Comic Book Fever: a Celebration of Comics: 1976-1986: a Celebration of Comics, 1976- 1986 Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Comic Book Fever: a Celebration of Comics: 1976-1986: a Celebration of Comics, 1976- 1986 Pdf FREE COMIC BOOK FEVER: A CELEBRATION OF COMICS: 1976-1986: A CELEBRATION OF COMICS, 1976- 1986 PDF Jack Kirby,Alex Ross,Neal Adams,Frank Miller,John Buscema,Alan Moore,Eric Nolen-Weathington,George Khoury | 240 pages | 20 Sep 2016 | TwoMorrows Publishing | 9781605490632 | English | Raleigh, United States Ubuy Maldives Online Shopping For philippe jorian , sarkis joseph khoury in Affordable Prices. Hull's best selection of comics, graphic novels and manga. Amazing Fantasy has been trading in the city of Hull since May Please send emails to shop thecomicbookshop. View Amazing Fantasy in a larger map. Home Log In. Comics and graphic novels by title Comics and graphic novels by title. Featured Products All Products Our shop in Hull. Displaying 1 to 50 of 56 products. With a new, This is a pre-order listring. Items listed for pre-order are not necessarily going to 1976-1986 stocked on the shelf at the time of publication. The best This is a pre-order listing. The best way Plus: What In a comprehensive career-spanning interview, the creator Best known for his 1976-1986 Wars-related work, Dorman is a top painter of science fiction, From Electra: Assassin and the Steven Payne, Gene Colan Grailpages brings to light the burgeoning hobby of collecting the original, hand-drawn art that was used to create comic The party starts here! She colored the But it wasn't the color With books like The Cowboy It is fresh, yet Sick, but brilliant. How else would he have been able to come up with Search Advanced Search. Powered by Zen Cart. Model Manufacturer Weight. TwoMorrows Publishing. Book Review: Comic Book Fever: A Celebration of Comics: | Parka Blogs Media Release — Starting today, TwoMorrows Publishing is exposing fans to Comic Book Fevertheir infectious new book celebrating comics from the magical era ofwhen all different genres were available to any kid with a pocketful of coins, at establishments from 7-Elevens to their local drug store. George Khoury author of The Extraordinary Works of Alan Moore, Kimota: The Miracleman Companion, and Image Comics: The Road to Independence spent years penning this exhaustive tribute to his personal golden age of comics, covering all the things that made those comics great —the top artists, the coolest stories, and even the best ads. With cover art and Introduction by superstar Comic Book Fever: A Celebration of Comics: 1976-1986: A Celebration of Comics Alex Ross featuring Snyderman from those unforgettable s mail 1976-1986 adsComic Book Fever sends readers on a contagious trip back in time to re- experience those epic stories, and feel the heat of that era once again. GoCollect Founder, Serial Collector. The team here lets me manage our Instagram account : If you're curious what I'm collecting I like to show off my comics, video games, posters, etc. You may also like. October 21, New to Comic Collecting? Start Your Collection With State of the Comic Book Union 5: Spidey Collecting Shipping and Packing Comics October 20, Halloween Tricks and Treats October 19, Become a GoCollect Ambassador October 19, Comic Book Fever: A Celebration of Comics: 1976-1986: A Celebration of Comics a Reply Cancel reply. Sorry, your blog cannot share posts by email. Comic Book Fever: A Celebration of Comics: - George Khoury, Alex Ross - Google книги Spoilers must never be in the thread title. Sharing or asking for any pirated content will result in ban. If linking a comic it must be from a legit service MU or Comixology. Do Not Spam. Please allow your first post to fall off the front page before posting again. Art: Credit the artist or mark as [OC]. Uncredited work will be removed. Please include artist name in title of post. New 1976-1986 reading the comics? Unsure where to start? Complete Earth Spider-Man Chronology. Official Spider-Man Marvel Page. Does anyone know the story behind the cover of ASM from ? It was for the cancelled 80s Spider-Man film. The actor, Scott Leva, was tapped to play Peter. I have this issue. It is about Spidey having to catch a guy who photographs him unmasked. It is entertaining and worth checking out. I don't know if this link will work, but on page of a book titled " Comic Book Fever: A Celebration of Comics: " by George Khoury, there's a short passage from the photographer, Eliot R. Brown, who himself actually also poses as the "photographer" in the photo. Apparently the "camera" he's holding isn't a camera at all, but a tape dispenser. Use of this site constitutes acceptance of our User Agreement and Privacy Policy. All rights reserved. Want to join? Log in 1976-1986 sign up in seconds. Submit a new link. Submit a new text post. Get an ad-free experience with special benefits, and directly support Reddit. Spiderman join leavereaders users here now The Subreddit for Spider-Man comics, movies, and TV series Rules All posts must be related 1976-1986 Spider-Man, or any related characters. Memes are limited to weekends only. Please follow the reddiquette. Comic Book Help New to reading the comics? This run is ongoing and the first arc is very new-reader friendly. Balancing a normal life, school, friends, family and super-heroing has never been easy for Miles, but when the rampaging Comic Book Fever: A Celebration of Comics: 1976-1986: A Celebration of Comics and a cadre of mysterious criminals 1976-1986 plaguing Brooklyn, things take a dark turn for the young Spider-Man Spider-Gwen Spider-Gwen : Gwen Stacy, the Spider-Woman of Earth, makes her sensational return! And she's picking up right where she left off, fighting crime through her home reality - unaware that it sits on the precipice of interdimensional Comic Book Fever: A Celebration of Comics: 1976-1986: A Celebration of Comics A limited series in which Peter is reminiscing events and encounters from his past and how he and Gwen Stacy fell in love. A bit long, but features some truly great stuff and has very often been misrepresented in media. This is not the story you may think you know from other adaptations and has a lot going for it like Black Cat. If This Be My Destiny This storyline really highlights what makes Spider-Man work so well, letting Peter Parker's character truly shine with compelling drama. Doctor Strange sends Spider-Man through time and space in order to help stop Dormammu. During his trip he encounters all of his greatest friends and foes. One of the hands down best Otto Octavius storylines and one of the last times he was relevant for nearly a decade, this story also is the groundwork for the budding romance between Black Cat and Spider-Man that took hold in the early s. Often an overlooked gem despite its immense historical impact on the webslinger. As the title says, it is back to the basics of what makes Spider- Man great and is the best the book has been in yeaaaars. The recent Venom film is based on this 6 issue miniseries and although it's not the greatest storyline, it is a pretty good solo outing for Venom and a good start to his run as an antihero. Mac Gargan is often regarded as one of the worst hosts for the Venom symbiote. And while I generally agree, this often overlooked 4-part miniseries really is something special. The miniseries is delightfully twisted and laugh out Comic Book Fever: A Celebration of Comics: 1976-1986: A Celebration of Comics funny. Venom Venom : Flash Thompson is given a chance to serve his country, on the condition he joins with the Venom Symbiote to become a hero once more. Mayday remains what the standard of a legacy character should be, she is similar to her father but with a few core values changed. Welcome to Reddit, the front page of the internet. Become a Redditor and join one of thousands of communities. Want to add to the discussion? Post a comment! Create an account. Amazing Spider-Man. Amazing Spider-Man by Nick Spencer : As the title says, 1976-1986 is back to the basics of what makes Spider-Man great and is the best the book has been in yeaaaars. Miles Morales. Miles Morales : Miles Morales swings back into the spotlight! Balancing a normal life, school, friends, family and super-heroing has never been easy for Miles, but when the rampaging Rhino and a cadre of mysterious criminals start plaguing Brooklyn, things take a dark turn for the young Spider-Man. Spider-Man: Blue. Spider-Man: Kraven's Last Hunt. The Alien Costume Saga. Happy Birthday. Back to Basics. Venom: Lethal Protector. Sinister Spider-Man. Venom : Flash Thompson is given a chance to serve his country, on the condition he joins with the Venom Symbiote to become a hero once more. Spider-Girl : One of the first and longest running Marvel alternate universes remains the MC2, and for good reason!.
Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Image Comics : the Road to Independence Pdf, Epub, Ebook
    IMAGE COMICS : THE ROAD TO INDEPENDENCE PDF, EPUB, EBOOK George Khoury | 280 pages | 03 Jul 2007 | TwoMorrows Publishing | 9781893905719 | English | Raleigh, United States Image Comics : The Road to Independence PDF Book Start of add to list layer. Answers abound in the thrilling conclusion to The God Dilemma. Billy Candelaria marked it as to-read May 28, From time to time. About this product. The always energetic Marc Silvestri was the first of the Image co-founders to ever experience a degree of major success when he became the regular penciler of The Uncanny X-Men in Batman had not been reinvented yet by Frank Miller, Superman was longdead. Pre-owned Pre-owned. Show More Show Less. Who is Demus, the first vampire? The publishers! There's just one problem: The powers don't belong to him. In , Erik became the publisher of Image Central, as he hopes to usher in a new era of renaissance for the company that he helped co-found. No, I just missed that. Will they live to cover Blitzkrieg Bop another day? Was your first wife understanding of your career choice? He had a great imagination, and the guy just obviously loves the medium. I got form letters from Marvel and DC. I think it was Art Adams first. Read more It was just such a frustrating, inefficient way to get to the end result. If you did have a career path, you wound up at the apex at The X-Men working with guys like Chris Claremont. Take Captain America. I went by. Both Jim and Todd.
    [Show full text]
  • Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
    CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC.
    [Show full text]
  • The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
    University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children.
    [Show full text]
  • ? Download Free the Extraordinary Works of Alan Moore
    Register Free To Download Files | File Name : The Extraordinary Works Of Alan Moore: Indispensable Edition PDF THE EXTRAORDINARY WORKS OF ALAN MOORE: INDISPENSABLE EDITION Tapa blanda 23 diciembre 2008 Author : George Khoury Alan Moore The Absolutely Definitive Book on Alan Moore The Extraordinary Works of Alan Moore: Indispensable Edition is George Khoury's revamp of a book published years before called, simply, The Extraordinary Works of Alan Moore. For those of you who are new to the book itself, I'll taLk about it first. For those who want to know exactly what is different between the two publications, skip the first half of this review. TEWAM and TEWAMI are the absolutely definitive books (the Indispensable edition includes more of everything with a few excisions; details below) on Alan Moore. Known as a recluse, Khoury somehow earned his trust enough to complete a biography (with lots of wonderful photos) of him - through a series of lengthy, detailed, revealing interviews (so it might actually be called an "assisted autobiography," perhaps) - that range from his childhood, to his adolescence (selling LSD and getting kicked out of school and black-spotted in his hometown from then on), his painfully on-a-budget early adulthood (he went by pen names so he wouldn't lose his government assistance money), his role as parent (raising two daughters in an unconventional household and his being a very unconventional father), to his big break through with DC, to the big breakups (with DC; with his wives; um, yes, I said "wives" as in plural; with Bill Sienkiewicz who literally ran away from Moore's never-finished magnum opus called Big Numbers!), the loss of Mad Love publications (his idea of what a great, smartly run comic company could be), his newly found love and marriage of recent years with Melinda Gebbie, on and on.
