Importance and Influence of the Human Dimensions in Grizzly Bear (Ursus Arctos) Conservation

Total Page:16

File Type:pdf, Size:1020Kb

Importance and Influence of the Human Dimensions in Grizzly Bear (Ursus Arctos) Conservation The Importance and Influence of the Human Dimensions in Grizzly Bear (Ursus arctos) Conservation by Courtney Hughes A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Conservation Biology Department of Renewable Resources University of Alberta © Courtney Hughes, 2018 i Abstract Conservation practitioners increasingly recognize the importance and influence of the social context in conservation outcomes. From local stories to newsprint articles, the language we use, the stories we tell, and the interactions we have with wildlife species can influence human relationships with them. This is particularly true for carnivore species, including bears, which hold a special place in human imagination and lived experience. Throughout history and across their geographic range, different bear species have been portrayed and valued for their beauty, power, spiritual connection, ecological significance and kinship values. Bears have also been disliked and feared for their ferocity, and reviled for the negative economic impacts or safety risks they can inflict. These views and values undoubtedly influence peoples’ proclivity to support or deny conservation action. This dissertation attempts to understand why human relationships with bears, specifically grizzly bears (Ursus arctos) have been constructed and what this means for their conservation. Chapter1 is an introductory chapter presenting a broad overview of this thesis. I first discuss the rationale and framing for my research, specifically from a human dimensions of wildlife perspective. I also explain my motivations and positionality in this research. I then introduce my theoretical perspective, informed by social constructionism, wildlife value orientations, wildlife attitude typology, and qualitative methodology. I also provide an overview of the context of this study, broadly discussing grizzly (brown) bear status and conservation across their global range, and narrowing to Alberta, Canada and the province’s recovery policy. Chapter 2 presents a literature review of stories about bears, from myth and legend, folklore and traditional practices using available English-language literature, to help illustrate ii how the stories we tell about bears play a role in shaping human proclivity to conservation action. Chapter 3 examines newsprint media communications on grizzly bears across their western range in North America using content analysis to examine how messages are framed for grizzly bears and their conservation, and the relative attention given to these stories, to infer how this might influence a readerships’ views on grizzly bears and their conservation. Chapter 4 and Chapter 5 present results from mapping the social process and policy problems in Alberta’s grizzly bear recovery, elicited from qualitative, semi-structured interviews conducted across bear management areas. This work helps to demonstrate that the human dimensions of bear or wildlife conservation go beyond assessments of peoples’ attitudes by examining issues inherent in what makes conservation policy problematic. Chapter 6 presents the conclusions of this research, including the applicability of this work in Alberta and at a broader scale, and considerations for future research. Results have both practical and theoretic application, locally and broadly, including the utility of qualitative inquiry in human dimensions of wildlife studies and in eliciting data for use in policy sciences analysis. Keywords: qualitative research, grizzly bear, human dimensions of wildlife, policy sciences, media content analysis, Alberta. iii Preface This thesis is original work by Courtney Hughes. The research project, entitled “Trends in Grizzly Bear Conservation” of which this thesis is a part, received research ethics approval from the University of Alberta Research Ethics Board No. Pro00028845 August 7, 2012. Sections from Chapter 1 have been published as a co-authored book chapter with Dr. N. Rust entitled “Social Science Methods” in “Cheetahs: Biology and Conservation”, edited by Dr. L. Marker, L. Boast, and A. Schmidt-Kuntzel, and as a journal article entitled “Quantity does not always mean quality: the importance of qualitative social science in conservation research” (2017) in Society and Natural Resources with N.A., Rust, A. Abrams, D. W. S. Challender, G. Chapron, A. Ghoddousi, J. A. Glikman, C. H. Gowan, A. Rastogi, A. Said, A. Sutton, N. Taylor, A. Thomas, H. Unnikrishnan, A. D. Webber, G. Wordingham, and C. M. Hill. Chapter 2 was co-authored with J.A. Glikman, B. Frank, N.A. Melnycky, P. and has been submitted to Society and Animals Journal. Chapter 3 was co-authored by S.E. Nielsen and has been accepted to Society and Natural Resources Journal on. Chapter 5 was co-authored by A.L. Foote, C. Hwang, J. Thorlakson, N. Yarmey, and S.E. Nielsen and is in preparation for submission to Human Dimensions of Wildlife Journal. C. Hughes designed the studies, collected data, completed document reviews, and data analysis, and was the lead author on all chapters/manuscripts. Co-author contributions include advice and review on study designs, data collection, literature review, data analysis, and editorial assistance. iv Acknowledgments This dissertation would not have been possible without the love and support offrom my husband, family members, and dear friends. They have provided me with countless hours of attentive listening, advice, and encouragement. I also extend my sincerest appreciation to Dr. Scott Nielsen and Dr. Lee