View of Secondary Sources, Evidence Was Inconclusive As to the Extent to Which Subject-Specific Studies Like This in Online Catalogs Had Previously Been Done

CORE SOURCES ON HARMONY AS REPRESENTED IN OHIO INSTITUTIONS: A SURVEY OF REPRESENTATIVE SOURCES FOUND IN OHIOLINK LIBRARIES ASSOCIATED WITH NASM-ACCREDITED MUSIC PROGRAMS

A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts

Peter H. Lisius

May, 2011

Thesis written by

Peter H. Lisius

B.A, Luther College, 1998

M.L.S., Indiana University, 2000

M.A., Kent State University, 2011

Approved by

, Advisor Richard O. Devore

, Director, School of Music Denise A. Seachrist , Dean, College of the Arts John R. Crawford

TABLE OF CONTENTS

TABLE OF CONTENTS………………………………………………………………. iii

ACKNOWLEDGEMENTS……………………………………………………………... v

CHAPTER I. INTRODUCTION…………...... 1 Background of Topic Need for the Study Methodology

II. SOURCES ON HARMONY…………………………………………………. 6 Classification of Sources MT50 Library of Congress Classification Other Classifications Appropriate to Harmony Historical Sources Modern Sources Historical Textbooks Modern Textbooks Sources Important to Theorists and Students of Theory

III. NASM-ACCREDITED SCHOOLS IN OHIO AND THEIR MUSIC PROGRAMS……………………………………….. 18 Divisions of Schools By: Highest Degree Conferred Specific Types of Degrees Conferred Existence of a Separate Music or Performing Arts Library Association with an ARL Institution

IV. ANALYSIS OF RESULTS………………………………………………… 23 Search Results Examination of Sources Searched Against OhioLINK Holding Patterns in Comparison with Categories of NASM-Accredited Schools

V. RECOMMENDATIONS/CONCLUSION………………………………….. 41 Trends of Holdings in Libraries Associated with NASM-Accredited Institutions Appropriateness of OhioLINK Library Holdings Relating to Sources on Harmony Recommendations as to How Libraries in Ohio Can Better Serve Their Patrons Conclusion

iii

APPENDICES A. OhioLINK Libraries: Sources on Harmony in NASM-Accredited Institutions (Ashland University through the University of Mount Union)………… 48 B. OhioLINK Libraries: Sources on Harmony in NASM-Accredited Institutions (Mount Vernon Nazarene University thorough Youngstown State University)……………………………………………………………… 60 C. NASM-Accredited Programs in Ohio and Their Libraries……………………... 72

REFERENCES…………………………………………………………………………. 74 Primary Sources Secondary Sources

ACKNOWLEDGEMENTS

I would like to thank my thesis advisor Dr. Richard Devore and thesis committee members Dr. Thomas Janson and Dr. Ralph Lorenz for their guidance in researching, writing, and editing this thesis. I would also like to express sincere gratitude to my colleague Michael Kreyche for his help in presenting this document. Additionally, I would like to also extend a more general thank you to all my librarian colleagues throughout the state of Ohio for striving hard to provide quality access materials across all disciplines.

CHAPTER I

INTRODUCTION

This study involves important sources on harmony classed principally in the

MT50 section of a library. It will also assess whether harmony-specific research materials important to the field of music theory are being appropriately represented in

Ohio institutions at a level that supports the degree programs offered. In a broader sense, however, it is ultimately hoped that the results of this study will prove to be a useful measure in evaluating the appropriateness of library holdings in supporting the curricula of NASM-accredited schools (National Association of Schools of Music) in Ohio, and further, if the mission and operations of OhioLINK1 either support or detract from that mission.

A survey of the relevant and applicable literature reveals that studies of library collections where one begins by identifying a core group of sources pertinent to a specific discipline, and then searches those sources against a catalog such as OhioLINK, seem rare. Based on my initial review of secondary sources, evidence was inconclusive as to the extent to which subject-specific studies like this in online catalogs had previously been done. Many studies start from an analysis of a general library collection and/or development perspective first and draw conclusions based on collections as wholes, rather than focusing on a specific discipline.

For example, four articles have been published in the last ten years in library journals focusing specifically on OhioLINK and collection analysis and/or development.

1 OhioLINK is a state-funded consortium of Ohio university and college member libraries and the State Library of Ohio, through which students, faculty and staff affiliated with OhioLINK institutions can request and view various materials online, search authoritative databases, and make use of other services that enhance research and education (“OhioLINK Catalog and Online Borrowing Frequently Asked Questions,” accessed March 16, 2011, http://www.ohiolink.edu/help/catalog-faq.html) .

“The OhioLINK OCLC Collection Analysis Project: A Preliminary Report” by Anne T.

Gilliland describes the plans and work of the Online Computer Library Center (OCLC)

Research Office and OhioLINK’s joint project to analyze use data from Ohio college and university libraries.2 “What Deep Log Analysis Tells Us about the Impact of Big Deals:

Case Study OhioLINK” by David Nicolas … et al. presents the findings of deep log analysis on journal usage on OhioLINK.3 Paul O. Jenkins’ “The Approval Plan: What’s

In It for Small OhioLINK Libraries?” discusses topics as the title implies, but does not focus on a specific discipline.4 Finally, Rob Kairis’ “Consortium Level Collection

Development: A Duplication Study of the OhioLINK Central Catalog” uses samples of recently published books that checks for their availability at the OhioLINK Central

Catalog to determine the level of duplication in libraries around the state.5 It provides a concise snapshot of consortial collection development, but, again, it does not focus on a specific discipline.

MT as a broad classification refers to “music teaching,” and it is devoted to the instruction and study of music, containing methods, studies and exercises, and writings on the instruction and study of music. The MT50 section of the Library of Congress classification (LC) schedule is specifically for “Harmony.” According to LC

Classification Web, utilized by catalogers to classify materials using LC classification, it

2 Anne T. Gilliland, “The OhioLINK OCLC Collection Analysis Project: A Preliminary Report,” Collection Management 33, 1/2 (2008): 161-172. 3 David Nichols et al., “What Deep Log Analysis Tells Us about the Impact of Big Deals: Case Study OhioLINK,” Journal of Documentation 62, 4 (2006): 482-508. 4 Paul O. Jenkins, “The Approval Plan: What’s In It for Small OhioLINK Libraries?,” Library Collections, Acquisitions, & Technical Services 27 (2003): 179-181. 5 Rob Kairis, “Consortium Level Collection Development: A Duplication Study of the OhioLINK Central Catalog,” Library Collections, Acquisitions & Technical Services 27 (2003): 317-326.

3 is a subcategory of “Composition. Elements and techniques of music.”6 The vast majority of materials included in this study are housed under this classification.

The source materials examined in this study will be writings on music theory, specifically on harmony. Even more specifically, they include both modern and historical theoretical writings as well as modern and historical textbooks. The study covers eighteenth-century European, nineteenth-century European and American, and twentieth- and twenty-first century European and American writings. When deemed appropriate and useful, English translations of European sources geared toward American audiences will be studied as well. The study focuses primarily on monographic materials classed in MT50, which is the Library of Congress classification number for resources dealing with the subject of harmony. To a lesser extent, sources in other classifications such as the MT6 classification for “General works” in music theory, and the MT40 classification for works on “Composition” and “Elements and techniques of music,” are included on a case-by-case basis. Although not specifically classed in MT50, certain sources in the MT6 and MT40 classifications are important to the study of harmony, due to their importance as texts including strong emphases on harmony or by association to important theorists.

It must also be noted that five libraries under study—Capital University,

Cedarville University, Ohio Northern University, Sinclair Community College, and

Hiram College—employ Dewey Decimal Classification (DDC) as opposed to LC

Classification. At Oberlin College, the collection is split—newer materials are given LC classification, while older materials are in DDC classification. It appears that the common DDC number for materials relating to harmony is 781.3. Materials available in

6 LC Classification Web, searched November 11, 2010.

4 the microfiche and microopaque formats are many times classed in a local classification scheme. Occasionally, resources are also mis-classed. All the materials in classifications other than MT50 are documented in Appendices A and B.

The first step in this study was to document a core group of sources on harmony.

I made extensive use of The Cambridge History of Western Music Theory for this purpose, as well as using A History of Harmonic Theory in the United States by David M.

Thompson to cover important American sources on harmony.7, 8 Michael Rogers’

Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies was useful in identifying textbooks to be included in this study.9

NASM-accredited music programs in Ohio were then identified. A spreadsheet was created to identify the following factors: the highest level of academic degree conferred (Doctoral, Master’s, Bachelor’s, Associate’s), and what those specific degrees are; whether or not the institution has a separate music or performing arts library; and, whether the library attached to specific NASM-accredited programs is an Association of

Research Libraries (ARL) library. National Collegiate Athletic Association (NCAA) divisions are also included, intended mostly as a frame of reference, to help identify demographically similar institutions. Finally, notes identifying specific types of degrees and other unique institutional features are included in an additional column.

Once this information was identified and categorized, searches were done in

OhioLINK to see which libraries had what sources. These sources were searched over a

7 Thomas Christensen, ed., The Cambridge History of Western Music Theory (Cambridge: Cambridge University Press, 2002). 8 David M. Thompson, A History of Harmonic Theory in the United States (Kent, Ohio: Kent State University Press, 1980). 9 Michael R. Rogers, Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies, 2nd ed. (Carbondale, IL: Southern Illinois University Press, 2004).

5 three-day period in late June 2010, and the searches themselves were documented in a spreadsheet. Due to the possibility of the availability status changing between then and the time this document was written, the “date searched” was documented for all the sources searched. Next to the “date searched” column, the bibliographic information of each source was parsed out into its own respective column. This included author, title, edition, place of publication, publisher and year of publication. Following this information was a column for “type of source” (historical or modern), and then a column indicating if the source was American or European. Columns were then included for each NASM-accredited music school. Lastly, columns indicating OCLC numbers of bibliographic records and miscellaneous comments on sources searched were included.

The search results are analyzed in this document within the institutional parameters I provided in my initial spreadsheet of NASM-accredited music schools.

Recommendations to both scholars and librarians alike follow. This study should not only prove useful to librarians and music theorists in Ohio, but also librarians and scholars in other disciplines far beyond Ohio. In a time of budget and space constraints, it is more important than ever that scholars know and understand the extent to which core sources in their disciplines are represented in library collections at their respective institutions, and whether or not those sources are supporting the programs offered. This knowledge can also help librarians to sort “the wheat from the chaff,” especially when difficult collection trimming decisions must be made.

CHAPTER II

SOURCES ON HARMONY

This chapter will be devoted to identification and brief discussion of many of the most important sources on harmony in order to clarify choices and classifications articulated later in this study. The importance of sources will be considered here in relation to scholars, students of theory, and to the collections of a library serving those constituencies. The amount of data collected in preliminary findings, however, was so vast that this examination will in no way be exhaustive.

For the purposes of this study, the sources are divided into four categories: historical sources, historical textbooks, modern sources, and modern textbooks. Among these, a further distinction has been made between American and European sources. No sources prior to the eighteenth century will be discussed, and it must also be emphasized that both the historical and modern textbooks included are almost exclusively American.

Theorists in each of these categories will be discussed roughly in chronological order, and logical groupings of these theorists will be provided wherever possible. This section will also include brief commentary as to the significance of both the theorist and pertinent sources, and these same sources will later be used in my analysis of findings.

Several methods were employed in determining importance of sources. First, for the historical sources, I utilized common knowledge of what is important through such sources as the Christensen and Thompson books cited above, as well as knowledge gained in the Evolution of Music Theory class taught by Dr. Richard Devore at Kent

State University. In identifying modern sources, simple searches were done in the

OhioLINK and KentLINK10 catalogs on the MT50 Classification and the subject heading

“harmony.” I also, to a lesser extent, employed knowledge gained while studying music theory pedagogy at Kent State University, also taught by Dr. Richard Devore.

Additionally, as alluded to in Chapter I, the majority of these sources are classed in

MT50. It is important to note here that MT50 does not further delineate among historical and modern sources or textbooks; so in a sense, this study breaks out those categories while LC Classification does not.

Historical Sources: The European Tradition

Beginning in the early eighteenth century, many important writings on harmony were written by the French theorist and composer, Jean-Philippe Rameau. Between 1722 and 1761, his writings took long-standing concepts and formulated them into a singular perspective on harmony. Traité de l’harmonie, published in 1722, is a four-volume treatise devoted to both speculative and practical aspects of harmony. Books I and II are primarily devoted to the derivation and practical use of chords. Books III and IV devote much time to the discussion of the fundamental bass. Later writings of Rameau can be divided into either practical or speculative theory, or some combination of both. The

Démonstration du principe de l’harmonie of 1750 and Code de musique pratique of 1761 are primarily practical in nature, while the Nouveau système de musique pratique of 1761 is a speculative study. The Génération harmonique of 1737 devotes itself to a combination of practical and speculative theory. Berlin theorist Johann Philipp

Kirnberger studied with Johann Sebastian Bach, and tried to clarify and expand some of

Rameau’s theories. His Kunst des reinen Satzes in der Musik (1771-79) synthesizes both

10 KentLINK is the online library catalog of the Kent State University system.

8 contrapuntal and harmonic perspectives. He integrates Fux’s species approach with

Rameau’s fundamental bass or Bach’s thoroughbass model in this source.

Next, six important Austrian/German theorists from the nineteenth century to early twentieth century will be discussed: Abbé Georg Joseph Vogler, Gottfried Weber,

Simon Sechter, Karl Mayrberger, Hugo Riemann, and Arnold Schoenberg.11 Both

Vogler and Weber were known for their theories on scale degree. In 1776, Vogler established a conservatory in Mannheim and published several treatises while he was there. He was known for his theory of the natural major scale and artificial minor and other types of scales. In Tonwissenschaft und Tonseztkunst, theories of modulation were discussed at length, while Handbuch zur Harmonielehre focused on cadences. Gottfried

Weber took a practical view of harmonic theory, believing there to be seven fundamental chord types. His Roman numeral analytical system became popular in the latter half of the nineteenth century. He criticized contemporaneous theorists for lagging behind practice, arguing that theory depends on practice for substance. These ideas were discussed at length in his three-volume Versuch einer geordneten Theorie der

Tonsetzkunst (1817-21).

Sechter and Mayrberger were theorists of Viennese fundamental bass. Simon

Sechter was a church organist and contrapuntist whose Grundsätze der musikalischen

Komposition (1853-54) helped revitalize Viennese harmonic theory. He infused thorough-bass teaching with fundamental bass/scale-degree theory, examining chords found on scale degrees. In his theory, both triads and seventh chords were fundamental harmonies. Karl Mayrberger analyzed techniques employed by composer, Richard

11 These theorists were identified in David W. Bernstein’s article “Nineteenth-Century Harmonic Theory: the Austro-German legacy,” found in The Cambridge History of Western Music Theory.

Wagner, specifically motives from the opera music drama, Tristan und Isolde (1865). He also viewed all three forms of the minor scale as equally valid sources for deriving available minor triads. He published Lehrbuch der musikalischen Harmonik in 1878.

Hugo Riemann contributed to many areas of music theory. He was one of the most influential theorists in the latter part of the nineteenth century and his theories have continued to be very influential into the present day. His works alternated between the speculative and the practical (specifically function theory). His pedagogical work,

Vereinfachte Harmonielehre (1893), focused principally on the tonal functions of chords.

Many other writings appeared in periodicals as well.

Heinrich Schenker remains one of the most influential theorists in Western music today. His theory of the Ursatz (fundamental structure) comprised the idea of the Urlinie

(descending line), supported by the Bassbrechung (bass arpeggiation). Central to this idea was the concept of different “layers” of music, represented by the foreground, middleground, and background. This theory was best articulated in his monumental work

Der freie Satz (1935). Other works articulating Schenker’s ideas were the Fünf Urlinie

Tafeln (1932), Harmonielehre (1906), and the ten-issue periodical Tonwille (1921-24).

His legacy lived on through his students, several of whom moved to the United States.

Viennese composer and theorist Arnold Schoenberg rejected the distinction between harmony and dissonance, and this concept is best articulated in his

Harmonielehre (1911). From this rejection, many new chordal figurations were now sanctioned. In this book, Schoenberg claimed that late nineteenth-century chromaticism and nontonal music can be linked. He also viewed modulation as the movement from one diatonic collection to another, with no “keys” involved. The later writings of

Schoenberg are discussed below in the section on historical American textbooks of the early to mid-twentieth century.

Three important Victorian theorists—Alfred Day, F. A. Gore Ouseley and

Ebenezer Prout—will now be discussed. In his Treatise on Harmony (1845), Day argued that tones were derived from a harmonic series, and he was the first to derive all harmonic material from a given key. He modified his theory to correct problems of intonation and attempted to prove a connection between harmony and nature. Ouseley was a professor of music at Oxford. His Treatise on Harmony (1868) was an argument for constructing the harmonic series from the root. It was also a somewhat-modified version of Day’s theory on acoustics. Ebenezer Prout’s Harmony, Its Theory and

Practice (1889) was another modification of Day’s theory, in which harmonic series are generated from C up to the twentieth partial. (Victorian theorists justified chord constructions by using upper partials that could not be heard by the human ear.) One goal of constructing these large chord formations was to explain every possible harmonic, both concordant and discordant.12

Modern European sources on harmony important to the field are much less common in OhioLINK libraries, and thus will not be discussed here. Possible reasons for their absence will be discussed more at length in the analysis below.

American Historical Sources: Extensions of the European Tradition in the Late Nineteenth/Early Twentieth Centuries

One of the early preeminent American theorists on harmony was Percy

Goetschius, considered the “father of American theory.”13 He was born in Paterson, New

Jersey in 1853, and went to Europe in 1873 to study music theory and composition with

12 Thompson, A History of Harmonic Theory in the United States, 22-25. 13 Ibid., 37.

Immanuel Faisst in Stuttgart, Germany. His The Material Used in Musical Composition was an adaptation of Faisst’s notes for English-speaking students. In The Theory and

Practice of Tone Relations (1892), he argues that neither harmony nor melody is a basis for the other. Instead, they arise from tone-relations, where harmony and melody are correlated.

Goetschius in turn influenced another generation of American theorists, including

George Chadwick, Arthur Foote, Benjamin Cutter and Donald Tweedy. Chadwick was a prominent composer and theorist and also Director of the New England Conservatory of

Music. In Harmony, Chadwick codified a system of upper- and lower-case Roman numerals for analysis, as well as using the degree sign to indicate diminished chords. He was also the first American to combine figured bass symbols with Roman numerals.

Foote was a composer, organist, pianist and teacher. He wrote the highly influential text

Modern Harmony in its Theory and Practice with Walter Spalding. Much influence here can be seen by the Victorian theorist Prout. Cutter was an American composer and pedagogue whose Harmonic Analysis was intended as a textbook for an analysis class. In this source, there was an emphasis on analyzing harmonies in various ways, and also an awareness of harmonic function. Cutter was also very much influenced by Percy

Goetschius. Donald Tweedy was likewise a student of Goetschius. His Manual of

Harmonic Technic (1928) was based on a system of teaching developed at Eastman. One unique pedagogical feature of this system of teaching, articulated in this book, is the avoidance of statements of rules relating to harmonic theory.14

14 Ibid., 99.

Modern American Sources: A Look Backward and a Look Forward

Modern American sources important to the field seem to be reflected through two different strands of thought. One thread seems either to better articulate or examine new ways of looking at earlier theory, while the other thread includes newer and emerging theories. Of the two strands of thought, it seems that the first strain has produced lengthier writings than the second. This may result because newer theories are more frequently embodied in journal articles than they are in more extended sources. The consideration of journal articles, however, is beyond the scope of this study.

The sources examined in this study emerge principally from this first tradition.

For example, theorists Thomas Christensen, David Koop, and Joseph Straus have produced writings that embody those ideas in the titles of the sources themselves. Such sources include Towards Tonality: Aspects of Baroque Music Theory (2007), a collection of essays edited by Thomas Christensen; Chromatic Transformations in Nineteenth

Century Music (2002) by David Koop; and Remaking the Past (1990) by Joseph N.

Straus. Arthur Komar’s Linear-Derived Harmony (1992) could be viewed as a modern source or textbook. He essentially designed it as a source to teach or review harmony in the context of counterpoint. The intended audience is advanced students of theory. Due to the small number of sources in this category, they will not be included in my analysis.

Historical American Textbooks: Emergence of Pedagogical Works in the Early to Mid-Twentieth Century

By the early twentieth century, pedagogues and theorists alike were attempting to provide a systematic way of educating American conservatory and college students in the area of harmony. This was a direct result of the more theoretical writings of American,

British and even German theorists of the late nineteenth century. Discussion here will be

13 divided into early and mid-twentieth-century textbooks. 1940 to 1950 (around the World

War II era) will serve as the approximate chronological boundary for this group of texts.

Three American theorists—George Wedge, Allen McHose, and William

Mitchell—wrote textbooks strongly informed by the theories of Percy Goetschius. Of the three, William Mitchell was also strongly influenced by Heinrich Schenker. George

Wedge taught at New York University and the Curtis Institute, and eventually became the dean of the Institute of Musical Art at Juilliard. He wrote the textbook Applied Harmony from 1930 to 1932, strongly based on Goetchius’ system, but with Wedge’s own modifications. One salient feature of this text is how Wedge uses fifths as units of measurement. Allen McHose, also influenced by Goetschius, taught at the Eastman

School of Music. In 1947 he published The Contrapuntal Harmonic Technique of the

18th Century. This text includes extensive analysis of Baroque period works with an emphasis on the chorales of J. S. Bach. William Mitchell was a theorist on Columbia

University’s faculty. He wrote Elementary Harmony in 1939. In addition to being influenced by Goetschius, this text included a mix of Schenker’s early and mature work.

Next I will focus on five American theorists who wrote texts having significant influence in the 1950s, 1960s and beyond, including Arnold Schoenberg, Allen Forte,

Walter Piston, Elie Siegmeister, and Joel Lester. I discussed earlier work by Arnold

Schoenberg in the previous section on historical European sources, but his influential textbook, Structural Functions of Harmony, written in 1948 and published in 1954, was written after his arrival in the United States in 1934 and was intended for his teaching at the University of California, Los Angeles (UCLA). One goal of this pedagogical text was to show how tonality is expressed by using all twelve of its tones, how ordering

14 affirms this same tonality, and is how the ordering is not necessarily related to a specific key. Also, like other sources before it, the text defined modulation as the movement from one diatonic collection to another. Allen Forte is a prominent American theorist educated at Columbia, who later taught at Yale. He wrote the textbook Tonal Harmony in Concept and Practice in 1962. Like Mitchell’s source before him, he includes many elements of

Schenkerian theory.

Harmony by Walter Piston, published first in 1941, culminated in the fifth edition of 1987.15 Piston was a composer and teacher, and also an acclaimed author of a series of texts. He initiated the modern era of American music theory, in large part through the observation of musical practice. Elie Siegmeister was an American composer and writer on music. His pedagogical work Harmony and Melody (1965-66), also in two volumes, bears similarities to the work of Joel Lester. Volume One, entitled “Diatonic Style,” covers intervals, harmonization, modes and inversions. Volume Two, “Modulation,

Chromatic and Modern Styles,” covers form, borrowed and altered chords and twentieth- century harmony.

