Island Studies Journal, Vol. 8, No.1, 2013, pp. 39-54 Stepping-stones to the Edge: Artistic Expressions of Islandness in an Ocean of Islands Laurie Brinklow School of Geography and Environmental Studies University of Tasmania, Australia
[email protected] Abstract: Since the earliest of times, islands have captured the artistic imagination—and, often, for the artist who finds his or her muse in being ‘islanded’, the smaller the island the better. Archipelagos offer an ideal setting for artists who take their inspiration from place: on small islands off islands they can experience an intensity of island living they might not otherwise have on a main island: boundedness and connection, isolation and community. This paper examines expressions of islandness by artists who live on islands off islands that are poles apart—‘archipelagos’ of the Canadian North Atlantic and the Great Southern Ocean. It draws upon interviews with those artists and writers to consider the nature of humans’ attachment and attraction to islands, exploring through the lens of phenomenology what Stratford et al. call the “entanglement between and among islands”. Keywords : archipelagos; artists; Bruny Island; Fogo Island; Grey Islands; insularity; islandness; Newfoundland; resilience; Tasmania © 2013 Institute of Island Studies, University of Prince Edward Island, Canada. Introduction Thank God we’re surrounded by water… —Tom Cahill, folk singer, Newfoundland and Labrador The allure of islands goes back to the most ancient of times. “The importance of islands,” writes geographer Yi-Fu Tuan (1974, p. 118), “lies in the imaginative realm. Many of the world’s cosmogonies, we have seen, begin with the watery chaos: land, when it appears, is necessarily an island”.