Foote, my advisor and committee member, for their patience, wisdom, and constructive feedback throughout this journey. I also thank Nate Webb and Gord Stenhouse for their ideas and advice through the formative stages of this work. I would like to thank the University of Alberta, Government of Alberta, and Prairie Conservation and Endangered Species Committee for financial support and connecting my research to real-world conservation needs. Lastly, I extend my sincerest gratitude to all study participants – without you, this work would not be possible. v Table of Contents Abstract ........................................................................................................................................... ii Preface............................................................................................................................................ iv Acknowledgments........................................................................................................................... v Table of Contents ........................................................................................................................... vi List of Tables ................................................................................................................................. ix List of Figures ................................................................................................................................. x 1 Introduction ............................................................................................................................ 1 1.1 Theoretical framework and methodology ........................................................................ 3 1.2 Study context: Grizzly bears (Ursus arctos) and their conservation ............................. 10 1.3 Researcher positionality ................................................................................................. 15 2 From worship to subjugation: Understanding stories about bears for their conservation 18 2.1 Introduction .................................................................................................................... 18 2.2 Methods .......................................................................................................................... 21 2.3 Results ............................................................................................................................ 22 2.3.1 Ceremonialism ........................................................................................................ 23 2.3.2 Kinship .................................................................................................................... 24 2.3.3 Threat ...................................................................................................................... 25 2.3.4 Entertainment .......................................................................................................... 26 2.3.5 Consumption ........................................................................................................... 27 2.3.6 Politicization ........................................................................................................... 28 2.4 Considerations for bear conservation ............................................................................. 30 2.5 Conclusions .................................................................................................................... 33 vi 3 From human intruders to bear attacks: A content analysis of grizzly bear newsprint ......... 35 3.1 Introduction .................................................................................................................... 35 3.2 Study context .................................................................................................................. 36 3.3 Theoretical framing ........................................................................................................ 37 3.4 Methods
Recommended publications
  • For Immediate Release the WORLD's OLDEST TEDDY BEAR
    For Immediate Release 30 August 2006 Contact: Zoë Schoon 020.7752.3121 [email protected] THE WORLD’S OLDEST TEDDY BEAR MUSEUM TO BE SOLD BY PRIVATE TREATY AT CHRISTIE’S SOUTH KENSINGTON The Teddy Bear Museum, Stratford-upon-Avon South Kensington – Christie’s are pleased to present, by private treaty, the sale of the world’s oldest Teddy Bear Museum, based in Stratford-upon-Avon. The award-winning museum was opened by self- confessed teddy bear enthusiast and well known broadcaster Gyles Brandreth and his wife Michele, on 4th July 1988. Since then, this popular little museum has gone from strength to strength in one of England’s most celebrated towns. Stratford-upon-Avon attracts five million tourists annually and visitors to the Teddy Bear Museum have ranged from royalty to Tony Blair’s bear, Lynton, who recently spent his summer holidays at the Museum. The collection, personally put together by Brandreth, numbers a thousand bears and related items. It is to be sold as a going concern, along with the Tudor building (once the property of King Henry VIII) that has been its home for the last 18 years. “The Museum has come of age and it’s now time for us to find new owners for the museum and its unique collection. Our children are all grown-up and my work commitments mean that I simply don’t have the time to give it the care and attention it deserves. We want to find new owners for the Museum who will love it as much as we do and see it go from strength to strength.” Said Gyles Brandreth Highlights of the collection include several early Steiff bears, the earliest being Growler, a much- sought-after Steiff rod-bear, circa 1904.
