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The Saxophone Symposium: an Index of the Journal of the North American Saxophone Alliance, 1976-2014
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014 Ashley Kelly Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Kelly, Ashley, "The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014" (2015). LSU Doctoral Dissertations. 2819. https://digitalcommons.lsu.edu/gradschool_dissertations/2819 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SAXOPHONE SYMPOSIUM: AN INDEX OF THE JOURNAL OF THE NORTH AMERICAN SAXOPHONE ALLIANCE, 1976-2014 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and AgrIcultural and MechanIcal College in partIal fulfIllment of the requIrements for the degree of Doctor of MusIcal Arts in The College of MusIc and DramatIc Arts by Ashley DenIse Kelly B.M., UniversIty of Montevallo, 2008 M.M., UniversIty of New Mexico, 2011 August 2015 To my sIster, AprIl. II ACKNOWLEDGEMENTS My sIncerest thanks go to my committee members for theIr encouragement and support throughout the course of my research. Dr. GrIffIn Campbell, Dr. Blake Howe, Professor Deborah Chodacki and Dr. Michelynn McKnight, your tIme and efforts have been invaluable to my success. The completIon of thIs project could not have come to pass had It not been for the assIstance of my peers here at LouIsIana State UnIversIty. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
Curriculum Vitae
Curriculum Vitae Nathan E. Nabb, D.M. Associate Professor of Music – Saxophone Stephen F. Austin State University www.nathannabbmusic.com Contact Information: 274 Wright Music Building College of Fine Arts - School of Music Stephen F. Austin State University TEACHING EXPERIENCE Associate Professor of Saxophone Stephen F. Austin State University 2010 to present Nacogdoches, Texas Maintain and recruit private studio averaging 20+ music majors Applied saxophone instruction to saxophone majors (music education and performance) Saxophone quartets (number depending on enrollment) Private Applied Pedagogy and Repertoire for graduate saxophone students Recruitment tour performances and master classes with other wind faculty Saxophone studio class Assistant Professor of Saxophone Morehead State University 2005 to 2010 Morehead, Kentucky Maintain and recruit private studio averaging 17-22 music majors Applied saxophone instruction to saxophone majors (education, performance and jazz) Saxophone quartets (three or four depending on enrollment) Woodwind methods course (flute, clarinet and saxophone) Saxophone segment of Advanced Woodwind Methods Course Private Applied Pedagogy and Performance Practice for graduate saxophone students Guided independent study courses for graduate saxophone students Present annual clinics for Kentucky high-school saxophonists for the MSU Concert Band Clinic Present annual All-State audition preparation clinics Academic advisor for undergraduate private applied saxophonists Saxophone studio class Nathan E. Nabb Curriculum -
Visiting Artist: John Sampen, Saxophone Composer
As one of America's leading concert saxophonists, John Sampen is recognized as a distinguished artist in contemporary literature. He has commissioned and premiered over thirty new works, including compositions by Bolcom, Ussachevsky and Subotnick, and has presented saxophone premieres of music by Stockhausen and Lutoslawski. In 1970, Sampen was recitalist and certificate winner at the prestigious Visiting Artist: International Geneva Concours in Switzerland. He has performed as soloist with ensembles worldwide, including the Nurnberg Symphony Orchestra, the Biel Symphony (Switzerland), the Osaka Municipal Winds (Japan), the Toledo symphony Orchestra, the New Mexico Symphony, John Sampen, saxophone and the Pittsburgh New Music Ensemble. with As a recipient of an NEA Consortium Grant, John Sampen has most iv recently been involved with commissions and premieres of new music Mark Bunce, by Subotnick, Martino and Babbitt. His London premiere of Subotnick's it In Two Words with the Electric Symphony featured him as the first composer/electronics classical performer to solo on Yamaha's new WX7 Wind Controller. The performance inspired one English critic to write of "the excellence, the musicianship and the total involvement of John featuring works by Bolcom, Bunce, ■ Sampen...tremendous passion and eloquence." Freund, Noda, Shrude and Subotnick Mr. Sampen regularly performs traditional French and contemporary literature in recital with pianist/composer Marilyn Shrude. He has recorded with the Belgian and Swiss National Radio, as well as the Saturday, January 29, 1994 at Orion, CRI and Capstone labels. A clinician for the Selmer Company, Sampen has presented many master classes at universities and 8:00 pm conservatories in Europe and the USA. -
