Evaluating Joseph Campbell's Underexplored Ideas in the Light of Modern Psychology
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Mythic Structure Theory: Proposing a New Framework for the Study of Political Issues David L
Mythic Structure Theory: Proposing a New Framework for the Study of Political Issues David L. Schecter California State University at Fresno This article develops the tenets of a new political theory evolved from the discovery that there are numerous frameworks to study political issues, such as abortion, but few over-arching theories. I propose and explore the tenets and hypotheses of a new “mythic structure theory.” Mythic structure theory draws from numerous examples in literature and anthropology and treats political issues as mythical stories, referencing heavily the works of James Joyce and Joseph Campbell. The essay concludes with the specific application of mythic structure theory to the issue of abortion and an argument is made as to why mythic structure theory yields insights into the abortion debate not offered by other theoretical frameworks. The application of this concept is recommended for the study of political issues such as abortion, civil rights, the environment, and education. The idea for this work grew out of several thoughts coalescing. In recognizing the seriousness and non-ending quality of the abortion debate, for example, it appears that none of the current theoretical frameworks sufficiently explains the magnitude and complexity of the topic. In a normative sense, what is the best way to study this issue? Do the religious, legalistic, or public policy frameworks so prevalent in the literature reasonably explain the issue? What is the best way to navigate political topics in which there are numerous contested beliefs and assumptions? A “war” metaphor is often used to describe the debates over abortion, but this is too rigid to capture the nuances of the debate. -
Discussion Questions for the Power of Myth by Joseph Campbell and Bill Moyers
Discussion Questions for The Power of Myth by Joseph Campbell and Bill Moyers 1. Campbell defines myth in various ways in the book, including: a. A way to experience life b. A clue to the spiritual potential of human beings c. The song of the imagination d. The reconciliation of the conditions of life, that is, that life is about the killing of other organisms e. The one grand story of humankind f. Myth affirms that there is an invisible plane which supports the visible plane g. Myth teaches us when to let go h. A fairy tale is a child’s myth Do you agree with Campbell’s various definitions of myth? Do you have a different definition of myth? Is there one definition that seems more apt than others? 2. Campbell claims that there are two different kinds of myths: a. A portion that relates to nature and man’s place in nature b. A portion that is sociological, that is, how men fit into their society Do you agree with Campbell that there are two types of myth? Are there other types of myths? Are there myths which do not fit into one of these two categories; if so, which ones? 3. The hero, according to Campbell is a: a. Person who faces trial and tribulations as a result of bringing new possibilities into the field of interpreted experience b. Lives in the field of time and must make decisions about good and evil c. An artist who helps develop and communicate myths today (he cites James Joyce as an artist who develops modern myths) d. -
The Stages of the Hero's Journey All Stories Consist of Common Structural Elements of Stages Found Universally in Myths, Fairy Tales, Dreams, and Movies
Excepts from Myth and the Movies, Stuart Voytilla1 Foreword By Christopher Vogler … Among students of myth like Carl Jung, Mircea Eliade, Theodore Gaster, and Heinrich Zimmer, the work of a man named Joseph Campbell has particular relevance for our quest. He hammered out a mighty link of the chain, a set of observations known as The Hero’s Journey. In books like The Hero with a Thousand Faces, The Power of Myth, and The Inner Reaches of Outer Space, Campbell reported on the synthesis he found while comparing the myths and legends of many cultures. The Hero’s Journey was his all-embracing metaphor for the deep inner journey of transformation that heroes in every time and place seem to share, a path that leads them through great movements of separation, descent, ordeal, and return. In reaction to Campbell’s work, a man named George Lucas composed what many have called a myth for our times - the Star War series, in which young heroes of a highly technological civilization confront the same demons, trials, and wonders as the heroes of old. ... The Stages of the Hero's Journey All stories consist of common structural elements of Stages found universally in myths, fairy tales, dreams, and movies. These twelve Stages compose the Hero's Journey. What follows is a simple overview of each Stage, illustrating basic characteristics and functions. Use it as a quick-reference guide as you explore the genre and movie analyses. Since it cannot provide all of Christopher Vogler's insights upon which it was based, I recommend you refer to his book, The Writer's Journey, for a much more thorough evaluation. -
