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Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, March 1, 2018 NEWS CHART ACTION Music City Singer-Songwriter Jessica Mack To New On The Chart —Debuting This Week song/artist/label—Chart Position Release Album In March Break Up In The End/Cole Swindell/Warner Bros. — 71 California Dreamin/Denny Strickland/Red Star Productions — 74 Tattoos/Shane Runion/Lick Records — 77 Dallas Until I Die/Remington/Amy Jack Music — 78 Carolina Moon/James Meadows/Tower Music Nashville/Tower Music Group — 79 Nothin' About Love/Ashla Taylor/West End Music Group/Rebel Intelligence — 80 Greatest Spin Increase song/artist/label—Spin Increase You Make It Easy/Jason Aldean/Broken Bow — 415 I Lived It/Blake Shelton/Warner Bros. — 305 Meant To Be/BeBe Rexha feat. Florida Georgia Line/BMLG — 301 Break Up In The End/Cole Swindell/Warner Bros. — 249 Mercy/Brett Young/BMLG — 245 Singles You Up/Jordan Davis/MCA Nashville — 244 Woman, Amen/Dierks Bentley/Capitol Nashville — 233 Singer-songwriter Jessica Mack has a lot to celebrate this week with the Most Added March 1 premiere of CMT’s music-themed docu-series, Music City, in song/artist/label—No. of Adds which Mack has a featured role, and the March 2 release of her full-length Break Up In The End/Cole Swindell/Warner Bros. — 21 project, One Love. Click here to read the full article. Mercy/Brett Young/BMLG — 18 California Dreamin’/Denny Strickland/Red Star Productions — 16 ACM Awards Announce Nominations Run Wild Horses/Aaron Watson/Big Label Records — 12 Rich/Maren Morris/Columbia — 11 Fish/John Schneider/Maven Music — 11 Nowhere With You/Dave McElroy/Free Flow Records — 11 On Deck—Soon To Be Charting song/artist/label—No. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 25, 2019 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Luke Combs, Two Nashville Paths Converge In Record-Setter >page 3 Rodney Atkins’ Collaboration With Fisk Jubilee Singers Foster, Wiseman Remembered When the Academy of Country Music (ACM) granted recent Lee Greenwood and Shania Twain, who employed them on >page 7 membership to the Fisk Jubilee Singers, the event was doubly “God Bless the Child,” which peaked at No. 48 on Hot Country significant: It recognized an expansion of the ethnic diversity Songs in 1997. taking hold in country, and it represented a full-circle moment But it’s the first time the Fisk ensemble has received a “fea- as country was united with a group that helped build the ture,” and it comes at an opportune juncture in country’s evolu- Keith Urban Ices infrastructure that made Nashville the genre’s home base. tion. Kane Brown, Darius Rucker and Jimmie Allen are current Rainy Date The Fisk ensemble is featured on Rodney Atkins’ single hitmakers of African-American descent. PBS profiled Char- >page 8 “Caught Up in the Country,” ley Pride in an American Masters which is at No. 25 on the episode that debuted Feb. 22, Country Airplay chart dated and the Country Music Hall of March 2. It represents the first Fame and Museum held a panel ACM Awards top 30 appearance on the list on Feb. 23 that explored the Oddity for the Fisk group, which will contributions of Ray Charles >page 8 celebrate its 150th anniversary in conjunction with the rerelease in 2021, a year before the of both volumes of his landmark centennial of the first country 1960s albums Modern Sounds Makin’ Tracks: recording session. -
Teacher's Guide Country Music Hall of Fame® And
TEACHER’S GUIDE 1 TO THE 2 COUNTRY MUSIC HALL OF FAME® AND MUSEUM Teacher’s Guide to the Country Music Hall of Fame® and Museum 1 This teacher’s guide includes classroom lessons and can be used as interdisciplinary teaching designed to assist teachers in preparing their tools. All Language Arts standards apply to students for a visit to the Country Music Hall of grades K-12, though word choice may vary Fame and Museum. A poster, glossary, worksheets, slightly. Teacher Tips, included in most of the lyric sheets, and a CD are included and accompany lessons, provide more detailed instructions or specific lessons in this guide. The lessons engage suggestions for ways teachers can adapt lessons students and teachers in listening, observing, to the particular needs and interests of their writing, and discussing the characteristics of students. Because museums are special places museums, the history of country music, country containing valuable and delicate objects, a songs, and the people who have contributed to discussion about appropriate museum behavior the country music story. These lessons are prior to your visit may be helpful. complemented by a tour of the museum’s exhibits. The museum provides workshops for teachers They address specific curriculum objectives in several times a year. For workshop dates and language arts, music, social studies, and visual times and to learn more about our programs art for grades K-12. All curricular connections for teachers and students, please visit our Web site: are based on Tennessee State Curriculum -
