Hang Down Your Head, Tom Dooley Introduction Thomas C. Dula (June
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American Folk Music, from Traditional to 'Freak'
22 July 2012 | MP3 at voaspecialenglish.com American Folk Music, From Traditional to 'Freak' Welcome to THIS IS AMERICA in VOA Special English. This week on our program, Barbara Klein explores American folk music, the music of the people. (MUSIC) "Good Night Irene," is an example of a traditional folk song. That means the song is so old, no one really knows who wrote it. Huddie Ledbetter, the singer and guitarist known as Ledbelly, first recorded "Good Night Irene" in nineteen thirty-two. Since then more than a hundred other versions have been recorded. "Good Night Irene," was a huge hit for the Weavers in nineteen fifty. (MUSIC) Folk music researcher Bob Carlin notes the historic importance of protest songs. They help give voice to cultural and social movements, he says. One of the members of the Weavers was Pete Seeger. He was among those who popularized folk music in the nineteen forties. Later, he wrote some of the best known songs of the civil rights and anti-Vietnam War protests of the sixties. Pete Seeger could be called the King of the Protest Song, in the words of folk musician Tony Trischka. Yet his greatest influence may have come from popularizing a song that he himself did not write. "We Shall Overcome" came from a Negro spiritual. As Tony Trischka points out, the original version was called "We Will Overcome." Pete Seeger thought "shall" sounded better. And he made other changes, like adding the verse "we are not afraid" to offer support for the protests taking place across the country. -
The Recording Industry's Influence on Vernacular Traditions 1920-1960
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly Amanda Kate Smith University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Music Commons Recommended Citation Smith, Amanda Kate, "The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly" (2013). Theses and Dissertations. 162. https://dc.uwm.edu/etd/162 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE RECORDING INDUSTRY’S INFLUENCE ON VERNACULAR TRADITIONS 1920-1960: ILLUSTRATED CASE STUDIES OF MAMIE SMITH, THE CARTER FAMILY, AND LEADBELLY by Amanda Smith A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee May 2013 ABSTRACT THE RECORDING INDUSTRY’S INFLUENCE ON VERNACULAR TRADITIONS 1920-1960: ILLUSTRATED CASE STUDIES OF MAMIE SMITH, THE CARTER FAMILY, AND LEADBELLY by Amanda Smith The University of Wisconsin-Milwaukee 2013 Under the Supervision of Professor Gillian Rodger In this study, the Kingston Trio’s 1958 recording of “Tom Dooley” is used as a starting point to explore the recording industry’s commercialization of folk music in the first half of the twentieth century. Three case studies – Mamie Smith, the Carter Family, and Leadbelly – address trends in academic folk music scholarship that juxtaposed an initial rise in a commercial music culture that began with early 1920s race recordings and culminates in the folk-revival in the post-WWII period. -
Read Ebook {PDF EPUB} Ghost Riders by Sharyn Mccrumb Sharyn Mccrumb
Read Ebook {PDF EPUB} Ghost Riders by Sharyn McCrumb Sharyn McCrumb. The Civil War in the Appalachian Mountains where the wrong side was to take a side. There the war was fought house to house and farm to farm, and the enemy was not a uniformed stranger, but a neighbor, possibly a kinsman. Order Ghost Riders Now. Trade paperback signed by the author. $16.95 plus $4 domestic shipping. Virginia state sales tax added to orders shipped to Virginia addresses. Kindle Edition. Audio CD Edition. Rank Strangers/Ghost Riders CD. Music and reading from Rank Strangers , the original title of Sharyn's novel, Ghost Riders . This extended single CD includes the ballad The Battle on Shiloh's Hill performed by Jack Hinshelwood and a reading by Sharyn McCrumb. Running time 19:52. $7 plus $4 domestic shipping. Virginia state sales tax added to orders shipped to Virginia addresses. Rich in Historical Detail. Critically-acclaimed New York Times bestselling author Sharyn McCrumb chronicles the Civil War in the Southern mountains in Ghost Riders , an extraordinary tale of the war that was fought farm-to-farm, neighbor to neighbor in the part of the South that never wanted to leave the union. Ghost Riders won the 2004 Audie Award for Best Multi-voiced Narration. The award was announced June 4 at the Audio Publishers Association Conference, part of Book Expo 2004 in Chicago, Illinois. Sharyn also won the Wilma Dykeman Award for Regional Historical Literature by the East Tennessee Historical Society. This award is given annually to an author whose writing reflects the excellence, heritage, culture and diversity of Appalachia. -
Under the Shadow of the Awful Gallows-Tree: the Murder Trials Of
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2015 Under the Shadow of the Awful Gallows-Tree: The Murder Trials of Thomas Dula and Ann Melton as a Case Study in Gender and Power in Reconstruction Era Western North Carolina Heather L. Miller East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Cultural History Commons, History of Gender Commons, Social History Commons, United States History Commons, and the Women's History Commons Recommended Citation Miller, Heather L., "Under the Shadow of the Awful Gallows-Tree: The urM der Trials of Thomas Dula and Ann Melton as a Case Study in Gender and Power in Reconstruction Era Western North Carolina" (2015). Electronic Theses and Dissertations. Paper 2518. https://dc.etsu.edu/etd/2518 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Under the Shadow of the Awful Gallows-Tree: The Murder Trials of Thomas Dula and Ann Melton as a Case Study in Gender and Power in Reconstruction Era Western North Carolina _____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History _____________________ by Heather Lenae Miller May 2015 ______________________ Dr. -
The Story of the “Ballad of Tom Dooley”1 James “Sparky” Rucker
The Story of the “Ballad of Tom Dooley”1 James “Sparky” Rucker Appalachian Heritage, Volume 36, Number 1, Winter 2008, pp. 49-53 (Article) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/aph.2008.0023 For additional information about this article https://muse.jhu.edu/article/237273 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] THE STORY OF THE “BALLAD OF TOM DOOLEY”1 James “Sparky” Rucker Years ago I was performing in Wilkes County, North Carolina. On the program was a friend of mine named Bobby McMillan, a fine folk performer, storyteller, and ballad singer whom I had known since our early performing days up in Cosby, Tennessee, in the cradle of the Great Smoky Mountains. I did my usual stories leading into songs, with a smattering of Civil-War-era songs, and African American ballads such as “Stagolee” thrown in for good measure. After our performances, several of the local teenagers and college-aged folks gathered around to talk and “swap lies.” One of the locals expressed their joy at my songs about “bad men” and mentioned that an old folk legend, “Tom Dooley,” had taken place around those parts and that some of them were “kin” to the characters in the song. I expressed interest and was shortly taken up to the gravesite of Tom Dula and his alleged murder victim, Laura Foster. Then they proceeded to tell me of the local legend that Tom had “not committed the murder,” but that Laura’s cousin, Anne Foster Melton, who had been a rival for the affections of Tom, had given a “death-bed” confession to the murder.