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The Organist in Victorian Literature, Palgrave Studies in Music and Literature, DOI 10.1007/978-3-319-49223-0 102 BIBLIOGRAPHY BIBLIOGRAPHY BOOKS Adelmann, Dale. The Contribution of Cambridge Ecclesiologists to the Revival of Anglican Choral Worship, 1839–62 (Aldershot; Burlington: Ashgate, c. 1997). Adorno, Theodor W. Quasi una Fantasia (Frankfurt am Main: Suhrkamp, 1963). Barger, Judith. Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England (Aldershot; Burlington: Ashgate, 2007). Barth, Karl. How I Changed My Mind (Richmond, VA: John Knox, 1966). Bashford, Christina, and Langley, Leanne. Music and British Culture, 1785–1914 – Essays in Honour of Cyril Ehrlich (Oxford: Oxford University Press, 2000). Begbie, Jeremy S. Theology, Music, and Time (Cambridge: Cambridge University Press, 2000). Berdoe, Edward. ed. Browning Studies: Being Select Papers by Members of the Browning Society (London: George Allen, 1909). Brooke, Stopford A. The Poetry of Robert Browning (London: Isbister and Company Ltd., 1903). Browning, Robert. The Complete Works of Robert Browning, Vol. VI, eds. Berkey, John C, Dooley, Allan C, Dooley, Susan E. (Athens, OH: Ohio University Press, 2003). Browning, Robert. Robert Browning’s Poetry, eds. Loucks, James F., Stauffer, Andrew M. (New York: W. W. Norton, c. 2007). Buckley, Jerome Hamilton. The Victorian Temper (New York: Random House, 1951). Bujić, Bojan. Music in European Thought, 1851–1912 (Cambridge: Cambridge University Press, 1988). © The Author(s) 2017 101 I. Quinn, The Organist in Victorian Literature, Palgrave Studies in Music and Literature, DOI 10.1007/978-3-319-49223-0 102 BIBLIOGRAPHY Burney, Charles. The Present State of Music in Germany, The Netherlands, and United Provinces, 2nd edn. (London, 1775; reprint, New York: Broude, 1969). Burney, Fanny. Memoirs of Dr. Burney, by his Daughter Madame D’Arblay (1832). Chittolini, G., and Miccolo, G. eds. Storia d’Italia, Annali 9: La Chiesa e il potere politico dal Medioeve all’età contemporanea (Turin: Giulio Einaudi, 1986). Colley, Linda. Britons (London: Pimlico, 2003). Cooper, Janette. The Reluctant Organist. RSCM Handbook no. 1 (Croydon: Royal School of Church Music, 1976). Cowgill, Rachel, and Hewitt, Martin, eds. Victorian Soundscapes Revisited (Horsforth, Leeds: Trinity and All Saints/Leeds Centre for Victorian Studies, c. 2007). Cox, John Edward. Musical Recollections of the Last Half Century ([S.I]: Lensley, 1872). Dahlhaus, Carl. Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley: University of California Press, c. 1989). Dahlhaus, Carl. The Idea of Absolute Music, trans. Roger Lustig (Chicago: University of Chicago Press, 1989). de Beauvoir, Simone. The Second Sex (London: Jonathan Cape, 1960). DeVane, William Clyde. A Browning Handbook (New York: Appleton-Century- Crofts, 1955). Dibble, Jeremy and Zon, Bennett. eds. Nineteenth-Century British Music Studies, Vols. 1 and 2 (Aldershot: Ashgate, c. 1999–2002). Drew, Philip. ed. Robert Browning: A Collection of Critical Essays (London: Methuen, 1966). Ehrlich, Cyril. The Music Profession in Britain Since the Eighteenth Century – A Social History (Oxford: Clarendon Press, 1985). Ellis, Mrs [Sarah Stickney], The Daughters of England: Their Positions in Society, Character and Responsibilities (London: Fisher, 1842). Elvey, Lady Mary. Life and Reminiscences of George J. Elvey (London: Sampson Low & Co., 1894). Etter, Brian K. From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order (Aldershot: Ashgate, 2001). ———Fellowes, Edmund Horace. English Cathedral Music (London: Methuen, 1969). Ferguson, Donald L. Music as Metaphor (Westport: Greenwood Press, 1960). Figes, Eva. Patriarchal Attitudes (London: Faber & Faber, 1970). Finlayson, Iain. Browning: A Private Life (London: HarperCollins, 2004). Foucault, Michel. The History of Sexuality, Vol. 1 (London: Lane, 1979). Friedan, Betty. The Feminine Mystique (New York: Penguin Books, 1965). Fuller, Sophie, and Losseff, Nicky. eds. The Idea of Music in Victorian Fiction (Aldershot: Ashgate, c. 2004). Gatens, Wiliam J. Victorian Cathedral Music in Theory and Practice (Cambridge: Cambridge University Press, 1986). BIBLIOGRAPHY 103 Goehr, Lydia. The Imaginary Museum of Musical Works (Oxford: Clarendon Press, 1992). Gridley, Roy E. Browning (London; Boston: Routledge & Kegan, 1972). Griffin, William Hall and Minchin, Harry Christopher. The Life of Robert Browning (London: Methuen and Co., 1938). Grundy, Joan. Hardy and the Sister Arts (London: Macmillan, 1979). Habermas, Jürgen. ed. Observations on ‘The Spiritual Situation of the Age’: Contemporary German Perspectives (Cambridge, MA; London: MIT Press, 1984). Hanslick, Eduard. Vom Musikalisch-Schönen, trans. Cohen, Gustav (Indianapolis: Bobbs – Merrill, c. 1957). Hardy, Thomas. The Collected Poems of