GRASS CLIPPINGS Volume 18 Issue 2 June 2013/July 2013
DESERT BLUEGRASS ASSOCIATION GRASS CLIPPINGS Volume 18 Issue 2 June 2013/July 2013 Editor’s Note: The following article is reprinted with permission from Desert Leaf Magazine (Vol. 27, No. 4, Apr. 2013, pp 41-43.). The article was written by Karen Smith, a local freelance writer. BLUEGRASS IN THE DESERT by Karen Smith When you think about Tucson, what’s the first thing that comes to mind? Believe it or not, for lots of people the answer is bluegrass music! Like our gorgeous sunsets and stately saguaros, bluegrass is a major part of the personality of southern Arizona. How bluegrass became so popular in Tucson is a mystery today. From the oldest bluegrass songs and melodies, we know that early English, Scottish and Irish settlers brought their instruments to America and played the tunes of their native countries. Banjos, fiddles and mandolins were part of their immigration journey. In some cases, washtubs and washboards, and even spoons became part of their sound. The term “bluegrass” specifically refers to the genre of music that evolved from this immigrant music and was championed in the 1940s by American musician Bill Monroe (1911-1996) and his band, Bill Monroe and the Blue Grass Boys, named for Monroe’s home state of Kentucky. In a bluegrass band, traditionally one or more instruments carry the melody, and then each of the instruments, individually, takes a turn playing the melody, with improvisations. These are called breakdowns, and the best of them feature musicians playing faster than water drops dancing on a hot griddle. The breakdown portions of bluegrass songs encourage musicians to develop speed and improvisational skills. -
June 2021 ITG Journal
International Trumpet Guild® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet June 2021 ITG Journal The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on electronic devices for the sole use of the end-user • Print a single copy of this file • Quote fair-use passages of this file in not-for-profit research papers as long as the ITG Journal, date, and page number are cited as the source. The International Trumpet Guild®, under the umbrella of United States and international copyright laws, prohibits the following without prior writ ten permission from the Publications Editor of the ITG: • Duplication or distribution of this file or its contents in any manner that does not conform with the uses as stated above • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any party, including such a device intended to be used wholly within an institution. By scrolling past this page you agree to the fair use guidelines stated above. http://www.trumpetguild.org This cover sheet must accompany this file. The removal of this information is strictly prohibited and can result in expulsion from the organization and legal action. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, November 29, 2018 NEWS CHART ACTION Carlton Anderson Brings Throwback Country New On The Chart —Debuting This Week song/artist/label—Chart Position Sounds To Arista Nashville Debut Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 64 Stronger Than Me/Garth Brooks/Pearl Records — 74 Good For You/Josh Gracin/1608 — 76 Wonder Woman/Waterloo Revival/Show Dog Nashville — 78 Reckless/The Ashley Sisters/GKM Records — 79 Greatest Spin Increase song/artist/label—Spin Increase Bucked Off/Brad Paisley/Arista Nashville — 296 Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 242 Speechless/Dan + Shay/Warner Bros./WMN/WAR — 199 Miss Me More/Kelsea Ballerini/Black River Entertainment — 170 What Makes You Country/Luke Bryan/Capitol — 165 Here Tonight/Brett Young/BMLG — 155 Love Wins/Carrie Underwood/Capitol — 141 Never Comin Down/Keith Urban/Capitol — 133 Most Added song/artist/label—No. of Adds Bucked Off/Brad Paisley/Arista Nashville — 20 Click here to read an exclusive interview with Carlton Anderson. Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 20 Miss Me More/Kelsea Ballerini/Black River Entertainment — 9 Country Radio Seminar Reveals Agenda Stronger Than Me/Garth Brooks/Pearl Records — 7 First Look For 2019 I Love You That Much/Shane Runion/Lick Records — 7 The Difference/Tyler Rich/Valory — 5 Make It Sweet/Old Dominion/RCA Nashville — 5 Closer To You/Carly Pearce/Big Machine — 5 On Deck—Soon To Be Charting song/artist/label—No. of Spins Buy My Own Drinks/Runaway June/Wheelhouse Records — 190 Drink Along Song/Montgomery Gentry/Star Farm/Average Joe's — 188 Got A Life To Catch/Amy Jack/Amy Jack Music — 185 Farm Girl/Candy/Sunny Day Records — 158 Wrote A Song About It/Ashley Barron/SSM Entertainment — 157 Country Radio Broadcasters, Inc. -
Country Airplay Chart, As No
Country Update BILLBOARD.COM/NEWSLETTERS APRIL 6, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Jordan Davis Has COVID-19 Expands The Calendar A ‘Lot’ To Cheer >page 4 For First-Time ACM Nominees ACM Date Creates Awards Conflict It’s often said that you never forget your first time, and that’s “The ACM is looking at a variety of digital initiatives that >page 10 certainly true for a dozen inaugural Academy of Country Music can support some of the nominees during the summer, a ‘road Awards nominees. up to the ACMs,’ if you will,” says ACM CEO Damon White- Had things gone as planned, CBS would have telecast side. “We want to support the artists. In the long nominations the awards on April 5, and those artists making their debut window, our goal is to create some ways that we could get art- Ronnie Dunn Aces appearance on the academy’s ballot — including Morgan ists to engage with fans and lead up to the Sept. 16 broadcast. Amazon Ad Song Wallen, Gabby Barrett, Riley Green, Cody Johnson and It’s something on our radar, and we had some discussion with >page 10 Tenille Townes — our board.” would already know The ACM, of if they could move course, had plenty from first-time ACM of other issues Cadillac Three nominee to first- to address in the Fashion Statement time ACM winner. past few weeks >page 12 Instead, the due to the COVID- disruption of the 19 pandemic. COVID-19 corona- Safety and social- Makin’ Tracks: virus leaves those distancing directives Sam Hunt’s artists in limbo for forced a series of Webb Redesign an additional five alternate plans, >page 16 months, with most covered in depth in of them waiting until an April 2 Billboard TOWNES WALLEN BARRETT Sept. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 7, 2021 | PAGE 1 OF 20 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Despite Potential Pitfalls, Male/Female THIS Duos Carve Out A Space For Themselves ISSUE When independent duo SmithField released a video for new Maddie & Tae, Brothers Osborne, just to name a few — but track “Something Sexy” on May 13, the project took a cou- each of them is a single-gender combo. The last full-time male/ Blake Shelton’s ple of cues from one of contemporary country’s most iconic female pair to log chart-topping singles, Thompson Square, ‘Minimum Wage’ twosomes. hit No. 1 in 2011 with “Are You Gonna Kiss Me or Not” and Pays Off The chorus cited in 2012 with “If I Didn’t a bevy of modern Have You.” >page 4 love songs, including The paucity of that “Amazed” and “I Melt,” artistic structure is a but the list started with head-scratcher at first It’s Knight Time an allusion to Tim Mc- glance, though even In Country Graw and Faith Hill’s Keifer and Shawna “Let’s Make Love.” The Thompson understand >page 11 video itself employs a why the configuration is handful of votive can- so rare. dles, another nod to the “You got to coexist Makin’ Tracks: visual piece that accom- with this other partner, panied the McGraw/Hill boy or girl,” says Keifer Kip Moore’s title. It’s fair to consider Thompson, “and you ‘Good Life’ the reference a Smith- got egos: ‘You’re singing >page 17 Field mission statement. -
The Politics of Country Music. (New York: the New Press, 2005), Pp
