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March, 2019, 2017 Janiceyfn Members Webster Honouredattended the for Offi Work Cial in Port Alberni Ground Breaking for Fraser River Page 3 the Traverse Trail
Briefl y 1 Volume 9,7, IssueIssue 11 || FebruaryMarch, 2019, 2017 JaniceYFN members Webster honouredattended the for offi work cial in Port Alberni ground breaking for Fraser River Page 3 the Traverse Trail... Sockeye is New Totem Pole WIll Page 3 ours! Promote Our Language ast November, the Maa-nulth people new Language Revolution Language Revitalization To- sea, wind and stars. There is Lreceived great news when Totem Pole has been com- tem Pole will be gifted to the also an eleventh relative that the courts ruled they will have missioned by the First Na- University of Victoria where it will be depicted on the pole: ongoing access to Fraser RiverAtions Education Foundation (FNEF) will stand, with the blessing earthquake, which is sent to Sockeye Salmon. and will be carved by renowned and support of the Esquimalt teach humility and remind hu- Larry Johnson,, NCNNCN SeafoodSeafoodNuu-chah-nulth carver Tim Paul, and Songhees First Nations, in man beings of the all-encom- Development Corporationsays Yuułuʔiłʔath Government recognition of the University’s passing power of the Creator. President, says the ruling notPresident and FNEF volunteer “Oral history, songs, dances, only gives Maa-nulth FirstChief Executive Officer. ceremony, and art were – and Work is progress- The totem pole is being “Oral history, songs, continue to be – the vehicle Nation access to fish outside ing on the The of its traditional territory, butmade in recognition of the dances, ceremony for transmitting history, know- itit setssets thethe stagestage forfor thethe secondsecondUnited Nations’ International ledge, and sovereign rights ʔapsčiik t̓ašii pro- Year of Indigenous Languages from generation to genera- LEO Network inin aa two-parttwo-part disputedispute thatthat and art were - and will draw attention to the tion,” said Paul. -
Totem Poles Raised in Courtyard of the Point Hotel
In This Issue PRSRT STD U.S. POSTAGE Page 2 Saving the Port Gamble Forest PAID Page 6 Point Hotel Artist Profiles Silverdale, WA Page 9 Kyle Loescher Wins World Series Permit # 111 THE OFFICIAL NEWSPAPER OF THE PORT GAMBLE S’KLALLAM TRIBE | WWW.PGST.NSN.US | 360-297-2646 | NOVEMBER 2016 Raising History: Malynn Wilbur-Foster watches her totem pole raised in the courtyard of the new Point Hotel. All of the artists took months to design and carve their pieces at their individual workshops and then transported their work to The Point Hotel for installation. Totem Poles Raised in Courtyard of The Point Hotel Totems from Native artists from around Washington State are installed in advance of November 20 Port Gamble S'Klallam Community Grand Opening On November 20, Port Gamble S'Klallam community members The artists, their work, and the stories behind them, include: and their families will be among the first to experience the brand- new Point Hotel. David Boxley Tsimshian Tribe The day begins at 11 a.m. with a celebration that will include a A Tribute to the S'Klallam brunch reception, tours, dedications, and a night's stay for 40 lucky This 12’ totem depicts a S’Klallam ancestor riding a killer whale folks who won the raffle at October's General Council meeting. atop a thunderbird in human form. All this is in advance of the Hotel's public Grand Opening, which is planned for Friday, November 25. The Point Hotel is currently The inspiration for David’s work comes from his ancestors of taking reservations for December 1 and after. -
Lovelock-Cave-Back-Country-Byway