August 2021 CURRICULUM VITAE Dennis Patrick Slattery, Ph.D. Email: [email protected] [email protected] Website
August 2021 CURRICULUM VITAE Dennis Patrick Slattery, Ph.D. Email: [email protected] [email protected] Website: www.Dennispatrickslattery.com Current Position Distinguished Professor Emeritus, Mythological Studies and Depth Psychology Programs, Pacifica GraDuate Institute, Carpinteria, California. 1995-Present Current AdDress: New Braunfels, Texas 78132 Cell Phone: 830-708-1106 Education Cuyahoga Community College l963-65 ClevelanD State University l965-67 Kent State University l967-68 BA/English/Psychology Kent State University l968-72 MA/Comparative Literature University of Dallas l972-76 MA/Literature/Phenomenology University of Dallas Ph.D. Literature/Phenomenology Academic Positions Instructor in Special EDucation, Palmyra Elementary School, Ravenna, Ohio, l968-70. Instructor in English anD Psychology, Lorain Catholic High School, Lorain, Ohio, l970-72. Instructor of English anD Composition, Mountain View College, Dallas, Texas, l976-80. Part time appointments. Instructor of English, University of Dallas, Rome, Italy campus, l976-78. Assistant Professor of English, University of Dallas, Irving, Texas campus, l978-79. Faculty, The Dallas Teachers Summer Institute, The Dallas Institute of Humanities anD Culture, l983-86. 1 Instructor of Freshman Composition, Texas Christian University, Fort Worth, Texas l980-8l. Instructor of Rhetoric, Southern Methodist University, Dallas, Texas l981-87. 1984-86: Part of a six-member faculty in an NEH-sponsored Summer Institute in Literature for area high school teachers of English, Dallas, Texas. The Institute is held During the month of July of each summer. Focus of the program is on the Epic, Comedy, Tragedy, as modes of knowledge. The NEH grant, valueD at $400,000, is the largest given in the state of Texas. -
102 the Message of the Myth
File Name: Sequence 1-IPF-JC-102 Transcriber I-Source QA/QC Comments Length of file: 00:56:28 Audio Category List volume, accent, background noise, ESL speakers. Any Comments [e. G. times of recording not needing transcription, accents, etc. ] Any Problems with Recording [e. g. background noise, static, etc] Unusual Words or Terms: Must be completed [E. g. Abbreviations, Company Names, Names of people or places, technical jargon] Number of Speakers: 2 The Message of the Myth Page#1 Moyers: Genesis 1; in the beginning God created the heavens and the earth, the earth was without form and void and darkness was upon the face of the deep. Joseph Campbell: This is the song of the world from legend of the Pima Indians. In the beginning, there was only darkness everywhere, darkness and water. And the darkness gathered thick in places crowding together, and then separating, crowding, and separating. Moyers: And the spirit of God [00:01:00] was moving over the face of the waters and God said let there be light. Joseph Campbell: This is from the Hindu Upanishad. In the beginning there was only the great self reflected in the form of a person reflecting it found nothing about itself then its first word was this am I. Moyers: Joseph Campbell was [00:02:00] nine years old when his father took him to the American Museum of natural history here in New York City, the totem poles and masks mesmerized him, who made them he wondered and why, what did they mean. The little boy who began to read everything he could about Indians went on to become a foremost teacher and interpreter of mythology. -
A Mythical and Ritualistic Approach to Audiovisual Scoring, from Documentary to Multimedia
A Mythical and Ritualistic Approach to Audiovisual Scoring, from Documentary to Multimedia Alfons Conde Submitted in partial fulfilment of the requirements for the degree of PhD in Composition Royal Holloway, University of London 2019 Declaration of Authorship I, Alfons Conde del Campo, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: March 2, 2019 1 Abstract This research examines the multidisciplinary approaches to the matter of narrative and emotion in music for visual media, focusing on the mythical and ritualistic aspects that stand at the core of every audiovisual composition. Myth, ritual, and symbol, have a strong interconnection with narrative and consequently are frequently analysed in the context of the media arts. However, music is typically omitted from such analysis, or just tangentially mentioned. I aim to determine the validity of this approach in different audiovisual genres, from film to multimedia projects, through the presentation of the methodology I apply both to my academic teaching and in my compositional output. First, I will look at the existing debates about the narrativization of music, and the known methodologies in composing for audiovisuals. Then, I will perform an in- depth analysis of narrative theory: classifying the different theories by chronologically introducing the theorists who formulated them, and showing how they are interrelated. Myth is a central concept in some of these theories, so I will explain the term and its relationship with narrative. I will then go one step further and explore myth-ritual theory, and analyse how myth and ritual can be applied to storytelling in audiovisual media. -
