpoline Films Prod: Mitchell Lichtenstein, Joyce Pierpoline Dir: Mitchell Lichtenstein TOUCHED WITH FIRE (Editor) Roadside Attractions Prod: Jeremy Alter, Kristina Nikolova, Dir: Paul Dalio Jason Sokoloff CARRIE (2013) (Editor) MGM / Screen Gems Prod: Kevin Misher Dir: Kimberly Peirce DISCONNECT (Editor) LD Entertainment Prod: William Horberg, Mickey Liddell Dir: Henry Alex Rubin Jennifer Monroe WHAT MAISIE KNEW Millennium Entertainment Prod: Daniel Crown, Daniela Taplin, Lundberg, Dir: Scott McGehee, David Siegel (Additional Editor) William Teitler, Charles Weinstock THIN ICE (Editor) ATO Pictures Prod: Mary Frances Budig, Elizabeth Redleaf, Dir: Jill Sprecher Christine K. Walker AS GOOD AS DEAD (Editor) First Look International Prod: Jordan Gertner, Ali Abouomar Dir: Jonathan Mossek SALT (Additional Editor) Sony Prod: Lorenzo -
One Plus One / Single White Female De Barbet Schroeder]
Document généré le 30 sept. 2021 04:01 24 images One Plus One Single White Female de Barbet Schroeder Yves Rousseau Numéro 64, décembre 1992, janvier 1993 URI : https://id.erudit.org/iderudit/22625ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer ce compte rendu Rousseau, Y. (1992). Compte rendu de [One Plus One / Single White Female de Barbet Schroeder]. 24 images, (64), 74–74. Tous droits réservés © 24 images inc., 1992 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ SINGLE WHITE FEMALE DE BARBET SCHROEDER À partir de là, le scénario enclenche sa mécanique jusqu'à l'apothéose finale. Le «thriller psychotique» est un sous-genre extrêmement balisé. Par une suite de glissements, de détails qui prennent leur sens par l'accumulation, le personnage qui était jusque-là irréprochable (il était cependant rrop parfait pour être honnête) est soudainement identifié comme une bombe à retardement vivante. Le spectateur peut alors jouir de sa terreur en toute sécurité puisqu'il a une longueur d'avance sur les autres personnages, les victimes potentielles (et nécessaires à la bonne marche du scénario). -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. -
NEW from “Barbet Schroeder Has Made Yet Another Compelling Documentary That Demands to Be Seen.”
NEW FROM “Barbet Schroeder has made yet another compelling documentary that demands to be seen.” “GENUINELY HORRIFYING!” – Film Comment “There’s an ever-present sense of rage and despair burbling beneath the placid surface of Barbet Schroeder’s film.” – Slant Magazine WINNER! OFFICIAL SELECTION FREEDOM AWARD CANNES, CPH:DOX BEST DOCUMENTARY LOCARNO INTERNATIONAL FILM FESTIVAL, JERUSALEM FILM FESTIVAL TELLURIDE FILM FESTIVAL Barbet Schroeder is one of the world’s most accomplished and prolific directors of our time. Some of his most popular films includeSingle White Female, Kiss of Death, and Murder by Numbers. He has been nominated for the Academy Award for Best Director, and for the Palme d’Or for his 1987 film Barfly starring Mickey Rourke and Faye Dunaway “This is an important documentary that Evil comes in many forms. In Myanmar, it manifests in the casual racism and Islamophobia of influential, charismatic Burmese Buddhist monk not only illuminates the rank underbelly Ashin Wirathu. Through interviews with international journalists and of Theravada Buddhism in Myanmar, but community leaders who protest against Wirathu’s views, activist footage also captures one of the first major tests of Rohingya persecutions, and through powerful storytelling, acclaimed faced by the new political order.” director Barbet Schroeder (Reversal of Fortune, Koko: A Talking Gorilla, and Barfly) slowly, but inexorably, builds his case. Perhaps most damning – The New York Review of Books of all are the interviews with the man himself; couching his rhetoric in nationalist fervor. THE VENERABLE W. A film by Barbet Schroeder • From Distrib Films • An Icarus Films Release Established in 2013, Distrib Films brings the latest 2017 • 100 min • Color • in English, French, Spanish, Burmese (with English subtitles) • Not Rated SRP: $26.98 • UPC # 8-545-6500316-3 French and European movies to the US. -
Mise En Page 1
THE CULT MOVIE FROM 1969 FOR THE FIRST TIME IN RESTORED VERSION! tefan is a young student looking for adventure and hoping to find himself. SMaking his journey towards the sun he hitch-hikes from Germany to Paris, where he meets a young American drifter, Estelle, who introduces him to drugs. In their pursuit of powerful emotions and experiences, the young lovers go to Ibiza where they live out their dangerous passion. As prisoners of their hopeless love affair and also of drug addiction and a former friend of Estelle’s, the only end possible for them is a tragic one... 2015 A film by BARBET PRESS QUOTES ON THE FILM’S RELEASE IN 1969 CAST SCHROEDER Estelle MIMSY FARMER • Stephan KLAUS GRUNBERG • Charlie MICHEL CHANDERLI “EXTRAORDINARY BRILLANCE IN Wolf HEINZ ENGELMAN • Cathy LOUISE A POWERFUL COMPELLING TRAGEDY.” WINK • Salesman GEORGES MONTANT “NEW YORK HERALD TRIBUNE” “AN EXTRAORDINARILY INTELLIGENT AND BEAUTIFUL FILM. CREW THE FILMMAKER’S EYE HAS TAKEN INTO ACCOUNT THE INCREDIBLE INTERPLAY OF SURFACE AND DEPTH, USING THE IRONY OF SETTING Screenplay and dialogue PAUL GEGAUFF, AND SITUATION WITH RARE COMPASSION.” BARBET SCHROEDER • From a original story 6 2 “THE EAST VILLAGE OTHER” by BARBET SCHROEDER • Music PINK FLOYD 1 4 5 9 D.O.P NESTOR ALMENDROS • Editor DENISE 9 3 1 0 “A FILM OF INTELLIGENCE AND, EVEN RARER, GRACE. DE CASABIANCA • Script MONIQUE c i h p a M A VERY BEAUTIFUL, VERY ROMANTIC MOVIE.” GIRAUDY • Sound effects ROBERT POURET r G u n si o i “THE NEW YORK TIMES” Production crew CARLOS DURAN, MICHEL t c s P e G I CHANDERLI, -
