University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly Amanda Kate Smith University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Music Commons Recommended Citation Smith, Amanda Kate, "The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly" (2013). Theses and Dissertations. 162. https://dc.uwm.edu/etd/162 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact
[email protected]. THE RECORDING INDUSTRY’S INFLUENCE ON VERNACULAR TRADITIONS 1920-1960: ILLUSTRATED CASE STUDIES OF MAMIE SMITH, THE CARTER FAMILY, AND LEADBELLY by Amanda Smith A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee May 2013 ABSTRACT THE RECORDING INDUSTRY’S INFLUENCE ON VERNACULAR TRADITIONS 1920-1960: ILLUSTRATED CASE STUDIES OF MAMIE SMITH, THE CARTER FAMILY, AND LEADBELLY by Amanda Smith The University of Wisconsin-Milwaukee 2013 Under the Supervision of Professor Gillian Rodger In this study, the Kingston Trio’s 1958 recording of “Tom Dooley” is used as a starting point to explore the recording industry’s commercialization of folk music in the first half of the twentieth century. Three case studies – Mamie Smith, the Carter Family, and Leadbelly – address trends in academic folk music scholarship that juxtaposed an initial rise in a commercial music culture that began with early 1920s race recordings and culminates in the folk-revival in the post-WWII period.