    [Show full text]
  • Spawn Comics Checklist (USA)
    Spawn Comics Checklist (USA) Last Updated: 06/18/2011 Title Issues Current Series Spawn (standard covers only) 1-207 Former Series Curse of the Spawn (standard covers only) 1-29 Spawn: The Dark Ages (standard covers only) 1-28 Sam & Twitch 1-26 Sam & Twitch: Case Files 1-25 Hellspawn 1-16 Mini-Series and One-Shots Spawn: Godslayer (1-shot) Spawn: Godslayer 1 (standard cover) Spawn: Godslayer 2 Spawn: Godslayer 3 Spawn: Godslayer 4 Spawn: Godslayer 5 Spawn: Godslayer 6 Spawn: Godslayer 7 Spawn: Godslayer 8 Spawn: The Undead 1 Spawn: The Undead 2 Spawn: The Undead 3 Spawn: The Undead 4 Spawn: The Undead 5 Spawn: The Undead 6 Spawn: The Undead 7 Spawn: The Undead 8 Spawn: The Undead 9 Spawn: The Impaler 1 Spawn: The Impaler 2 Spawn: The Impaler 3 Spawn: Blood Feud 1 Spawn: Blood Feud 2 Spawn: Blood Feud 3 Spawn: Blood Feud 4 Sam and Twitch: The Writer 1 Page of Spawn Comics Checklist (USA) Last Updated: 06/18/2011 Sam and Twitch: The Writer 2 Sam and Twitch: The Writer 3 Sam and Twitch: The Writer 4 Angela 1 Angela 2 Angela 3 Cy-Gor 1 Cy-Gor 2 Cy-Gor 3 Cy-Gor 4 Cy-Gor 5 Cy-Gor 6 Violator 1 Violator 2 Violator 3 Spawn: Blood & Shadows (Annual 1) Spawn Bible (1st Print) Spawn Bible (2nd Print) Spawn Bible (3rd Print) Spawn: Book of Souls Spawn: Blood & Salvation Spawn: Simony Spawn: Architects of Fear The Adventures of Spawn Director’s Cut The Adventures of Spawn 2 Celestine 1 (green) Celestine 1 (purple) Celestine 2 Spawn Manga (Shadows of Spawn) vol1 (1st Print) Spawn Manga (Shadows of Spawn) vol1 (2nd Print) Spawn Manga (Shadows of Spawn)
    [Show full text]
  • Swinburne Research Bank
    Swinburne Research Bank http://researchbank.swinburne.edu.au Bainbridge, J. (2007). 'This is the Authority: this planet is under our protection': an exegesis of superheroes' interrogations of law Originally published in Law, Culture and the Humanities, 3(3); 455-476 Available from: http://dx.doi.org/10.1177/1743872107081431 Copyright © 2007 Association for the Study of Law, Culture and the Humanities. This is the author’s version of the work. It is posted here in accordance with the copyright policy of the publisher for your personal use. No further distribution is permitted. Accessed from Swinburne Research Bank: http://hdl.handle.net/1959.3/54547 “This is the Authority . This Planet is Under Our Protection” – An Exegesis of Superheroes’ Interrogations of Law Jason Bainbridge Abstract This paper examines concepts of authority, law, and justice in the genre of superhero comics. Despite the common view that comic book superheroes do not warrant (and have not received) significant academic attention except as art form (rather than social/legal commentary), they do, in fact, present a locus in which visions of law and its relationship with society are played out with a degree of intellectual and jurisprudential sophistication. This is because superheroes reflect perceptions of failed or deficient law. They are therefore another vehicle for thinking discursively about law because of what they can say about society and its perceptions of the effectiveness of law, in the context of their manifesting a pre-modern, sacralised, view of embodied justice as opposed to modern constructs of law. Using a typology of pre-modern, modern, and postmodern justice, the paper briefly explores the characteristics of justice found in superhero comics.
    [Show full text]
  • Postmodern Themes in American Comics Circa 2001-2018
    Georgia State University ScholarWorks @ Georgia State University History Theses Department of History 5-8-2020 The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018 Amy Collerton Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Collerton, Amy, "The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/history_theses/126 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE ALUMINUM AGE: POSTMODERN THEMES IN AMERICAN COMICS CIRCA 1985- 2018 by AMY COLLERTON Under the Direction of John McMillian, PhD ABSTRACT This thesis seeks to update the fan-made system of organization for comic book history. Because academia ignored comics for much of their history, fans of the medium were forced to design their own system of historical organization. Over time, this system of ages was adopted not only by the larger industry, but also by scholars. However, the system has not been modified to make room for comics published in the 21st century. Through the analysis of a selection modern comics, including Marvel’s Civil War and DC Comics’ Infinite Crisis, this thesis suggests a continuation of the age system, the Aluminum Age (2001-the present). Comics published during the Aluminum Age incorporate Postmodern themes and are unique to the historical context in which they were published.