    [Show full text]
  • Praise for Onjali Q. Rauf's Books from Children `
    PRAISE FOR ONJALI Q. RAUF'S` BOOKS FROM CHILDREN ‘I could not put it down once I had got it because it was so fantastic! It is all about bravery and determination’ Dorie, age 10 ‘It made my dad and me laugh and cry and made us want to help more’ Carey, age 7 ‘What! Oh no! I can’t believe it has finished! I wanted to read more!’ Ariana, age 8 ‘I don’t usually like reading. But this made me want to read lots more stories just like it’ Robert, age 8 ‘Your book was so good it made me stop fighting with my sister’ Adam, age 8 ‘We read it at school and everyone agreed it’s the best book ever. We never agree on anything so that was nice’ Ibrahim, age 8 ‘I used to think kids like me couldn’t be in stories. But now I feel like they can and that it’s OK’ Heliana, age 10 PRAISE FOR ONJALI Q. RAUF'S` BOOKS FROM ADULTS ‘A celebration of courage and friendship’ Guardian ‘Utterly delightful’ Mail on Sunday ‘Tearjerking and chuckle-inducing’ Sunday Post ‘A book that everyone should read in this day and age’ Bookseller ‘Fans of Wonder will love this inspiring story’ Week Junior ‘This is a beautiful, open-hearted debut that should help children . realise the power of kindness’ Booktrust AWARDS FOR ONJALI Q. RAUF'S` BOOKS Winner of the Blue Peter Book Award for Best Story 2019 Winner of the Waterstones Children’s Book Prize 2019 Shortlisted for the Branford Boase Award Shortlisted for the Independent Bookshop Week Award for Children’s Book 2019 Shortlisted for the Jhalak Prize Book of the Year 2019 CILIP Carnegie Medal 2019 Nominee Shortlisted for Children’s Fiction Book of the Year 2020 at the British Book Awards ORION CHILDREN’S BOOKS First published in Great Britain in 2020 by Hodder and Stoughton 1 3 5 7 9 10 8 6 4 2 Text copyright © Onjali Q.
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • British Columbia Bans Grizzly Hunting Public Opinion Rules, Not Science Or Common Sense in Grizzly Hunting Ban
    DSC NEWSLETTER VOLUME 30,Camp ISSUE 8 TalkSEPTEMBER 2017 British Columbia Bans Grizzly Hunting Public Opinion Rules, Not Science or Common Sense in Grizzly Hunting Ban fter November 30, 2017, grizzly bears (Ursus arctos horribilis) will be on the “no hunt” list for the Great Bear Rainforest, in British Columbia. AFor a very long time, hunting has been recognized as one tool in managing bear population and distribution. In fact, bear experts on the Interagency Grizzly Bear Committee believe that hunting promotes IN THIS ISSUE coexistence and minimizes conflict with humans. The biggest threat to grizzlies in British Columbia was Letter from the President ................. 1 habitat loss from the cumulative effects of human, industrial and commercial encroachment. New Executive Director................... 2 Now, however? The real threat to grizzly bears are the humans who have decided that a complete ban Grants in Action.................................. 4 on hunting will “save” them. The people of British Columbia have spoken, and decided that hunters are the Conservation News .......................... 6 bigger threat. Summer Gatherings .......................... 8 “Society has come to the point in B.C. where they are no longer in favor of the grizzly bear trophy hunt,” Happy Hill Farm .................................. 9 said BC’s Forests, Lands, Natural Resource Operations and Rural Development Minister Doug Donaldson. Weatherby Award ...........................10 How did this happen? The new provincial government appears to want to curry favor, and/or stop the Auction Donations ...........................11 nagging from outspoken anti-hunters who don’t understand or even want to understand the benefits of hunting – economically, biologically and ethically. Chapter News ...................................28 Not all of the people spoke up to ban hunting.