Thomas Hardy (London: Macmillan, 1930). Hardy, Thomas. The Complete Poems, ed. J. Gibson (London: Macmillan, 1976). Hardy, Thomas. Under the Greenwood Tree (London: Chatto & Windus, 1906). Hawlin, Stefan. The Complete Critical Guide to Robert Browning (London; New York: Routledge, 2001). Heathcote Statham, H. The Organ and its Position in Musical Art (London: Chapman and Hall, 1909). Hegel, Georg Wilhem Friedrich. Aesthetics, Lectures on Fine Art, trans. T. M. Knox (Oxford: Clarendon Press, 1975), Vol. II. Herder, Johann Gottfried. Werke, ed. Heinrich Düntzer (Berline, n.d.). Highfill, Philip H., Burnim, Kalman A., Langhans, Edward A. A Biographical Dictionary of Actors, Actresses, Musicians ...in London, 1660–1800, Vol. 1 (Carbondale, 1973–1982). Hoffmann, E. T. A. Schriften zur Musik, ed. Friedrich Schnapp (Munich, 1964). Howes, Frank. Man, Mind and Music (London: Secker & Warburg, 1948). Hughes, John. “Ecstatic Sound”: Music and Individuality in the work of Thomas Hardy (Aldershot: Ashgate, 2001). Hutchings, Arthur. Church Music in the Nineteenth Century (London: Herbert Jenkins, 1967). Irving, Howard Lee. Ancients and Moderns (Aldershot; Burlington: Ashgate, 1999). Jebb, John. Three Lectures on the Cathedral Service. 2nd edn., with additions Leeds: T. W. Green (London: F. & J. Rivington, 1845). Johnson, Lionel Pigot. The Art of Thomas Hardy (London: John Lane The Bodley Head, 1923). Kendall, Alan. The Tender Tyrant: Nadia Boulanger (London: Macdonald & Jane’s, 1976). Kierkegaard, Søren. Either/Or, trans. David F. Swenson and Lillian Marvin Swenson (Princeton: Princeton University Press, 1944). 104 BIBLIOGRAPHY Kingsland, William J. Robert Browning: Chief Poet of the Age (London: J. W. Jarvis, 1890). La Trobe, John Antes. The Music of the Church (London: Seeley & Burnside, 1831). Laycock, Thomas. A Treatise on the Nervous Diseases of Women: Comprising an Enquiry into the Nature, Causes and Treatment of Spinal and Hysterical Disorders (London: Longman, 1840). Le Huray, Peter. ed. Music and Aesthetics in Eighteenth and Early Nineteenth Centuries (Cambridge: Cambridge University Press, 1981). Leppert, Richard. Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England (Cambridge: Cambridge University Press, 1988). Lippman, Edward A. A History of Western Musical Aesthetics (Lincoln; London: University of Nebraska Press, c. 1992). Maynard, John. Browning’s Youth (Cambridge, MA: Harvard University Press, 1977). Maynard, John. Browning Re-Viewed (New York: Peter Lang Publishing, 1998). McAleer, Edward C. Dearest Isa (Austin: University of Texas Press, 1951). McClary, Susan. Feminine Endings: Music, Gender and Sexuality (Minneapolis: University of Minnesota Press, 1991). Mitchell, Juliet. Psychoanalysis and Feminism (New York: Pantheon Books, 1975). Monson, Craig. ed. The Crannied Wall: Women, Religion, and the Arts in Early Modern Europe (Ann Arbor: University of Michigan Press, c. 1992). Moritz, Karl Philip. Schriften zur Ästhetik und Poetik, ed. Hans-Joachim Schrimpf (Tübingen: M. Niemeyer, 1962). Mumm, Susan. Stolen Daughters, Virgin Mothers: Anglican Sisterhoods in Victorian Britain (London; Washington, DC: Leicester University Press, 1999). Mumm, Susan. ed. All Saints Sisters of the Poor: An Anglican Sisterhood in the Nineteenth Century (Woodbridge: Boydell, 2001). Naylor, Edwin W. The Poets and Music (Westport: Hyperion Press, Inc., 1928). Neville-Sington, Pamela. Robert Browning. A Life after Death (London: Weidenfeld & Nicholson, 2004). Paddison, Max. Adorno’s Aesthetics of Music (Cambridge: Cambridge University Press, 1993). Pinion, Francis Bertram. A Commentary on the Poems of Thomas Hardy (London: Macmillan, 1976) Pollock, Mary Sanders. Elizabeth Barrett and Robert Browning: A Creative Partnership (Ashford: Ashgate Publishing Company, 2003). Proceedings of the Royal Musical Association, 1874–1899. Pullan, Mrs [Matilda Marian] Maternal Counsels (London: Darton, 1855). Quinn, Iain. The Genesis and Developent of an English Organ Sonata (Abingdon: Royal Musical Association Monograph Series – Routledge, 2017). BIBLIOGRAPHY 105 Rainbow, Bernarr. The Land Without Music: Musical Education in England 1800– 1860 and its Continental Antecedents (London: Novello, 1967). Rosen, Charles. The Romantic Generation (London: Fontana Press, 1999). Routley, Erik. Twentieth Century Church Music (London: Jenkins, 1966). Ruskin, John. Queen of the Air: Being a Study of the Greek Myths of Cloud and Storm (London: Smith, Elder, 1869). Ruskin, John. The Stones of Venice, Vol. II (Sunnyside, Orpington: George Allen, 1886). Sailer, Johann Michael. Sämmtliche Werke, ed. Joseph Widmer (Sulzbach: J. E. v. Seidel, 1839). Schleirermacher, Friedrich. Christian Faith, ed. H. R. Mackintosh and J. S. Stewart. (Edinburgh: T. & T. Clark, 1948 [1928]). Schoffman,
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