The Forked Road of Narrative. Vol. II. an Exegesis. the Hero at the Crossroads
The Forked Road Of Narrative In The Hero’s Journey Volume II: An Exegesis The Hero at the Crossroads to accompany Volume I: the Creative work Cards for the Samurai (a novel) by Con Anemogiannis Thesis for the degree of Doctor of Philosophy in Creative Writing Discipline of English and Creative Writing School of the Humanities The University of Adelaide ii TABLE OF CONTENTS Title Page i Table of Contents for Volume II ii Abstract iii Declaration v Acknowledgements vi Volume II: An Exegesis entitled The Hero at the Crossroads 4-84 General Introduction 1-3 CHAPTER ONE Accelerating the Hero 4-19 CHAPTER TWO The Hero Slows Down 20-33 CHAPTER THREE The Dividing and Uniting Road of the Hero’s Journey 34-47 CHAPTER FOUR The Writer as Hero 48-61 Conclusion 62-63 Cited References 64-70 General Bibliography 71-82 Volume I: The Creative work entitled Cards for the Samurai 1-253 iii ABSTRACT This thesis is entitled, The Forked Road of Narrative in the Hero’s Journey. The Exegesis accompanying the creative work, Cards for the Samurai, is entitled The Hero At the Crossroads. It discusses perceived changes and abridgements to the hero-quest in literature and cinema. The research questions I seek to answer in the Exegesis, and by execution in the creative work, are: Has there has been a shift, or abridgement in the hero-quest narratives of cinema and literature? Is the role of the ‘monster’—as I term the narrative impediments that the hero must face—becoming more important than the narrative resolution? Are writers of quest novels—like myself—making the jeopardy more important than the ‘grail,’ or prize the hero seeks? Is this a result of audience, or reader expectations? Are such perceived changes being guided by writers and screenwriters seeking a more economical narrative to the plodding hero-quest of old? In the Exegesis I investigate how these perceived changes, or abridgments to the hero-quest may have come about. -
Two Views of the Heroine in Diana Paxson's the White Raven
Volume 18 Number 1 Article 5 Fall 10-15-1991 The Secret Queen: Two Views of the Heroine in Diana Paxson's The White Raven Bruce Byfield Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Byfield, Bruce (1991) "The Secret Queen: Two Views of the Heroine in Diana Paxson's The White Raven," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 18 : No. 1 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol18/iss1/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Contrasts Esseilte, who typifies the Campbellian oler of the female in her symbolic relationship to the male, with Branwen—who challenges this pattern “by pursuing her own enlightenment in much the same way that a male hero does.” Additional Keywords Heroines; Paxson, Diana—Characters—Branwen; Paxson, Diana—Characters—Drustan; Paxson, Diana—Characters—Esseilte; Paxson, Diana—Characters—Marc’h; Paxson, Diana. -
Desai Mallika Desai Viraj Shah Understanding Myths
Desai 1 Mallika Desai Viraj Shah Understanding Myths 24th November 2016 The Modern Influence and Impact of Joseph Campbell’s Monomyth Myths began as mythos, and as they began to be studied their definition began to blur across disciplines. Myth is now viewed as sacred, historical, allegorical, ritualistic, psychological and even as symbolic. It can no longer be definitively described existing in a singular manner, but rather, as being fluid. Myth appears to suit the need of a society and academia at any given time. It has been studied philologically, allegorically, euhemeristically, through romanticism and psychoanalytically. These approaches were augmented by a literary and symbolic perspective, eventually popularized by Joseph Campbell. Robert Segal however, states that the study of a hero myth, or myths from a literary perspective, began as far back as the late 19th century in 1871 with Edward Tylor (85, as qtd. in Perlich &Whitt, 2010). In his book, he says that, Tylor stated that myths did appear to follow a common pattern where a hero was concerned. This view was also supported by Austrian and Russian scholars such as Johann Georg von Han and Vladimir Propp. The repetition in narrative elements had thus been noted across Aryan and Russian fairytales as well (85, as qtd. in Perlich &Whitt, 2010). However, Campbell remains the most prominent scholar on the hero pattern. Campbell was born in 1904 and worked as an American writer, educator and scholar best known for his work with comparative mythology and comparative religion (New World Encyclopedia). He had a large body of work published and edited over his lifetime, all incredibly culturally diverse as they ranged across societies and time periods. -
{Download PDF} the Power of Myth Ebook, Epub