    [Show full text]
  • Equifest 2017
    EQUIFEST 2017 Class R1 Preparing for the Evening Performance - Lead Rein Class R2 Preparing for the Evening Performance - First Ridden Class R3 Preparing for the Evening Performance - Open Ponies Class R4 Preparing for the Evening Performance - Open Horse Class I5 In Hand Best Condition 1,2,3 years 1st & ch Springwater Guillot Miss L Oughton-Auker 2nd Wellbrow Harvey Mr Ricky Jones 3rd Moelgarnedd Odette Miss V Hargreaves 4th Banroc Golden Rose Mrs H Kibble 5th Stanray Jay James Miss Emma Stares 6th Dalak Jak A Doodle Mrs L Cartner Class I6 In Hand Best Condition 4 Years & Over 1st & res Oxton Charisma Sophie Cartmell 2nd Heniarth Norman Stanley Fletcher Mrs Margaret Cousin 3rd The Wee Man Christine Heady 4th Llanai Tiago Natasha Walter 5th Sheriff Woddy Miss L Burbidge 6th Lotuspoint Commander Mrs K J Garrett 7th Black Diamond Miss K Watson 8th Glenfyne Sapphire Mrs Holly Charnock 9th Lucky Luciano Miss D Kalwa 10th Jananda Party Suprise Miss Ellie Sutton Class I7 In Hand Part Breds 1,2,3 years old 1st & res Brindlebrooks Serendipity Miss N Timson 2nd Cartigan Misty Morning Mrs Jean Cartwright 3rd Ashlea Little Prince Mrs A Miller 4th Brindlebrooks Unnanounced Miss N Timson Class I8 In Hand Part Bred 4 years old & over 1st & ch Stanley Grange Sea Shells Mrs Leeanne Crowe 2nd Treworgan Black Cat Miss Sam Loveridge 3rd Barkway Water Lily Ms Debbie Foster 4th Melin Moldavite Emma Peel 5th Oxton Charisma Sophie Cartmell 6th Grindles Zodiac Miss Charlotte Hall & Miss Sophie Hall 7th Bridgehill Crackerjack Mrs Karen Clarke 8th Lucky Luciano
    [Show full text]
  • Summer 2021 KUAY
    Volume 40, Number 2 Queen Anne High School Alumni Association July 2021 President’s Message By Sally Villaluz Ghormley ’79 Alumni Homecoming Dance Returns By Shirley (Niebuhr) Kankelfritz ’61, Chair & Mary Cooke ’79 Hello Grizzlies! Attention Grizzlies! Save the Date and Cross your Paws!!! Happy Summer! I Hey all you fellow “inoculated” hope that we Grads, I don’t know about you but all can step I am looking forward to some bear out and have 2019 Fall Homecoming Party Goers hugs! some fun Pres. Sally and Charlie adventures The second “annual” alumni homecoming dance is Saturday, Nov. with family and friends in a safe 20th, 2021 at Ballard Elks, 6411 Seaview Avenue N.W., Seattle, manner. Let’s celebrate the good WA 98117, from 6 p.m. to 10 p.m. in our lives and make the most of continued on page 3 it. Remember, the Summer Picnic Grizzly Comic Relief Shary enrolled in the Capitol Hill is canceled, but pencil in your By Claudia (Kettles) Lovgren ’65 Burnley School of Professional calendars for our upcoming Art which trained generations of Fall Homecoming Dance – November 20, 2021, keep your continued on page 2 fingers crossed. This event will also include our very brief Annual Meeting with Election of Board Inside: members. 55.2 DC 14 Acknowledgements 3 Stay well and be safe! Alumni Scholarships 4 Contacts 16 Shary Flenniken and Teddy in 2021. Donations Form 14 Grizzly Spirit! Photo courtesy Dean Rutz/The Seattle Times Editor’s Notes 2 Inspired by her parents New Grizzly Angels 12 Sally Yorker cartoon collections Grizzly Bear Picnic 6 and Superman comics, Shary Grizzly Events 16 Flenniken ’68 dreamt of In Memoriam 10 escaping “dreary” Magnolia/ Kim’s Musings 7 Seattle for San Francisco and Merchandise 15 Mike Dederer 4 New York.
    [Show full text]
  • Grizzly Face-Off the Yellowstone Grizzly Population Is Poised to Lose Federal Protections — for Better Or Worse by Gloria Dickie May 16, 2016 | $5 | Vol
    PURLOINED PATHS | LAYOFFS AND LESSONS | BOOKS FOR THE EREMOCENE High Country ForN people whoews care about the West Grizzly Face-Off The Yellowstone grizzly population is poised to lose federal protections — for better or worse By Gloria Dickie May 16, 2016 | $5 | Vol. 48 No. 8 | www.hcn.org 48 No. | $5 Vol. 2016 16, May CONTENTS Editor’s note Grizzly fascination The professor’s assignment was open-ended: Get together with another graduate student and write about a current natural resource dilemma, one with lots of competing players. Both topic and partner came readily to mind: The Yellowstone grizzly bear intrigued not only me, but also my vivacious, intelligent colleague, Ann Harvey. That was back in 1985. The other day, I found our report buried deep inside an old file cabinet. It’s not poetry, but it captures the flavor of the landscape, as well as the politics of a place that has been one of my journalistic foci for decades now. And I am still friends with Ann, who has lived in the greater Yellowstone ecosystem ever since, and who continues to be an ardent wildlife advocate. Here’s the thing about grizzly bears: They create a human ecosystem every bit as interesting as the natural one. And that system is also populated by fierce and persistent individuals. Ann is one of many who have remained in the grizzly-shaped system for Yellowstone Valley photo guide, outtter and hunter Jim Laybourn wears a bear costume to help send a message at the Yellowstone Ecosystem Subcommittee meeting in Teton Village last November.