Back Country Byways . An Invitation to Discover There is an axiom among seasoned travelers advising that the best way to get to know a new place is to get off the highway and visit the back roads, the side trails and the hidden, out-of-the-way corners where the true qualities wait to be discovered. The same axiom holds true for America’s public lands, the vast reaches of our nation that are all too often seen only from the windows of speeding cars or the tiny portholes of airliners. The Bureau of Land Management, America’s largest land managing agency, is providing an exciting opportunity for more Americans to get to know their lands by getting off the main roads for leisurely trips on a series of roads and trails being dedicated as Back Country Byways. The Back Country Byways Program, an outgrowth of the national Scenic Byways Program, is designed to encourage greater use of these existing back roads through greater public awareness. The system is BUREAUREAU OOFF LANDLAND MANMANAGEMENTGEMENT expected to expand to 100 roads when completed. In Nevada, each byway has a character and beauty of its own, taking travelers through scenery that is uniquely Nevadan, into historic areas that helped shape our state and near areas that have been largely untouched by man. They can see the multiple uses of their lands and come to a greater awareness of the need for the conservation and wise use of these resources. And all this can be accomplished at little cost to the taxpayer. Because the roads are already in place, only interpretive signs and limited facilities are needed to better serve the public. -
PICH Awardee Impact Statements
PICH Awardee Impact Statements Background The Partnership to Improve Community Health (PICH) initiative funded 29 communities from FY2014 through FY2017 to reduce chronic disease risk factors. Awardees implemented evidence-based policy, system, and environmental interventions to improve nutrition and physical activity, reduce tobacco use and exposure, and strengthen community-clinical linkages. PICH awardee impact statements describe the short-term impacts of the PICH initiative. These impact statements were created using data from awardee Community Action Plans, awardee Progress Reports, and census data. All data were reviewed for clarity and potential duplicate reporting. Impact statements were created during two timeframes: 2016 and 2017. Each awardee has at least two impact statements; if there were additional data, additional impact statements were developed. Fort Defiance Indian Hospital Board, Inc. (Arizona) Nutrition As of September 2017, Fort Defiance Indian Hospital Board, Inc. increased access to healthy food and beverages for an estimated 59,838 Native American residents in Arizona. PICH staff supported the development of 23 farmers’ markets. To increase interest among vendors and address the misperception that farmers’ markets are for vendors who sell surplus vegetables at a low cost, PICH staff set up trainings and recruited farmers, growers, and partners to participate. Community Health Workers (CHWs) were used to find partners, organize markets, set schedules, and get community input and support. PICH staff conducted surveys at farmers’ markets and each market included a cultural component coupled with a public health component consisting of healthy living messages, eating/eating healthy, and taking care of oneself. They also invited local health related resources to participate and they assisted with outreach, public information, educations, and demonstrations. -
American Indian Law Journal
American Indian Law Journal Volume III, Issue II • Spring 2015 “The Spirit of Justice” by Artist Terrance Guardipee Supported by the Center for Indian Law & Policy SPIRIT OF JUSTICE Terrence Guardipee and Catherine Black Horse donated this original work of art to the Center for Indian Law and Policy in November 2012 in appreciation for the work the Center engages in on behalf of Indian and Native peoples throughout the United States, including educating and training a new generation of lawyers to carry on the struggle for justice. The piece was created by Mr. Guardipee, who is from the Blackfeet Tribe in Montana and is known all over the country and internationally for his amazing ledger map collage paintings and other works of art. He was among the very first artists to revive the ledger art tradition and in the process has made it into his own map collage concept. These works of art incorporate traditional Blackfeet images into Mr. Guardipee’s contemporary form of ledger art. He attended the Institute of American Indian Arts in Sante Fe, New Mexico. His work has won top awards at the Santa Fe Market, the Heard Museum Indian Market, and the Autrey Museum Intertribal Market Place. He also has been featured a featured artists at the Smithsonian’s National Museum of the American Indian in Washington, D.C., along with the Museum of Natural History in Hanover, Germany, and the Hood Museum at Dartmouth College. American Indian Law Journal Editorial Board 2014-2015 Editor-in-Chief Jocelyn McCurtain Managing Editor Callie Tift Content Editor Executive Editor Jillian Held Nancy Mendez Articles Editors Writing Competition Chair Events Coordinator Jessica Buckelew Nick Major Leticia Hernandez Jonathan Litner 2L Staffers Paul Barrera - Jessica Barry J. -