The Saxophone in China: Historical Performance and Development
THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China. -
Exploring the Duality of Music and Society PROGRAMME NOTES
IN TWO WORLDS - Exploring the duality of music and society PROGRAMME NOTES FOUR 5 (1992) / John Cage John Cage is one of the seminal figures of modern culture, a composer and philosopher who has considered and challenged the basic assumptions and boundaries of the art of music. His early conclusion that the path of modern music lay along the lines of rhythmic innovation rather than pitch structures led him to an interest in percussion music, noise resources, and electro-acoustic music. Cage’s later works sought to remove his own ego and all personal control over sounds through a variety of ingenious “chance” devices. He became the founder and leading exponent of musical indeterminacy, and perhaps the first American “art music composer” to initiate a major musical trend. During John Cage’s guest appearance at the 7th BGSU New Music & Art Festival (1986), John Sampen suggested a new work for saxophones. FOUR 5 was completed in December 1991 and represents one of Cage’s last compositions before his death in August 1992. The work was premiered by Sampen and the BGSU American Saxophone Ensemble at the 10th World Saxophone Congress in Pesaro, Italy (1992). John Cage’s twelve-minute work is scored for soprano, alto, tenor, and baritone saxophones with parts consisting of approximately fifteen pitches (each on a single line). TROPE (2007/2008) / Marilyn Shrude The music of Chicago-born composer Marilyn Shrude is recognized for its “shimmering sounds” and “sensuous beauty.” Her many honors are those from the American Academy and Institute of Arts and Letters and from the Kennedy Center Freidheim Awards. -
Concert Program
SKOKIE SCHOOL DISTRICT 73.5 CHIP DE STEFANO, conductor DAVID MORRISON, conductor MATT OLSON, alto saxophone Friday, January 28, 2011 11:00 AM MENC NORTH CENTRAL DIVISION CONFERENCE OMEA PROFESSIONAL DEVELOPMENT CONFERENCE Duke Energy Center Cincinnati, Ohio CHIP DE STEFANO, CONDUCTOR CONCERT PROGRAM FRIDAY, JANUARY 28, 2011 • 11:00 AM DUKE ENERGY CENTER • JUNIOR BALLROOM UNRAVELING ANDREW BOYSEN, JR. A SIMPLE SONG LEONARD BERNSTEIN ARRANGED BY MICHAEL SWEENEY FANTASY ON AMERICAN SAILING SONGS CLARE GRUNDMAN David Morrison, conductor MASS FROM “LA FIESTA MEXICANA” H. OWEN REED Matt Olson, saxophone DIVERSION FOR ALTO SAXOPHONE AND BAND BERNHARD HEIDEN FOUNDRY JOHN MACKEY MEN OF OHIO HENRY FILLMORE MCCRACKEN MIDDLE SCHOOL SYMPHONIC BAND FLUTE BASS CLARINET TROMBONE Silvia Burian 8 Darrien Min 8 David Fernandez-Wang 6 Samantha dela Cruz 8 Tenzin Wangdak 7 Aaron Humphries-Dolnick 8 Karli Goldenberg 8 Aaron Niederman 7* Matthew Harris-Ridker 8 ALTO SAXOPHONE Mark Wilson 8 Anna Hill 7 Oscar Benbow 6 Martin Wiviott 7 Myhanh Lu 7 Amanda Ly 8 Erin Martin 7 Sean Riordan 8 EUPHONIUM Natalie Niederman 7 Conor Toledo 7 Luc Walkington 8* Alexis Schlau 7 Brendan Ward 6 Milan Woody 8 TENOR SAXOPHONE Carissa Yau 8 Lyka Ando 8 TUBA Rose Zubeck 7 Yuji Tsukamoto 7 Elizabeth Akinboboye 7 Matthew Ginsburg 8 OBOE BARITONE SAXOPHONE Lucy Chavez 7 Josh Bynum 8 PERCUSSION Jennifer Goodfriend 7 Aaliyah Williams 8 Vanessa Elias 6* Andrew Goldberg 8 CLARINET CORNET Courtney Goldenberg 6 Daniel Aisenberg 7* Ari Bearman 7 Jordan Greenfield 6 Ben Barov 7 Amy Burke 7 Alexis Moy 5* Neil Ducklow 7 Brian DeVilla 8 Daniel Sahyouni 8 Cree Glanz 8 Carolyn Dwyer 7* Juliana Tichota 6 Amanda Green 8 Chris Scheithauer 7 Sarah Ly 7* Daniel Vargas 6 Angela Martin 6 Adam Yusen 8 Nina Yonan 7 Isabelle Zubeck 6 FRENCH HORN * additional percussion on Foundry Alyssa Moy 7 Sophie Steger 7 MCCRACKEN MIDDLE SCHOOL BAND PROGRAM SKOKIE, ILLINOIS The Village of Skokie is located just 16 miles northwest of downtown Chicago. -
Catalogue and Musik” (Degenerate Music) Opened in Documentation of Sound) Should Düsseldorf