    [Show full text]
  • SCECP Lending Library
    SCECP Lending Library Category Resource Type Title Barcode Contents of Kit or Note April: Patterns, Projects and Plans to A wealth of support for the month of April including posters, Arts and Patterns Books 33104000000019 Perk up Early Learning Programs awards, bulletin boards, basic skills activity pages, and more! Art Activities A to Z gives teachers and parents a detailed lesson plan format of open-ended, age- appropriate art activities for Arts and Patterns Books Art Activities A to Z 33104000000027 young children ages one and up. The activities are easy-to- understand and follow for children and adults alike. Young children have the ability to create, view, interpret, and appreciate art. Art for the Very Young offers over 50 art activities for children to create art and learn about basic art concepts and Arts and Patterns Books Art for the Very Young 33104000008947 techniques, such as line, shape, color, space, texture, form, and value. Watch how your young learners acquire an appreciation and understanding of the featured artists and techniques they use! Arts and Patterns Books Arts & Crafts Projects for Preschoolers 33104000008764 Beautiful Junk II: More Creative Arts and Patterns Books 33104000000035 Classroom Uses for Recyclable Materials Better Homes and Garden: More Arts and Patterns Books 33104000008863 Incredibly Awesome Crafts for Kids Arts and Patterns Books Creative Crafts for Clever Kids 33104000008848 Arts and Patterns Books Cut and Create! Holidays 33104000008731 Category Resource Type Title Barcode Contents of Kit
    [Show full text]
  • Interview with Elina Psykou
    INTERVIEW WITH ELINA PSYKOU DIRECTOR OF “SON OF SOFIA” A FEATURE FILM SUPPORTED BY EURIMAGES JUNE 2020 BY KARIN SCHIEFER TWO OLYMPIC GAMES ARE THE TEMPORAL REFER- GAMES. THIS IS THE FIRST HINT OF SOMETHING ENCE POINTS OF “SON OF SOFIA”: THE ONE IN ATH- THAT COMES OUT AS A VERY CENTRAL ELEMENT ENS WHERE THE STORY TAKES PLACE AND THE 1980 IN YOUR STORYTELLING: ANIMALS. THEY APPEAR GAMES IN MOSCOW. YOU SEEM TO REFER TO THE SYM- AS MASKS, COSTUMES, FANTASIES OR TOYS (AS A BOLIC MEANING OF THE OLYMPIC GAMES, WITH THE WONDERFUL OBJECT OF PROJECTIONS). CAN YOU CASE OF ATHENS BEING THE CRADLE OF THE GAMES TELL US MORE ABOUT THE IMPORTANCE YOU GAVE AND THE CASE OF MOSCOW RATHER AS A MEANS TO ANIMALS AND WHY YOU CHOSE ELEMENTS OF OF DEMONSTRATING THE POWER OF THE REGIME. THE FAIRY TALE AS A GENRE? WHY DID YOU SET YOUR STORY IN THE EARLY 2000s? Fairy tales are full of animals and very often they are The Olympic Games in Moscow took place in 1980, a used to represent the good and the bad – the bad wolf, couple of years before the collapse of the Soviet Union; the good bear. For children, animals offer a first access the Athens Olympics was in 2004, a few years before the to the symbols of life and to a lot of stereotypes and, collapse of the Greek economy. I take this as an interest- as they discover this, also to the world of adults. I de- ing metaphor and parallel. I used the Olympic Games cided to use the animals since a child’s imagination is as a metaphor for the life of Misha, the young boy who full of them and adults use them to introduce children is one of my protagonists.
