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Research Work on the History of the „Dirndl" and the Traditional Costume in the Present Day
Universidade Católica Portuguesa Faculdade de Ciências Humanas Semester: 2020/21 Course: Museologia e Património / Museum studies and heritage Professor: Maria Roque A research work on the History of the „Dirndl" and the traditional costume in the present day Name: Anja Fürstenberg Students number: 139120606 Email: [email protected] Table of contents 1. The concept of traditional costume 3 2. The History of the „Dirndl“ 5 2.1. The story of the Wallach Brothers 6 2.2. The transformation to the „Dirndl of today“ 7 3. Museums that exhibit the Dirndl and traditional costumes 9 Bibliography 13 Declaration of academic honesty 15 2 1. The concept of traditional costume This research work deals with the origin of the Dirndl, the „Tracht“ from the Alpine region. Tracht means "that which is worn" or "the way it is worn“ and can be translated in English with traditional costume or folks costume. But before the dirndl can be examined more closely, the concept of traditional costume must be defined more precisely. The term traditional costume is often used to designate a very precise idea of a type of clothing. But a specific use of the term is problematic, because the clothing referred to as costume was not only worn in the Bavarian Oberland on certain occasions, but in some cases a traditional dress code was also used in everyday life. Until the middle of the 18th century, the term "Tracht" was understood to mean the totality of what a person wore outwardly, not only clothing, but also hairstyles and even the general appearance of a person. -
RTF Template
CORRIGENDUM Quotations for Rate Contract for Supply of Badges (LAPEL PIN) for One Year The following specifications in the quotation may be read as under: Page Existing Specifications Revised Specifications No. SPCL000097)MEMBER'S SPCL000097) MEMBER'S Page BADGES No. 3 Gold plated , butterfly pin,. BADGES laminated, 20 ons thickness with Gold plated, butterfly pin, blue base laminated , 20 ons thickness SIZE : 20 cm x 15 cm with blue base SIZE : 20 mm x 15 mm (SPCL000098)MISCLLENIOUS BADGES (SPCL000098)MISCLLENIOUS Page OF BRASS LAPEL COLLAR PIN Gold plated , butterfly pin, laminated . 20 BADGES OF BRASS LAPEL No. 3 ons thickness with Blue Base SIZE : 20 cm x 15 cm COLLAR PIN Gold plated, butterfly pin, laminated, 20 ons thickness with Blue Base SIZE : 20 mm x 15 mm Other terms & conditions of “ Quotation for Rate Contract for Supply of Badges (LAPEL PIN) for One Year’ dated 22nd Sep., 2017 remains the same. The bidders may take note the above changes. th Date: 29 Sep., 2017 A.K Srivastava Director ( Admn. & Purchase) Quotations for Rate Contract for Supply of Badges(LAPEL PIN) for One Year Ref: ICSI/PC-2017/RFQ-2695 Date: 22/09/2017 Sealed Quotations are invited for supply of Badges (LAPEL PIN from DELHI/NCR Vendors as per the details given in Annexure ‘A’. The terms and conditions are as under: 1. The sealed quotations are to be submitted in prescribed format on your business letter head OR enclosed format duly stamped and signed and dated on each page. Details/supporting documents wherever applicable, if attached with the quotation should be dully authenticated by the vendor/s. -
Shackles and Accessories Are ® Products and Services You Have Found an Green Pin ® Shackles and Accessories in Order to Serve
Introduction P.O. Box 57, 3360 AB Sliedrecht Industrieweg 6, 3361 HJ Sliedrecht The Netherlands Tel. +31 184 41 33 00 Fax +31 184 41 49 59 E-mail [email protected] www.vanbeest.nl Dear customer, For over 85 years the production of high tensile shackles has been our core business and competence. Dirk van Beest founded the Van Beest company in 1922, initially as a supplier of iron works to the dredging industry, which was strongly developed in the Sliedrecht area. From the very beginning, the company has been forging shackles. Its ironwork expertise gave the Van Beest shackle an edge over the competition and this was the start of a network of professional users that now stretches across the globe. The designs and qua- lity standards of our shackles are the result of requirements put forward over the years by our customers in markets throughout the world. Our shackles are marked Green Pin®, and we are the sole proprietors of the trade name Green Pin®. Production At Van Beest we were faced with a labour-intensive production unit. Over the years Van Beest invested, with it’s own engineers, in development of a series production line of high quality output. The highly automated machines in the factory are custom built to Van Beest’s requirements and thus to those of our customers. The same technicians demand the quality of the products during production and therefore guarantee quality to our customers. Each individual Green Pin® shackle is marked with the steel grade and a traceability code. But quality is not only a matter of the product itself, it stretches across the entire organization. -