Joel Lester is a theorist and violinist who served on the faculty of the City

University of New York (CUNY). He is currently the dean of the Mannes College of

Music in New York. He wrote Harmony in Tonal Music, published in 1982, which combines aspects of other contemporary approaches. The source goes beyond basic concepts covered in first-year theory classes, and it is Schenkerian in orientation. It is also in two volumes. The first volume covers pitch and rhythm, intervals, scales, key signatures, and chord recognition; Volume Two covers chromatic practices and the dissolution of tonality.

15 The fifth edition of Harmony was revised by Mark DeVoto.

Modern American Textbooks

As with the previous two sections, the focus here will be exclusively American.

Textbooks considered “modern” are those currently in wide use for teaching music theory, primarily at an undergraduate collegiate level. These works include sources newly published in the last ten to twenty years, as well as earlier sources dating up through the 1980s that continue to be published in current and subsequent editions, or are in some way strongly relevant to current pedagogy. Authors cited here include Edward

Aldwell and Carl Schachter; William Christ et al.; Jane Clendinning et al.; Robert

Gauldin; Stefan M. Kostka and Dorothy Payne; Robert W. Ottman; Leonard G. Ratner;

Peter Spencer; Benjamin Thomas; and Ralph Turek.16 Another note here is that most of these harmony textbooks are geared towards freshman or sophomore “core” music theory courses.

Several older sources continue to bear relevance in modern music theory pedagogy. The first is Materials and Structure of Music by William Christ et al., first published in 1966-67, culminating in the third edition of 1980. Christ and his co-author,

Richard Delone, taught at Indiana University. The second source here is Harmony:

Structure and Style by Leonard Ratner, published in 1962. Ratner was a musicologist and composer on the faculty of Stanford University. The following pedagogues have all published texts, with current editions within the last ten years. Most of these books come with accompanying workbooks, and some also come with accompanying sound recordings or other media.17 Tonal Harmony with an Introduction to Twentieth-Century

16 Conclusions on the Aldwell/Schachter, Benjamin, Gauldin, Kostka/Payne, Clendinning et al. and Turek sources are all based on information gathered in the Pedagogy of Music Theory class, taught by Dr. Richard Devore in Fall 2008. 17 This thesis will not deal with workbooks or other supplementary materials.

Music (1984) by Stefan M. Kostka and Dorothy Payne is a core textbook for many theory programs across the nation, and can be utilized in either a one- or two-year curriculum.

First published in 1984, with the most current sixth edition published in 2009, the text focuses on the resources and practice of western music from the seventeenth century through present day. Robert W. Ottman has published two basic texts in the same series,

Elementary Harmony (first published in 1962) and Advanced Harmony (first published in

1961). The fifth editions of both were published in 1998 and 2000, respectively. Thomas

Benjamin’s Techniques and Materials of Tonal Music with an Introduction to Twentieth-

Century Techniques, first published in 1975, with the current sixth edition published in

2003, can be used by first- or second-year theory students. It is presented in outline style with composition exercises being central to learning. With a very “lean,” direct approach, the focus ends up being on the music itself. Peter Spencer’s The Practice of

Harmony was first published in 1983, with the current fifth edition being published in

2004.

The next two texts share a Schenkerian approach. Harmony and Voice Leading by Edward Aldwell and Carl Schachter was first published in 1978-79, with its current fourth edition being published in 2011. The source is text heavy, and many Schenkerian elements, such as Roman numeral analysis in all capital numbers, make it a unique text for first-year theory students. Common-practice Roman numeral analysis uses both capital and lower-case Roman numerals to differentiate among the major, minor, diminished or augmented triads. Because of this feature, the text is probably best used by more advanced students. In a similar vein, Robert Gauldin’s Harmonic Practice in Tonal

Music, first published in 1997, with its second edition published in 2004, is also

Schenkerian in approach, focusing on melodic correlations derived from counterpoint.

The following two textbooks have been newly published within the last few years.

The first, A Musicians’ Guide to Theory and Analysis, by Jane Clendinning and Elizabeth

Marvin West, was published in 2005. The second edition was published in 2010. It is a four-part text including a theory and analysis book, an aural skills method in two volumes, and a workbook, and it is comprehensive in scope. The second, Theory for

Today’s Musician (2007), is by Ralph Turek, emeritus professor at the University of

Akron. All the elements of a more traditional theory textbook are included, but Turek’s text includes many musical examples from popular culture, including television themes, show tunes, and popular songs.

CHAPTER III

NASM-ACCREDITED SCHOOLS IN OHIO AND THEIR MUSIC PROGRAMS

This section will focus on National Association of Schools of Music (NASM)- accredited schools in Ohio and their programs. There are currently thirty-four NASM- accredited music schools in Ohio. It was within the context of the libraries associated with these schools that the initial searches of the sources referenced in the previous section were done. This section will further provide context in which my analysis will be done. Four factors were considered in the analysis: the highest degree conferred, specific types of degrees conferred, if the associated institution has a separate music library, and if that same institution is an Association of Research Libraries (ARL) institution.

The first category includes the highest degree conferred at specific institutions, in hierarchical order: doctoral, master’s, bachelor’s, or associate’s degrees. There are currently six Ohio institutions offering some type of doctoral degree in music. They include Bowling Green State University, Case Western Reserve University, the

Cleveland Institute of Music, Kent State University, The Ohio State University, and the

University of Cincinnati. Twelve institutions offer the master’s degree in music as the highest degree conferred. They include Capital University, Cleveland State University,

Heidelberg University, Hiram College, Miami University, Oberlin College, Ohio

University, University of Akron, University of Dayton, University of Toledo, Wright

State University, and Youngstown State University.

The largest group of institutions are those with the bachelor’s degree in music as the highest degree conferred, of which there are fifteen. They include Ashland

University, Baldwin-Wallace College, Bluffton University, Cedarville University,

Central State University, College of Mount Saint Joseph, College of Wooster, University of Mount Union, Mount Vernon Nazarene University, Muskingum University, Ohio

Northern University, Ohio Wesleyan University, Otterbein University, Wittenberg

University, and Xavier University. There is one NASM-accredited school offering only an associate’s degree in music, Sinclair Community College.

Specific types of degrees vary from institution. Generally, the higher the degree offered, the more programs offered as well. In the case of doctoral degrees, there is a difference among universities offering Doctor of Philosophy degrees (PhDs), which are usually in the academic areas of music: musicology, music theory, and music education; the Doctor of Musical Arts degree (DMA); or both. For example, Case Western, Kent

State, Ohio State and the University of Cincinnati all offer PhDs in music, which would encompass music theory programs. Bowling Green and CIM offer DMAs, which usually exclude music theory degree programs. All of the PhD-granting institutions also grant

MAs in music.

Among institutions conferring masters of music degrees as the highest degree offered, all of the schools offer either Master of Music (MM) or master’s degrees in music education. Most of these schools offer the Master of Arts (MA) in music, under which degrees in music theory or musicology usually fall. Hiram College was the lone exception, offering the MA as the highest degree in music. Usually, institutions offering the Bachelor of Music (BM) degree also grant the Bachelor of Arts (BA) degree. Several institutions offered the BA only.

Eleven institutions in Ohio have separate music or performing arts libraries. They include all the institutions that grant the doctoral degree in music, three granting the

20 master’s, and two granting the bachelor’s degree as the highest degrees in music.

Institutions granting the master’s degree as the highest degree with separate music/performing arts libraries include Miami University, Oberlin, and Ohio University.

Bachelor’s degree-granting institutions in this category include Baldwin-Wallace and

Ohio Wesleyan.

The final category to be examined is whether or not the institution’s library in question is an Association of Research Libraries (ARL) library or not. Four of the doctoral-granting institutions fall into this category, including Case Western, Kent State,

Ohio State, and the University of Cincinnati. The two doctoral-granting institutions not falling into this category are CIM and Bowling Green, which only offer DMA degrees as opposed to the PhD degree. Ohio University, with the master’s as the highest degree offered, is the only non-doctoral-granting institution with an ARL library.

The decision to focus on these factors was largely based on initial assumptions, to be examined in more detail in the next section. One assumption is that the higher the degree offered, the more comprehensive the collection, and the more likely the institution in question to have core sources on harmony. This conclusion is further supported by the fact that four of the six doctoral-granting institutions are also associated with ARL libraries, which support the rigorous research agendas expected by PhD programs.

Institutions with separate music libraries may also have more time to develop and evaluate collections in the specific discipline of music.

Another factor worth considering (alluded to in previous paragraphs) is whether the institution in question focuses more on music performance rather than music research-based programs. For example, CIM is a music conservatory, Oberlin and

Baldwin-Wallace have music conservatories, and none of these are considered ARL institutions, though Oberlin has an extensive theory program. In short, there is a decidedly performance-based focus on each of these programs. There are some institutions (e.g., The University of Cincinnati) that have conservatories but support both performance and research-based programs. Additionally, library collections supporting bachelor’s degree programs as the highest degree conferred may not vary as much, since most of these programs have core theory classes that all students would be expected to take. As a result, many of the same (or same types of) sources may be found in each library.

Some other categories were initially intended as frames of reference, mostly to see if they align in any way with the other categories. These categories include National

Collegiate Athletic Association (NCAA) divisions and the organizational hierarchy under which the schools fall. For example, thirteen schools are NCAA Division I, including

Bowling Green, Cleveland State, Kent State, Miami University, Ohio State, Ohio

University, The University of Akron, The University of Cincinnati, The University of

Dayton, The University of Toledo, Wright State, Xavier University, and Youngstown

State. All of these schools had the master’s degree or above as the highest music degree offered. Division II schools include Ashland and Central State, both of which had the bachelor’s degree as the highest music degree offered. Fifteen schools are Division III, including Baldwin-Wallace, Bluffton, Capital, Case Western, The College of Mount

Saint Joseph, The College of Wooster, Heidelberg, Hiram College, The University of

Mount Union, Muskingum, Oberlin, Ohio Northern, Ohio Wesleyan, Otterbein, and

Wittenberg. The remaining four schools—Cedarville, CIM, Mount Vernon Nazarene, and Sinclair—are not in the NCAA.

It was also initially assumed that the institutional organizational hierarchy in which respective programs in music reside might have some bearing on the results of the study. For example, several institutions have music schools or programs residing in colleges of arts and sciences, such as Ashland, Case Western, and Central State. Some institutions have schools of music or departments residing in colleges of the arts, such as

Kent State and Ohio State. Schools of music residing in music conservatories were discussed above as having some impact on holdings, but outside of those institutions, there does not appear to be a parallel between the organizational hierarchy in which the institution exists and the holdings in the libraries associated with them. Ultimately, neither NCAA divisions nor organizational hierarchies had any bearing on the holdings of the sources on harmony in OhioLINK libraries associated with NASM-accredited institutions in Ohio.

CHAPTER IV

ANALYSIS OF RESULTS

This section will analyze the core sources on harmony as they were found via

OhioLINK searches. These sources will be discussed within the context of institutional factors presented in Chapter III. It will also attempt to confirm whether or not the assumptions expressed in the last several paragraphs of Chapter III hold true for the sources in question.

As stated in the introduction, OhioLINK searches were conducted over a three- day period in late June 2010, and subsequently documented in a spreadsheet. The “date searched” was documented for all the sources searched, with the following bibliographic information of each source parsed out into its own respective column, including author, title, edition, place of publication, publisher, and year of publication. Columns then followed for “type of source” (historical or modern), and whether American or European sources. Columns were then included for each NASM-accredited music school. Lastly, columns indicating OCLC numbers of bibliographic records of, and miscellaneous comments on sources searched, were included.

Chapter II discusses a sampling of sources important to the field. Initial searches included many more sources, but analysis here will be limited to the sources discussed in

Chapter II. In order for readers to draw consistent parallels between the analysis in this chapter and discussion of sources in Chapter II, those sources will be discussed using the same subdivisions used in Chapter II. Focus will mostly be given on common trends, employing specificity of institutions when necessary to emphasize certain points. Every specific institution that owns a specific source will not be named.

Historical Sources: The European Tradition

Historical sources of the European tradition are represented in many different manifestations in OhioLINK libraries, but they are commonly represented in English translation or as facsimile editions in original languages. To a lesser extent, they are represented in other reproduced formats as well. Perhaps least commonly found are sources published in original editions or as manuscripts.

Theoretical works by Jean-Philippe Rameau are well represented in OhioLINK libraries associated with music schools, especially those offering advanced degrees in music. Bowling Green, Kent State, Oberlin, Ohio State, and The University of Cincinnati seem to have the best representation of sources by Rameau, and in multiple formats. Of course, each of these institutions has separate music or performing arts libraries, and all but Oberlin offer doctoral degrees as the highest degree conferred. Of all the sources,

Traité de l’harmonie is best represented in not just these libraries, but most of the other

NASM-accredited schools as well. In its original translation, this source is available in the special collections of the Oberlin Conservatory Library. It is available as a microopaque at Bowling Green, Oberlin, Ohio State, and The University of Cincinnati.

Bowling Green, Kent State, and Ohio State have this source in a facsimile edition. Many more schools have various iterations of English translations of this source, with the 1971 translation by Philip Gossett being the most commonly held among the libraries. For example, this source is owned by twenty-four of the thirty-four NASM-accredited schools in the state.

OhioLINK holdings of other Rameau sources seem to follow trends similar to

Traité de l’harmonie. For example, Démonstration du principe de l’harmonie, in its original translation, is mostly available at the institutions offering more advanced degrees; also, only two of them are original editions, and are in the special collections of the two libraries that hold them (Bowling Green and Miami University). The other editions of this work are either in facsimile or presented as a microopaque. An interesting note about this particular source is that English translations of it were both presented as master’s theses. One was done by Ralph Papakhian in 1973 (along with

Pierre Esteve's Nouvelle decouverte du principe de l'harmonie), and the other one was done by Roger Lee Briscoe in 1975 (along with Rameau’s Nouvelles réflexions de M.

Rameau sur sa démonstration du principe de l'harmonie). Oberlin owns copies of both, and Ohio Northern has this source on microfilm.

Code de musique pratique apparently only exists in the original French in libraries associated with NASM-accredited schools in Ohio. Of these schools, Miami University is the only one that has an original edition of this source. The other schools have this source in either microopaque, microfiche, or facsimile editions. Of these schools, again those offering the highest degrees in music are the ones with the best representation of this source. For example, as with the other Rameau sources, Bowling Green, Kent State,

Oberlin, Ohio State, and The University of Cincinnati again show up as having some of the more robust holdings.

Nouveau système de musique théorique follows similar holding trends as the above sources and shares in common with Démonstration du principe de l’harmonie an

English translation written as a document representing study towards a degree (this one

26 done in 1975 as a dissertation by B. Glenn Chandler). It seems that the mid-1970s was a time when there was great interest in making Rameau’s works available in English translation; still, only a few OhioLINK libraries have these—Oberlin and Ohio Northern have a photocopy, and Ohio State and the University of Cincinnati have it on microfilm.

Génération harmonique is represented in three different manifestations—as an original, a microopaque and in a facsimile edition. It does not appear in English translation in OhioLINK libraries associated with NASM-accredited schools. Ohio State has an original copy, again in its special collections. Schools having holdings on the reproductions include (but are not limited to) Bowling Green, Kent State, Oberlin, Ohio

State, and The University of Cincinnati.

Kirnberger’s Kunst des reinen Satzes in der Musik exists primarily in its English translation in OhioLINK libraries. The translation, published in English by the Yale

University Press in 1982 as The Art of Strict Musical Composition, is held by all the institutions offering doctoral programs except CIM. Additionally, Oberlin and ten other institutions hold it. Case Western holds an original German edition of this source in its special collections, and editions in the microopaque format exist at both Ohio State and

Oberlin.

The six Austrian/German theorists listed above, Vogler, Weber, Sechter,

Mayrberger, Riemann and Schoenberg, are represented in various ways in OhioLINK.

Tonwissenschaft und Tonseztkunst and Handbuch zur Harmonielehre by Vogler will be discussed first. Both of these works are poorly represented in OhioLINK, and as far as I could tell, exist nowhere in Ohio in original editions. The first source exists as a microopaque at both Ohio State and The University of Cincinnati. A photocopy of the

27 second exists at Ohio State. Gottfried von Weber’s Versuch einer geordneten Theorie der Tonsetzkunst exists in an original edition at the University of Cincinnati, but it is a library-use-only item housed in a rare books collection. According to the catalog, it also appears as though the second volume of this four-volume work is not in the collection.

Sources by fundamental-bass theorists Simon Sechter and Karl Mayrberger are also poorly represented in OhioLINK. Sechter’s Grundsätze der musikalischen

Komposition is only represented by sections in English translation as part of a PhD dissertation, so it is not even a complete translation. This source is available at Oberlin.

An important source by Mayrberger, Lehrbuch der musikalischen Harmonik, does not appear in OhioLINK.

As might be expected, the seminal work by Hugo Riemann, Vereinfachte

Harmonielehre, is represented well by doctoral-granting institutions and Oberlin, principally in English translation. It is interesting to note that an edition of this work in the original German language is located at Baldwin-Wallace College, but it is restricted to local use only. The other editions are in English translations as Harmony Simplified, and exist both in first and second editions. Case Western Reserve, Ohio University, and

The University of Cincinnati possess the first edition, while Case Western, Kent State,

Oberlin, and Ohio State possess the second edition.

The works of Schenker are well-represented in OhioLINK libraries, specifically the English translations of four important works, including Der freie Satz, Fünf Urlinie-

Tafeln, Harmonielehre and Der Tonwille. For example, twenty-one of the thirty-four

NASM-accredited schools possess an edition of Free Composition, which is the English translation of Der freie Satz. Thirty-one of the thirty-four schools possess Harmony, the

English translation of Harmonielehre. Fourteen of the thirty-four institutions contain

Five Graphic Music Analyses, the English translation of Fünf Urlinie Tafeln. Finally, ten of the thirty-four institutions contain an English translation of Der Tonwille, Schenker’s ten-volume serial publication detailing some of his theories. As has been the case with other non-English historical sources in this study, the number of institutions containing

Schenker’s works in the original German (in any manifestation) is very slim. Kent State and Ohio State contain the second edition of Der freie Satz in both volumes, and it appears that Ohio State has an additional copy of the second volume as well. Oberlin has a copy of Fünf Urlinie Tafeln in its special collections. No copy of Harmonielehre in the original language was found in OhioLINK. Oberlin, Ohio State, and The University of

Cincinnati each have editions of Der Tonwille in its original German.

Holdings of Harmonielehre by Schoenberg follow the same trend as other works discussed so far—the English translation has far more holdings in OhioLINK than the work in its original German. Only seven of the NASM-accredited schools did not have a copy of The Theory of Harmony, the translation of Harmonielehre. This includes either the translated version by Robert D. W. Adams or Roy E. Carter. Baldwin-Wallace

College and Oberlin had copies in the original German.

There is little representation in OhioLINK of the three Victorian theorists included in this study, Alfred Day, F. A. Gore Ouseley, and Ebenezer Prout. Editions of

Alfred Day’s A Treatise on Harmony are found in only two NASM-accredited institutions in the state—Bowling Green and Case Western. Kent State and Oberlin hold

Ouseley’s Treatise on Harmony. Prout’s Harmony, Its Theory and Practice has a bit better representation of this source, but the holdings seem a bit random. Kent State has

29 three different editions of this source, Oberlin has two editions, and Baldwin Wallace also has two. Regarding the other institutions with this source, there is no significant trend.

The following general trends seem prevalent when examining historical European sources in terms of OhioLINK holdings associated with NASM-accredited institutions.

First, as may be obvious, institutions granting doctoral degrees seem to have the most comprehensive holdings, along with the Oberlin library. When considering holdings of sources translated from original languages into English, the numbers of institutions represented increase. Original publications of older sources seem to be overwhelmingly present in library special collections and non-circulating at that, with perhaps the exception of Heinrich Schenker’s work. Also, late nineteenth-century Victorian theorists are not commonly held in most libraries in OhioLINK.

American Historical Sources: Extensions of the European Tradition in the Late Nineteenth/Early Twentieth Centuries

In OhioLINK (and in terms of NASM-accredited institutions in the state), the holdings of American historical sources are much less abundant than European sources.

For that reason, discussion of them is prefaced in the context of which institutions do not have copies of sources. There are also multiple “editions” for these sources, but because they are late nineteenth- and early twentieth-century sources, the “edition statement” may more likely reflect subsequent printings rather than different editions with significant bibliographic changes. Also, and with very few exceptions, the trend of the doctoral- granting institutions and Oberlin having holdings of almost every source included in my study has continued from the last section.

Holdings of works by Percy Goetschius, whom Thompson describes as the “father of American theory,” will be discussed first in this section.18 Two sources are of interest here—The Material Used in Musical Composition and Theory and Practice of Tone

Relations. Twenty-one of the thirty-four institutions do not have any representation of this source. The remaining institutions, Kent State (with four) and Ohio State (with three) have multiple editions/printings of this source, while Ohio University has two editions/printings of this source. Of the other institutions with holdings, only one copy in each place is present; and, again following the trend of doctoral-granting institutions and

Oberlin having holdings of many sources on harmony, the University of Cincinnati and

Oberlin have single copies of The Material Used in Musical Composition. The Theory and Practice of Tone Relations is better represented in OhioLINK. In the case of this source, thirteen of the thirty-four NASM-accredited institutions do not have holdings.

Three of the doctoral-granting institutions have multiple editions of this source—Case

Western with two, Kent State with three, and Ohio State with two. In addition to these institutions, Oberlin and Ohio University both have two editions. The other doctoral- granting institutions, Bowling Green and The University of Cincinnati, each have single copies of this source.

Holdings of sources by four American theorists influenced by Goetschius—

George Chadwick, Arthur Foote, Benjamin Cutter, and Donald Tweedy—will be discussed next. More than one half of the NASM-accredited institutions in OhioLINK do not have holdings of any edition of George Chadwick’s Harmony. Seven institutions have two editions of this source. They include Bowling Green, Cleveland State, Kent

State, Oberlin, Ohio University, The University of Akron, and The University of

18 Thompson, The History of Harmonic Theory in the United States, 37.

Cincinnati. Four of these are doctoral-granting institutions. Ohio State also has one copy of this source.

Twenty-four of the thirty-four NASM-accredited institutions have no holdings of

Modulation and Related Harmonic Sources by Arthur Foote. None of these institutions have more than one edition of this source. All the doctoral-granting institutions except

Ohio State have one copy of this, and, as might be expected, Oberlin has one copy as well. Twenty-three institutions do not have a copy of Benjamin Cutter’s Harmonic

Analysis. Kent State has two editions of this, but all the other institutions in question have only one. The doctoral-granting institutions Bowling Green and Case Western have single copies, as well as Oberlin. Twenty institutions do not have copies of Tweedy’s

Manual of Harmonic Technic. As with the Foote source, no institution had more than one edition of this source. Each doctoral-granting institution had one copy of this source, as well as Oberlin.

Historical American Textbooks: Emergence of Pedagogical Works in the Early to Mid-Twentieth Century

The focus changes here from holdings of historical sources to holdings of historical textbooks, which will be exclusively American. This study has defined early twentieth-century textbooks as those being published approximately through the 1940s to the 1950s, and mid-twentieth-century textbooks as those being published approximately through the 1960s to the early 1980s.

