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Four Killed, 5 Injured in Road Mishap in Doda in Mishap Road in Injured 5 Killed, Four D Dsrc Today
K K M M Y Y C C )$$!%$%$ ,' %&#&* *" $"' $'( +& nation, 7P sports, 9P world, 8P DAILY Price 2.00 Pages : 12 JAMMU SATURDAY | APRIL 22 2017 | VOL. 32 | NO. 110 | REGD. NO. : JM/JK 118/15 /17 | E-mail : [email protected] | epaper.glimpsesoffuture.com 888).+/24'41((6563'%1/ " Four killed, 5 injured in road mishap in Doda Official panel to work-out implementation modalities '84%#.'4515#-''(('%5+0(31/ 23+. Monitoring Department, the *#&#* 23+. Ahmed. Doctors declared four Committee comprises passengers as brought dead As a follow to the an- Administrative Secretary Four persons, including a while 5 critically injured are nouncement made by the Home Department, woman, were killed and five under going treatment at the Finance Minister, Dr Haseeb Administrative Secretary others got critically injured, District Hospital, the DySP Drabu in his budget speech Public Works (R&B) when their vehicle skidded off said. He said that perhaps the regarding implementation of Department, Administrative the road and fell into a 150 feet driver was tired due to lack of the 7th Pay Commission rec- Secretary Finance deep gorge near Khellani in sleep and lost control on a ommendations in the State, Department, Administrative Doda district today. sharp curve resulting in the the Government today con- Secretary General According to eyewitnesses, fatal accident. The deceased stituted a high-level official Administration Department the vehicle driver lost control have been identified as Haji panel to work-out the modali- and Administrative on the sloppy curve and it Ali, Hashim Din, Khadim ties in this regard. According Secretary Department of skidded off the road and fell Hussain and Aasiya Begum to an order issued by the Law, Justice & 150 feet down hill after several while the injured were identi- General Administration Parliamentary Affairs as somersaults. -
Http//:Daathvoyagejournal.Com Editor: Saikat Banerjee Department Of
http//:daathvoyagejournal.com Editor: Saikat Banerjee Department of English Dr. K.N. Modi University, Newai, Rajasthan, India. : An International Journal of Interdisciplinary Studies in English ISSN 2455-7544 www.daathvoyagejournal.com Vol.1, No.3, September, 2016 Exploring the Illusive Borderlines: Construction of Identity in the Indian Subcontinent Raj Raj Mukhopadhyay Student, M.A. (II) Department of English VisvaBharati University Email: [email protected] Abstract: The creation of borderlines demarcating the geographical boundary of the state has always problematized the discourse of nation incorporating the issues and debates of race, class, religion and historical events. It is also significant how it presents the ongoing process of the construction of personal ‘identity’ and the cultural determination of one’s selfhood. In the Indian subcontinent, the case is more interesting and complex as nation building takes place in heterogeneous, even fragmented lingual and cultural societies all over our country. The idea of ‘nation’ in the Subcontinent is much complicated, where the question of ethnicity and other forms of religious and political identities play a key role. My paper entitled “Exploring the Illusive Borderlines: Construction of Identity in the Indian Subcontinent” is a very modest attempt to get a glimpse into how the formation of borderlines by the partition of India delineates the construction of racial, religious and cultural ‘identity’ of an individual. This paper aims at studying few short stories like Intizar Husain’s “An Unwritten Epic”, SaadatHasanManto’s “Toba Tek Singh” and films like Vol.1, Issue 3, 2016 Page 67 : An International Journal of Interdisciplinary Studies in English ISSN 2455-7544 www.daathvoyagejournal.com Vol.1, No.3, September, 2016 SrijitMukherji’s “Rajkahini”, Deepa Mehta’s “Earth”, exploring the inherent complexities that arise while defining one’s identity, which is determined by one’s socio-cultural and religious position. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
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Rajnish Rai's Allegations of a Fake Encounter in Assam Will Not Impact