An East Central European Folk Aesthetic As a Postmodern Garment Design Inspiration
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 An East Central European folk aesthetic as a postmodern garment design inspiration Jessica Ann Havlicek Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Havlicek, Jessica Ann, "An East Central European folk aesthetic as a postmodern garment design inspiration" (2006). Retrospective Theses and Dissertations. 19420. https://lib.dr.iastate.edu/rtd/19420 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An East Central European folk aesthetic as a postmodern garment design inspiration by Jessica Ann Havlicek A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Textiles and Clothing Program of Study Committee: Jean Parsons (Major Professor) Susan Torntore Amy Bix Iowa State University Ames, Iowa 2006 11 Graduate College Iowa State University This is to certify that the master's thesis of Jessica Ann Havlicek has met the thesis requirements of Iowa State University ~:. Signatures have been redacted for privacy 111 TABLE OF CONTENTS LIST OF FIGURES iv ABSTRACT vi CHAPTER 1. INTRODUCTION Purpose and research approach for this study 1 Terminology 1) Artwear 3 2) Post-modern 4 3) East Central European 6 4) Folk 9 CHAPTER 2. -
Genealogical Sketch Of
Genealogy and Historical Notes of Spamer and Smith Families of Maryland Appendix 2. SSeelleecctteedd CCoollllaatteerraall GGeenneeaallooggiieess ffoorr SSttrroonnggllyy CCrroossss--ccoonnnneecctteedd aanndd HHiissttoorriiccaall FFaammiillyy GGrroouuppss WWiitthhiinn tthhee EExxtteennddeedd SSmmiitthh FFaammiillyy Bayard Bache Cadwalader Carroll Chew Coursey Dallas Darnall Emory Foulke Franklin Hodge Hollyday Lloyd McCall Patrick Powel Tilghman Wright NEW EDITION Containing Additions & Corrections to June 2011 and with Illustrations Earle E. Spamer 2008 / 2011 Selected Strongly Cross-connected Collateral Genealogies of the Smith Family Note The “New Edition” includes hyperlinks embedded in boxes throughout the main genealogy. They will, when clicked in the computer’s web-browser environment, automatically redirect the user to the pertinent additions, emendations and corrections that are compiled in the separate “Additions and Corrections” section. Boxed alerts look like this: Also see Additions & Corrections [In the event that the PDF hyperlink has become inoperative or misdirects, refer to the appropriate page number as listed in the Additions and Corrections section.] The “Additions and Corrections” document is appended to the end of the main text herein and is separately paginated using Roman numerals. With a web browser on the user’s computer the hyperlinks are “live”; the user may switch back and forth between the main text and pertinent additions, corrections, or emendations. Each part of the genealogy (Parts I and II, and Appendices 1 and 2) has its own “Additions and Corrections” section. The main text of the New Edition is exactly identical to the original edition of 2008; content and pagination are not changed. The difference is the presence of the boxed “Additions and Corrections” alerts, which are superimposed on the page and do not affect text layout or pagination. -
How Do I Dress Professionally
Career Development JKM Library, 3rd floor (412) 365-1209 Phone (412) 365-1660 Fax [email protected] Professiona l Dress Guidelines Proper professional dress is essential for interviews and career fairs. Even if you would not be required to wear a suit in the position to which you are applying, it is the expected attire for job interviews and career fairs. Be sure to try on your interview outfit prior to career-related events to ensure a proper fit. Here are several tips for women and men on how to dress professionally and make a positive first impression. What to Wear for Women: Suit Long-sleeved blazer with a straight or pleated skirt or pants. Color should be neutral, such as navy blue, gray, tan, or black. Most solid-colored suits will work as long as they are not too bright. Patterns are only acceptable if they are extremely subtle. Skirt should be knee length or longer. Avoid tight pants and baggy pants. Shirt/blouse Stay away from shiny or sparkly material. Cotton or matte silks are always a good choice. A nice touch is often a collar pin or a simple necklace. A colorful scarf that compliments your outfit is acceptable, but it should not be too bright. Shoes First - no bare legs! Stockings or panty hose, usually in a skin tone or a complimenting color, are a must. The best shoes are simple pumps with no more than a one or two-inch heel. Shoes should be black or a complimentary color that works with your suit. Jewelry and Perfume Simple post earrings or hoops work best. -