Discussion will begin here on holdings of textbooks by three theorists strongly influenced by the theories of Percy Goetschius—George Wedge, Allen McHose, and

William Mitchell. As was the case with historical American sources, historical American textbooks have significantly fewer holdings than the historical European sources

32 discussed earlier in this section. For example, there appears to be only one edition of

Wedge’s Applied Harmony in OhioLINK libraries associated with NASM-accredited institutions. Sixteen of the thirty-four OhioLINK libraries have holdings of this single edition. Among these, four of the five doctoral-granting institutions have a copy of this source, with the exception of Bowling Green. Oberlin, as might be expected, also has a copy of the source.

Allen McHose’s The Contrapuntal Technique of the 18th Century has a bit better representation in OhioLINK. Only eleven of the thirty-four institutions represented in this study do not have holdings of this source. Several institutions have multiple copies or different editions of this source. For example, Miami University and Youngstown

State have two copies, and Ohio University has three copies of this source. Of the doctoral-granting institutions, Bowling Green, Kent State, and The University of

Cincinnati have holdings; and, as might be expected, Oberlin does as well.

William Mitchell’s Elementary Harmony exists in three different editions in

OhioLINK institutions. Overall, twenty of the thirty-four institutions do not have any editions of this source. That said, however, for those who do, several of them have copies of all three editions. These include Kent State, Ohio State and Ohio University.

Baldwin-Wallace has a copy of the second and third editions, while Bowling Green and

Oberlin have copies of the first and third editions. Of the remaining two doctoral- granting institutions, Case Western has a copy of the first edition, but the University of

Cincinnati owns no copies of any edition.

The focus shifts here from holdings of mid- to late twentieth-century textbooks, focusing on five theorists active in the United States during that time period: Arnold

Schoenberg, Allen Forte, Joel Lester, Walter Piston and Elie Siegmeister. In general, these theorists’ works are well-represented in OhioLINK libraries associated with

NASM-accredited institutions.

Schoenberg was discussed previously in the context of historical European sources, but Structural Functions of Harmony, written in 1948 and published in 1954, well after his arrival in the United States in 1934, is well-represented in OhioLINK libraries associated with NASM-accredited institutions, both in its first and second editions. Only seven institutions have no holdings of either editions. This omission is significant due to the prominence of Schoenberg as a theorist and pedagogue. Seven institutions have copies of both editions. They include Bowling Green, Case Western,

Central State, Miami, Oberlin, Ohio State, and The University of Akron. Three of these are doctoral-granting institutions, and, as has been the trend throughout this study,

Oberlin is also in this group. Kent State and The University of Cincinnati, the other two doctoral-granting institutions not included in the previous group, have copies of the second edition only. Also, The University of Cincinnati has an additional second edition published in London in 1983. All other institutions holding the second edition have that edition as it was published in New York in 1969.

The three editions of Allen Forte’s Tonal Harmony in Concept and Practice are also well-represented in OhioLINK libraries associated with NASM-accredited institutions. Only nine institutions of the thirty-four under study have no holdings of any of the editions of this work. Several institutions have at least the first and second editions of this textbook. They include Bowling Green, Oberlin, Ohio State, Ohio University, The

University of Akron, and Wright State. Case Western and Wittenberg have the first and

34 third editions of this textbook, and Miami University has the second and third editions of this source. Only Kent State has all three editions of this source. Twelve libraries have only the first edition as their copy of this source, while two libraries have the second edition only. It appears here that the first edition is the most popular version of this source, and libraries with multiple editions usually have the first edition.

Joel Lester’s Harmony in Tonal Music (1982), a somewhat later text, has relatively fewer holdings in OhioLINK libraries associated with NASM-accredited institutions. Twenty-three of the thirty-four institutions under study have no holdings of this source. As a source in two volumes, the item record screen indicates inconsistency as well. The bibliographic record is supposed to represent two volumes, but it appears

Capital and Wright State only have Volume One. Ohio Wesleyan has one item record for this source, but it is not clear which volume they have. Walter Piston’s Harmony was published in five editions between 1941 and 1987, and is robustly held in OhioLINK libraries associated with NASM-accredited institutions. This source seems to be so popular that only four libraries in this study have no holdings of any of the editions; also, several libraries have copies of every edition published. This probably speaks to the source’s continued relevance for a specific range of time reflected by these representative libraries. Libraries holding copies of every edition published included Kent State and

Miami University. Most libraries have either three or four editions of this source.

Bowling Green, Case Western, Oberlin and the University of Cincinnati have four editions of this source, while Ohio State, Baldwin-Wallace, Ohio University, and Wright

State have three editions of this source. Seven institutions have two editions, and thirteen institutions have only one edition.

Compared to the last several sources discussed, Elie Siegmeister’s Harmony and

Melody has relatively fewer holdings. Like the Lester text, it is published in two volumes. Taken at face value, my results indicate that roughly half the institutions in this study have a copy of this source. Interestingly enough, and unlike the Lester source, it appears that each OhioLINK library associated with NASM-accredited institutions with holdings has copies of both Volume One and Two. Unlike the Lester source, the bibliographic record in OhioLINK and the actual holdings represent both Volumes One and Two.

It seems that there are several different trends in play when comparing early- and mid-twentieth-century historical American textbooks. The early twentieth-century

American textbooks share a tendency with the historical European and historical

American sources to be represented by most of the doctoral-granting institutions and

Oberlin. They share, in common with the historical American sources, relatively lower holdings when compared with historical European sources. Mid- to late-twentieth century textbooks seem to show different trends. First of all, the number of holdings increases when compared with early twentieth-century American textbooks. What actual holdings “mean” may also become obscured when looking at textbooks in either multiple volumes and/or with accompanying manuals or workbooks, as was shown above with both the Forte and Lester textbooks. It is also questionable what mid-twentieth-century textbooks were “left over” from an earlier time when they were considered modern, and which ones were consciously collected as historical textbooks.

Modern American Textbooks

As discussed earlier, modern American textbooks are those currently in use for teaching music theory, primarily at an undergraduate level. They are sources newly published in the last ten to twenty years, as well as earlier sources dating through the

1980s that continue to bear relevance to current pedagogy.

Discussion here will begin with William Christ et al.’s Materials and Structure of

Music, published in three editions from 1966 through 1980. Of all the editions, the first edition has the most holdings among OhioLINK libraries associated with NASM- accredited institutions. This includes seventeen of the thirty-four institutions under study.

Fourteen institutions have holdings of the second edition, while only five libraries have holdings of the third edition. It also seems that, when examining holdings of modern

American textbooks, not all doctoral-granting institutions and/or Oberlin have holdings of all editions of published sources, which was a common trend in earlier parts of this study. For example, Bowling Green has the first and third editions of this source, but not the second. Case Western, Kent, Oberlin, Ohio State, and The University of Cincinnati have the first and second editions, but not the third.

Leonard Ratner’s Harmony: Structure & Style was published in 1962. Seventeen of the thirty-four institutions under study have a copy of this source. Of the doctoral- granting institutions, only Case Western does not have a copy. Oberlin also has a copy.

As is the case in earlier parts of this study, there is no pattern as far as holdings in other institutions go.

The remaining pedagogues to be discussed here have published textbooks, the latest editions of which have all been published in the last ten years or so. The first text,

Tonal Harmony with a Introduction to Twentieth-Century Music by Stefan M. Kostka and Dorothy Payne, was first published in 1984, and is currently in its sixth edition, published in 2009. Eighteen of the thirty-four OhioLINK libraries representing NASM- accredited institutions have no holdings of this source. Also, as is the case with the

Christ textbook, the doctoral-granting institutions plus Oberlin paradigm (where they hold all the editions of the source) did not repeat itself. In fact, there is not one institution in this category that holds every edition of the Kostka and Payne source. Several institutions have at least four of the editions. For example, Bowling Green has the second, third, fifth and sixth editions of this textbook. Miami University has the first through fourth editions. Several other institutions have three editions of this textbook.

Oberlin has the first, fifth and sixth editions. Ohio University has the third through fifth editions. Still others have two editions of this source, but there is no pattern in terms of which institutions have which two editions. All in all, when considering holdings of the

Kostka and Payne textbook, the lack of consistency may reveal, due to its popularity, that textbooks that students in particular institutions are required to purchase may not necessarily need to be duplicated in library collections.

Robert W. Ottman’s Elementary Harmony and Advanced Harmony are next to be discussed. Of the five editions of Elementary Harmony published from 1962 through

1998, the first and second editions are best represented. All but twelve OhioLINK libraries associated with NASM-accredited institutions have holdings of either the first or second editions. Many have both, including Oberlin, Ohio State and the University of

Cincinnati. Holdings across institutions severely drop from the third edition on. Four institutions have copies of either the third or fourth editions. These include Kent State,

Oberlin and the University of Cincinnati with copies of the third edition, and Oberlin and

Ohio State with copies of the fourth edition. Only Cedarville and the University of

Cincinnati have copies of the fifth edition.

Ottman’s Advanced Harmony follows similar patterns to holdings of Elementary

Harmony. In the case of Advanced Harmony, the number of items held by institutions drops with each subsequent edition. For example, sixteen of the thirty-four OhioLINK institutions hold the first edition, eleven institutions hold the second edition, three institutions hold the third edition, six institutions hold the fourth edition, and five institutions hold the fifth edition. As was the case with Ottman’s Elementary Harmony and Kostka and Payne’s textbook, not one institution holds all editions of the source.

Four institutions hold four of the five editions, including Bowling Green, Ohio State,

Ohio University, and the University of Cincinnati. Miami University has three of the editions, and after that, the remaining institutions hold one or two editions, with no consistent pattern.

Thomas Benjamin’s Techniques and Materials of Tonal Music with an

Introduction to Twentieth-Century Techniques has holding patterns unique to those previously discussed in this section. Seven editions of this textbook have been published between 1975 and 2008. There seems to be a trend in holdings of subsequent editions in select institutions here. For example, Bowling Green has the first through fourth editions; Cleveland State, Kent State, and Miami University have the first through third editions; and The University of Cincinnati has the second through sixth editions. As was the case with the Lester textbook in the last section, it is almost as though these particular institutions deemed this source important for a specific range of time, and representative

39 libraries reflected that. Twenty institutions have no holdings of any editions whatsoever, and the others that do, have one or two random editions.

Peter Spencer’s The Practice of Harmony is very randomly represented in

OhioLINK libraries associated with NASM-accredited institutions. Between 1983 and

2004, five editions of this textbook were published. Twenty-five of the libraries under study have no editions of this source whatsoever. Of these, Bowling Green has the first, fourth and fifth editions, Kent State has the first and second editions, and Miami and the

University of Cincinnati have the second and fourth editions. The other libraries with holdings have single editions, and in a random pattern at that.

There have been four editions of Edward Aldwell and Carl Schachter’s Harmony and Voice Leading published between 1978 and 2011. The first edition has the most prevalent holdings among OhioLINK libraries associated with NASM-accredited institutions. Thirteen of the thirty-four institutions have holdings of the first edition. As has been the case with other sources in this category, holdings of the subsequent editions are fewer by comparison. Eight institutions hold the second and third editions of this textbook. Baldwin-Wallace, Case Western, Oberlin, and The University of Cincinnati hold three editions of this source. Several institutions hold two editions, and others only have a single edition. No consistent pattern was found here.

The two editions of Robert Gauldin’s Harmonic Practice in Tonal Music, published in 1997 and 2004, do not have strong representation in OhioLINK libraries associated with NASM-accredited institutions. Seven libraries hold the first edition, while only four hold the second edition. Only two institutions hold both editions—Case

Western and Oberlin. One fairly new textbook, A Musicians’ Guide to Theory and

Analysis by Jane Clendinning and Elizabeth Marvin West, was published in 2005, with a second edition published in 2010. Only Bowling Green and the University of Cincinnati hold the first edition of this item. Another new textbook, Theory for Today’s Musician by Ralph Turek, also has comparatively few holdings in OhioLINK libraries associated with NASM-accredited institutions. Four institutions—Baldwin-Wallace, Oberlin, Ohio

University, and The University of Akron—hold this textbook.

Of all the categories discussed in this study, holdings of modern textbooks were

“fewer and further between” than in other categories. Also, the pattern of doctoral institutions and Oberlin having holdings of everything diminished severely. It also can be seen that in the case of modern American textbooks with several editions, the first edition usually has the most holdings, with subsequent editions having fewer and fewer.

The results found in this category are also somewhat misleading at times, as accompanying materials such as workbooks and accompanying media are not always indicated in the bibliographic records, but are in accompanying item records. It is possible in these cases that the library’s local catalog accurately reflects exactly what is held, but not OhioLINK.

It was also observed that the most modern textbooks were held by very few institutions. This may be because in institutions where these textbooks are used by students in a classroom setting, it may not be necessary for the library in question to have any holdings whatsoever. For example, I did not find the latest editions of either the

Benjamin or Aldwell/Schachter textbooks in my searches. When classroom use of textbooks such as these either diminish or cease, it will be interesting to see if libraries might collect them for their historical rather than contemporaneous pedagogical value.

CHAPTER V

RECOMMENDATIONS/CONCLUSION

This study involves important sources on harmony classed principally in the

MT50 section of a library, and attempts to show whether or not harmony-specific research materials are being represented at a level appropriate to the degree programs offered at NASM-accredited music schools and programs in the state of Ohio. The methodology employed in the study divides materials into the broad categories of historical and modern sources, and historical and modern textbooks. These sources are further divided into European and American categories. A preface provides context for the importance of selected texts under study, and also summarizes the characteristics of the various NASM-accredited music schools and programs in Ohio. The analysis section examines the most prevalent trends in source holdings, based on extensive searching in

OhioLINK in late June 2010. When writing the analysis section, the catalog was not revisited, except when clarifying confusing results. All the “reconfirmation” searches were done in January and February 2011. Duplicate holdings in the institutions in question were not included, either—the goal was simply to find if these institutions had holdings.

As the document was written, it became apparent that adjustments to broader categories were needed. It was initially thought that each of the four categories— historical and modern sources, and historical and modern textbooks—would divide neatly into European and American categories. For example, the distinction between historical

European and American sources was maintained, and sources in each respective category were discussed at length. Modern European and American sources in OhioLINK

42 libraries associated with NASM-accredited institutions were so negligible that they were all but excluded from this study. As mentioned earlier in this study, many writings on modern music theory are found in scholarly journals rather than books. Also, the discussion of textbooks in this study—both historical and modern—became exclusively one focusing on American textbooks.

Through this study, there are no overarching trends in terms of sources held in

OhioLINK libraries associated with NASM-accredited institutions in Ohio. There are, however, trends within specific categories. For example, in examining European historical sources, a strong trend is apparent in that the doctoral institutions and Oberlin have overwhelmingly more sources than the institutions offering only masters degrees or below. This trend is true of important theorists in the German and French traditions, but not the late Victorian theorists. When examining historical American sources, a general trend of fewer holdings across all institutions included in this study becomes apparent.

But, as was the case with holdings of historical European sources, doctoral-granting institutions and Oberlin still possess many of these American sources as well.

When examining American historical textbooks, a shift in holding trends appears.

In the case of early twentieth-century textbooks, doctoral-granting institutions and

Oberlin have many of these textbooks. But, as the discussion shifted to mid-twentieth- century textbooks, this paradigm began to disappear. The number of holdings of these sources increased, but it was not necessarily along the lines of holdings in doctoral- granting institutions and Oberlin when compared with other institutions. The holdings generally increased, irrespective of specific institutions. The issue in question here is what textbooks were “left over” from an earlier time, and what textbooks may have been

43 consciously collected as historical textbooks. What holdings meant in this category was also obscured by the presence (or non-presence) of accompanying workbooks, instructor’s manuals, and/or media in relation to these textbooks, which were inconsistently represented in OhioLINK in terms of both holdings and bibliographic presentation in the catalog.

Holdings of modern American textbooks were the fewest of all the sources examined in this study. Also, the trend of doctoral-granting institutions and Oberlin holding all sources relating to harmony completely disintegrated in this category. There was a trend among some sources of more institutional holdings of first editions than subsequent editions; and, as was the case with historical American textbooks, the presence of accompanying workbooks and/or media was sometimes misleading in terms of holdings versus what was presented bibliographically.

Based on my results, it is not certain that this study has proven to be the useful measure in evaluating the appropriateness of library holdings in supporting the curricula of NASM-accredited schools in Ohio initially hoped. In terms of both historical

European and American sources, it was determined that institutions at the doctoral level, and a major conservatory such as Oberlin were indeed holding sources at the level appropriate to degrees offered. Because of this collection, if a scholar desired to conduct research in the MT50 and other sources on harmony in the MT6 or MT40 classifications, institutions such as Oberlin, the University of Cincinnati, Ohio State or Kent State would be very logical choices. At institutions offering up to the master’s level and below, however, there were simply not enough prevalent trends in holdings to make an accurate determination of that same “appropriateness.” Evaluating this appropriateness in terms of

44 both historical and modern American textbooks proved problematic. By the time the study shifted to examining modern American textbooks, even the trend of doctoral- granting institutions no longer seemed to hold any validity.

Another way to evaluate trends in textbook holdings may also be accomplished by examining the development of topics in the texts themselves. For example, as Schenker’s students spread his teaching throughout the United States, Schenkerian ideas gradually made their way into important textbooks, including Harmony and Voice Leading by

Edward Aldwell and Carl Schachter; Tonal Harmony in Concept and Practice by Allen

Forte; Harmonic Practice in Tonal Music by Robert Gauldin; and Harmony in Tonal

Music by Joel Lester.

Some unanswered questions remain, specifically in relation to textbooks. First, what books in collections are left over from an earlier time, and what ones were consciously collected as historical sources? If a music librarian (working in conjunction with music faculty members) were opening a brand-new library, would some of these sources be added? To answer these questions fully, institutional site visits would be required. During these visits, interviews would need to be conducted with both librarians and theorists alike to determine historical trends in both the collecting and subsequent holding of materials. For each site, individuals with institutional memory of both the music library and/or collection and music department and/or school would need to be solicited as well. If such individuals did not exist at these specific institutions, it is also possible that there might not be enough institutional memory to determine these trends.

When institutional memory is lacking, crucial collection development or weeding

45 decisions can possibly be made without the fullest information or context, and the collection may both suffer and fail to meet the needs of its patrons.

A larger question relates to protecting a collection of MT50 and other harmony- related holdings. For this goal to be accomplished, music faculty and library staff alike have to be in constant dialogue about what is important to the field, and those with institutional memory must be sought out wherever possible. Additionally, faculty and library staff at institutions offering doctoral degrees and associated with ARL libraries must be especially vigilant, as the sources in these institutions may have more frequent research use by patrons than in institutions offering up to the master’s or bachelor’s degree only.

The reasons certain sources appeared in institutions may have also been contingent on collection development profiles at specific institutions, and, in more modern times, material choices based on approval plans, where a library subscribes to a particular publisher or vendor and automatically receives and pays for materials. All of these considerations, however, are beyond the scope of this study—my study focuses on holdings in OhioLINK libraries associated with NASM-accredited institutions in Ohio.

It should also be mentioned here that the searches done in OhioLINK were at a specific moment in time. Since these searches were made, holdings of sources at specific institutions stored in one of the four library depositories in Ohio are in the process of being suppressed in anticipation of reverting to a state-wide catalog. This change only applies to materials at the depots that were not sheltered to remain attached to specific institutions. Additionally, there are movements afoot to weed both select duplicates and low-circulating items at Kent State and other libraries around the state, so the situation

46 under which this study was conducted might not be as valid in years to come. It must also be remembered that OhioLINK, as a consortium operating under ideal circumstances, can provide materials to patrons at participating institutions around the state within a few days of a request being made. Items in my study that were local use only were generally rare materials; the majority of materials in this study could easily be found and shared through OhioLINK. Another item in question is to what extent in the future these sources will be digitized, and made available electronically. Students and scholars are already making heavy use of digitized journal articles in their research, but not so for books (especially in the arts and humanities). It is my opinion that, probably in ten to fifteen years, we will increasingly see more digitized versions of sources previously in print only, but that the infrastructure and human resources to accomplish such a task are not yet in place to do so effectively or efficiently.

Even if collecting and holding paradigms shift in the future, studies like these can be used at least to determine what is important in the field. If this importance can be solidified in each specific discipline (such as music theory), it can be a starting point to protect and maintain the most important sources in a field, whether it be specifically at a single institution, or collectively at a consortial level such as OhioLINK. The Performing

Arts Library at Kent State has a comprehensive collection of sources on harmony, making it of value to both students and scholars in the field of music theory at Kent and across the state. In terms of music theory itself and the MT50 classification, I have attempted to show which theorists and pedagogues (and their respective sources) are most important to the field, and whether this importance is reflected in OhioLINK libraries associated with NASM-accredited institutions. In the case of some categories of sources,

47 this reflection was overwhelmingly clear; in the case of other categories, this reflection might only become clear over time.

At this point in time, it is fair to say that OhioLINK libraries associated with

NASM-accredited universities collectively do a good job in representing these sources, especially during a time of shrinking budgets. Despite increasing scrutiny by governmental agencies that do not fully appreciate the significance of library holdings in higher educational institutions, efforts are being made to expand access via electronic means and availability sharing among libraries. Therefore, the current availability of historical sources in music theory could be expanded through electronic access.

In conclusion, library holdings serve both pedagogical and research functions.

OhioLINK holdings of sources on harmony illustrate these dual functions as appropriate to the individual needs of the Ohio institutions studied. Patterns revealed in this study will be helpful to librarians and music faculty in the selection of future acquisitions in the area of harmony.

APPENDIX A OhioLINK Libraries -- Sources on Harmony in NASM Institutions (Ashland University through the University of Mount Union)

Date Author Title Edition (Blank = Place of Publisher Year of Type of Source American/ ASC OXB BLC BGU CAU CWR CDC CNC CIX CSU CMJ WOO HEI HIR KSU MIA MTU OCLC # Comments Searched 1st) Publication Publication European

6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading 2nd ed. San Diego Harcourt Brace 1989 Modern textbook American X X X X 19029983 Schachter Jovanovich 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading 2nd ed. San Diego Harcourt Brace 1989 Modern textbook American X 20512673 Schachter Jovanovich 6/25/2010 Aldwell, Edward and Carl Harmony and Voice Leading 3rd ed. United States Thomson/ Schirmer 2003 Modern textbook American X X X X 50473510 Schachter 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading 3rd ed. Australia Thomson/ Schirmer 2003 Modern textbook American 51917888 Schachter 6/26/2010 Aldwell, Edward and Carl 2-CD Set to Accompany Harmony & Boston Schimer [sic] 2003 Modern textbook American 50626085 CD-39606 (CD accession # at Schachter Voice Leading, 3rd Edition Cengage Learning Oberlin?)