A Subcategory of Neo Noir Film Certificate of Original Authorship
Louise Alston Supervisor: Gillian Leahy Co-supervisor: Margot Nash Doctorate in Creative Arts University of Technology Sydney Femme noir: a subcategory of neo noir film Certificate of Original Authorship I, Louise Alston, declare that this thesis is submitted in fulfillment of the requirements for the award of the Doctorate of Creative Arts in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the exegesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: 05.09.2019 2 Acknowledgements Feedback and support for this thesis has been provided by my supervisor Dr Gillian Leahy with contributions by Dr Alex Munt, Dr Tara Forrest and Dr Margot Nash. Copy editing services provided by Emma Wise. Support and feedback for my creative work has come from my partner Stephen Vagg and my screenwriting group. Thanks go to the UTS librarians, especially those who generously and anonymously responded to my enquiries on the UTS Library online ‘ask a librarian’ service. This thesis is dedicated to my daughter Kathleen, who joined in half way through. 3 Format This thesis is composed of two parts: Part one is my creative project. It is an adaptation of Frank Wedekind’s Lulu plays in the form of a contemporary neo noir screenplay. Part two is my exegesis in which I answer my thesis question. -
Pressbook Vénérablew. ENGLISH 2017-Compressed
A FILM BY BARBET SCHROEDER LES FILMS DU LOSANGE and BANDE À PART FILMS present CREDITS Director of photography VICTORIA CLAY MENDOZA Editing NELLY QUETTIER Music JORGE ARRIAGADA A FILM BY Small Buddhist voice BULLE OGIER Mix FLORIAN EIDENBENZ BARBET SCHROEDER Produced by MARGARET MENEGOZ (Paris) and LIONEL BAIER (Lausanne) A Swiss-French coproduction LES FILMS DU LOSANGE ET BANDE À PART FILMS In coproduction with ARTE FRANCE CINEMA, RTS – RADIO TÉLÉVISION SUISSE, SRG SSR France, Switzerland • 1h40 • Color • 1.85 • Sound 5.1 With the participation of ARTE FRANCE, CINE + With the support of CENTRE NATIONAL DU CINEMA ET DE L’IMAGE ANIMEE, OFFICE FEDERAL DE LA CULTURE (DFI- SUISSE), CINEFOROM, LOTERIE ROMANDE Photos and press pack can be downloaded at Distribution France & International sales LES FILMS DU LOSANGE www.filmsdulosange.fr SYNOPSIS n Burma, the “Venerable Wirathu” is a highly respected and influential IBuddhist monk. Meeting him amounts to traveling to the heart of everyday racism and observing how Islamophobia and hate speech lead to violence and destruction. Yet this is a country in which 90% of the population has adopted Buddhism as a faith: a religion based on a peaceful, tolerant and non-violent way of life. 4 5 BARBET SCHROEDER (In conversation with Emilie Bickerton) THE ORIGIN OF THE FILM. lurches into fanaticism and extremism. In fact, For me, Buddhism is an atheist religion, Buddhist beliefs and ideas have touched without a God, and which allows for Western minds since a few philosophers in pessimism. This idea has always fascinated the middle of the nineteenth century read its me, so much so that in 1961 when I was 21, I went key texts, such as Schopenhauer, who was one of on a long trip to the historic locations of the Buddha, all the first to discover them, in 1814, during his time staying the way to Sri Lanka. -
View / Open Final Thesis-Slavit I.Pdf
THE INFLUENCE OF NEOCONSERVATISM IN THE DEPICTION OF VIOLENT NON-NORMATIVE WOMEN IN EROTIC THRILLERS FROM 1980 TO 2000 by ILANA SLAVIT A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2020 An Abstract of the Thesis of Ilana Slavit for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2020 Title: The Influence of Neoconservatism in the Depiction of Non-normative Women in Erotic Thrillers from 1980 to 2000 Approved: Peter Alilunas Primary Thesis Advisor U.S. erotic thrillers of the 1980s and 1990s are intrinsically intertwined with the socio-political history of the culture wars. Both the counter-culture movements and a laxation of cinematic censorship during the 1960s resulted in an increase in sex and violence on-screen, in addition to non-normative behavior. Thus, the culture wars began, with neoconservatives and antifeminists in the late 1970s to the 1990s pushing for traditional family values against a backdrop of loosening social mores. Violent non- normative women in erotic thrillers of the 1980s and 1990s highlighted antifeminist sentiments of the era through literalization of non-normative lifestyles as dangerous to traditional family values and U.S. culture. ii Acknowledgements I would like to thank Professor Alilunas for his guidance with film history and analysis, in addition to textual and formatting suggestions from a media studies lens. I would also like to thank Professor Millán for helping me to fully examine the film history from an intersectional feminist theory perspective. -