Rajnish Rai’s Allegations of a Fake Encounter in Assam Will Not Impact the Impunity of India’s Security Forces KISHALAY BHATTACHARJEE 31 May 2017 Manipur state police commandoes announce resumption of curfew after a relaxation period of four hours expired in Imphal, on 6 August 2009. The language and descriptions of Rajnish Rai’s letter are eerily similar to hundreds of such reports from Assam, Manipur and Jammu and Kashmir—three states with a significant number of encounter killings. AP PHOTO Rajnish Rai is no stranger to the consequences of investigating cases of staged encounter killings. Rai, a 1992 batch officer from the Indian Police Service, first courted controversy in 2007, during his tenure as the deputy inspector general (DIG) of the Crime Investigation Department of Gujarat. In April that year, he arrested three senior IPS officers—DG Vanzara, Rajkumar Pandiyan and MN Dinesh—for the fake encounters of a gangster, Sohrabuddin Sheikh, and his wife, Kausar Bi, in November 2005. By May 2007, Rai was taken off the investigation, so that—according to a report in The Hindu—he could be prevented from “putting the arrested senior IPS officers to more embarrassment.” He was instead posted as the DIG of the State Crime Records Bureau, a non-executive post, which was followed by a transfer to another non-executive posting as the principal, Police Training (Chowky) in Junagadh. His superiors, PC Pande, then the director general of police in Gujarat and OP Mathur, who was the CID (Crime) chief, downgraded the review of his performance in his annual confidential report for the period between 1 April 2007 and 22 August 2007 from “very good” to “average.” In April 2008, the officials of Gujarat University claimed that Rai had cheated in the LLB examinations that he had appeared for and declared him failed in all subjects. -
The Angry Woman of Indian Cinema - a Saga of the Marginal
High Technology Letters ISSN NO : 1006-6748 The Angry woman of Indian Cinema - A Saga of the Marginal 1Ms. Dharna Bhatt, 2Dr. Barnali Chetia 1 Research Scholar, 2Assistant Professor 1,2Department of Humanities and Social Sciences, 1,2Indian Institute of Information Technology Vadodara, Gandhinagar, Gujarat, India Abstract In Indian cinema, the concept of anger was associated with men, popularizing the idea of 'Angry young man' not 'Angry young woman,' which in fact catapulted many male actors career to undisputed stardom. Women remained marginalized even in this sector. As per the gender stereotype of emotion, anger is associated with men. However, there are some women characters in Indian cinema whose bold portrayal of the emotion of anger has rightfully caught the eyes of the critics. This paper is an attempt to portray the anger of women in different roles- mother, wife, sister, friend, and prostitute, to name a few. This study is based on some selected 'angry' female characters of Indian cinema who were more often than not overshadowed by the 'angry' male characters. The study is qualitative in nature which follows the form of narration for analyzing the emotion of anger in women of Indian cinema. Key Words:- Emotion, Anger, Women, Marginal, Indian Cinema. I. Introduction Emotion is a conscious mental reaction (as anger or fear) subjectively experienced as strong feeling usually directed towards a specific object and typically accompanied by physiological and behavioural changes in the body. Happiness, love, fear, anger, hatred, trust, joy, grief, hurt, shame, loneliness, etc. are some terms to express Emotion. Among the above, anger is a natural emotion experienced by everyone and impossible to avoid. -
1494240149 English.Pdf
Japan will provide 371 billion Yen or Rs 21,590 crores as official development assistance(ODA) to India for various infrastructure projects, including the dedicated freight corridor. 1. El Salvador first nation to impose ban on metal mining A finance ministry statement issued in New Delhi said the El Salvador has made total commitment of Japan International Cooperation history after becoming the Agency ODA during two financial years 2015-16 and first country in the world to 2016-17 is 761.40 billion yen, which is 43.50 per cent of ban metal mining. the total target for five years. • Lawmakers in the Points to Remember water-parched • Japan is a sovereign island nation in Eastern Asia. country passed the ban in a unanimous vote, declaring • Tokyo is the Capital of Japan while Yen is the El Salvador a mining-free territory. Currency. • The decision followed a long and bitter struggle to • Shinzo Abe is the present Prime Minister of Japan. protect the Central American country’s diminishing water sources from polluting mining projects. Moreno wins Ecuador presidential race Points to Remember Ruling party candidate Lenin Moreno was declared the winner • El Salvador is in a state of water crisis, hence it has of Ecuador’s Presidential runoff. banned metal mining because it causes water But his rival, conservative banker Guillermo Lasso, has pollution. yet to concede defeat and demanded a recount after three • El Salvador is the smallest and the most densely exit polls showed him winning. populated country in Central America. The National Electoral Council said Mr. Moreno beat Mr. -
Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Baijayanti Roy Goethe University, Frankfurt Am Main, [email protected]
Journal of Religion & Film Volume 22 Issue 3 Special Issue: 2018 International Conference Article 9 on Religion and Film, Toronto 12-14-2018 Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Baijayanti Roy Goethe University, Frankfurt am Main, [email protected] Recommended Citation Roy, Baijayanti (2018) "Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat," Journal of Religion & Film: Vol. 22 : Iss. 3 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol22/iss3/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Abstract This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The er lationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary (Hindu) Rajput queen coveted by the Muslim emperor Alauddin Khilji (ruled from 1296-1316). -
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Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
Westminsterresearch the Digital Turn in Indian Film Sound
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Digital Turn in Indian Film Sound: Ontologies and Aesthetics Bhattacharya, I. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Indranil Bhattacharya, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE DIGITAL TURN IN INDIAN FILM SOUND: ONTOLOGIES AND AESTHETICS Indranil Bhattacharya A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2019 ii Abstract My project maps film sound practices in India against the backdrop of the digital turn. It is a critical-historical account of the transitional era, roughly from 1998 to 2018, and examines practices and decisions taken ‘on the ground’ by film sound recordists, editors, designers and mixers. My work explores the histories and genealogies of the transition by analysing the individual, as well as collective, aesthetic concerns of film workers migrating from the celluloid to the digital age. My inquiry aimed to explore linkages between the digital turn and shifts in production practices, notably sound recording, sound design and sound mixing. The study probes the various ways in which these shifts shaped the aesthetics, styles, genre conventions, and norms of image-sound relationships in Indian cinema in comparison with similar practices from Euro-American film industries. -
How Did British Colonialism Influence the Perception and Representation of Same-Sex Intimacies in Indian Society?
How did British colonialism influence the perception and representation of same-sex intimacies in Indian society? How did British colonialism influence the perception and representation of same-sex intimacies in Indian society? Leiden Universiteit MA Thesis Asian Studies (60EC) Author: Simon Kemp Student No.: s2122391 Advisor: Prof. Dr. Nira Wickramasinghe Date: 07/06/2019 Word Count (Excl. bibliography): 15,672 Acknowledgments Prof. Dr. Nira Wickramasinghe Arkja Kuthiala Ben Guile Daniel Jeeves 1 How did British colonialism influence the perception and representation of same-sex intimacies in Indian society? Introduction In late 2018, the Supreme Court of India ruled that the criminalisation of same-sex relationships and intimacies under the colonial Section 377 was unconstitutional; bringing an end to a legal battle that spanned two decades. Amongst the celebrations were the expected criticisms, most notably to me that of Rashtriya Swayamsevak Sangh (RSS) spokesperson Arun Kumar who declared that, while it should not be illegal, it would never be accepted in Indian culture (Hindustan Times, 2018). The RSS is a Hindu group founded by the early Hindutva thinkers Dr. Keshav Baliram Hedgewar and Madhav Sadhashiv Golwalkar. Their ideology is centred on India, or Bharat, is a Hindu nation, and must belong in no diminished manner to the Hindus, something their website describes as a “global mission” and “for the welfare of entire mankind” (RSS Website, 2019). Under Golwalkar, the second Sarsangchalak (leader), race science from Europe, specifically Nazi Germany, was incorporated, and minorities under his vision would have to venerate the superior Hindu (and Aryan) race in a Hindu Rashtra (Hindu state), and could claim no civil rights or privileges (Guha, 2008: 35).