6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading New York Harcourt Brace 1978-79 Modern textbook American X X X X 4465723 781.25 (Dewey classification at ONU) Schachter Jovanovich 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading New York Harcourt Brace 1978-79 Modern textbook American X X 4980128 Unclassed at Case Western and Schachter Jovanovich Miami University 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading New York Harcourt Brace 1978-79 Modern textbook American X 10311148 Possible duplicate of #4980128 Schachter Jovanovich 6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading, v.1: New York Harcourt Brace Modern textbook N/A Local circ only Schachter Workbook Jovanovich 6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading, v.2: New York Harcourt Brace Modern textbook American N/A Local circ only Schachter Workbook Jovanovich 6/28/2010 Anderson, Gene Henry Musical Terminology in J.-P. Rameau's N/A N/A 1981 Modern source on American 9356749 Photocopy of a dissertation; ML410 Traité de L'harmonie: A Study and historical source Glossary Based on an Index

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music Boston Houghton Mifflin 1975 Modern textbook American X X X X 1340512 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 2nd ed. Boston Houghton Mifflin 1979 Modern textbook American X X X X X X 4886953 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 3rd ed. Boston Houghton Mifflin 1986 Modern textbook American X X X X 13572024 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 4th ed. Belmont, CA Wadsworth 1992 Modern textbook American X 24143812 MT6

6/26/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 5th ed. Belmont, CA Wadsworth 1998 Modern textbook American 37513051 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 6th ed. United States Thomson/ Schirmer 2003 Modern textbook American X 50282530 MT6

6/25/2010 Berry, Wallace Form in Music Englewood Cliffs, Prentice-Hall 1966 Modern textbook American X X X X X X X X X X X X X X 612127 MT58; 781.5 (BGU NW regional NJ depository, CAU, CDC, HIR, OBE Con Books and storage); 781.8 (ONU)

6/25/2010 Berry, Wallace Form in Music Englewood Cliffs, Prentice-Hall 1966 Modern textbook American 16730799 Possible duplicate of #612127; 781.5 NJ (SIN) 6/25/2010 Berry, Wallace Form in Music 2nd ed. Englewood Cliffs, Prentice-Hall 1986 Modern textbook American X X X 11676743 MT58 NJ 6/26/2010 Carner, Mosco A Study of Twentieth-Century Harmony: 2nd ed. London Mills Music 1944 Historical source European 8988535 Volume 2 of the English translation of A Treatise and Guide for the Student- Lenormand's A Study of Twentieth Composer of To-day: Volume two: Century Harmony; French attempt to Contemporary Harmony describe modern harmony

6/25/2010 Carter, Elliot Harmony Book New York Carl Fischer 2002 Modern source American X X 50105035 6/25/2010 Chadwick, George Harmony Boston For the New 1897 Historical source American X X 1159118 781.3 (OBE Con Books) England Conservatory of Music by the B.F. Wood music company 6/25/2010 Chadwick, George Harmony 12th ed. Boston B.F. Wood Music 1897 Historical source American X 36875023 Co. 6/25/2010 Chadwick, George Harmony 23rd ed. Boston B.F. Wood Music 1897 Historical source American X 16573619 Co. 6/25/2010 Chadwick, George Harmony 25th ed. Boston B.F. Wood Music 1897 Historical source American X 18246718 Co. 6/26/2010 Chadwick, George Harmony 2nd ed. Boston B.F. Wood Music 1922 Historical source American 2920989 781.3 (OBE Con Books) Co. 49

6/25/2010 Chadwick, George Harmony 36th ed. Boston For the New 1897 Historical source American 1157936 England conservatory of music by the B.F. Wood Music Company 6/25/2010 Chadwick, George Harmony 42nd ed. Boston B.F. Wood Music 1897 Historical source American 7252470 Co. 6/26/2010 Chadwick, George Harmony 50th ed. Boston B.F. Wood Music 1922 Historical source American 9157093 Co. 6/26/2010 Chadwick, George Harmony 51st ed. Boston B.F. Wood Music 1922 Historical source 23032271 Co. 6/26/2010 Chadwick, George Harmony 52nd ed. Boston B.F. Wood Music 1930 Historical source American X 11008093 781.3 (CAU) Co. 6/26/2010 Chadwick, George Harmony 54th ed. Boston B.F. Wood Music 1922 Historical source American 14689634 Co. 6/26/2010 Chadwick, George Harmony 62nd ed. Boston For the New 1922 Historical source American X 4913972 England conservatory of music by the B.F. Wood music company 6/26/2010 Chadwick, George Harmony 77th ed. Boston B.F. Wood Music 1925 Historical source American X X 6905432 781.3 (CDC) Co. 6/26/2010 Chadwick, George Harmony 90th ed. Boston B.F. Wood Music 1925 Historical source American X 13638728 Co. 6/26/2010 Chadwick, George Harmony: A Course of Study and a Key New York Da Capo Press 1975 Historical source American 1174735 to Chadwick's Harmony 6/26/2010 Christ, William, et al. Materials and Structure of Music, 2nd ed. Englewood Cliffs, Prentice-Hall 1972 Modern textbook American 25896657 MT6 Teacher's Manual NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music 2nd ed. Englewood Cliffs, Prentice-Hall 1972 Modern textbook American 2360878 MT6; 781 (OBE Con Books) NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music 2nd ed. Englewood Cliffs, Prentice-Hall 1972 Modern textbook American X X X X 257117 Possible duplicate of #2360878; MT6; NJ 781 (OBE Con Books) 6/26/2010 Christ, William, et al. Materials and Structure of Music: 2nd ed. Englewood Cliffs, Prentice-Hall 1973 Modern textbook American X 2302654 MT6 Workbook NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music: 3rd ed. Englewood Cliffs, Prentice-Hall 1980 Modern textbook American X 6540231 MT6 Workbook NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music 3rd ed. Englewood Cliffs, Prentice-Hall 1980 Modern textbook American X X X 4804281 MT6 NJ 6/25/2010 Christ, William, et al. Materials and Structure of Music Englewood Cliffs, Prentice-Hall 1966-67 Modern textbook American 2910129 MT6 NJ 6/25/2010 Christ, William, et al. Materials and Structure of Music Englewood Cliffs, Prentice-Hall 1966- Modern textbook American X X X X X X X X X 412237 MT6; 781 (CAU, OBE storage, NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music: Englewood Cliffs, Prentice-Hall 1966-68 Modern textbook American X 2360456 MT6; 781 (OBE storage) Workbook NJ 6/25/2010 Christensen, Thomas Towards Tonality: Aspects of Baroque Leuven Leuven University 2007 Modern source American X X X 153885395 MT6 Music Theory Press 6/25/2010 Clendinning, Jane Piper, A Musician’s Guide to Theory and New York W.W. Norton 2005 Modern textbook American X 55131527 MT6 and Elizabeth West Analysis Marvin 6/25/2010 Cutter, Benjamin Harmonic Analysis Boston O. Ditson Company 1902 Historical source American X X X X X X 950162 781.3 (OBE storage)

6/26/2010 Cutter, Benjamin Harmonic Analysis Boston Ditson 1930 Historical source American X X 942561 6/25/2010 Day, Alfred A Treatise on Harmony London Cramer, Beale, and 1845 Historical source European X 1996954 Co. 6/26/2010 Day, Alfred A Treatise on Harmony London Harrison & Sons 1885 Historical source European X 8340543 6/26/2010 Des Marais, Paul Émile Harmony: A Workbook in Fundamentals New York W.W. Norton 1962 Modern textbook American X X X X 950228 "Intended as a corollary to Walter Piston's harmony (third edition)" 6/25/2010 Faisst, Immanuel Harmonielehre nach Immanuel Faisst Stuttgart Sulze & Galler n.d. Historical source European N/A Gottlieb. Adapted by Heinrich Lang 6/25/2010 Fétis, François-Joseph Traité complet de la théorie et de la 5th ed. Paris Brandus 1853 Historical source European 9640769 pratique de l'harmonie, contenant la doctrine de la science et de l'art 6/25/2010 Fétis, François-Joseph Traité complet de la théorie et de la 8. èd. rev., cor. et Paris G. Brandus et S. 1864 Historical source European 19695011 pratique de l'harmonie, contenant la augm. par l'auteur Dufour doctrine de la science et de l'art 6/25/2010 Fétis, François-Joseph Traité complete de la théorie et de la Hillsdale, NY Pendragon Press 2008 Historical source European X X 244476540 English translation of original work pratique de l'harmonie (1844) 6/25/2010 Fillmore, John Comfort New Lessons in Harmony Philadelphia Presser 1887 American 3300811 781.3 (OBE storage) 6/25/2010 Foote, Arthur Modulation and Related Harmonic Boston The Arthur P. 1919 Historical source American X X X 398644 MT52; 781.3 (OBE storage) Questions Schmidt Co 6/26/2010 Foote, Arthur Modulation and Related Harmonic Ann Arbor University 1973 Historical source American 1003662 MT52 Questions Microfilms 50

6/26/2010 Foote, Arthur Modulation and Related Harmonic Westport, CN Greenwood Press 1978 Historical source American X 3627893 MT52 Questions 6/26/2010 Forte, Allen Instructor's manual for Tonal harmony in 2nd ed. New York Holt, Rinehart and 1974 Historical textbook American 4933914 concept and practice Winston 6/26/2010 Forte, Allen Tonal harmony in Concept and practice 2nd ed. New York Holt, Rinehart and 1974 Historical textbook American X X X X X 990167 Winston 6/26/2010 Forte, Allen Tonal Harmony in Concept and Practice 3rd ed. New York Holt, Rinehart and 1979 Historical textbook American X X X 4195209 Winston 6/25/2010 Forte, Allen Tonal Harmony in Concept and Practice New York Holt, Rinehart and 1962 Historical textbook American X X X X X X X X X X 612989 781.3 (CAU, CDC, CMJ, HIR, OBE Winston Con Books, ONU) 6/26/2010 Forte, Allen Tonal Harmony in Concept and Practice New York Holt, Rinehart and 1962 Historical textbook American 167678 OCLC duplicate of #612989 Winston 6/26/2010 Forte, Allen Instructor's manual to accompany Tonal New York Holt, Rinehart and 1962 Historical textbook American X 23035467 Harmony in Concept and Practice Winston

6/26/2010 Forte, Allen Workbook in harmonic composition; a New York Rinehart and 1963 Historical textbook American X X X X X 932081 781.3 (OBE Con Books) companion to Tonal harmony in concept Winston and practice 6/25/2010 Gauldin, Robert Harmonic Practice in Tonal Music 2nd ed. New York W.W. Norton 2004 Modern textbook American X X 53223722 6/26/2010 Gauldin, Robert Harmonic Practice in Tonal Music New York W.W. Norton 1997 Modern textbook American X X X X 34966355 6/26/2010 Gauldin, Robert Compact discs for harmonic practice in New York W.W. Norton 1997 Modern textbook American X 37476574 AUDIO CD 0792 (CSU accession # tonal music scheme for music CDs (?)) 6/26/2010 Gauldin, Robert Harmonic Practice in Tonal Music New York W.W. Norton Modern textbook American N/A Possible personal copy 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 11th ed., rev. and New York G. Schirmer 1900 Historical source American 36699681 Relations enl. 6/25/2010 Goetschius, Percy The Material Used in Musical 11th ed., rev. and New York G. Schirmer 1910 Historical source American X 932043 Composition improved 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 15th edition, rev. New York G. Schirmer 1917 Historical source American X 773837 Relations and enl. 6/26/2010 Goetschius, Percy The Material Used in Musical 16th ed. (3rd New York G. Schirmer 1915 Historical source American 7000840 Composition printing of the new (14th) ed., completely remodeled and rewritten 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 16th ed., completely New York G. Schirmer 1917 Historical source American 5198580 Relations rewritten and enlarged

6/26/2010 Goetschius, Percy The Theory and Practice of Tone 18th ed., completely New York G. Schirmer 1917 Historical source American X 2061620 781.3 (OBE Con Books, storage) Relations rewritten and enlarged

6/26/2010 Goetschius, Percy The Theory and Practice of Tone 21st ed., completely New York G. Schirmer 1917 Historical source American 4167917 Relations rewritten and enl.

6/26/2010 Goetschius, Percy The Material Used in Musical 22d ed., being the New York G. Schirmer 1923 Historical source American 4877065 Composition 9th printing of the completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Material Used in Musical 23rd ed. / being the New York G. Schirmer 1923 Historical source American 9181055 Composition 9th printing of this completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Material Used in Musical 24th ed., being the New York G. Schirmer 1923 Historical source American X 12055931 Composition 10th printing of this completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Material Used in Musical 25th ed. being the New York G. Schirmer 1923 Historical source American X 405993 781.3 (OBE storage) Composition eleventh printing of this completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 2nd ed., rev. Boston New England 1892 Historical source American X 2071190 Relations Conservatory of Music 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 7th ed., rev. & enl. New York Schirmerm [sic] 1903 Historical source American 4305245 Relations 51

6/26/2010 Goetschius, Percy The Theory and Practice of Tone 8th ed., rev. and enl. New York G. Schirmer 1906 Historical source American 1239513 781.3 (OBE storage) Relations 6/26/2010 Goetschius, Percy The Theory and Practice of Tone Completely rewritten Boston G. Schirmer 1931 Historical source American X 19451657 Relations and enlarged.

6/26/2010 Goetschius, Percy The Material Used in Musical New (14th) ed., New York G. Schirmer 1913 Historical source American X X X X 342959 781.3 (HIR) Composition completely remodeled and rewritten 6/26/2010 Goetschius, Percy The Theory and Practice of Tone Reprint of the 1931 New York G. Schirmer 1972 Historical source American X X 417951 Relations ed. 6/26/2010 Goetschius, Percy The Material Used in Musical New York G. Schirmer 1941 Historical source American X 3050581 Composition 6/25/2010 Goetschius, Percy The Theory and Practice of Tone Boston New England 1892 Historical source American 475104825 Later editions also available. Relations Conservatory of Music 6/26/2010 Goetschius, Percy The Theory and Practice of Tone New York E.F. Kalmus 1899 Historical source American X 17885167 Relations 6/26/2010 Goetschius, Percy The Theory and Practice of Tone New York G. Schirmer 1900 Historical source American X X 932008 Relations 6/26/2010 Goetschius, Percy The Theory and Practice of Tone New York G. Schirmer 1931 Historical source American X X 181400 Relations 6/25/2010 Goldman, Richard Franko Harmony in Western Music New York W.W. Norton 1965 American X X X X X X X X X X X 615283 781.13 (HIR), 781.25 (MTU), 781.3 (CAU, OBE Con Books, storage) 6/25/2010 Green, Douglas Harmony through Counterpoint New York Educational 1970-71 American X 1919367 MT55 Division, Meredith Corp. 6/26/2010 Harder, Paul O., and Harmonic Materials in Tonal Music 6th ed. Boston Alyn and Bacon 1990 Modern textbook American X 20566794 Greg A. Steinke 6/26/2010 Harder, Paul O., and Harmonic Materials in Tonal Music 7th ed. Boston Alyn and Bacon 1994 Modern textbook American 28710216 781.25077 (ONU) Greg A. Steinke 6/25/2010 Hauptmann, Moritz Die Natur der Harmonik und der Metrik Hildesheim, Olms 2002 Historical source European 51911614 Facsimile reprint; ML3815 Germany 6/26/2010 Jannery, Arthur Workbook for Piston/Devoto Harmony 4th ed. New York Norton 1979 Modern textbook American X X 6781188

6/26/2010 Jannery, Arthur Workbook for Piston/Devoto Harmony 5th ed. New York Norton 1987 Modern textbook American X 16271880

6/26/2010 Jonas, Oswald Einführung in die Lehre Heinrich 2. Aufl. Wien Universal Edition 1972 Historical source European 649713 First ed. published in 1934 under title: Schenkers Das Wesen des musikalischen Kunstwerks; MT6 6/26/2010 Jonas, Oswald Einführung in die Lehre Heinrich 2. Aufl., Rev. ed. Wien Universal Edition 1972 Historical source European X 17703460 OCLC duplicate of #649713; First ed. Schenkers published in 1934 under title: Das Wesen des musikalischen Kunstwerks; MT6 6/25/2010 Jonas, Oswald Introduction to the Theory of Heinrich New York Longman 1982 Historical source European X X X X X 7577067 Translation of: Einführung in die Lehre Schenker: the Nature of the Musical Heinrich Schenkers, originally Work of Art published in 1934 as: Das Wesen des musikalischen Kunstwerks "Works of Heinrich Schenker": p. 168-170; MT6, 780.15 (CAU)

6/26/2010 Jonas, Oswald Einführung in die Lehre HeinricDas Wien Saturn-verlag 1934 Historical source European 3200226 MT6, 781 (OBE Con Books) Wesen des musikalischen Kunstwerksh Schenkers 6/25/2010 Kaelin, Lawrence Harmonic Current Theory of Chord Louisville Rikero 1983 Historical source American X 11413653 Progression 6/25/2010 Kincaid, M. Dean Principles of Harmony Chicago American 1982 Historical source American X 9366187 Conservatory Press

6/26/2010 Kirnberger, J.P. The art of strict musical composition New Haven Yale University 1982 Historical source European X X X X X X X 7282187 Translation of: Die Kunst des reinen Press Satzes; MT40 6/25/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Berlin C.F. Voss 1771-79 Historical source European 5190215 Microopaque; classed in microcard accession scheme (OBE and CIN)

6/26/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Berlin In commission bey 1771-79 Historical source European 24360211 Microopaque; possible OCLC C.F. Voss duplicate of #5190215; microcard MT40 6/26/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Wien Im Verlag der K.K. 1793 Historical source European X 23627110 MT40 priv. chemischen Druckerey am Graben

6/26/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Hildesheim, G. Olms 1968 Historical source European 925314 MT40 Germany 52

6/25/2010 Kirnberger, J.P. Die wahren Grundsätze zum Gebrauch Berlin und G. J. Decker und 1773 Historical source European 5201367 Microprint copies; in microcard der Harmonie Königsberg G.L. Hartung accession # schemes (OBE, OSU, CIN) 6/25/2010 Komar, Arthur J. Linear-Derived Harmony Cincinnati Ovenbird Press 1992 Modern source American X X 27367798 6/25/2010 Komar, Arthur J. Linear-Derived Harmony Cincinnati Ovenbird Press 1992 Modern source American X 27412267 Possible OCLC duplicate of #27367798 6/25/2010 Koop, David Chromatic Transformations in Nineteenth- "This digitally New York Cambridge 2006 Modern source American 70764763 Century Music printed first University Press paperback version (with corrections) 2006"--T.p. verso

6/25/2010 Koop, David Chromatic Transformations in Nineteenth- New York Cambridge 2002 Modern source American X X X X 47297622 Century Music University Press 6/25/2010 Koop, David Chromatic Transformations in Nineteenth- New York Cambridge 2002 Modern source American 57419435 Electronic version Century Music University Press 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 2nd ed. New York A.A. Knopf 1989 Modern textbook American X X X 18833716 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 3rd ed. New York McGraw Hill 1995 Modern textbook American X X X 31186536 OCLC duplicate of #28799298 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 3rd ed. New York McGraw Hill 1995 Modern textbook American X X X 28799298 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 4th ed. New York McGraw-Hill 1999 Modern textbook American X 40632436 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 4th ed. New York McGraw-Hill 2000 Modern textbook American X X 43740341 781.25 (MTU) Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 4th ed. Boston McGraw-Hill 2000 Modern textbook American X 42607378 Dorothy Payne Twentieth-Century Music College 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 5th ed. Boston McGraw-Hill 2004 Modern textbook American X X X 51613969 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 6th ed. Boston McGraw-Hill 2009 Modern textbook American X X X 183392376 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to New York A.A. Knopf 1984 Modern textbook American X X X 10100931 781.25 (SIN) Dorothy Payne Twentieth-Century Music 6/26/2010 Lenormand, Réne A Study of Twentieth-Century Harmony New ed. London B.F. Wood Music 1940 Historical source European X X X 397194 Translation of: Etude sur l'harmonie Co. moderne; v. 2 by Mosco Carner not included; 781.3 (Con Books, storage); 781.25 (MTU) 6/26/2010 Lenormand, Réne A Study of Twentieth-Century Harmony London B.F. Wood Music 1915- Historical source European X 2583052 Translation of: Etude sur l'harmonie Co. moderne (v. 1); includes v. 2, Contemporary Harmony , written by Mosco Carner

6/25/2010 Lenormand, Réne A Study of Twentieth-Century Harmony New York Da Capo Press 1976 Historical source European X X 2401842

6/25/2010 Lester, Joel Harmony in Tonal Music New York Knopf 1982 Historical textbook American X X X X X 7671402 781.3 (CAU) 6/26/2010 Lester, Joel Harmony in Tonal Music: Workbook New York Knopf 1981- Historical textbook American X X X X X 8469536

6/25/2010 Levy, Ernst A Theory of Harmony. Translation of Albany State University of 1985 Historical source American X X X X X 12134915 Original French version isn't in Connaissance harmonique. New York Press catalog; 781.3 (CAU)

6/25/2010 Mayrberger, K. Lehrbuch der musikalischen Harmonik Pressburg G. Heckenast 1878 Historical source European N/A Not in OhioLINK

6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York Appleton-Century- 1947 Historical textbook American X X X X X X X X 615924 Some of the records following this may of the 18 th Century Crofts be OCLC duplicates; historical textbooks; 781.3 (CAU, ONU) 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New Jersey Prentice-Hall 1947 Historical textbook American 1727081 of the 18 th Century 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York F.S. Crofts 1947 Historical textbook American X 3896625 781.3 (HIR) of the 18 th Century 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York Appleton-Century- 1947 Historical textbook American 397760 of the 18 th Century Crofts 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York Appleton-Century- 1947 Historical textbook American 397122 of the 18 th Century Crofts 6/26/2010 McHose, Allen The Contrapuntal Harmonic Technique New York F.S. Crofts 1947 Historical textbook American X X X X X X 6100838 781.3 (BGU NW Regional Depository, of the 18 th Century CDC, OBE Con Books) 6/25/2010 McHose, Allen Basic Principles of the Technique of 18th New York Appleton-Century- 1951 Historical textbook American X X X X X X X X X 342961 MT6, 781 (CAU, CDC, HIR, OBE Con and 19th Century Compositions Crofts Books, ONU)

6/26/2010 Mitchell, William J. Elementary Harmony 2nd ed. New York Prentice Hall 1948 Historical textbook American X 29784421 6/26/2010 Mitchell, William J. Elementary Harmony 2nd ed. New York Prentice Hall 1948 (1959 Historical textbook American X 9975722 Possible OCLC duplicate of printing) #29784421; 781.3 (ONU) 6/26/2010 Mitchell, William J. Elementary Harmony 2nd ed. New York Prentice Hall 1948 Historical textbook American X 1014934 Possible OCLC duplicate of #29784421 6/26/2010 Mitchell, William J. Elementary Harmony 3rd ed. New York Prentice Hall 1965 Historical textbook American X X X X 368335 781.3 (BGU NW Regional Despository, OBE Con Books) 53

6/26/2010 Mitchell, William J. Elementary Harmony 3rd ed. New York Prentice Hall 1965 Historical textbook American 1064720 Possible OCLC duplicate of #368335

6/26/2010 Mitchell, William J. Elementary Harmony New York Prentice Hall 1939 Historical textbook American X X X X 395877 781.3 (BGU NW Regional Depository, OBE storage) 6/25/2010 Oettingen, Arthur von Harmoniesystem in dualer Entwickelung Dorpat W. Gläser 1866 Historical source European N/A Not in OhioLINK

6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall 1961 Modern textbook American X 343201 781.3 (HIR) River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall 1961 Modern textbook American X X X X X X X X 612968 Possible OCLC duplicate of #343201; River, NJ 781.25 (MTU), 781.3 (BGU NW Regional Depository, CDC, OBE storage, Con Books, ONU)