Tlingit Tote
After 88 years in Greeley, a campus icon will return home The story of how the the Native American Graves Bear Clan Totem, which Protection and Repatriation generations of UNC stu- Tlingit Tote ... Act, enacted by Congress in dents called Totem Teddy, 1990. disappeared from its home The university will honor in Angoon, Alaska, is lost the claim, says UNC in the mists of time. Some President Kay Norton, who say a smallpox epidemic became involved when she early in the 20th century was the institution's general forced the Tlingit Indians to counsel. abandon their village. When "It's absolutely the right they later returned, the thing to do ," Norton says. totem was gone. Others "The totem is clearly an suggest that profiteers spir important cultural and spiri ited it away in the middle tual artifact to the Tlingits, of the night. and that is where it This much we know is belongs." true - it arrived in Greeley Over the years, Totem on the back of a trailer Teddy has had several shortly before Christmas in homes on campus. Its most 1914. Alumnus Andrew recent is in the atrium in the Thompson, then superinten University Center. It was a dant of schools in the south touchstone for generations eastern district of Alaska, of university students, who shipped the totem to his used it as a gathering place alma mater as a gift, perhaps and celebrated it as a point as the start of a museum col of pride. During the early lection. Contemporary 1960s after then-President reports are vague on the William Ross had details of how Thompson sequestered the totem in came by it. -
Federal Register/Vol. 82, No. 10/Tuesday, January 17, 2017
Federal Register / Vol. 82, No. 10 / Tuesday, January 17, 2017 / Notices 4915 Applicant: Richard Killion, Lot Q–3, subdivision of the unsubdivided their government-to-government Breckenridge, TX; PRT–06382C remainder of Tract Q, U.S. Survey 2327, relationship with the United States as according to the plat thereof filed December well as the responsibilities, powers, Brenda Tapia, 7, 1988, as plat No. 88–39, Ketchikan limitations, and obligations of such Recording District, State of Alaska, Program Analyst/Data Administrator, Branch Tribes. We have continued the practice of Permits, Division of Management containing 1.08 acres. Authority. of listing the Alaska Native entities Dated: January 10, 2017. separately solely for the purpose of [FR Doc. 2017–00755 Filed 1–13–17; 8:45 am] Lawrence S. Roberts, facilitating identification of them and BILLING CODE 4333–15–P Principal Deputy Assistant Secretary—Indian reference to them given the large Affairs. number of complex Native names. DEPARTMENT OF THE INTERIOR [FR Doc. 2017–00872 Filed 1–13–17; 8:45 am] Dated: January 10, 2017. BILLING CODE 4337–15–P Lawrence S. Roberts, Bureau of Indian Affairs Principal Deputy Assistant Secretary—Indian [178A2100DD/AAKC001030/ DEPARTMENT OF THE INTERIOR Affairs. A0A501010.999900253G] Indian Tribal Entities Within the Bureau of Indian Affairs Land Acquisitions; Craig Tribal Contiguous 48 States Recognized and Association, Craig, Alaska [178A2100DD/AAKC001030/ Eligible To Receive Services From the A0A501010.999900 253G] United States Bureau of Indian Affairs AGENCY: Bureau of Indian Affairs, Absentee-Shawnee Tribe of Indians of Indian Entities Recognized and Eligible Interior. Oklahoma To Receive Services From the United ACTION: Notice of final agency Agua Caliente Band of Cahuilla Indians determination. -
Some Totem Poles Around Juneau Can You Find These Poles? Check Them Off When You’Ve Seen Them! Downtown