zagreb | 2018. XVIII. SVJETSKI KONGRES SAKSOFONISTA ODRŽAVA SE POD POKROVITELJSTVOM MILANA BANDIĆA, GRADONAČELNIKA GRADA ZAGREBA | THE XVIII WSC IS HELD UNDER THE PATRONAGE OF MR MILAN BANDIĆ, MAYOR OF THE CITY OF ZAGREB gradonačelnik grada zagreba Poštovani sudionici, dragi gosti, Zagreb prvi put ugošćuje renomirani Svjetski kongres saksofonista. Domaćin ovogodišnjega 18. kongresa je naša Muzička akademija koja je u svijetu poznata po izvrsnosti svoje Zagrebačke saksofonističke škole koju je utemeljio profesor Josip Nochta. Tijekom 5 dana, na više od 400 događanja, na brojnim mjestima u gradu će se predstaviti i susresti vrhunski glazbeni profesionalci, studenti i amateri. Bit će to, uvjeren sam, praznik glazbe, prigoda za promociju različitih stilova i izričaja te za razmjenu ideja. Svojom otvorenosti za publiku Kongres će obogatiti Zagrebačko kulturno ljeto te će doprinijeti boljem pozicioniranju Zagreba i Hrvatske na svjetskoj karti kulturnog turizma. Zahvaljujem organizatorima na uspješnoj realizaciji Kongresa, osobito red. prof. art. Draganu Sremcu, umjetničkomu ravnatelju Kongresa i prodekanu za umjetnost i poslovanje Muzičke akademije Sveučilišta u Zagrebu. Svim sudionicima želim uspješno sudjelovanje i ugodan boravak u našem gradu! Gradonačelnik Grada Zagreba Milan Bandić Major of the City of Zagreb Esteemed participants, dear guests, Zagreb is hosting the renowned World Saxophone Congress for the irst time. The host of this 18th Congress is our Academy of Music, world- famous for the excellence of its Zagreb School of Saxophone, established by professor Josip Nochta. In the course of 5 days, in more than 400 events at various locations in the city, top music professionals, students and amateurs will present themselves and meet each other. I am sure that it will be a celebration of music, an opportunity to promote various styles and expressions and to exchange ideas. -
Audio Playlist Scroll to See Program
Faculty and Guest Artist Recital: 2007-11-05 -- Kenneth Tse, saxophones, Marian Lee, piano, Kai-Li Cheng, violin, Yi-Ming Chen, violin, Kirsti Petraborg, viola, and Geoff Anderson, cello Audio Playlist Access to audio and video playlists restricted to current faculty, staff, and students. If you have questions, please contact the Rita Benton Music Library at [email protected]. Scroll to see Program PDF SCHOOL !!/ MUSIC • C L A P P RECITAL H A L L Fac~eetad Monday November 5, 2007 8:00 p.m. Kenneth Tse, soprano & alto saxophones Marian Lee, piano l THE fim DfVISION OF PERFORMING ARTS UN!VERS11Y OFIOWA COLLEGE OF LIBERAL ARTS & SCIENCES Facult#I'eeaat' Kenneth Tse, soprano and alto saxophones Nov. 5, 2007, 8:00 p.m. CLAPP RECITAL HALL Marian Lee, piano PROGRAM Two Preludes Dorothy CHANG Adagio e espressivo (b. 1970) Prestissimo * Sonata for Soprano Saxophone and Piano (2006- 7) David DeBoor CANFIELD Furioso con fuoco (b. 1950) Lento ma poco movente Vivacissimo * Quintet for Alto Saxophone and String Quartet (200 7) Perry GOLDSTEIN I. Bright and exuberant, but unforced (b. 1952) II. Heartfelt and singing III. Dancing, yet driving Kai-Li Cheng, violin 1 t Yi-Ming Chen, violin 2 t Kirsti Petraborg, viola t Geoff Anderson, cello t INTERMISSION Sonata No. 1 for Alto Saxophone and Piano (1960) Pierre-Philippe BAUZIN Allegro moderato (1933-2005) Vif et leger Adage Allegro vivo La Ronde des Lutins, op. 25 Antonio BAZZINI (1818-1897) t Guest guartet from tbe University of Minnesota • Dedicated to Kenneth Tse BIOGRAPHIES KENNETH TSE. Recognized as one of the leading saxophonists in the world, Kenneth Tse [cheh) has been called "a brilliant saxophonist," and "worthy of any stage in the world" by his former teacher, world-renowned saxophonist and peda gogue, Eugene Rousseau. -
Hybridity in Flute Music of Four Contemporary Composers