6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall 1965 Modern textbook American 39527201 Possibly the same as #343201 and River, NJ #39527201. 6/26/2010 Ottman, Robert W. Elementary Harmony 2nd ed. Upper Saddle Prentice-Hall 1970 Modern textbook American X X X X X X X 116452 781.3 (HIR, OBE storage, ONU) River, NJ 6/26/2010 Ottman, Robert W. Workbook for Elementary Harmony 2nd ed. Upper Saddle Prentice-Hall 1974 Modern textbook American X 3799364 River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 2nd ed. Upper Saddle Prentice-Hall 1972 Modern textbook American X X X X 329147 River, NJ 6/26/2010 Ottman, Robert W. Elementary Harmony 3rd ed. Upper Saddle Prentice-Hall 1983 Modern textbook American X X 8929255 River, NJ 6/26/2010 Ottman, Robert W. Workbook for Elementary Harmony 3rd ed. Upper Saddle Prentice-Hall 1983 Modern textbook American X 10633658 River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 3rd ed. Upper Saddle Prentice-Hall 1984 Modern textbook American X 10045921 781.3 (SIN) River, NJ 6/26/2010 Ottman, Robert W. Elementary Harmony 4th ed. Upper Saddle Prentice-Hall 1989 Modern textbook American X 18947732 781.25 (MTU) River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 4th ed. Upper Saddle Prentice-Hall 1992 Modern textbook American X X 25048955 River, NJ 6/26/2010 Ottman, Robert W. Elementary Harmony 4th ed., instructor's Upper Saddle Prentice-Hall 1989 Modern textbook American 31049430 manual River, NJ

6/25/2010 Ottman, Robert W. Elementary Harmony 5th ed. Upper Saddle Prentice-Hall 1998 Modern textbook American X 37156290 781.3 (CDC) River, NJ 6/25/2010 Ottman, Robert W. Advanced Harmony 5th ed. Upper Saddle Prentice-Hall 2000 Modern textbook American X X X 42072184 781.3 (CDC) River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 5th ed. Upper Saddle Prentice-Hall 2000 Modern textbook American X 44538427 Possible OCLC duplicate of River, NJ #42072184 6/26/2010 Ottman, Robert W. Elementary Harmony Upper Saddle Prentice-Hall 1962 Modern textbook American X X X X X X X 395270 781.3 (NW Regional Depository, OBE River, NJ storage) 6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall Modern textbook American ? Possible personal copy River, NJ 6/25/2010 Ouseley, Frederick A. Treatise on Harmony 3rd ed. Oxford The Clarendon 1883 Historical source European X 921898 781.3 (OBE storage) Gore Press 6/25/2010 Parker, James C.D. Manual of Harmony and Thoroughbass Boston Nathan Richardson 1855 Historical source European N/A Not in OhioLINK

6/25/2010 Parncutt, Richard Harmony: a Psychoacoustical Approach Berlin Springer-Verlag 1989 Modern source American X X X 19846104 ML3836

6/26/2010 Piston, Walter Harmony 3rd ed. New York W.W. Norton 1969 Modern textbook American X X 2082824 6/26/2010 Piston, Walter Harmony 3rd ed.? New York W.W. Norton 1962 Modern textbook American X X X X X X X 376170 781.3 (CAU, CDC, OBE storage, Con Books) 6/26/2010 Piston, Walter Harmony 4th ed. New York W.W. Norton 1978 Modern textbook American X X X X 3706714 6/26/2010 Piston, Walter Harmony 5th ed. New York W.W. Norton 1987 Modern textbook American X X X X X X X X 14692175 781.25 (MTU) 6/26/2010 Piston, Walter Harmony Rev. ed. New York W.W. Norton 1948 Modern textbook American X X X X X 911202 781.3 (ONU) 6/26/2010 Piston, Walter Harmony Rev. ed. New York W.W. Norton 1948 Modern textbook American X 40803985 Possible OCLC duplicate of #911202; 781.3 (OBE storage) 6/25/2010 Piston, Walter Harmony New York W.W. Norton 1941 Modern textbook American X X X X X X 935345 Older editions historical; modern (?); 781.3 (HIR) 6/26/2010 Piston, Walter Harmony New York W.W. Norton 1944 Modern textbook American X 5179098 W 1.55:601 (CIN, in government documents classification) 6/25/2010 Piston, Walter Principles of Harmonic Analysis Boston E.C. Schirmer 1933 Modern textbook American X X X X X X X X X 392507 781.25 (ONU), 781.3 (CAU, CDC, OBE storage) 6/26/2010 Pöhlert, Werner Grundlagenharmonik & 2. Aufl. Einhausen W. Pöhlert 1983 Modern source European X 20477866 One of the only sources filtering out as grundlagenharmonisches Denken a modern European 6/25/2010 Pöhlert, Werner Basic Harmony and Basic Harmonical 3rd rev. and Bensheim W. Pöhlert 1989 Modern source European X X X X X 27445226 Translation of Grundlagenharmonik & Mode of Thinking extended ed. grundlagenharmonisches Denken; 781.3 (CAU)

6/26/2010 Pöhlert, Werner Basic Harmony and Basic Harmonical 3rd rev. and Bensheim W. Pöhlert 1994 Modern source European 35289081 Translation of Grundlagenharmonik & Mode of Thinking extended English grundlagenharmonisches Denken ed.

6/25/2010 Pratt, George The Dynamics of Harmony: Principles Milton Keynes, Open University 1984 Modern textbook American X X X 11089001 and Practice England Press 54

6/25/2010 Pratt, George The Dynamics of Harmony: Principles Oxford Oxford University 1996 Modern textbook American 34710857 and Practice Press 6/25/2010 Prout, Ebenezer Harmony, Its Theory and Practice 11th ed. London Augener 1889 Historical source European X 14689676 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 14th ed. London Augener 1889 Historical source European X 760486 MT40 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 15th ed. London Augener 1889 Historical source European 27294551 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 16th ed. rev. and London Augener 1903 Historical source European X 419820 781.3 (OBE) largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 17th ed. rev. and London Augener 1903 Historical source European X 5539951 largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 32nd ed. rev. and London Augener 1903 Historical source European 23479492 largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 33rd ed. rev. and London Augener 1903 Historical source European X 947133 MT40 (KSU only) largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 6th ed. London Augener 1889 Historical source European X 947121 MT40 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice Rev. and largely London Augener 1903 Historical source European X 13274241 rewritten 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice St. Clair Shores, MI Scholarly Press 1970 Historical source European X 103955

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice New York AMS Press 1971 Historical source European 145376 6/28/2010 Rameau, Jean-Phillipe A treatise of music, containing the 2nd ed. Dublin Printed for Luke 1779 Historical source European ? Electronic reproduction available on principles of composition White the Internet, and only to OU users; no apparent OCLC cataloging given.

6/26/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris ed. New York Broude Brothers 1965 Historical source European X 223701 ML3815

6/26/2010 Rameau, Jean-Phillipe Code de musique pratique Paris Imprimerie royale 1760 Historical source European X 13558603 6/25/2010 Rameau, Jean-Phillipe Code de musique pratique Paris Imprimerie royale 1760 Historical source European X 6836128 Microopaque; in microcard classification/accession number schemes 6/26/2010 Rameau, Jean-Phillipe Code de musique pratique Paris Imprimerie royale 1760 Historical source European ? Microfiche; no OCLC cataloging apparently given 6/26/2010 Rameau, Jean-Phillipe Code de musique pratique New York Broude Brothers 1965 Historical source European X 224379 Facsimile of the 1760 Paris edition 6/26/2010 Rameau, Jean-Phillipe Code de musique pratique New York Broude Brothers 1965 Historical source European X X 657653 Facsimile of the 1760 Paris edition (?). Possible cataloging duplicate of #224379; part of M2 collected edition for Rameau (BGU) 6/25/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris Chez Durand 1750 Historical source European X 7374074 ML3815

6/26/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris Chez Durand 1750 Historical source European 26106482 Possible OCLC cataloging duplicate of #7374074; ML3815 6/25/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris Chez Durand 1750 Historical source European X 5639134 Microopaque; in microcard classification/accession number schemes 6/26/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie New York Broude Brothers 1965 Historical source European X X 657682 Facsimile of the 1750 Paris ed; part of M2 collected edition for Rameau (BGU) 6/26/2010 Rameau, Jean-Phillipe Jean-Philippe Rameau's Demonstration N/A N/A 1973 Historical source European 3718680 Photocopy of a master's thesis; du principe de l'harmonie (1750) and ML3815 Pierre Esteve's Nouvelle decouverte du principe de l'harmonie (1752) : a translation by Arsen Ralph Papakhian

6/26/2010 Rameau, Jean-Phillipe Jean-Philippe Rameau's Demonstration N/A N/A 1973 Historical source European 8636752 Microfilm of a master's thesis du principe de l'harmonie (1750) and Pierre Esteve's Nouvelle decouverte du principe de l'harmonie (1752) : a translation by Arsen Ralph Papakhian 55

6/26/2010 Rameau, Jean-Phillipe Rameau's Démonstration du principe de N/A N/A 1975 Historical source European 3791344 Photocopy of a master's thesis; l'harmonie and Nouvelles réflexions de ML3815 M. Rameau sur sa démonstration du principe de l'harmonie : an annotated translation of two treatises by Jean- Philippe Rameau by Roger Lee Briscoe

6/25/2010 Rameau, Jean-Phillipe Dissertation sur les différentes métodes Paris Boivin and Le Clair 1732 Historical source European X 9300093 Microopaque; in local microcard d’accompagnement accession/classification schemes 6/26/2010 Rameau, Jean-Phillipe Dissertation sur les différentes métodes Paris Boivin and Le Clair 1732 Historical source European 27029386 Microopaque; possible OCLC d’accompagnement cataloging duplicate of #9300093; in local microcard accession schemes

6/26/2010 Rameau, Jean-Phillipe Dissertation sur les différentes métodes Paris Boivin and Le Clair 1732 Historical source European ? Microfiche; no OCLC cataloging d’accompagnement apparently given 6/26/2010 Rameau, Jean-Phillipe Génération harmonique Paris Prault fils 1737 Historical source European 2901569 ML3815 6/25/2010 Rameau, Jean-Phillipe Génération harmonique Paris Prault fils 1737 Historical source European X 5639147 Microopaque; in local microcard accession/classification schemes 6/26/2010 Rameau, Jean-Phillipe Génération harmonique New York Broude 1966 Historical source European X X X 224372 Facsimile of 1737 Paris edition; part of M2 collected edition for Rameau (BGU) 6/26/2010 Rameau, Jean-Phillipe Rameau's theory of harmonic N/A N/A 1968 Historical source European 1099503 Photocopy of a master's thesis; generation: an annotated translation and ML3815 commentary of Génération Harmonique by Jean-Philippe Rameau by Deborah Hayes 6/26/2010 Rameau, Jean-Phillipe Rameau's theory of harmonic N/A N/A 1968 Historical source European 2365792 Microfilm of a master's thesis generation: an annotated translation and commentary of Génération Harmonique by Jean-Philippe Rameau by Deborah Hayes 6/28/2010 Rameau, Jean-Phillipe Nouveau système de musique théorique Paris Ballard 1726 Historical source European 9227506 Bound with Traité de l’harmonie; 094.2 (OBE Main Spec Coll) 6/25/2010 Rameau, Jean-Phillipe Nouveau système de musique théorique Paris Ballard 1726 Historical source European X 3787774 Microopaque; in local microcard accession/classification schemes 6/28/2010 Rameau, Jean-Phillipe Nouveau système de musique théorique New York Broude Brothers 1965 Historical source European X X X 665079 Facsimile of the 1726 Paris ed.; part of M2 collected edition for Rameau (BGU) 6/28/2010 Rameau, Jean-Phillipe Rameau's Nouveau système de musique N/A N/A 1975 Historical source European 3704031 Photocopy of a dissertation théorique: an annotated translation with commentary by B. Glenn Chandler

6/28/2010 Rameau, Jean-Phillipe Rameau's Nouveau système de musique N/A N/A 1975 Historical source European 6093961 Microfilm of a dissertation théorique: an annotated translation with commentary by B. Glenn Chandler

6/28/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la Paris Prault fils 1754 Historical source European 13564742 ML3845 musique 6/25/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la Paris Prault fils 1754 Historical source European X 5639440 Microopaque; in local microcard musique accession/classification schemes 6/28/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la Paris Prault fils 1754 Historical source European ? Microfiche; no apparent OCLC musique cataloging given 6/28/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la New York Broude Brothers 1967 Historical source European X 9734130 Facsimile of the 1754 Paris ed.; part of musique M2 collected edition for Rameau (BGU) 6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie Paris Ballard 1722 Historical source European 9202287 094.2 (OBE Main Spec Coll) 6/25/2010 Rameau, Jean-Phillipe Traité de l’harmonie Paris Ballard 1722 Historical source European X 3787811 Microopaque; in local microcard accession/classification schemes 6/28/2010 Rameau, Jean-Phillipe A Treatise of Musick, Containing the London Printed by Robert 1752 Historical source European ? Electronic reproduction available on Principles of Composition Brown, for the the Internet, and only to OU users; no proprietor, and sold apparent OCLC cataloging given. by John Walsh, and all the other musick shops in town

6/28/2010 Rameau, Jean-Phillipe A Treatise of Musick, Containing the London Printed by Robert 1752 Historical source European X 8463674 Microopaque; in local microcard Principles of Composition Brown, for the accession/classification schemes proprietor, and sold by John Walsh 56

6/28/2010 Rameau, Jean-Phillipe A Treatise of Music, Containing the London Printed for J. 1775 Historical source European ? Electronic reproduction available on Principles of Composition French the Internet, and only to OU users; no apparent OCLC cataloging given.

6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie New York Broude Brothers 1965 Historical source European X X X X 657472 Facsimile of the 1722 Paris ed.; part of M2 collected edition for Rameau (BGU); 781.3 (HIR) 6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie New York Broude Brothers 1965 Historical source European X 765972 Facsimile of the 1722 Paris ed.; possible OCLC cataloging duplicate of #657472 6/28/2010 Rameau, Jean-Phillipe Treatise on Harmony. Translated with an New York Dover Publications 1971 Historical source European X X X X X X X X X X 131217 781.25 (MTU); 781.3 (CAU, CDC, HIR, introduction and notes by Philip Gossett OBE Con Books, ONU)

6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie Genéve Slatkine Reprints 1992 Historical source European X 29071390 Reprint of the 1722 Paris ed. 6/25/2010 Ratner, Leonard G. Harmony: Structure & Style New York McGraw-Hill 1962 Modern textbook American X X X X X X X X X X 294929 781.3 (CDC, CMJ, HIR, OBE Con Books, storage) 6/25/2010 Reynolds, William H. Common Practice Harmony New York Longman 1985 Modern textbook American X X X X 9894358 Ephemeral (?) 6/28/2010 Richter, Alfred, ed. Aufgabenbuch zu E. Friedr. Richters 16. Aufl. Leipzig Breitkopf und 1901 Historical source European 25882021 Harmonielehre Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 13. Aufl. Leipzig Breitkopf und 1905 Historical source European X 932216 Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 14. Aufl. Leipzig Breitkopf und 1880 Historical source European 6885405 Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 20. Aufl. Leipzig Breitkopf und 1895 Historical source European X 950247 Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 24. Aufl. mit Leipzig Breitkopf und 1905 Historical source European 23372134 Anmerkungen und Härtel Ergänzungen versehen 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie Ed. 6 Leipzig Breitkopf und 1766 Historical source European 2853930 781.3 (OBE Main Spec Call) Härtel 6/28/2010 Richter, Ernst Friedrich Manual of harmony Newly rev. ed. New York C. Fischer 1912 Historical source European 44915109 English translation of the original German 6/25/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie Leipzig Breitkopf und 1853 Historical source European N/A Many later editions found Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie Leipzig Breitkopf und 1916 Historical source European X 921768 Härtel 6/25/2010 Riemann, Hugo Musikalisches Syntaxis [Neudr. [d. Ausg.]] Niederwalluf bei Sändig 1971 Historical source European 594644 Wiesbaden 6/25/2010 Riemann, Hugo Harmony Simplified. Translation of 2nd ed. London Augener 1895 Historical source European X X 757603 781.3 (OBE Con Books) Vereinfachte Harmonielehre 6/25/2010 Riemann, Hugo Vereinfachte Harmonielehre. London Augener 1893 Historical source European X 38030872 Local use only 6/25/2010 Riemann, Hugo Harmony Simplified. Translation of London Augener n.d. Historical source European X 401159 Vereinfachte Harmonielehre 6/25/2010 Riemann, Hugo “Die Natur der Harmonik.” In Sammlung Nendeln, Kraus Reprint 1976 Historical source European 3827246 Probably in ML5 .S35 no.37-48 bound musikalischer Vorträge. Liechtenstein volume; library use only 6/25/2010 Riemann, Hugo “Die Natur der Harmonik.” In Sammlung Leipzig Breitkopf 1979-98 Historical source European X 22186855 Difficult to tell in which volume article musikalischer Vorträge. might be from record; need to request to know for sure; ML55 (?)

6/25/2010 Riemann, Hugo "The Nature of Harmony." In New Philadelphia Presser 1887 Historical source European 3300811 Translated by John Comfort Fillmore Lessons in Harmony. Translation of "Die (his book is referenced above); 781.3 Natur der Harmonik" (OBE storage) 6/25/2010 Riemann, Hugo “Das Problem des harmonischen Leipzig C.F. Kahnt 1834-1906 Historical source European X 10531937 Article in v. 17; may have to request (if Dualismus.” In Neue Zeitschrift für Musik. possible) to see for sure; ML5

6/25/2010 Riemann, Hugo “Das Problem des harmonischen Scarsdale, NY A. Schnase 1969 Historical source European 7314342 Microfilm Dualismus.” In Neue Zeitschrift für Musik.

6/25/2010 Riemann, Hugo “Das Problem des harmonischen Scarsdale, NY A. Schnase 1969 Historical source European 8457480 Print Dualismus.” In Neue Zeitschrift für Musik.

6/25/2010 Riemann, Hugo Musikalische Logik Historical source European N/A Couldn't find in OhioLINK 6/25/2010 Riemann, Hugo Musikalisches Syntaxis Leipzig Breitkopf 1877 Historical source European 6800624 781 (OBE storage) 6/25/2010 Riemann, Hugo Grosse Kompositionslehre. Berlin W. Spemann 1902-03 Historical source European 3972674 MT40 6/25/2010 Riemann, Hugo Jahrbuch der Musikbibliothek Peters Vaduz, Kraus Reprint Ltd 1965 Historical source European X 6738766 Reprint Liechtenstein 6/25/2010 Riemann, Hugo Jahrbuch der Musikbibliothek Peters Leipzig C.F. Peters n.d. Historical source European X X 2223116 ML5

6/25/2010 Riemann, Hugo L. van Beethoven sämtliche Klavier- Berlin M. Hesse 1920 Historical source European 10480103 This and the next item may be OCLC Solosonaten duplicates; MT145 6/25/2010 Riemann, Hugo L. van Beethoven sämtliche Klavier- Berlin M. Hesse 1919-20 Historical source European 8890630 786.41 (OBE Con Books, storage) Solosonaten 6/26/2010 Sadai, Yizhak Harmony in its Systematic and Jerusalem Yanetz 1980 Modern source 8688863 Remove from list? Phenomenological Aspects 57

6/26/2010 Sandke, Randy Harmony for a New Millennium: an New York Second Floor 2001 Modern source European X 50013562 Remove from list?; MT68 Introduction to Metatonal Music Music 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by 1st MIT Press Cambridge, MA MIT Press 1973 Historical source European X X 878280 MT40, 781.25 (ONU), 781.3 (CAU) Oswald Jonas. Translated by Elisabeth paperback ed. Mann Borgese 6/28/2010 Schenker, Heinrich Der freie Satz 2. Aufl. Vienna Universal 1956 Historical source European X 965747 v. 1; MT40 6/28/2010 Schenker, Heinrich Der freie Satz 2. Auflage, Vienna Universal 1956 Historical source European 6127823 In 2 vols.; MT40 Herausgegeben und bearbeitet von Oswald Jonas

6/28/2010 Schenker, Heinrich Der freie Satz 2. Auflage, Vienna Universal 1956 Historical source European X 976658 v. 2; MT40 Herausgegeben und bearbeitet von Oswald Jonas

6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Phoenix ed. Chicago University of 1980 Historical source European X 7481639 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/26/2010 Schenker, Heinrich Der freie Satz Vienna Universal 1935 Historical source European N/A 6/28/2010 Schenker, Heinrich Free composition. Translated and edited New York Longman 1979 Historical source European X X 5876386 MT40 by Ernst Oster

6/28/2010 Schenker, Heinrich Free composition. Translated and edited New York Longman 1979 Historical source European 6418091 Possible OCLC cataloging duplicate of by Ernst Oster #5876386; MT40

6/28/2010 Schenker, Heinrich Free composition. Translated and edited New York Longman 1979 Historical source European X X X X X X 5029757 Contains many more pages than by Ernst Oster #5876386 or #6418091; MT40, 781 (CAU, CDC, SIN)

6/28/2010 Schenker, Heinrich Free composition. Translated and edited Hillsdale, NY Pendragon Press 2001 Historical source European X 47256399 MT40 by Ernst Oster

6/26/2010 Schenker, Heinrich Fünf Urlinie-Tafeln Vienna Universal 1912 Historical source European N/A 6/26/2010 Schenker, Heinrich Fünf Urlinie-Tafeln London David Mannes 1932 Historical source European 10613310 781.24 (OBE Con Books) Music 6/26/2010 Schenker, Heinrich Five Graphic Music Analyses New York Dover Publications 1969 Historical source European X X X X X X 12749424 Translation of Fünf Urlinie-Tafeln: MT140 6/26/2010 Schenker, Heinrich Harmonielehre Stuttgart Cotta 1906 Historical source European N/A Later editions found, all in English translation 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1954 Historical source European X X X X 608308 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1968 Historical source European X X X X X X X 280916 MT40, 781 (HIR, SIN), 781.25 (MTU), Oswald Jonas. Translated by Elisabeth Chicago Press 781.3 (CDC, OBE Con Books, ONU) Mann Borgese 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1972 Historical source European 21655048 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1980 Historical source European X X 14470677 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/26/2010 Schenker, Heinrich Der Tonwille Vienna A.J. Gutmann 1921-24 Historical source European 8791336 ML5 6/28/2010 Schenker, Heinrich Der Tonwille Vienna Tonwille- 1921-24 Historical source European 4747701 ML5 Flugblätterverlag 6/28/2010 Schenker, Heinrich Der Tonwille Hildesheim Georg Olms Verlag 1990 Historical source European 23663714 ML5

6/28/2010 Schenker, Heinrich Der Tonwille. Translated by Ian Bent New York Oxford University 2004 Historical source European X X X X X 48942909 English translation; MT6 Press 6/28/2010 Schoenberg, Arnold Structural Functions of Harmony 2nd (rev.) ed. London Faber 1983 Historical textbook American 43460487 6/28/2010 Schoenberg, Arnold Harmonielehre Jubiläumsausgabe Wien Universal Edition 2001 Historical source European 47712420

6/28/2010 Schoenberg, Arnold Structural Functions of Harmony Rev. ed. with New York W.W. Norton 1969 Historical textbook American X X X X X X X X X 16791 781.25 (ONU), 781.3 (CAU, OBE Con corrections. Edited Books) by Leonard Stein