Some Totem Poles around Juneau Can you find these poles? Check them off when you’ve seen them! Downtown Four Story Totem Location: Outside Juneau-Douglas City Museum, Fourth and Main Streets Carver: Haida carver John Wallace of Hydaburg, 1940. Harnessing the Atom Totem Location: Outside Juneau-Douglas City Museum, Calhoun and Main Streets Carver: Tlingit master carver Amos Wallace of Juneau, 1967, installed 1976 The Wasgo Totem Pole or Old Witch Totem Location: State Office Building, Main lobby, Eighth Floor, Fourth and Calhoun Streets Carver: Haida carver Dwight Wallace, 1880, installed 1977 Friendship Totem Location: Juneau Courthouse Lobby, on Fourth Street between Main and Seward Carver: Tlingit carver Leo Jacobs of Haines, in association with carvers from the Alaska Indian Arts Inc. of Port Chilkoot, mid-1960s. The Family Location: Capital School Playground, Seward and 6th Streets Carver: Tlingit artist Michael L. Beasley, 1996 Box of Daylight and Eagle/Bear Totems Location: Sealaska Corp. Building, One Sealaska Plaza Carver: Box of Daylight: Tlingit carvers Nathan Jackson and Steven Brown, 1984. Eagle/ Bear: Haida artist Warren Peele,1984. Raven and Tl'anax'eet'ák'w (Wealth Bringer) Totem Location; Mount Roberts Tramway, 490 S. Franklin St. Carver: Tlingit carver Stephen Jackson of Ketchikan, raised in 2000 Aak'w Tribe Totem Location: Juneau Douglas High School commons, 1639 Glacier Ave. Carver: Tlingit carver Nathan Jackson, with the assistance of Steven C. Brown, 1980-81 Legends and Beliefs, Creation of Killer Whale and Strongman Totems Location: Goldbelt Place, 801 10th St. Carvers: Tlingit carvers Ray Peck and Jim Marks, 1981 Raven and Eagle Totem Location: Federal building lobby, 709 W. -
Federally Recognized Indian Tribes
Appendix C: Federally Recognized Indian Tribes The following tribal entities within the contiguous 48 states are recognized and eligible to receive services from the United States Bureau of Indian Affairs. For further information contact Bureau of Indian Affairs, Division of Tribal Government Services, 1849 C Street N.W., Washington, DC 20240; Telephone number (202) 208-7445.1 Figure C.1 shows the location of the Federally Recognized Tribes. 1. Absentee-Shawnee Tribe of Indians of Oklahoma 2. Agua Caliente Band of Cahuilla Indians of the Agua Caliente Indian Reservation, California 3. Ak Chin Indian Community of Papago Indians of the Maricopa, Ak Chin Reservation, Arizona 4. Alabama and Coushatta Tribes of Texas 5. Alabama-Quassarte Tribal Town of the Creek Nation of Oklahoma 6. Alturas Rancheria of Pit River Indians of California 7. Apache Tribe of Oklahoma 8. Arapahoe Tribe of the Wind River Reservation, Wyoming 9. Aroostook Band of Micmac Indians of Maine 10. Assiniboine and Sioux Tribes of the Fort Peck Indian Reservation, Montana 11. Augustine Band of Cahuilla Mission Indians of the Augustine Reservation, California 12. Bad River Band of the Lake Superior Tribe of Chippewa Indians of the Bad River Reservation, Wisconsin 13. Bay Mills Indian Community of the Sault Ste. Marie Band of Chippewa Indians Bay Mills. Reservation, Michigan 14. Berry Creek Rancheria of Maidu Indians of California 15. Big Lagoon Rancheria of Smith River Indians of California 1Federal Register, Vol. 61, No. 220, November 13, 1996. C–1 Figure C.1.—Locations of Federally Recognized Indian Tribes and Alaska Native Corporations. C–2 16. -
THE KWAKIUTL TOTEM POLE and ITS SYMBOLIC VALUE Redacted for Privacy Abstract Approved: (John A
AN ABSTRACT OF THE THESIS OF Marie Mauzefor the degree of Master of Arts Interdisciplinary Studies: in Anthropology, History, Education, Art presented on August 18, 1975 Title: THE KWAKIUTL TOTEM POLE AND ITS SYMBOLIC VALUE Redacted for Privacy Abstract approved: (John A. Dunn) The antiquity of the Northwest Coast Indian pole is the subject of a great deal of controversy. A few viewpoints referring to that topic are given. The symbolic value of the Kwakiutl totem pole is examined with respect to art, style and culture; more generally "primitive" art is considered as being completely integrated with the major aspects of human existence. Theories concerning totemism are described here and totemism among the Kwakiutl is examined with re- spect to the social structure, mythology, the poles, and their inter- relationships. The Kwakiutl Totem Pole and Its Symbolic Value by Marie - France Mauze