HYBRIDITY IN FLUTE MUSIC OF FOUR CONTEMPORARY COMPOSERS Yeji Kim A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS December 2012 Committee: Marilyn Shrude, Advisor Robert W. Midden Graduate Faculty Representative Mary Natvig John Sampen © 2012 Yeji Kim All Rights Reserved iii ABSTRACT Marilyn Shrude, Advisor Hybridity is a concept that is widely discussed in the field of cultural studies. The term can be applied to anything that exhibits a fusion or mixture of elements and fades the demarcation between the elements. In music it is evident in the fusion of such disparate elements as old and new styles; electronic and acoustic media; Western and non-Western music; audio and visual components; classical and popular music; and the use of quotation. These elements are often combined in works that contribute to a hybrid musical vocabulary with a distinctive style, so that the points of departure are often blurred. Many recently composed works for flute demonstrate hybridity. The purpose of this document is to explore the concept of hybridity as evidenced in the flute works of four contemporary American composers and flutists: Cynthia Folio (b. 1954), Anne La Berge (b. 1955), Janice Misurell-Mitchell (b. 1946), and Maggi Payne (b. 1945). The study examines what brought about their hybrid approach to composition, as well as the relationship between their roles as both creator and presenter of works that demonstrate hybridity. Extensive email interviews, consultation of available sources, and analyses of compositions are the essential research tools. -
UNIVERSITY of OREGON • SCHOOL of MUSIC and Paul Kantor at the University of Michigan, Earning Bachelor’S and Master’S Degrees Respectively
nationally-acclaimed BGSU New Music & Art Festival for 19 years. She served as chair of the theory and composition department at Interlochen Arts Camp and was a visiting faculty member at Indiana University. She is currently Distinguished Research professor and chair of the musicology/composition/theory department at Bowling Green State University. Shrude has performed as collaborative pianist with John Sampen since 1972. Violinist and violist Timothy Christie studied with Andrew Jennings UNIVERSITY OF OREGON • SCHOOL OF MUSIC and Paul Kantor at the University of Michigan, earning bachelor’s and master’s degrees respectively. In addition to his musical studies, Beall Concert Hall Tuesday evening Christie completed a second bachelor’s degree in English literature. 8:00 p.m. March 8, 2005 Following his studies at Michigan, he earned a fellowship with the New World Symphony in Miami Beach, Florida under the baton of Michael Tilson Thomas. He has participated in prominent summer programs such as the Aspen Music Festival, the Banff Centre for the Arts, Musicorda, and the Conductor’s Retreat at Medomak. Today, UNIVERSITY OF OREGON Christie is an active chamber musician and proponent of contemporary music as the violist of the Dexter String Quartet and the solo violist SCHOOL OF MUSIC of the contemporary ensemble Brave New Works. He makes his home in the Pacifi c Northwest where he serves on the violin faculties of the University of Puget Sound in Tacoma, WA, and Lewis and Clark GUEST ARTIST SERIES College in Portland, OR. Christie is a member of the Pacifi c Northwest Ballet Orchestra in Seattle. -
ITEC Program Book
ITEC 2019 Program Addendum Voxman Building Notes - The Voxman School of Music’s facilities will be open every day from 7am – 10pm for the duration of the conference - The registration desk will be available on the 2000 level in the Pearl West Lobby from 8am-8pm for the duration of the conference - Instrument storage will be available in the Stark Opera Theater (0151) from Tuesday through Saturday, 8am-8pm and for 30 minutes after the end of the evening concerts o Exception: instrument storage will close at 4:30pm on Thursday to allow volunteers time to prepare for and attend the Banquet - No instruments or cases are allowed in the Concert Hall or Recital Hall audience during performances - No food or drink (except water) in any classroom or performance space - Lessons with students under 18 years of age require a parent or guardian in the room Schedule Corrections Monday, May 27 Correction 9:00am – Recital Hall (2301) – Competition: Mock Band - Tuba Incorrectly listed as taking place in Stark Opera Theater (pg. 17, pg. 27) Correction 9:00am – Stark Opera Theater (0151) – Competition: Electronics Incorrectly listed as starting at 5:00pm (pg. 27) Correction 3:00pm – Recital Hall (2301) – Competition: Young Artist Euphonium Final Round Incorrectly listed as Artist Euphonium Final Round (pg. 27) Correction 3:30pm – Concert Hall (2101) – Competition: Ensemble Final Round Incorrectly listed as starting at 3:00pm (pg. 17, omitted on pg. 27) Tuesday, May 28 Cancellation 9:00am – James Dixon Room (0002) – Presentation: Samuel Adler – David Saltzman (pg. 18, 32) Correction 2:00pm – James Dixon Room (0002) – Presentation: Young at Heart – Velvet Brown and Roger Bobo (pg.