6/28/2010 Schoenberg, Arnold Harmonielehre Leipzig Verlagseigentum 1911 Historical source European 32686011 Possible OCLC cataloging duplicate of der Universal- #32686011 Edition 6/28/2010 Schoenberg, Arnold Harmonielehre Wien Universal Edition 1922 Historical source European X X 5634446 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by New York Philosophical 1948 Historical source European X X X X X X X 391632 781.3 (CAU, OBE Con Books) Robert D.W. Adams Library 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by New York Philosophical 1948 Historical source European X 297131 Photocopy Robert D.W. Adams Library 6/28/2010 Schoenberg, Arnold Harmonielehre Wien Universal Edition 1949 Historical source European X 9113054 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by Roy Berkeley University of 1978 Historical source European X X X X X X X X X X 4288206 E. Carter California Press 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by Roy Berkeley University of 1983 Historical source European X X 9674279 E. Carter California Press 6/26/2010 Schoenberg, Arnold The Musical Idea and the Logic, New York Columbia 1995 Historical source European X X X X X 27383642 Original German edition not found; Technique, and Art of Its Presentation. University Press MT6 Translated by P. Carpenter and S. Neff

6/28/2010 Schoenberg, Arnold The Musical Idea and the Logic, Bloomington, IN Indiana University 2006 Historical source European X 65764627 Original German edition not found; Technique, and Art of Its Presentation. Press MT6 Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff 6/26/2010 Schoenberg, Arnold Structural Functions of Harmony New York Norton 1954 Historical textbook American X X X X X X X 1352003 781.3 (CDC, HIR, OBE Con Books, storage) 6/26/2010 Sechter, Simon Die Grundsätze der musikalischen Leipzig Breitkopf und 1853-54 Historical source European 22843772 English translation of selections of this Komposition Härtel book; this bibrec also represents a PhD dissertation; MT40

6/26/2010 Sessions, Roger Harmonic Practice New York Harcourt, Brace 1951 Historical source American X X X X X X X X X X X X X 614791 781.25 (MTU), 781.3 (CAU, CDC, HIR, OBE Con Books, storage, ONU, SIN)

6/26/2010 Shir-Cliff, Justine, et al. Chromatic Harmony New York Free Press 1965 Historical textbook American X X X X X X X 383720 Bibrec for accompanying workbook also available 6/26/2010 Shir-Cliff, Justine, et al. Chromatic Harmony: Workbook New York Free Press 1965 Historical textbook American X X X 617461 6/26/2010 Shir-Cliff, Justine, et al. Workbook for Chromatic Harmony New York Free Press 1965 Historical textbook American X 9403677 Possible OCLC cataloging duplicate of #617461 6/26/2010 Siegmeister, Elie Harmony and Melody Belmont, CA Wadsworth Pub. 1965-66 Historical textbook American X X X X X X 857589 781.3 (BGU NW Regional Depository, Co. HIR, OBE Con Books, storage)

6/26/2010 Siegmeister, Elie Harmony and Melody Belmont, CA Wadsworth Pub. 1965-66 Historical textbook American X 4518241 Possible OCLC cataloging duplicate of Co. #857589 6/26/2010 Siegmeister, Elie Harmony and Melody Workbook Belmont, CA Wadsworth Pub. 1965-66 Historical textbook American X 1805897 781.3 (CAU) Co. 6/26/2010 Spencer, Peter The Practice of Harmony 2nd ed. Englewood Cliffs, Prentice-Hall 1990 Modern textbook American X X 20453574 NJ 6/26/2010 Spencer, Peter The Practice of Harmony 3rd ed. Upper Saddle Prentice-Hall 1996 Modern textbook American X 31815126 River, NJ 6/26/2010 Spencer, Peter The Practice of Harmony 4th ed. Upper Saddle Prentice-Hall 2000 Modern textbook American X X 41606345 River, NJ 6/26/2010 Spencer, Peter The Practice of Harmony 5th ed. Upper Saddle Pearson Prentice 2004 Modern textbook American X X 51848593 LT4500 (YNG Textbook Collection) River, NJ Hall 6/26/2010 Spencer, Peter The Practice of Harmony Englewood Cliffs, Prentice-Hall 1983 Modern textbook American X X X 8689714 NJ 6/26/2010 Steinke, Greg A. Harmonic Materials in Tonal Music 10th ed. Upper Saddle Prentice Hall 2010 Modern textbook American X 244566765 Based on materials originally created River, NJ by Paul O. Harder 6/26/2010 Steinke, Greg A. Harmonic Materials in Tonal Music 8th ed. Boston Alyn and Bacon 1998 Modern textbook American 38989932 Rev. ed. of: Harmonic materials in tonal music by Paul O. Harder. 7th ed. 1994

6/26/2010 Steinke, Greg A. Harmonic Materials in Tonal Music 9th ed. Upper Saddle Prentice Hall 2002 Modern textbook American X 47018417 Based on materials originally created River, NJ by Paul O. Harder; 781.25 (ONU)

6/26/2010 Straus, Joseph N. Remaking the Past Cambridge, MA Harvard University 1990 Modern source American X X X X X X 20594134 ML197, 780.904 (SIN) Press 6/26/2010 Thostenson, Marvin S. Fundamentals, Harmony and Dubuque, IA W.C. Brown Co. 1963 Historical textbook American X X X X X 1601356 MT10, 780.7 (BGU NW Regional Musicianship Depository) 6/28/2010 Thostenson, Marvin S. Workbook for Fundamentals, harmony, Dubuque, IA W.C. Brown Co. 1963 Historical textbook American X 3212769 MT10 and musicianship 6/28/2010 Thostenson, Marvin S. Fundamentals, Harmony, and Dubuque, IA W.C. Brown Co. 1963 Historical textbook American X 3411440 Possible OCLC cataloging duplicate of Musicianship: Workbook #3212769; MT10 6/26/2010 Turek, Ralph Theory for Today’s Musician Boston McGraw-Hill 2007 Modern textbook American X 65519241 MT6 6/26/2010 Tweedy, Donald Manual of Harmonic Technic Boston O. Ditson 1928 Historical source American X 388113 6/28/2010 Tweedy, Donald Manual of Harmonic Technic Boston O. Ditson 1928 Historical source American 26106715 Possible OCLC cataloging duplicate of #388113 59

6/28/2010 Tweedy, Donald Manual of Harmonic Technic Philadelphia O. Ditson 1928 Historical source American X X X X 422649 781.3 (BGU NW Regional Depository), HIR, OBE Library Stacks)

6/28/2010 Tweedy, Donald Manual of Harmonic Technic Philadelphia O. Ditson 1928 Historical source American X 9220925 Possible OCLC cataloging duplicate of #422649 6/26/2010 Ulehla, Ludmila Contemporary Harmony: Romanticism New York Free Press 1966 Historical source American X X X X X X X X X X X 711733 781.3 (CAU, MTU) through the Twelve-Tone Row

6/26/2010 Ulehla, Ludmila Contemporary Harmony: Romanticism S.l. Advance Music 1994 Historical source American 31881523 through the Twelve-Tone Row

6/26/2010 Vandendool, Grace The Basics of Harmony Mississauga, ON F. Harris Music 1996 Modern source American 35927131 Remove from list? 6/26/2010 Vogler, G. J. Tonwissenschaft und Tonsezkunst Mannheim Kurfürstliche 1776 Historical source European 11337654 Microopaque. No other versions Hofbuchdruckerei available in OhioLINK

6/26/2010 Vogler, G. J. Handbuch zur Harmonielehre und für Prague K. Barth 1802 Historical source European 22574626 Photocopy. No other versions den Generalbass available in OhioLINK

6/26/2010 Weber, G. Versuch einer geordneten Theorie der 3., neuerdings Mainz B. Schott 1830-32 Historical source European 9343645 MT40 Tonsetzkunst überarbeitete Aufl.

6/26/2010 Weber, G. Versuch einer geordneten Theorie der Mainz B. Schott 1817-21 Historical source European N/A Not in OhioLINK Tonsetzkunst 6/26/2010 Wedge, George Applied Harmony New York G. Schirmer 1930-31 Historical textbook American X X X X X 342972 MT56 (OSU), 781.3 (HIR, OBE Con Books, storage, ONU) 6/26/2010 Wedge, George Applied Harmony New York G. Schirmer 1930-31 Historical textbook American X X 43802315 Possible OCLC duplicate of #342972

6/26/2010 York, Francis Harmony Simplified Rev. and enlarged Boston O. Ditson 1926 Historical textbook American 13139223 ed. 6/26/2010 York, Francis Harmony Simplified Boston O. Ditson 1897 Historical textbook American N/A Not in OhioLINK 60

APPENDIX B OhioLINK Libraries -- Sources on Harmony in NASM Institutions (Mount Vernon Nazarene University through Youngstown State University)

Date Author Title Edition (Blank = Place of Publisher Year of Type of Source American/ MZN MSC OBE ONU OSU OUN OWU OTC SIN AKR CIN DAY TOL WIT WSU XAV YNG OCLC # Comments Searched 1st) Publication Publication European

6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading 2nd ed. San Diego Harcourt Brace 1989 Modern textbook American X X X X 19029983 Schachter Jovanovich 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading 2nd ed. San Diego Harcourt Brace 1989 Modern textbook American 20512673 Schachter Jovanovich 6/25/2010 Aldwell, Edward and Carl Harmony and Voice Leading 3rd ed. United States Thomson/ Schirmer 2003 Modern textbook American X X X X 50473510 Schachter 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading 3rd ed. Australia Thomson/ Schirmer 2003 Modern textbook American X 51917888 Schachter 6/26/2010 Aldwell, Edward and Carl 2-CD Set to Accompany Harmony & Boston Schimer [sic] 2003 Modern textbook American X 50626085 CD-39606 (CD accession # at Schachter Voice Leading, 3rd Edition Cengage Learning Oberlin?)

6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading New York Harcourt Brace 1978-79 Modern textbook American X X X X X X X X 4465723 781.25 (Dewey classification at ONU) Schachter Jovanovich 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading New York Harcourt Brace 1978-79 Modern textbook American X 4980128 Unclassed at Case Western and Schachter Jovanovich Miami University 6/26/2010 Aldwell, Edward and Carl Workbook: Harmony and Voice Leading New York Harcourt Brace 1978-79 Modern textbook American X 10311148 Possible duplicate of #4980128 Schachter Jovanovich 6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading, v.1: New York Harcourt Brace Modern textbook X N/A Local circ only Schachter Workbook Jovanovich 6/26/2010 Aldwell, Edward and Carl Harmony and Voice Leading, v.2: New York Harcourt Brace Modern textbook American X N/A Local circ only Schachter Workbook Jovanovich 6/28/2010 Anderson, Gene Henry Musical Terminology in J.-P. Rameau's N/A N/A 1981 Modern source on American X 9356749 Photocopy of a dissertation; ML410 Traité de L'harmonie: A Study and historical source Glossary Based on an Index

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music Boston Houghton Mifflin 1975 Modern textbook American X X X X 1340512 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 2nd ed. Boston Houghton Mifflin 1979 Modern textbook American X X X X 4886953 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 3rd ed. Boston Houghton Mifflin 1986 Modern textbook American X X 13572024 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 4th ed. Belmont, CA Wadsworth 1992 Modern textbook American X X 24143812 MT6

6/26/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 5th ed. Belmont, CA Wadsworth 1998 Modern textbook American X X 37513051 MT6

6/25/2010 Benjamin, Thomas Techniques and Materials of Tonal Music 6th ed. United States Thomson/ Schirmer 2003 Modern textbook American X X X 50282530 MT6

6/25/2010 Berry, Wallace Form in Music Englewood Cliffs, Prentice-Hall 1966 Modern textbook American X X X X X X X X X X X X X 612127 MT58; 781.5 (BGU NW regional NJ depository, CAU, CDC, HIR, OBE Con Books and storage); 781.8 (ONU)

6/25/2010 Berry, Wallace Form in Music Englewood Cliffs, Prentice-Hall 1966 Modern textbook American X 16730799 Possible duplicate of #612127; 781.5 NJ (SIN) 6/25/2010 Berry, Wallace Form in Music 2nd ed. Englewood Cliffs, Prentice-Hall 1986 Modern textbook American X X X X 11676743 MT58 NJ 6/26/2010 Carner, Mosco A Study of Twentieth-Century Harmony: 2nd ed. London Mills Music 1944 Historical source European X 8988535 Volume 2 of the English translation of A Treatise and Guide for the Student- Lenormand's A Study of Twentieth Composer of To-day: Volume two: Century Harmony; French attempt to Contemporary Harmony describe modern harmony

6/25/2010 Carter, Elliot Harmony Book New York Carl Fischer 2002 Modern source American X X X 50105035 6/25/2010 Chadwick, George Harmony Boston For the New 1897 Historical source American X X X 1159118 781.3 (OBE Con Books) England Conservatory of Music by the B.F. Wood music company 6/25/2010 Chadwick, George Harmony 12th ed. Boston B.F. Wood Music 1897 Historical source American 36875023 Co. 6/25/2010 Chadwick, George Harmony 23rd ed. Boston B.F. Wood Music 1897 Historical source American 16573619 Co. 6/25/2010 Chadwick, George Harmony 25th ed. Boston B.F. Wood Music 1897 Historical source American 18246718 Co. 6/26/2010 Chadwick, George Harmony 2nd ed. Boston B.F. Wood Music 1922 Historical source American X 2920989 781.3 (OBE Con Books) Co. 61

6/25/2010 Chadwick, George Harmony 36th ed. Boston For the New 1897 Historical source American X X 1157936 England conservatory of music by the B.F. Wood Music Company 6/25/2010 Chadwick, George Harmony 42nd ed. Boston B.F. Wood Music 1897 Historical source American X X 7252470 Co. 6/26/2010 Chadwick, George Harmony 50th ed. Boston B.F. Wood Music 1922 Historical source American X 9157093 Co. 6/26/2010 Chadwick, George Harmony 51st ed. Boston B.F. Wood Music 1922 Historical source X 23032271 Co. 6/26/2010 Chadwick, George Harmony 52nd ed. Boston B.F. Wood Music 1930 Historical source American 11008093 781.3 (CAU) Co. 6/26/2010 Chadwick, George Harmony 54th ed. Boston B.F. Wood Music 1922 Historical source American X 14689634 Co. 6/26/2010 Chadwick, George Harmony 62nd ed. Boston For the New 1922 Historical source American 4913972 England conservatory of music by the B.F. Wood music company 6/26/2010 Chadwick, George Harmony 77th ed. Boston B.F. Wood Music 1925 Historical source American 6905432 781.3 (CDC) Co. 6/26/2010 Chadwick, George Harmony 90th ed. Boston B.F. Wood Music 1925 Historical source American 13638728 Co. 6/26/2010 Chadwick, George Harmony: A Course of Study and a Key New York Da Capo Press 1975 Historical source American X X 1174735 to Chadwick's Harmony 6/26/2010 Christ, William, et al. Materials and Structure of Music, 2nd ed. Englewood Cliffs, Prentice-Hall 1972 Modern textbook American X 25896657 MT6 Teacher's Manual NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music 2nd ed. Englewood Cliffs, Prentice-Hall 1972 Modern textbook American X X 2360878 MT6; 781 (OBE Con Books) NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music 2nd ed. Englewood Cliffs, Prentice-Hall 1972 Modern textbook American X X X X X X X X X X 257117 Possible duplicate of #2360878; MT6; NJ 781 (OBE Con Books) 6/26/2010 Christ, William, et al. Materials and Structure of Music: 2nd ed. Englewood Cliffs, Prentice-Hall 1973 Modern textbook American 2302654 MT6 Workbook NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music: 3rd ed. Englewood Cliffs, Prentice-Hall 1980 Modern textbook American X 6540231 MT6 Workbook NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music 3rd ed. Englewood Cliffs, Prentice-Hall 1980 Modern textbook American X X 4804281 MT6 NJ 6/25/2010 Christ, William, et al. Materials and Structure of Music Englewood Cliffs, Prentice-Hall 1966-67 Modern textbook American X 2910129 MT6 NJ 6/25/2010 Christ, William, et al. Materials and Structure of Music Englewood Cliffs, Prentice-Hall 1966- Modern textbook American X X X X X X X 412237 MT6; 781 (CAU, OBE storage, NJ 6/26/2010 Christ, William, et al. Materials and Structure of Music: Englewood Cliffs, Prentice-Hall 1966-68 Modern textbook American X X X 2360456 MT6; 781 (OBE storage) Workbook NJ 6/25/2010 Christensen, Thomas Towards Tonality: Aspects of Baroque Leuven Leuven University 2007 Modern source American X 153885395 MT6 Music Theory Press 6/25/2010 Clendinning, Jane Piper, A Musician’s Guide to Theory and New York W.W. Norton 2005 Modern textbook American X 55131527 MT6 and Elizabeth West Analysis Marvin 6/25/2010 Cutter, Benjamin Harmonic Analysis Boston O. Ditson Company 1902 Historical source American X X X X 950162 781.3 (OBE storage)

6/26/2010 Cutter, Benjamin Harmonic Analysis Boston Ditson 1930 Historical source American 942561 6/25/2010 Day, Alfred A Treatise on Harmony London Cramer, Beale, and 1845 Historical source European 1996954 Co. 6/26/2010 Day, Alfred A Treatise on Harmony London Harrison & Sons 1885 Historical source European 8340543 6/26/2010 Des Marais, Paul Émile Harmony: A Workbook in Fundamentals New York W.W. Norton 1962 Modern textbook American X X X X X 950228 "Intended as a corollary to Walter Piston's harmony (third edition)" 6/25/2010 Faisst, Immanuel Harmonielehre nach Immanuel Faisst Stuttgart Sulze & Galler n.d. Historical source European N/A Gottlieb. Adapted by Heinrich Lang 6/25/2010 Fétis, François-Joseph Traité complet de la théorie et de la 5th ed. Paris Brandus 1853 Historical source European X 9640769 pratique de l'harmonie, contenant la doctrine de la science et de l'art 6/25/2010 Fétis, François-Joseph Traité complet de la théorie et de la 8. èd. rev., cor. et Paris G. Brandus et S. 1864 Historical source European X 19695011 pratique de l'harmonie, contenant la augm. par l'auteur Dufour doctrine de la science et de l'art 6/25/2010 Fétis, François-Joseph Traité complete de la théorie et de la Hillsdale, NY Pendragon Press 2008 Historical source European X X 244476540 English translation of original work pratique de l'harmonie (1844) 6/25/2010 Fillmore, John Comfort New Lessons in Harmony Philadelphia Presser 1887 American X 3300811 781.3 (OBE storage) 6/25/2010 Foote, Arthur Modulation and Related Harmonic Boston The Arthur P. 1919 Historical source American X X X X 398644 MT52; 781.3 (OBE storage) Questions Schmidt Co 6/26/2010 Foote, Arthur Modulation and Related Harmonic Ann Arbor University 1973 Historical source American X 1003662 MT52 Questions Microfilms 62

6/26/2010 Foote, Arthur Modulation and Related Harmonic Westport, CN Greenwood Press 1978 Historical source American X 3627893 MT52 Questions 6/26/2010 Forte, Allen Instructor's manual for Tonal harmony in 2nd ed. New York Holt, Rinehart and 1974 Historical textbook American X 4933914 concept and practice Winston 6/26/2010 Forte, Allen Tonal harmony in Concept and practice 2nd ed. New York Holt, Rinehart and 1974 Historical textbook American X X X X X 990167 Winston 6/26/2010 Forte, Allen Tonal Harmony in Concept and Practice 3rd ed. New York Holt, Rinehart and 1979 Historical textbook American X 4195209 Winston 6/25/2010 Forte, Allen Tonal Harmony in Concept and Practice New York Holt, Rinehart and 1962 Historical textbook American X X X X X X X X X X X 612989 781.3 (CAU, CDC, CMJ, HIR, OBE Winston Con Books, ONU) 6/26/2010 Forte, Allen Tonal Harmony in Concept and Practice New York Holt, Rinehart and 1962 Historical textbook American X 167678 OCLC duplicate of #612989 Winston 6/26/2010 Forte, Allen Instructor's manual to accompany Tonal New York Holt, Rinehart and 1962 Historical textbook American 23035467 Harmony in Concept and Practice Winston

6/26/2010 Forte, Allen Workbook in harmonic composition; a New York Rinehart and 1963 Historical textbook American X X X X 932081 781.3 (OBE Con Books) companion to Tonal harmony in concept Winston and practice 6/25/2010 Gauldin, Robert Harmonic Practice in Tonal Music 2nd ed. New York W.W. Norton 2004 Modern textbook American X X 53223722 6/26/2010 Gauldin, Robert Harmonic Practice in Tonal Music New York W.W. Norton 1997 Modern textbook American X X X 34966355 6/26/2010 Gauldin, Robert Compact discs for harmonic practice in New York W.W. Norton 1997 Modern textbook American 37476574 AUDIO CD 0792 (CSU accession # tonal music scheme for music CDs (?)) 6/26/2010 Gauldin, Robert Harmonic Practice in Tonal Music New York W.W. Norton Modern textbook American X N/A Possible personal copy 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 11th ed., rev. and New York G. Schirmer 1900 Historical source American X 36699681 Relations enl. 6/25/2010 Goetschius, Percy The Material Used in Musical 11th ed., rev. and New York G. Schirmer 1910 Historical source American 932043 Composition improved 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 15th edition, rev. New York G. Schirmer 1917 Historical source American 773837 Relations and enl. 6/26/2010 Goetschius, Percy The Material Used in Musical 16th ed. (3rd New York G. Schirmer 1915 Historical source American X X 7000840 Composition printing of the new (14th) ed., completely remodeled and rewritten 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 16th ed., completely New York G. Schirmer 1917 Historical source American X 5198580 Relations rewritten and enlarged

6/26/2010 Goetschius, Percy The Theory and Practice of Tone 18th ed., completely New York G. Schirmer 1917 Historical source American X X 2061620 781.3 (OBE Con Books, storage) Relations rewritten and enlarged

6/26/2010 Goetschius, Percy The Theory and Practice of Tone 21st ed., completely New York G. Schirmer 1917 Historical source American X 4167917 Relations rewritten and enl.

6/26/2010 Goetschius, Percy The Material Used in Musical 22d ed., being the New York G. Schirmer 1923 Historical source American X 4877065 Composition 9th printing of the completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Material Used in Musical 23rd ed. / being the New York G. Schirmer 1923 Historical source American X X 9181055 Composition 9th printing of this completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Material Used in Musical 24th ed., being the New York G. Schirmer 1923 Historical source American 12055931 Composition 10th printing of this completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Material Used in Musical 25th ed. being the New York G. Schirmer 1923 Historical source American X X 405993 781.3 (OBE storage) Composition eleventh printing of this completely remodeled and rewritten new (14th) ed 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 2nd ed., rev. Boston New England 1892 Historical source American 2071190 Relations Conservatory of Music 6/26/2010 Goetschius, Percy The Theory and Practice of Tone 7th ed., rev. & enl. New York Schirmerm [sic] 1903 Historical source American X 4305245 Relations 63

6/26/2010 Goetschius, Percy The Theory and Practice of Tone 8th ed., rev. and enl. New York G. Schirmer 1906 Historical source American X 1239513 781.3 (OBE storage) Relations 6/26/2010 Goetschius, Percy The Theory and Practice of Tone Completely rewritten Boston G. Schirmer 1931 Historical source American X 19451657 Relations and enlarged.