    [Show full text]
  • Bear Essentials Lesson Plan
    Bear Essentials Rangers in the Classroom—Presentation LessonLesson Plan—1st Plan—2nd and 2ndGrade Grade Introduction: Grade Level(s): 1st & 2nd Welcome to the Rangers in the Classroom—Bear Essentials presen- tation. This program introduces students to the American Black Setting: Classroom Bear. It provides a framework for understanding Black Bear habitat, diet, and lifecycle. It also explains how human activity can have a negative impact on a bear’s natural behavior. Duration: 45 min —1 hour Objective: Standards Addressed: After completing this lesson, 2nd grade students will be able to: 1. Explain how sows communicate with their cubs. 1st Grade 2. List 2 types of food black bears eat. ° Science—Life Sciences: 3. List three things bears are. 2.a, 2.c, 2.d ° Listening and Speaking: °°Science: 1.1, 1.2 Materials: ° Reading Comprehension: 2.2 ° We Are Bears by Molly Grooms and Lucia Guarnotta ° Laminated photo sheets corresponding to We Are Bears ° Animal Materials: 2nd Grade ° Black Bear skull (two) ° Black Bear pelt (two) ° Science—Life Sciences: ° Bear scat replica (one) 2.a, 2.c, 2.d ° Black Bear puppet ° Listening and Speaking: ° Relay Race boxes (two) 1.3, 1.4 ° Park maps and student fee waivers Vocabulary: boar, cub, habitat, hibernate, sow, species Bear Essentials Rangers in the Classroom—Presentation LessonLesson Plan—1st Plan—2nd and 2ndGrade Grade Presentation: Introduction Bears capture our imagination as few other animals do. They have inspired stories and cul- tural icons such as Winnie the Pooh, Yogi bear, Paddington bear, Goldilocks and the Three Bears, Smokey Bear, and teddy bears.
    [Show full text]
  • Examining the Changing Use of the Bear As a Symbol of Russia
    UC Santa Barbara UC Santa Barbara Previously Published Works Title The “Forward Russia” Flag: Examining the Changing Use of the Bear as a Symbol of Russia Permalink https://escholarship.org/uc/item/5xz8x2zc Journal Raven: A Journal of Vexillology, 19 ISSN 1071-0043 Author Platoff, Anne M. Publication Date 2012 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The “Forward Russia” Flag 99 The “Forward Russia” Flag: Examining the Changing Use of the Bear as a Symbol of Russia Anne M. Platoff Introduction Viewers of international sporting events have become accustomed to seeing informal sporting flags waved by citizens of various countries. The most famil- iar of these flags, of course, are the “Boxing Kangaroo” flag used to represent Australia and the “Fighting Kiwi” flag used by fans from New Zealand. Both of these flags have become common at the Olympic Games when athletes from those nations compete. Recently a new flag of this type has been displayed at international soccer matches and the 2010 Vancouver Winter Olympics. Unlike the Kangaroo and Kiwi flags, this new flag has been constructed using a defaced national flag, the Russian tricolor flag of white, blue, and red horizontal stripes, readopted as the flag of the Russian Federation after the breakup of the Soviet Union. A number of variations of the flag design have been used, but all of them contain two elements: the Russian text Vperëd Rossiia, which means “Forward Russia”, and a bear which appears to be break- ing its way out of the flag.
    [Show full text]
  • Conceiving Grizzly Man Through the "Powers of the False" Eric Dewberry, Georgia State University, US
    Conceiving Grizzly Man through the "Powers of the False" Eric Dewberry, Georgia State University, US Directed by New German Cinema pioneer Werner Herzog, Grizzly Man (2005) traces the tragic adventures of Timothy Treadwell, self-proclaimed ecologist and educator who spent thirteen summers living among wild brown bears in the Katmai National Park, unarmed except for a photographic and video camera. In 2003, Treadwell and his girlfriend, Amy Huguenard, were mauled to death and devoured by a wild brown bear. The event is captured on audiotape, and their remains were found in the area around their tent and inside Bear #141, who was later killed by park officials. Herzog's documentary is assembled through interviews of friends close to Treadwell, various professionals, family, and more than 100 hours of footage that Treadwell himself captured in his last five years in Alaska. Grizzly Man is more than a conventional wildlife documentary, as the title of the film emphasizes the centrality of the main protagonist to the story. Herzog subjectively structures the film to take the viewer on a dialectical quest between his and Treadwell's visions about man versus nature and life versus death. As Thomas Elsaesser recognized early in Herzog's career, the filmmaker is famous for reveling in the lives of eccentric characters, who can be broken down into two different subjects: "overreachers," like the prospecting rubber baron Fitzcarraldo and the maniacal conquistador Aguirre, or "underdogs" like Woyzeck, all of them played by the equally unconventional German actor Klaus Kinski (Elsaesser, 1989). Including Herzog's documentary subjects, they are all outsiders, living on the edge, and in excessive pursuit of their goals in violation of what is considered normal and ordinary in society.
    [Show full text]