University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2016 Rethinking l'exception culturelle in French Music Then and Now: Language, Memory, and Political Order Melanie Ann LaFoy University of Tennessee, Knoxville,
[email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Audio Arts and Acoustics Commons, Ethnomusicology Commons, French and Francophone Language and Literature Commons, Musicology Commons, Music Performance Commons, and the Music Practice Commons Recommended Citation LaFoy, Melanie Ann, "Rethinking l'exception culturelle in French Music Then and Now: Language, Memory, and Political Order. " Master's Thesis, University of Tennessee, 2016. https://trace.tennessee.edu/utk_gradthes/4050 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact
[email protected]. To the Graduate Council: I am submitting herewith a thesis written by Melanie Ann LaFoy entitled "Rethinking l'exception culturelle in French Music Then and Now: Language, Memory, and Political Order." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in French. Anne-Hélène