6/26/2010 Goetschius, Percy The Material Used in Musical New (14th) ed., New York G. Schirmer 1913 Historical source American X X X 342959 781.3 (HIR) Composition completely remodeled and rewritten 6/26/2010 Goetschius, Percy The Theory and Practice of Tone Reprint of the 1931 New York G. Schirmer 1972 Historical source American X 417951 Relations ed. 6/26/2010 Goetschius, Percy The Material Used in Musical New York G. Schirmer 1941 Historical source American X X 3050581 Composition 6/25/2010 Goetschius, Percy The Theory and Practice of Tone Boston New England 1892 Historical source American X 475104825 Later editions also available. Relations Conservatory of Music 6/26/2010 Goetschius, Percy The Theory and Practice of Tone New York E.F. Kalmus 1899 Historical source American 17885167 Relations 6/26/2010 Goetschius, Percy The Theory and Practice of Tone New York G. Schirmer 1900 Historical source American X X 932008 Relations 6/26/2010 Goetschius, Percy The Theory and Practice of Tone New York G. Schirmer 1931 Historical source American X X X X 181400 Relations 6/25/2010 Goldman, Richard Franko Harmony in Western Music New York W.W. Norton 1965 American X X X X X X X X X X X X 615283 781.13 (HIR), 781.25 (MTU), 781.3 (CAU, OBE Con Books, storage) 6/25/2010 Green, Douglas Harmony through Counterpoint New York Educational 1970-71 American X X X 1919367 MT55 Division, Meredith Corp. 6/26/2010 Harder, Paul O., and Harmonic Materials in Tonal Music 6th ed. Boston Alyn and Bacon 1990 Modern textbook American X 20566794 Greg A. Steinke 6/26/2010 Harder, Paul O., and Harmonic Materials in Tonal Music 7th ed. Boston Alyn and Bacon 1994 Modern textbook American X X 28710216 781.25077 (ONU) Greg A. Steinke 6/25/2010 Hauptmann, Moritz Die Natur der Harmonik und der Metrik Hildesheim, Olms 2002 Historical source European X 51911614 Facsimile reprint; ML3815 Germany 6/26/2010 Jannery, Arthur Workbook for Piston/Devoto Harmony 4th ed. New York Norton 1979 Modern textbook American X X 6781188

6/26/2010 Jannery, Arthur Workbook for Piston/Devoto Harmony 5th ed. New York Norton 1987 Modern textbook American 16271880

6/26/2010 Jonas, Oswald Einführung in die Lehre Heinrich 2. Aufl. Wien Universal Edition 1972 Historical source European X X 649713 First ed. published in 1934 under title: Schenkers Das Wesen des musikalischen Kunstwerks; MT6 6/26/2010 Jonas, Oswald Einführung in die Lehre Heinrich 2. Aufl., Rev. ed. Wien Universal Edition 1972 Historical source European 17703460 OCLC duplicate of #649713; First ed. Schenkers published in 1934 under title: Das Wesen des musikalischen Kunstwerks; MT6 6/25/2010 Jonas, Oswald Introduction to the Theory of Heinrich New York Longman 1982 Historical source European X X X X X X X X 7577067 Translation of: Einführung in die Lehre Schenker: the Nature of the Musical Heinrich Schenkers, originally Work of Art published in 1934 as: Das Wesen des musikalischen Kunstwerks "Works of Heinrich Schenker": p. 168-170; MT6, 780.15 (CAU)

6/26/2010 Jonas, Oswald Einführung in die Lehre HeinricDas Wien Saturn-verlag 1934 Historical source European X X 3200226 MT6, 781 (OBE Con Books) Wesen des musikalischen Kunstwerksh Schenkers 6/25/2010 Kaelin, Lawrence Harmonic Current Theory of Chord Louisville Rikero 1983 Historical source American 11413653 Progression 6/25/2010 Kincaid, M. Dean Principles of Harmony Chicago American 1982 Historical source American 9366187 Conservatory Press

6/26/2010 Kirnberger, J.P. The art of strict musical composition New Haven Yale University 1982 Historical source European X X X X X X X X X 7282187 Translation of: Die Kunst des reinen Press Satzes; MT40 6/25/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Berlin C.F. Voss 1771-79 Historical source European X X 5190215 Microopaque; classed in microcard accession scheme (OBE and CIN)

6/26/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Berlin In commission bey 1771-79 Historical source European X 24360211 Microopaque; possible OCLC C.F. Voss duplicate of #5190215; microcard MT40 6/26/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Wien Im Verlag der K.K. 1793 Historical source European 23627110 MT40 priv. chemischen Druckerey am Graben

6/26/2010 Kirnberger, J.P. Die Kunst des reinen Satzes Hildesheim, G. Olms 1968 Historical source European X X X 925314 MT40 Germany 64

6/25/2010 Kirnberger, J.P. Die wahren Grundsätze zum Gebrauch Berlin und G. J. Decker und 1773 Historical source European X X X 5201367 Microprint copies; in microcard der Harmonie Königsberg G.L. Hartung accession # schemes (OBE, OSU, CIN) 6/25/2010 Komar, Arthur J. Linear-Derived Harmony Cincinnati Ovenbird Press 1992 Modern source American X X X 27367798 6/25/2010 Komar, Arthur J. Linear-Derived Harmony Cincinnati Ovenbird Press 1992 Modern source American 27412267 Possible OCLC duplicate of #27367798 6/25/2010 Koop, David Chromatic Transformations in Nineteenth- "This digitally New York Cambridge 2006 Modern source American X X 70764763 Century Music printed first University Press paperback version (with corrections) 2006"--T.p. verso

6/25/2010 Koop, David Chromatic Transformations in Nineteenth- New York Cambridge 2002 Modern source American X X X X 47297622 Century Music University Press 6/25/2010 Koop, David Chromatic Transformations in Nineteenth- New York Cambridge 2002 Modern source American X X X X X X X X 57419435 Electronic version Century Music University Press 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 2nd ed. New York A.A. Knopf 1989 Modern textbook American 18833716 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 3rd ed. New York McGraw Hill 1995 Modern textbook American 31186536 OCLC duplicate of #28799298 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 3rd ed. New York McGraw Hill 1995 Modern textbook American X X 28799298 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 4th ed. New York McGraw-Hill 1999 Modern textbook American X 40632436 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 4th ed. New York McGraw-Hill 2000 Modern textbook American X X 43740341 781.25 (MTU) Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 4th ed. Boston McGraw-Hill 2000 Modern textbook American 42607378 Dorothy Payne Twentieth-Century Music College 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 5th ed. Boston McGraw-Hill 2004 Modern textbook American X X X X 51613969 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to 6th ed. Boston McGraw-Hill 2009 Modern textbook American X 183392376 Dorothy Payne Twentieth-Century Music 6/26/2010 Kostka, Stefan M. and Tonal Harmony with an Introduction to New York A.A. Knopf 1984 Modern textbook American X X X X 10100931 781.25 (SIN) Dorothy Payne Twentieth-Century Music 6/26/2010 Lenormand, Réne A Study of Twentieth-Century Harmony New ed. London B.F. Wood Music 1940 Historical source European X X X X X X 397194 Translation of: Etude sur l'harmonie Co. moderne; v. 2 by Mosco Carner not included; 781.3 (Con Books, storage); 781.25 (MTU) 6/26/2010 Lenormand, Réne A Study of Twentieth-Century Harmony London B.F. Wood Music 1915- Historical source European 2583052 Translation of: Etude sur l'harmonie Co. moderne (v. 1); includes v. 2, Contemporary Harmony , written by Mosco Carner

6/25/2010 Lenormand, Réne A Study of Twentieth-Century Harmony New York Da Capo Press 1976 Historical source European X X X 2401842

6/25/2010 Levy, Ernst A Theory of Harmony. Translation of Albany State University of 1985 Historical source American X X X X X X 12134915 Original French version isn't in Connaissance harmonique. New York Press catalog; 781.3 (CAU)

6/25/2010 Mayrberger, K. Lehrbuch der musikalischen Harmonik Pressburg G. Heckenast 1878 Historical source European N/A Not in OhioLINK

6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York Appleton-Century- 1947 Historical textbook American X X X X 615924 Some of the records following this may of the 18 th Century Crofts be OCLC duplicates; historical textbooks; 781.3 (CAU, ONU) 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New Jersey Prentice-Hall 1947 Historical textbook American X 1727081 of the 18 th Century 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York F.S. Crofts 1947 Historical textbook American X 3896625 781.3 (HIR) of the 18 th Century 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York Appleton-Century- 1947 Historical textbook American X 397760 of the 18 th Century Crofts 6/25/2010 McHose, Allen The Contrapuntal Harmonic Technique New York Appleton-Century- 1947 Historical textbook American X X X 397122 of the 18 th Century Crofts 6/26/2010 McHose, Allen The Contrapuntal Harmonic Technique New York F.S. Crofts 1947 Historical textbook American X X X 6100838 781.3 (BGU NW Regional Depository, of the 18 th Century CDC, OBE Con Books) 6/25/2010 McHose, Allen Basic Principles of the Technique of 18th New York Appleton-Century- 1951 Historical textbook American X X X X X X X X X X X X X 342961 MT6, 781 (CAU, CDC, HIR, OBE Con and 19th Century Compositions Crofts Books, ONU)

6/26/2010 Mitchell, William J. Elementary Harmony 2nd ed. New York Prentice Hall 1948 Historical textbook American 29784421 6/26/2010 Mitchell, William J. Elementary Harmony 2nd ed. New York Prentice Hall 1948 (1959 Historical textbook American X X 9975722 Possible OCLC duplicate of printing) #29784421; 781.3 (ONU) 6/26/2010 Mitchell, William J. Elementary Harmony 2nd ed. New York Prentice Hall 1948 Historical textbook American X 1014934 Possible OCLC duplicate of #29784421 6/26/2010 Mitchell, William J. Elementary Harmony 3rd ed. New York Prentice Hall 1965 Historical textbook American X X X 368335 781.3 (BGU NW Regional Despository, OBE Con Books) 65

6/26/2010 Mitchell, William J. Elementary Harmony 3rd ed. New York Prentice Hall 1965 Historical textbook American X X 1064720 Possible OCLC duplicate of #368335

6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall 1961 Modern textbook American 343201 781.3 (HIR) River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall 1961 Modern textbook American X X X X X X X X X X 612968 Possible OCLC duplicate of #343201; River, NJ 781.25 (MTU), 781.3 (BGU NW Regional Depository, CDC, OBE storage, Con Books, ONU)

6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall 1965 Modern textbook American X 39527201 Possibly the same as #343201 and River, NJ #39527201. 6/26/2010 Ottman, Robert W. Elementary Harmony 2nd ed. Upper Saddle Prentice-Hall 1970 Modern textbook American X X X X X X X X X 116452 781.3 (HIR, OBE storage, ONU) River, NJ 6/26/2010 Ottman, Robert W. Workbook for Elementary Harmony 2nd ed. Upper Saddle Prentice-Hall 1974 Modern textbook American X X X X 3799364 River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 2nd ed. Upper Saddle Prentice-Hall 1972 Modern textbook American X X X X X X X 329147 River, NJ 6/26/2010 Ottman, Robert W. Elementary Harmony 3rd ed. Upper Saddle Prentice-Hall 1983 Modern textbook American X X 8929255 River, NJ 6/26/2010 Ottman, Robert W. Workbook for Elementary Harmony 3rd ed. Upper Saddle Prentice-Hall 1983 Modern textbook American X 10633658 River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 3rd ed. Upper Saddle Prentice-Hall 1984 Modern textbook American X X 10045921 781.3 (SIN) River, NJ 6/26/2010 Ottman, Robert W. Elementary Harmony 4th ed. Upper Saddle Prentice-Hall 1989 Modern textbook American X X X 18947732 781.25 (MTU) River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 4th ed. Upper Saddle Prentice-Hall 1992 Modern textbook American X X X X 25048955 River, NJ 6/26/2010 Ottman, Robert W. Elementary Harmony 4th ed., instructor's Upper Saddle Prentice-Hall 1989 Modern textbook American X 31049430 manual River, NJ

6/25/2010 Ottman, Robert W. Elementary Harmony 5th ed. Upper Saddle Prentice-Hall 1998 Modern textbook American X 37156290 781.3 (CDC) River, NJ 6/25/2010 Ottman, Robert W. Advanced Harmony 5th ed. Upper Saddle Prentice-Hall 2000 Modern textbook American X 42072184 781.3 (CDC) River, NJ 6/26/2010 Ottman, Robert W. Advanced Harmony 5th ed. Upper Saddle Prentice-Hall 2000 Modern textbook American 44538427 Possible OCLC duplicate of River, NJ #42072184 6/26/2010 Ottman, Robert W. Elementary Harmony Upper Saddle Prentice-Hall 1962 Modern textbook American X X X X X X X X 395270 781.3 (NW Regional Depository, OBE River, NJ storage) 6/26/2010 Ottman, Robert W. Advanced Harmony Upper Saddle Prentice-Hall Modern textbook American X ? Possible personal copy River, NJ 6/25/2010 Ouseley, Frederick A. Treatise on Harmony 3rd ed. Oxford The Clarendon 1883 Historical source European X 921898 781.3 (OBE storage) Gore Press 6/25/2010 Parker, James C.D. Manual of Harmony and Thoroughbass Boston Nathan Richardson 1855 Historical source European N/A Not in OhioLINK

6/25/2010 Parncutt, Richard Harmony: a Psychoacoustical Approach Berlin Springer-Verlag 1989 Modern source American X X X X X X X X 19846104 ML3836

6/26/2010 Piston, Walter Harmony 3rd ed. New York W.W. Norton 1969 Modern textbook American X X 2082824 6/26/2010 Piston, Walter Harmony 3rd ed.? New York W.W. Norton 1962 Modern textbook American X X X X X X X X 376170 781.3 (CAU, CDC, OBE storage, Con Books) 6/26/2010 Piston, Walter Harmony 4th ed. New York W.W. Norton 1978 Modern textbook American X X X X X X X X 3706714 6/26/2010 Piston, Walter Harmony 5th ed. New York W.W. Norton 1987 Modern textbook American X X X 14692175 781.25 (MTU) 6/26/2010 Piston, Walter Harmony Rev. ed. New York W.W. Norton 1948 Modern textbook American X X X 911202 781.3 (ONU) 6/26/2010 Piston, Walter Harmony Rev. ed. New York W.W. Norton 1948 Modern textbook American X X X 40803985 Possible OCLC duplicate of #911202; 781.3 (OBE storage) 6/25/2010 Piston, Walter Harmony New York W.W. Norton 1941 Modern textbook American X X 935345 Older editions historical; modern (?); 781.3 (HIR) 6/26/2010 Piston, Walter Harmony New York W.W. Norton 1944 Modern textbook American X X 5179098 W 1.55:601 (CIN, in government documents classification) 6/25/2010 Piston, Walter Principles of Harmonic Analysis Boston E.C. Schirmer 1933 Modern textbook American X X X X X X X X 392507 781.25 (ONU), 781.3 (CAU, CDC, OBE storage) 6/26/2010 Pöhlert, Werner Grundlagenharmonik & 2. Aufl. Einhausen W. Pöhlert 1983 Modern source European 20477866 One of the only sources filtering out as grundlagenharmonisches Denken a modern European 6/25/2010 Pöhlert, Werner Basic Harmony and Basic Harmonical 3rd rev. and Bensheim W. Pöhlert 1989 Modern source European X 27445226 Translation of Grundlagenharmonik & Mode of Thinking extended ed. grundlagenharmonisches Denken; 781.3 (CAU)

6/26/2010 Pöhlert, Werner Basic Harmony and Basic Harmonical 3rd rev. and Bensheim W. Pöhlert 1994 Modern source European X 35289081 Translation of Grundlagenharmonik & Mode of Thinking extended English grundlagenharmonisches Denken ed.

6/25/2010 Pratt, George The Dynamics of Harmony: Principles Milton Keynes, Open University 1984 Modern textbook American X X X 11089001 and Practice England Press 66

6/25/2010 Pratt, George The Dynamics of Harmony: Principles Oxford Oxford University 1996 Modern textbook American X X X 34710857 and Practice Press 6/25/2010 Prout, Ebenezer Harmony, Its Theory and Practice 11th ed. London Augener 1889 Historical source European 14689676 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 14th ed. London Augener 1889 Historical source European 760486 MT40 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 15th ed. London Augener 1889 Historical source European X 27294551 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 16th ed. rev. and London Augener 1903 Historical source European X X X 419820 781.3 (OBE) largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 17th ed. rev. and London Augener 1903 Historical source European 5539951 largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 32nd ed. rev. and London Augener 1903 Historical source European X 23479492 largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 33rd ed. rev. and London Augener 1903 Historical source European X 947133 MT40 (KSU only) largely rewritten

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice 6th ed. London Augener 1889 Historical source European 947121 MT40 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice Rev. and largely London Augener 1903 Historical source European 13274241 rewritten 6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice St. Clair Shores, MI Scholarly Press 1970 Historical source European 103955

6/26/2010 Prout, Ebenezer Harmony, Its Theory and Practice New York AMS Press 1971 Historical source European X X 145376 6/28/2010 Rameau, Jean-Phillipe A treatise of music, containing the 2nd ed. Dublin Printed for Luke 1779 Historical source European X ? Electronic reproduction available on principles of composition White the Internet, and only to OU users; no apparent OCLC cataloging given.

6/26/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris ed. New York Broude Brothers 1965 Historical source European 223701 ML3815

6/26/2010 Rameau, Jean-Phillipe Code de musique pratique Paris Imprimerie royale 1760 Historical source European 13558603 6/25/2010 Rameau, Jean-Phillipe Code de musique pratique Paris Imprimerie royale 1760 Historical source European X X X 6836128 Microopaque; in microcard classification/accession number schemes 6/26/2010 Rameau, Jean-Phillipe Code de musique pratique Paris Imprimerie royale 1760 Historical source European X ? Microfiche; no OCLC cataloging apparently given 6/26/2010 Rameau, Jean-Phillipe Code de musique pratique New York Broude Brothers 1965 Historical source European X 224379 Facsimile of the 1760 Paris edition 6/26/2010 Rameau, Jean-Phillipe Code de musique pratique New York Broude Brothers 1965 Historical source European X 657653 Facsimile of the 1760 Paris edition (?). Possible cataloging duplicate of #224379; part of M2 collected edition for Rameau (BGU) 6/25/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris Chez Durand 1750 Historical source European 7374074 ML3815

6/26/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris Chez Durand 1750 Historical source European X 26106482 Possible OCLC cataloging duplicate of #7374074; ML3815 6/25/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie Paris Chez Durand 1750 Historical source European X X 5639134 Microopaque; in microcard classification/accession number schemes 6/26/2010 Rameau, Jean-Phillipe Démonstration du principe de l’harmonie New York Broude Brothers 1965 Historical source European X 657682 Facsimile of the 1750 Paris ed; part of M2 collected edition for Rameau (BGU) 6/26/2010 Rameau, Jean-Phillipe Jean-Philippe Rameau's Demonstration N/A N/A 1973 Historical source European X 3718680 Photocopy of a master's thesis; du principe de l'harmonie (1750) and ML3815 Pierre Esteve's Nouvelle decouverte du principe de l'harmonie (1752) : a translation by Arsen Ralph Papakhian

6/26/2010 Rameau, Jean-Phillipe Jean-Philippe Rameau's Demonstration N/A N/A 1973 Historical source European X 8636752 Microfilm of a master's thesis du principe de l'harmonie (1750) and Pierre Esteve's Nouvelle decouverte du principe de l'harmonie (1752) : a translation by Arsen Ralph Papakhian 67

6/26/2010 Rameau, Jean-Phillipe Rameau's Démonstration du principe de N/A N/A 1975 Historical source European X 3791344 Photocopy of a master's thesis; l'harmonie and Nouvelles réflexions de ML3815 M. Rameau sur sa démonstration du principe de l'harmonie : an annotated translation of two treatises by Jean- Philippe Rameau by Roger Lee Briscoe

6/25/2010 Rameau, Jean-Phillipe Dissertation sur les différentes métodes Paris Boivin and Le Clair 1732 Historical source European X X 9300093 Microopaque; in local microcard d’accompagnement accession/classification schemes 6/26/2010 Rameau, Jean-Phillipe Dissertation sur les différentes métodes Paris Boivin and Le Clair 1732 Historical source European X 27029386 Microopaque; possible OCLC d’accompagnement cataloging duplicate of #9300093; in local microcard accession schemes

6/26/2010 Rameau, Jean-Phillipe Dissertation sur les différentes métodes Paris Boivin and Le Clair 1732 Historical source European X ? Microfiche; no OCLC cataloging d’accompagnement apparently given 6/26/2010 Rameau, Jean-Phillipe Génération harmonique Paris Prault fils 1737 Historical source European X 2901569 ML3815 6/25/2010 Rameau, Jean-Phillipe Génération harmonique Paris Prault fils 1737 Historical source European X X X 5639147 Microopaque; in local microcard accession/classification schemes 6/26/2010 Rameau, Jean-Phillipe Génération harmonique New York Broude 1966 Historical source European X 224372 Facsimile of 1737 Paris edition; part of M2 collected edition for Rameau (BGU) 6/26/2010 Rameau, Jean-Phillipe Rameau's theory of harmonic N/A N/A 1968 Historical source European X 1099503 Photocopy of a master's thesis; generation: an annotated translation and ML3815 commentary of Génération Harmonique by Jean-Philippe Rameau by Deborah Hayes 6/26/2010 Rameau, Jean-Phillipe Rameau's theory of harmonic N/A N/A 1968 Historical source European X 2365792 Microfilm of a master's thesis generation: an annotated translation and commentary of Génération Harmonique by Jean-Philippe Rameau by Deborah Hayes 6/28/2010 Rameau, Jean-Phillipe Nouveau système de musique théorique Paris Ballard 1726 Historical source European X 9227506 Bound with Traité de l’harmonie; 094.2 (OBE Main Spec Coll) 6/25/2010 Rameau, Jean-Phillipe Nouveau système de musique théorique Paris Ballard 1726 Historical source European X X X 3787774 Microopaque; in local microcard accession/classification schemes 6/28/2010 Rameau, Jean-Phillipe Nouveau système de musique théorique New York Broude Brothers 1965 Historical source European X X 665079 Facsimile of the 1726 Paris ed.; part of M2 collected edition for Rameau (BGU) 6/28/2010 Rameau, Jean-Phillipe Rameau's Nouveau système de musique N/A N/A 1975 Historical source European X X 3704031 Photocopy of a dissertation théorique: an annotated translation with commentary by B. Glenn Chandler

6/28/2010 Rameau, Jean-Phillipe Rameau's Nouveau système de musique N/A N/A 1975 Historical source European X X 6093961 Microfilm of a dissertation théorique: an annotated translation with commentary by B. Glenn Chandler

6/28/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la Paris Prault fils 1754 Historical source European X 13564742 ML3845 musique 6/25/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la Paris Prault fils 1754 Historical source European X X X 5639440 Microopaque; in local microcard musique accession/classification schemes 6/28/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la Paris Prault fils 1754 Historical source European X ? Microfiche; no apparent OCLC musique cataloging given 6/28/2010 Rameau, Jean-Phillipe Observations sur notre instinct pour la New York Broude Brothers 1967 Historical source European X 9734130 Facsimile of the 1754 Paris ed.; part of musique M2 collected edition for Rameau (BGU) 6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie Paris Ballard 1722 Historical source European X 9202287 094.2 (OBE Main Spec Coll) 6/25/2010 Rameau, Jean-Phillipe Traité de l’harmonie Paris Ballard 1722 Historical source European X X X 3787811 Microopaque; in local microcard accession/classification schemes 6/28/2010 Rameau, Jean-Phillipe A Treatise of Musick, Containing the London Printed by Robert 1752 Historical source European X ? Electronic reproduction available on Principles of Composition Brown, for the the Internet, and only to OU users; no proprietor, and sold apparent OCLC cataloging given. by John Walsh, and all the other musick shops in town

6/28/2010 Rameau, Jean-Phillipe A Treatise of Musick, Containing the London Printed by Robert 1752 Historical source European X X X X 8463674 Microopaque; in local microcard Principles of Composition Brown, for the accession/classification schemes proprietor, and sold by John Walsh 68

6/28/2010 Rameau, Jean-Phillipe A Treatise of Music, Containing the London Printed for J. 1775 Historical source European X ? Electronic reproduction available on Principles of Composition French the Internet, and only to OU users; no apparent OCLC cataloging given.