BOOK REVIEW SECTION 113 Willman, Chris. Rednecks & Bluenecks: The Politics of Country Music. (New York: The New Press, 2005), pp. 302. $25.95 ISBN 978-1-59558-017-7 Oklahoma is known throughout the world for its contributions to the musical arts. Of course, country music is the most prominent of this state's entertainment exports. This musical tradition stretches from the singing cowboy days of Gene Autry to the American Idolization of Carrie Underwood. In between, numerous Oklahomans have made a habit of perfecting and then reinventing the country music genre. Bob Wills inaugurated the western swing era. Woody Guthrie popularized the Dust Bowl wisdom of the folk song. From the late 1960s to the early 1990s, Tulsa-based Roy Clark provided down-home humor and musical charm to American families. As co-host of the nationally syndicated Hee Haw variety show, his pickin' and grinnin' became a mainstay. Yukon native Garth Brooks injected his country stylings with powerful rock riffs and a dazzling stage presence. In 1999, the Recording Industry Association of America named him the top selling solo artist of the twentieth century edging out Elvis Presley for the coveted title. Prolific Oklahoma songwriters such as Hoyt Axton and Jimmy Webb have also made their mark. Even now, the country music universe is ruled by a cavalcade of Oklahoma superstars such as Reba McEntire, Vince Gill, Ronnie Dunn (of Brooks & Dunn), and Toby Keith. In his book, Rednecks & Bluenecks, journalist Chris Willman takes the reader through a fascinating journey in contemporary politics. Country music serves as both metaphor for politics played on a larger 114 Oklahoma Politics I November 2006 stage and as a significant venue of political power play in and of itself. -
Cbochartdraft MASTER Copy
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, March 8, 2018 NEWS CHART ACTION Abby Anderson Brings Wit And Wisdom New On The Chart —Debuting This Week song/artist/label—Chart Position To New Tunes I Was Jack (You Were Diane)/Jake Owen/Big Loud Records — 55 I Want A Girl/Nick Brennan/MC1 Nashville — 75 I Hate Love Songs/Kelsea Ballerini/Black River Entertainment — 78 Young Forever/Eric Paslay/EMI Nashville — 80 Greatest Spin Increase song/artist/label—Spin Increase I Was Jack (You Were Diane)/Jake Owen/Big Loud Records — 324 You Make It Easy/Jason Aldean/Broken Bow — 324 Meant To Be/BeBe Rexha feat. Florida Georgia Line/BMLG — 232 Woman, Amen/Dierks Bentley/Capitol Nashville — 218 Break Up In The End/Cole Swindell/Warner Bros. — 211 She's With Me/High Valley/Warner Bros. — 209 One Number Away/Luke Combs/Columbia — 168 Kiss Somebody/Morgan Evans/Warner Bros./WEA — 156 Up Down/Morgan Wallen ft. Florida Georgia Line/Big Loud Records — 148 Most Added song/artist/label—No. of Adds Black River Entertainment artist and songwriter Abby Anderson displayed a wry wit and transparent songs during a recent visit to the I Was Jack (You Were Diane)/Jake Owen/Big Loud Records — 32 MusicRow Magazine ofices to preview songs from her upcoming Black Break Up In The End/Cole Swindell/Warner Bros. — 17 River project. To read the full article, click here. Kiss Somebody/Morgan Evans/Warner Bros./WEA — 10 Mercy/Brett Young/BMLG — 9 ACM Awards Reveals First Round Of Performers Beautifully Broken/John Berry/JB Music LLC — 9 Hangin' On/Chris Young/RCA Nashville — 9 Young Forever/Eric Paslay/EMI Nashville — 9 Run Wild Horses/Aaron Watson/Big Label Records — 6 I Hate Love Songs/Kelsea Ballerini/Black River Entertainment — 6 On Deck—Soon To Be Charting song/artist/label—No. -
A Study of Prominent African-American Orchestral Trumpet Players from 1970 to 2018 Demarr Ray Woods
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2018 A Study of Prominent African-American Orchestral Trumpet Players from 1970 to 2018 Demarr Ray Woods Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Woods, Demarr Ray, "A Study of Prominent African-American Orchestral Trumpet Players from 1970 to 2018" (2018). Dissertations. 527. https://digscholarship.unco.edu/dissertations/527 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2018 Demarr Ray Woods ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A STUDY OF PROMINENT AFRICAN-AMERICAN ORCHESTRAL TRUMPET PLAYERS FROM 1970 TO 2018 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Demarr Ray Woods College of Performing and Visual Arts School of Music Music Performance August 2018 This dissertation by: Demarr Ray Woods Entitled: A Study of Prominent African-American Orchestral Trumpet Players from 1970 to 2018. has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Music Performance. Accepted by the Doctoral Committee _______________________________________________________