Anarchiv Collection 1971-1988
Anarchiv Collection 1971-1988 International Institute of Social History Cruquiusweg 31 1019 AT Amsterdam The Netherlands hdl:10622/ARCH01946 © IISH Amsterdam 2020 Anarchiv Collection 1971-1988 Table of contents Anarchiv Collection........................................................................................................................... 3 Context............................................................................................................................................... 3 Content and Structure........................................................................................................................3 Access and Use.................................................................................................................................4 Appendices.........................................................................................................................................5 VORLÄUFIGE LISTE......................................................................................................................18 ..........................................................................................................................................................62 International Institute of Social History 2 Anarchiv Collection 1971-1988 Anarchiv Collection Collection ID ARCH01946 Creator Anarchiv Other Creator(s) Autonomen Knastbüros (Bochum) Period 1971-1988 Extent 4.37 m. Language list German Language of Material German Context Historical Note Also named Knastarchiv; set up by -
BARBET SCHROEDER VEGA FILM and LES FILMS DU LOSANGE Present
A film by BARBET SCHROEDER VEGA FILM and LES FILMS DU LOSANGE present MARTHE KELLER MAX RIEMELT amnesia A FILM BY BARBET SCHROEDER With the participation of BRUNO GANZ INTERNATIONAL SALES LES FILMS DU LOSANGE ► AGATHE VALENTIN – HEAD OF SALES + 33 6 89 85 96 95 / [email protected] ► LISE ZIPCI – TV & LIBRARY SALES + 33 6 75 13 05 75 / [email protected] ► MARINE GOULOIS – FESTIVALS & SALES + 33 6 84 21 74 53 / [email protected] Photos and press pack can be downloaded at www.filmsdulosange.fr SWISS - FRANCE • 2015 • 1H30 • 1.85 - 2K • COLOR • SOUND 5.1 Ibiza, the early nineties, Jo is a twenty-five-year-old music composer. He has come over from Berlin and wants to be part of the nascent electronic music revolution, ideally by getting a job first as a DJ in the new nightclub on the island, Amnesia. Martha has been living alone in her house facing the sea for forty years. One night Jo knocks on her door. Her solitude intrigues him. They become friends even as the mysteries around her accumulate: that cello in the corner she refuses to play, the German language she refuses to speak… As Jo draws her into his world of techno music, Martha puts everything she had previously lived by into question. amnesia - 3 - (The following are extracts from a conversation with Emilie Bickerton) martha’s choice ow is it that a woman who never saw or we did not want to become moralizing or righteous. Hexperienced anything particularly terrible To try to avoid this with Martha we showed how could take such a radical position against her she made exceptions to her rule for art and philo- country, and stick to it all her life? sophy : Beethoven’s chamber music, the German Martha is not Jewish, nor is she a victim of Nazi poets and philosophers. -
Ed Pressman Dialogue with Julie Solomon, 1991
Ed Pressman Dialogue with Julie Solomon, 1991 Bruce Jenkins: We've decided to end this season. This is our first year of such dialogues with a visit not by another director or actor/director, but by a producer and not just any producer. Management hailed in a recent issue of American Film as a producer of the decade and I believe the single most interesting producer in the US, someone who has a sense of what is possible and a sense of how to make visions of filmmakers actually happen on celluloid. It's Edward R. Pressman who is very, very kindly agreed to come and talk about the work he's done for the past 20 years. I had an opportunity to see him in action a year ago at Berlin where he was doing a premiere of a new film. Bruce Jenkins: He has continued to work at an extraordinary pace making two, three, sometimes four films in a year. He is as we know right now beginning work with a native son, someone whose career we followed here at the Walker, Mark Frost who will in about a week's time be making his feature film directing debut under the production of Ed Pressman, a new film called Storyville. We're very, very pleased to highlight not only another aspect of what makes interesting, engaging, lively cinema possible, but a particular figure who's been a catalyst for filmmakers like Brian De Palma, Oliver Stone, Charles Burnett, Barbet Schroeder, and hopefully Mark Frost. Bruce Jenkins: With Ed tonight is a critical..