6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie New York Broude Brothers 1965 Historical source European X X 657472 Facsimile of the 1722 Paris ed.; part of M2 collected edition for Rameau (BGU); 781.3 (HIR) 6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie New York Broude Brothers 1965 Historical source European 765972 Facsimile of the 1722 Paris ed.; possible OCLC cataloging duplicate of #657472 6/28/2010 Rameau, Jean-Phillipe Treatise on Harmony. Translated with an New York Dover Publications 1971 Historical source European X X X X X X X X X X X X X X 131217 781.25 (MTU); 781.3 (CAU, CDC, HIR, introduction and notes by Philip Gossett OBE Con Books, ONU)

6/28/2010 Rameau, Jean-Phillipe Traité de l’harmonie Genéve Slatkine Reprints 1992 Historical source European 29071390 Reprint of the 1722 Paris ed. 6/25/2010 Ratner, Leonard G. Harmony: Structure & Style New York McGraw-Hill 1962 Modern textbook American X X X X X X X 294929 781.3 (CDC, CMJ, HIR, OBE Con Books, storage) 6/25/2010 Reynolds, William H. Common Practice Harmony New York Longman 1985 Modern textbook American X X 9894358 Ephemeral (?) 6/28/2010 Richter, Alfred, ed. Aufgabenbuch zu E. Friedr. Richters 16. Aufl. Leipzig Breitkopf und 1901 Historical source European X 25882021 Harmonielehre Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 13. Aufl. Leipzig Breitkopf und 1905 Historical source European 932216 Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 14. Aufl. Leipzig Breitkopf und 1880 Historical source European X 6885405 Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 20. Aufl. Leipzig Breitkopf und 1895 Historical source European 950247 Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie 24. Aufl. mit Leipzig Breitkopf und 1905 Historical source European X 23372134 Anmerkungen und Härtel Ergänzungen versehen 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie Ed. 6 Leipzig Breitkopf und 1766 Historical source European X 2853930 781.3 (OBE Main Spec Call) Härtel 6/28/2010 Richter, Ernst Friedrich Manual of harmony Newly rev. ed. New York C. Fischer 1912 Historical source European X 44915109 English translation of the original German 6/25/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie Leipzig Breitkopf und 1853 Historical source European N/A Many later editions found Härtel 6/28/2010 Richter, Ernst Friedrich Lehrbuch der Harmonie Leipzig Breitkopf und 1916 Historical source European 921768 Härtel 6/25/2010 Riemann, Hugo Musikalisches Syntaxis [Neudr. [d. Ausg.]] Niederwalluf bei Sändig 1971 Historical source European X 594644 Wiesbaden 6/25/2010 Riemann, Hugo Harmony Simplified. Translation of 2nd ed. London Augener 1895 Historical source European X X 757603 781.3 (OBE Con Books) Vereinfachte Harmonielehre 6/25/2010 Riemann, Hugo Vereinfachte Harmonielehre. London Augener 1893 Historical source European 38030872 Local use only 6/25/2010 Riemann, Hugo Harmony Simplified. Translation of London Augener n.d. Historical source European X X 401159 Vereinfachte Harmonielehre 6/25/2010 Riemann, Hugo “Die Natur der Harmonik.” In Sammlung Nendeln, Kraus Reprint 1976 Historical source European X 3827246 Probably in ML5 .S35 no.37-48 bound musikalischer Vorträge. Liechtenstein volume; library use only 6/25/2010 Riemann, Hugo “Die Natur der Harmonik.” In Sammlung Leipzig Breitkopf 1979-98 Historical source European X 22186855 Difficult to tell in which volume article musikalischer Vorträge. might be from record; need to request to know for sure; ML55 (?) 6/25/2010 Riemann, Hugo "The Nature of Harmony." In New Philadelphia Presser 1887 Historical source European X 3300811 Translated by John Comfort Fillmore Lessons in Harmony. Translation of "Die (his book is referenced above); 781.3 Natur der Harmonik" (OBE storage) 6/25/2010 Riemann, Hugo “Das Problem des harmonischen Leipzig C.F. Kahnt 1834-1906 Historical source European X 10531937 Article in v. 17; may have to request (if Dualismus.” In Neue Zeitschrift für Musik. possible) to see for sure; ML5

6/25/2010 Riemann, Hugo “Das Problem des harmonischen Scarsdale, NY A. Schnase 1969 Historical source European X X 7314342 Microfilm Dualismus.” In Neue Zeitschrift für Musik.

6/25/2010 Riemann, Hugo “Das Problem des harmonischen Scarsdale, NY A. Schnase 1969 Historical source European X 8457480 Print Dualismus.” In Neue Zeitschrift für Musik.

6/25/2010 Riemann, Hugo Musikalische Logik Historical source European N/A Couldn't find in OhioLINK 6/25/2010 Riemann, Hugo Musikalisches Syntaxis Leipzig Breitkopf 1877 Historical source European X 6800624 781 (OBE storage) 6/25/2010 Riemann, Hugo Grosse Kompositionslehre. Berlin W. Spemann 1902-03 Historical source European X X 3972674 MT40 6/25/2010 Riemann, Hugo Jahrbuch der Musikbibliothek Peters Vaduz, Kraus Reprint Ltd 1965 Historical source European 6738766 Reprint Liechtenstein 6/25/2010 Riemann, Hugo Jahrbuch der Musikbibliothek Peters Leipzig C.F. Peters n.d. Historical source European X X X X X X 2223116 ML5

6/25/2010 Riemann, Hugo L. van Beethoven sämtliche Klavier- Berlin M. Hesse 1920 Historical source European X 10480103 This and the next item may be OCLC Solosonaten duplicates; MT145 6/25/2010 Riemann, Hugo L. van Beethoven sämtliche Klavier- Berlin M. Hesse 1919-20 Historical source European X 8890630 786.41 (OBE Con Books, storage) Solosonaten 6/26/2010 Sadai, Yizhak Harmony in its Systematic and Jerusalem Yanetz 1980 Modern source X 8688863 Remove from list? Phenomenological Aspects 6/26/2010 Sandke, Randy Harmony for a New Millennium: an New York Second Floor 2001 Modern source European 50013562 Remove from list?; MT68 Introduction to Metatonal Music Music 69

6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by 1st MIT Press Cambridge, MA MIT Press 1973 Historical source European X X X 878280 MT40, 781.25 (ONU), 781.3 (CAU) Oswald Jonas. Translated by Elisabeth paperback ed. Mann Borgese 6/28/2010 Schenker, Heinrich Der freie Satz 2. Aufl. Vienna Universal 1956 Historical source European 965747 v. 1; MT40 6/28/2010 Schenker, Heinrich Der freie Satz 2. Auflage, Vienna Universal 1956 Historical source European X 6127823 In 2 vols.; MT40 Herausgegeben und bearbeitet von Oswald Jonas

6/28/2010 Schenker, Heinrich Der freie Satz 2. Auflage, Vienna Universal 1956 Historical source European X 976658 v. 2; MT40 Herausgegeben und bearbeitet von Oswald Jonas

6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Phoenix ed. Chicago University of 1980 Historical source European 7481639 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/26/2010 Schenker, Heinrich Der freie Satz Vienna Universal 1935 Historical source European N/A 6/28/2010 Schenker, Heinrich Free composition. Translated and edited New York Longman 1979 Historical source European 5876386 MT40 by Ernst Oster

6/28/2010 Schenker, Heinrich Free composition. Translated and edited New York Longman 1979 Historical source European X 6418091 Possible OCLC cataloging duplicate of by Ernst Oster #5876386; MT40

6/28/2010 Schenker, Heinrich Free composition. Translated and edited New York Longman 1979 Historical source European X X X X X X X X X X X X X X 5029757 Contains many more pages than by Ernst Oster #5876386 or #6418091; MT40, 781 (CAU, CDC, SIN)

6/28/2010 Schenker, Heinrich Free composition. Translated and edited Hillsdale, NY Pendragon Press 2001 Historical source European X X 47256399 MT40 by Ernst Oster

6/26/2010 Schenker, Heinrich Fünf Urlinie-Tafeln Vienna Universal 1912 Historical source European N/A 6/26/2010 Schenker, Heinrich Fünf Urlinie-Tafeln London David Mannes 1932 Historical source European X 10613310 781.24 (OBE Con Books) Music 6/26/2010 Schenker, Heinrich Five Graphic Music Analyses New York Dover Publications 1969 Historical source European X X X X X X X X 12749424 Translation of Fünf Urlinie-Tafeln: MT140 6/26/2010 Schenker, Heinrich Harmonielehre Stuttgart Cotta 1906 Historical source European N/A Later editions found, all in English translation 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1954 Historical source European X X X X X X 608308 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1968 Historical source European X X X X X X X X X X X 280916 MT40, 781 (HIR, SIN), 781.25 (MTU), Oswald Jonas. Translated by Elisabeth Chicago Press 781.3 (CDC, OBE Con Books, ONU) Mann Borgese 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1972 Historical source European X 21655048 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/28/2010 Schenker, Heinrich Harmony. Edited and annotated by Chicago University of 1980 Historical source European 14470677 MT40 Oswald Jonas. Translated by Elisabeth Chicago Press Mann Borgese 6/26/2010 Schenker, Heinrich Der Tonwille Vienna A.J. Gutmann 1921-24 Historical source European X 8791336 ML5 6/28/2010 Schenker, Heinrich Der Tonwille Vienna Tonwille- 1921-24 Historical source European X 4747701 ML5 Flugblätterverlag 6/28/2010 Schenker, Heinrich Der Tonwille Hildesheim Georg Olms Verlag 1990 Historical source European X 23663714 ML5

6/28/2010 Schenker, Heinrich Der Tonwille. Translated by Ian Bent New York Oxford University 2004 Historical source European X X X X X 48942909 English translation; MT6 Press 6/28/2010 Schoenberg, Arnold Structural Functions of Harmony 2nd (rev.) ed. London Faber 1983 Historical textbook American X 43460487 6/28/2010 Schoenberg, Arnold Harmonielehre Jubiläumsausgabe Wien Universal Edition 2001 Historical source European X 47712420

6/28/2010 Schoenberg, Arnold Structural Functions of Harmony Rev. ed. with New York W.W. Norton 1969 Historical textbook American X X X X X X X X X X 16791 781.25 (ONU), 781.3 (CAU, OBE Con corrections. Edited Books) by Leonard Stein

6/26/2010 Schoenberg, Arnold Coherence, Counterpoint, Lincoln University of 1994 Historical source European X X X X X 27264652 Original German edition not found; Instrumentation, Instruction in Form. Nebraska Press MT6 Translated and edited by S. Neff, and translated by C. Cross 6/26/2010 Schoenberg, Arnold Harmonielehre Leipzig Verlagseigentum 1911 Historical source European X 4012911 781.3 (OBE Main Spec Coll, Con Spec der Universal- Coll) Edition 6/28/2010 Schoenberg, Arnold Harmonielehre Leipzig Verlagseigentum 1911 Historical source European X 32686011 Possible OCLC cataloging duplicate of der Universal- #32686011 Edition 6/28/2010 Schoenberg, Arnold Harmonielehre Wien Universal Edition 1922 Historical source European X 5634446 70

6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by New York Philosophical 1948 Historical source European X X X X X X 391632 781.3 (CAU, OBE Con Books) Robert D.W. Adams Library 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by New York Philosophical 1948 Historical source European X 297131 Photocopy Robert D.W. Adams Library 6/28/2010 Schoenberg, Arnold Harmonielehre Wien Universal Edition 1949 Historical source European 9113054 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by Roy Berkeley University of 1978 Historical source European X X X X X X X X X X X 4288206 E. Carter California Press 6/28/2010 Schoenberg, Arnold Theory of Harmony. Translated by Roy Berkeley University of 1983 Historical source European X X 9674279 E. Carter California Press 6/26/2010 Schoenberg, Arnold The Musical Idea and the Logic, New York Columbia 1995 Historical source European X X X X X X 27383642 Original German edition not found; Technique, and Art of Its Presentation. University Press MT6 Translated by P. Carpenter and S. Neff

6/28/2010 Schoenberg, Arnold The Musical Idea and the Logic, Bloomington, IN Indiana University 2006 Historical source European X X 65764627 Original German edition not found; Technique, and Art of Its Presentation. Press MT6 Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff 6/26/2010 Schoenberg, Arnold Structural Functions of Harmony New York Norton 1954 Historical textbook American X X X X X X X X 1352003 781.3 (CDC, HIR, OBE Con Books, storage) 6/26/2010 Sechter, Simon Die Grundsätze der musikalischen Leipzig Breitkopf und 1853-54 Historical source European X 22843772 English translation of selections of this Komposition Härtel book; this bibrec also represents a PhD dissertation; MT40

6/26/2010 Sessions, Roger Harmonic Practice New York Harcourt, Brace 1951 Historical source American X X X X X X X X X X X X X X X 614791 781.25 (MTU), 781.3 (CAU, CDC, HIR, OBE Con Books, storage, ONU, SIN)

6/26/2010 Shir-Cliff, Justine, et al. Chromatic Harmony New York Free Press 1965 Historical textbook American X X X X X X X X X 383720 Bibrec for accompanying workbook also available 6/26/2010 Shir-Cliff, Justine, et al. Chromatic Harmony: Workbook New York Free Press 1965 Historical textbook American X X 617461 6/26/2010 Shir-Cliff, Justine, et al. Workbook for Chromatic Harmony New York Free Press 1965 Historical textbook American 9403677 Possible OCLC cataloging duplicate of #617461 6/26/2010 Siegmeister, Elie Harmony and Melody Belmont, CA Wadsworth Pub. 1965-66 Historical textbook American X X X X X X X X X X 857589 781.3 (BGU NW Regional Depository, Co. HIR, OBE Con Books, storage)

6/26/2010 Siegmeister, Elie Harmony and Melody Belmont, CA Wadsworth Pub. 1965-66 Historical textbook American 4518241 Possible OCLC cataloging duplicate of Co. #857589 6/26/2010 Siegmeister, Elie Harmony and Melody Workbook Belmont, CA Wadsworth Pub. 1965-66 Historical textbook American X 1805897 781.3 (CAU) Co. 6/26/2010 Spencer, Peter The Practice of Harmony 2nd ed. Englewood Cliffs, Prentice-Hall 1990 Modern textbook American X 20453574 NJ 6/26/2010 Spencer, Peter The Practice of Harmony 3rd ed. Upper Saddle Prentice-Hall 1996 Modern textbook American X 31815126 River, NJ 6/26/2010 Spencer, Peter The Practice of Harmony 4th ed. Upper Saddle Prentice-Hall 2000 Modern textbook American X X 41606345 River, NJ 6/26/2010 Spencer, Peter The Practice of Harmony 5th ed. Upper Saddle Pearson Prentice 2004 Modern textbook American X 51848593 LT4500 (YNG Textbook Collection) River, NJ Hall 6/26/2010 Spencer, Peter The Practice of Harmony Englewood Cliffs, Prentice-Hall 1983 Modern textbook American 8689714 NJ 6/26/2010 Steinke, Greg A. Harmonic Materials in Tonal Music 10th ed. Upper Saddle Prentice Hall 2010 Modern textbook American X 244566765 Based on materials originally created River, NJ by Paul O. Harder 6/26/2010 Steinke, Greg A. Harmonic Materials in Tonal Music 8th ed. Boston Alyn and Bacon 1998 Modern textbook American X 38989932 Rev. ed. of: Harmonic materials in tonal music by Paul O. Harder. 7th ed. 1994

6/26/2010 Steinke, Greg A. Harmonic Materials in Tonal Music 9th ed. Upper Saddle Prentice Hall 2002 Modern textbook American X X X X 47018417 Based on materials originally created River, NJ by Paul O. Harder; 781.25 (ONU)

6/26/2010 Straus, Joseph N. Remaking the Past Cambridge, MA Harvard University 1990 Modern source American X X X X X X X X X X X 20594134 ML197, 780.904 (SIN) Press 6/26/2010 Thostenson, Marvin S. Fundamentals, Harmony and Dubuque, IA W.C. Brown Co. 1963 Historical textbook American X X X 1601356 MT10, 780.7 (BGU NW Regional Musicianship Depository) 6/28/2010 Thostenson, Marvin S. Workbook for Fundamentals, harmony, Dubuque, IA W.C. Brown Co. 1963 Historical textbook American 3212769 MT10 and musicianship 6/28/2010 Thostenson, Marvin S. Fundamentals, Harmony, and Dubuque, IA W.C. Brown Co. 1963 Historical textbook American 3411440 Possible OCLC cataloging duplicate of Musicianship: Workbook #3212769; MT10 6/26/2010 Turek, Ralph Theory for Today’s Musician Boston McGraw-Hill 2007 Modern textbook American X X X 65519241 MT6 6/26/2010 Tweedy, Donald Manual of Harmonic Technic Boston O. Ditson 1928 Historical source American X 388113 6/28/2010 Tweedy, Donald Manual of Harmonic Technic Boston O. Ditson 1928 Historical source American X 26106715 Possible OCLC cataloging duplicate of #388113 6/28/2010 Tweedy, Donald Manual of Harmonic Technic Philadelphia O. Ditson 1928 Historical source American X X X X X X 422649 781.3 (BGU NW Regional Depository), HIR, OBE Library Stacks)

6/28/2010 Tweedy, Donald Manual of Harmonic Technic Philadelphia O. Ditson 1928 Historical source American 9220925 Possible OCLC cataloging duplicate of #422649 71

6/26/2010 Ulehla, Ludmila Contemporary Harmony: Romanticism New York Free Press 1966 Historical source American X X X X X X X X 711733 781.3 (CAU, MTU) through the Twelve-Tone Row

6/26/2010 Ulehla, Ludmila Contemporary Harmony: Romanticism S.l. Advance Music 1994 Historical source American X 31881523 through the Twelve-Tone Row

6/26/2010 Vandendool, Grace The Basics of Harmony Mississauga, ON F. Harris Music 1996 Modern source American X 35927131 Remove from list? 6/26/2010 Vogler, G. J. Tonwissenschaft und Tonsezkunst Mannheim Kurfürstliche 1776 Historical source European X X 11337654 Microopaque. No other versions Hofbuchdruckerei available in OhioLINK

6/26/2010 Vogler, G. J. Handbuch zur Harmonielehre und für Prague K. Barth 1802 Historical source European X 22574626 Photocopy. No other versions den Generalbass available in OhioLINK

6/26/2010 Weber, G. Versuch einer geordneten Theorie der 3., neuerdings Mainz B. Schott 1830-32 Historical source European X 9343645 MT40 Tonsetzkunst überarbeitete Aufl.

6/26/2010 Weber, G. Versuch einer geordneten Theorie der Mainz B. Schott 1817-21 Historical source European N/A Not in OhioLINK Tonsetzkunst 6/26/2010 Wedge, George Applied Harmony New York G. Schirmer 1930-31 Historical textbook American X X X X X X X X 342972 MT56 (OSU), 781.3 (HIR, OBE Con Books, storage, ONU) 6/26/2010 Wedge, George Applied Harmony New York G. Schirmer 1930-31 Historical textbook American X 43802315 Possible OCLC duplicate of #342972

6/26/2010 York, Francis Harmony Simplified Rev. and enlarged Boston O. Ditson 1926 Historical textbook American X 13139223 ed. 6/26/2010 York, Francis Harmony Simplified Boston O. Ditson 1897 Historical textbook American N/A Not in OhioLINK 72

APPENDIX C NASM-Accredited Programs in Ohio and Their Libraries

School OCLC NCAA Division Organizational Highest Academic Separate ARL Music Degrees Offered Symbol for Hierarchy Degrees Conferred Music Library Library (Doctoral, Masters, Library? (Y/N) Bachelors, Associates) (Y/N)

Ashland University ASC II College of Arts and Bachelors N N BA, BM Sciences Baldwin-Wallace College OXB III Conservatory of Bachelors Y N BA, BM, BME Music Bluffton University BLC III N/A Bachelors N N BA Bowling Green State University BGU I College of Musical Doctoral Y N BM, BMA, MM, DMA Arts Capital University CAU III Conservatory of Masters N N BA, BM, MM Music Case Western Reserve University CWR III College of Arts and Doctoral Y Y BA, BS, MA, DMA, PhD Sciences Cedarville University CDC N/A N/A Bachelors N N BA Central State University CNC II College of Arts and Bachelors N N BM Sciences Cleveland Institute of Music CIX N/A Conservatory of Doctoral Y N BM, MM, DMA Music Cleveland State University CSU I College of Liberal Masters N N BA, BM, MM Arts and Social Sciences College of Mount Saint Joseph CMJ III N/A Bachelors N N BA College of Wooster WOO III N/A Bachelors N N BA, BM, BME Heidelberg University HEI III N/A Masters N N BA, BM, BS, MME Hiram College HIR III N/A Masters N N BA, MA Kent State University KSU I College of the Arts, Doctoral Y Y BA, BM, MA, MM, PhD School of Music Miami University MIA I School of Fine Arts Masters Y N BA, BM, MM University of Mount Union MTU III N/A Bachelors N N BA Mount Vernon Nazarene University MZN N/A School of Arts and Bachelors N N BA Humanities Muskingum University MSC III N/A Bachelors N N BA Oberlin College OBE III Conservatory of Masters Y N BM, MM, MMT, ADip, PDip Music Ohio Northern University ONU III Getty College of Bachelors N N BA, BM Arts and Sciences, Fine Arts Division Ohio State University OSU I College of the Arts, Doctoral Y Y BA, BM, BME, MA, MM, DMA, PhD School of Music Ohio University OUN I College of Fine Arts Masters Y Y BA, BM, MM

Ohio Wesleyan University OWU III N/A Bachelors Y N BA, BM Otterbein University OTC III School of Arts and Bachelors N N BA, BFA, BM, BME Sciences Sinclair Community College SIN N/A N/A Associates N N AA 73

University of Akron AKR I College of Creative Masters N N BA, BM, MM and Professional Arts University of Cincinnati CIN I College- Doctoral Y Y BFA, BM, MA, MM, DMA, DME, PhD, AD Conservatory of Music University of Dayton DAY I College of Arts and Masters N N BA, BM, MS Sciences University of Toledo TOL I College of Arts and Masters N N BA, BE, BM, MM Sciences Wittenberg University WIT III N/A Bachelors N N BA, BM, BME Wright State University WSU I College of Liberal Masters N N BA, BM, MH, MM Arts Xavier University XAV I College of Arts and Bachelors N N BA, BS Sciences Youngstown State University YNG I College of Fine and Masters N N BA, BM, MM Performing Arts 74

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