A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies Completed August 18, 1975 Commencement June 1976 APPROVED: Redacted for Privacy Associate( ofessor of Anthropology for Privacy (Redacted Chairman and Professor History Redacted for Privacy Professor of Education Redacted for Privacy Dean ;t College of Liberal Ar s Redacted for Privacy Chairman of Orrisciplinary Studies Redacted for Privacy Dian of 13raduate5Xchoot Date thesis is presented August 18, 1975 Typed by Secretarial Services for Marie Mauze TABLE OF CONTENTS Introduction 1 I. Northwest Coast Pole Antiquity 5 II. Iconography 11 Social Analysis 11 Art and Material Symbolism 13 Toward a Definition 15 Technique 17 Organization of Spaces and Forms 19 Material Symbolism 22 III. -
The Trajectory of Indian Country in California: Rancherias, Villages, Pueblos, Missions, Ranchos, Reservations, Colonies, and Rancherias
Tulsa Law Review Volume 44 Issue 2 60 Years after the Enactment of the Indian Country Statute - What Was, What Is, and What Should Be Winter 2008 The Trajectory of Indian Country in California: Rancherias, Villages, Pueblos, Missions, Ranchos, Reservations, Colonies, and Rancherias William Wood Follow this and additional works at: https://digitalcommons.law.utulsa.edu/tlr Part of the Law Commons Recommended Citation William Wood, The Trajectory of Indian Country in California: Rancherias, Villages, Pueblos, Missions, Ranchos, Reservations, Colonies, and Rancherias, 44 Tulsa L. Rev. 317 (2013). Available at: https://digitalcommons.law.utulsa.edu/tlr/vol44/iss2/1 This Native American Symposia Articles is brought to you for free and open access by TU Law Digital Commons. It has been accepted for inclusion in Tulsa Law Review by an authorized editor of TU Law Digital Commons. For more information, please contact [email protected]. Wood: The Trajectory of Indian Country in California: Rancherias, Villa THE TRAJECTORY OF INDIAN COUNTRY IN CALIFORNIA: RANCHERIAS, VILLAGES, PUEBLOS, MISSIONS, RANCHOS, RESERVATIONS, COLONIES, AND RANCHERIAS William Wood* 1. INTRODUCTION This article examines the path, or trajectory,1 of Indian country in California. More precisely, it explores the origin and historical development over the last three centuries of a legal principle and practice under which a particular, protected status has been extended to land areas belonging to and occupied by indigenous peoples in what is now California. The examination shows that ever since the Spanish first established a continuing presence in California in 1769, the governing colonial regime has accorded Indian lands such status. -
Native American Totem Poles
Native American Totem Poles Totem poles are sculptures carved from large trees, such as the Western Red Cedar. In North America, totem poles are part of the cultures of many indigenous people – the people who first lived in America before Europeans arrived a few hundred years ago. Totem poles serve many purposes beyond their beauty, and their meanings are as varied as the cultures that make them. There are many types of totem poles. Some totem poles represent stories or important events. On these poles, each figure on the totem represents part of a story. Other totem poles are put in front of a family's home to represent the owner's family or social status. Memorial poles are carved in honour of a family member who has passed away. Another interesting type of totem pole is the shame pole. Shame poles are carved to embarrass and ridicule someone who has done something wrong. Shame poles are taken down once the person has made up for what they did . A famous shame pole erected in Cordova, Alaska, included the face of an oil company businessman. It is said to represent the unpaid debt the oil company owes for damages caused by the oil spill in Valdez, Alaska. Colours used to paint totem poles were limited. Artists relied on natural ingredients and colours. Black was the most common, made by grinding soot, graphite or charcoal. Red came from red ochre, a clay-like material. Common figures found on totem poles include the raven (a symbol of The Creator), the eagle (representing peace and friendship), the killer whale (a symbol of strength), the thunderbird, the beaver, the bear, the wolf and the frog.