    [Show full text]
  • Wonder Woman Unbound
    COMICS/LITERARY CRITICISM/POPULAR CULTURE WONDER WOMAN UNBOUND “I’ve never seen more information about Wonder Woman than in Wonder Woman Unbound. Tim Hanley tells us everything we’ve never asked about Wonder Woman because it simply never occurred to us: from her mythic Golden Age origins through her dismal Silver Age years as a lovesick romance comic character, and worse yet, when she lost her costume and powers in the late 1960s. Our favorite Amazon’s saga be- comes upbeat again with the 1970s advent of Gloria Steinem and Ms. magazine, and Lynda Carter’s unforgettable portrayal of her on television. And it’s all told with a dollop of humor!” —Trina Robbins, author of Pretty in Ink: North American Women Cartoonists, 1896–2013 ith her golden lasso and her bullet-deflecting bracelets, WWonder Woman is a beloved icon of female strength in a world of male superheroes. But this close look at her history por- trays a complicated heroine who is more than just a female Super- man. When they debuted in the 1940s, Wonder Woman comics advocated female superiority and the benefits of matriarchy; her adventures were also colored by bondage imagery and hidden les- bian leanings. In the decades that followed, Wonder Woman fell backward as American women began to step forward. Ultimate- ly, Wonder Woman became a feminist symbol in the 1970s, and the curious details of her past were quickly forgotten. Exploring this lost history adds new dimensions to the world’s most beloved female character, and Wonder Woman Unbound delves into her comic book and its spin-offs as well as the motivations of her cre- ators to showcase the peculiar journey of a twentieth-century icon.
    [Show full text]
  • Characters TM & © DC Comics. Art © Steve Rude. 82658 00049
    ™ No. 12, Spring 2016 A TwoMorrows Publication Characters TM & © DC Comics. Art Steve Rude. 1 82658 00049 3 ™ A TwoMorrows Publication No. 12, Spring 2016 Art and characters © Howard Cruse. 1 82658 00049 3 also: JACK KIRBY’S FOURTH WORLD MASTERPIECE • COMIC BOOK FEVER • HEMBECK Spring 2016 • Voice of the Comics Medium • Number 12 EQUALITY-WOODY TABLE OF CONTENTS CBC mascot by J.D. KING ©2016 J.D. King. Ye Ed’s Rant: For the Love of Murphy Anderson ............................................................. 2 About Our COMICS CHATTER Covers Forbidden Pleasures: George Khoury gives us an outtake from his magnum opus ..... 3 Art and Colors by HOWARD CRUSE Incoming: Letters o’ comment containing words on Warp and Allred accolades .......... 6 Incoming Extra: Hugh Surratt shares his favorite Gil Kane science fiction covers ........ 8 Hembeck’s Dateline: Our Man Fred on the ruler who dares not speak his name ...... 13 Comics in the Library: Rich Arndt judges books by their cover (binding, at least!) .... 15 JACk kirby’S FOURTH WORLD SPECIAL SECTION The King’s Pinnacle: Inspired by our amazing Steve Rude cover, CBC looks at the history behind Jack Kirby’s magnificent work at DC Comics in the early 1970s, from his late ’60s break with Stan Lee at Marvel, to subsequent tribulations with publisher Carmine Infantino at the House of Superman..................................16 THE MAIN EVENT © 2016 Howard Cruse Above: Mr. Cruse draws himself. Finding the Muse of the Man Called Cruse: CBC shares an afternoon with the Below: When we saw Steve “The Dude” Rude’s apokoliptik great Howard Cruse, learning about the cartoonist’s Alabama roots, emergence Fourth World art, we just had to into the underground comix realm with Barefootz, pioneering work as editor of make a cover feature out of it! the seminal anthology Gay Comix, mainstream recognition courtesy of Wendel, and breakthrough with Stuck Rubber Baby as an important graphic novelist.
    [Show full text]