THE POWER OF MYTH PDF, EPUB, EBOOK Joseph Campbell,Bill Moyers | 236 pages | 20 Sep 1989 | Bantam Doubleday Dell Publishing Group Inc | 9780385247740 | English | New York, United States The Power of Myth PDF Book Campbell jumps from one myth to another; dwelling in the fact of its existence and never going beyond to study its meaning, relevance, depth, or "power," making his bias towards Buddhism unblushingly obvious and un Professor Campell leaves the reader wanting a more profound insight regarding the human person's social, anthropological, and religious need for myth; instead we are left with, well, to use one of his anecdotes: "We don't have a Philosophy, or a Theology Comments and questions about our policy are welcome. Well, you see, this thing communicates. Refresh and try again. His answer is that we create our own meaning in the world. Joseph Campbell. If you want to get to know Campbell's ideas, there are better works - especially "Hero with a Thousand Faces" and the four-volume "Masks of God" - to read, but this series of interviews, which one can also watch on video, remains a good introduction to his worldview and approach, and had a big impact on me when I first encountered it in my 20s. Feb 29, Jason Koivu rated it it was amazing Shelves: fiction , non-fiction , history , fantasy , psychology-philosophy. I don't wanna get dramatic in a Goodreads review. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people. Contemporary rituals are carried out to mark special events in private lives, such as an individual's marriage or enlistment in a branch of the armed forces and, on public occasions such as the inauguration of civil and national leaders. -
Joseph Campbell
The Power of Myth (Anchor Edition, 1991) by Joseph Campbell with Bill Moyers a.b.e- book v3.0 / Notes at EOF FIRST ANCHOR BOOKS EDITION, JULY 1991 Copyright© 1988 by ApostropheS Productions, Inc., and Alfred van der Marck Editions All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Anchor Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. The fully illustrated edition of The Power of Myth was originally published in both hardcover and paperback by Doubleday in 1988. The Anchor Books edition is published by arrangement with Doubleday. ANCHOR BOOKS and colophon are registered trademarks of Random House, Inc. Grateful acknowledgment is made to Barnes & Noble Books, Totowa, New Jersey, for permission to quote from "The Second Coming" by William Butler Yeats. Campbell, Joseph, 1904- The power of myth / Joseph Campbell, with Bill Moyers; Betty Sue Flowers, editor. -- 1st Anchor Books ed. p. cm. 1. Myth. 2. Campbell, Joseph, 1904- -- Interviews. 3. Religion historians -- United States -- Interviews. I. Moyers, Bill D. II. Flowers, Betty S. III. Title. [BL304.C36 1990] 90-23860 291.1'3 -- dc20 CIP ISBN 0-385-41886-8 www.anchorbooks.com PRINTED IN THE UNITED STATES OF AMERICA 26 25 24 23 2221 20 19 18 To Judith, who has long heard the music Contents Editor's Note Introduction by Bill Moyers I Myth and the Modern World II The Journey Inward III The First Storytellers IV Sacrifice and Bliss V The Hero's Adventure VI The Gift of the Goddess VII Tales of Love and Marriage VIII Masks of Eternity Editor's Note This conversation between Bill Moyers and Joseph Campbell took place in 1985 and 1986 at George Lucas' Skywalker Ranch and later at the Museum of Natural History in New York. -
Joseph Campbell Collection
http://oac.cdlib.org/findaid/ark:/13030/c8rx9j4g No online items Joseph Campbell Collection Finding aid prepared by Archives Staff Opus Archives and Research Center 801 Ladera Lane Santa Barbara, CA, 93108 805-969-5750 [email protected] http://www.opusarchives.org © 2017 Joseph Campbell Collection 1 Descriptive Summary Title: Joseph Campbell Collection Physical Description: 58 linear feet(52 boxes) Repository: Opus Archives and Research Center Santa Barbara, CA 93108 Language of Material: English Scope and Content Note The Joseph Campbell collection consists of artifacts and audiovisual materials, including lecture recordings and film, that were created or collected throughout the course of his lifetime, as well as his personal library (catalogued separately). There are approximately 1,200 audio taped lectures and video tapes from during the decades he taught at Sarah Lawrence College, Eranos, Esalen, and elsewhere. The approximately 650 audio tape cassettes of Campbell’s public lectures reveal the scope of his interests in comparative mythology, religious studies, the hero’s journey, Indian mythology, the literature of James Joyce and Thomas Mann, and the psychologies of Sigmund Freud and C.J. Jung. Consists of two series: 1) Artifacts and 2) Audiovisual. Campbell’s personal library contains approximately 3,000 volumes in the fields of mythology, literature, art, philosophy, and religion. A number of the volumes are rare and many of the books contain his marginalia. Search Campbell’s collection of books at the Joseph Campbell Library . Campbell’s research notes, lecture notes and syllabi, correspondence files, and manuscripts are located at the New York Public Library, Manuscripts and Archives Division.