FOR IMMEDIATE RELEASE OUTSIDER ART FAIR ANNOUNCES EXHIBITORS for ITS 27TH NEW YORK EDITION January 17 – January 20, 2019 the M
FOR IMMEDIATE RELEASE OUTSIDER ART FAIR ANNOUNCES EXHIBITORS FOR ITS 27TH NEW YORK EDITION January 17 – January 20, 2019 The Metropolitan Pavilion, 125 West 18th Street, New York Minnie Evans, Untitled (Three faces in floral design) (detail),1967, Crayon, graphite and oil on canvas board, 22.75×27.75 in. Artwork (c) Estate off Minnie Evans. Courtesy of Cameron Art Museum, Wilmington, N.C. NEW YORK, NY, November 28, 2018 – The Outsider Art Fair, the only fair dedicated to Self-Taught Art, Art Brut and Outsider Art, is pleased to announce the exhibitor list for its 27th New York edition, taking place January 17-20, 2019 at The Metropolitan Pavilion. The fair will showcase 67 exhibitors, representing 37 cities from 7 countries, with 8 first-time galleries. This year, OAF will host two of its hallmark Curated Spaces. Good Kids: Underground Comics from China will feature zines and original drawings created by Chinese artists. Co-organized by Brett Littman (Director, Noguchi Museum, New York) and Yi Zhou (partner and curator of C5Art Gallery, Beijing), these works deal with subject matter that is scatological, sexual, puerile and anti-conformist, making the distribution and sales of these work in mainland China complicated to almost impossible. A second Curated Space will serve as homage to the late dealer Phyllis Kind. In her obituary for the New York Times, Roberta Smith made this observation: “As the first American dealer to show outsider art alongside that of contemporary artists, Ms. Kind was in many ways as important as Leo Castelli…” Curated by Raw Vision Magazine senior editor and art critic Edward M. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ e w rite r free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road, Ann Aibor MI 48106-1346 USA 313/761-4700 800/521-0600 THE INFUSION OF AFRICAN AMERICAN ART FROM EIGHTEEN-EIGHTY TO THE EARLY NINETEEN-NINETIES FOR MIDDLE AND HIGH SCHOOL ART EDUCATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ronald Wayne Claxton, B.S., M.A.E. -
The Belo Herald Newsletter of the Col
The Belo Herald Newsletter of the Col. A. H. Belo Camp #49 And Journal of Unreconstructed Confederate Thought August 2016 This month’s meeting features a special presentation: Old Bill – Confederate Ally And Open table discussion of National Reunion The Belo Herald is an interactive newsletter. Click on the links to take you directly to additional internet resources. Col. A. H Belo Camp #49 Commander - David Hendricks st 1 Lt. Cmdr. - James Henderson nd 2 Lt. Cmdr. – Charles Heard Adjutant - Jim Echols Chaplain - Rev. Jerry Brown Editor - Nathan Bedford Forrest Contact us: WWW.BELOCAMP.COM http://www.facebook.com/BeloCamp49 Texas Division: http://www.scvtexas.org Have you paid your dues?? National: www.scv.org http://1800mydixie.com/ Come early (6:30pm), eat, fellowship with http://www.youtube.com/user/SCVORG Commander in Chief on Twitter at CiC@CiCSCV other members, learn your history! Our Next Meeting: Thursday, August 4th: 7:00 pm La Madeleine Restaurant 3906 Lemmon Ave near Oak Lawn, Dallas, TX *we meet in the private meeting room. All meetings are open to the public and guests are welcome. "Everyone should do all in his power to collect and disseminate the truth, in the hope that it may find a place in history and descend to posterity." Gen. Robert E. Lee, CSA Dec. 3rd 1865 Commander’s Report Dear BELO Compatriots, Greetings. Hope to see each of you this Thursday the 4th at la Madeleine for the dinner hour from 6:00 – 7:00p.m. and our meeting starting at 7:01p.m. The national convention is now behind us. -
The Cheatham News
Maj. Gen. Benjamin F. Cheatham Camp # 72 The Cheatham News http://tennessee-scv.org/camp72 JUNE 2011 b Larry Williams, Cmdr [email protected] ` June 18, 2011, 9:00 A.M. - 4:00 P.M. Forrest Homecoming. Forrest Boyhood (h) (931)924-3000 Home. Chapel Hill, TN. Contact Chairman Gene Andrews @ 615-833-8977 or (m)(931)224-3226 [email protected] for questions regarding schedule & vendors/tables. Mike Anderson, Adjutant June 25, 2011. Battle of Blountville Reenactment. 87 Tanglewood Dr. Manchester, TN 37355 June 28, 2011 - 7:00 P.M. Dinner and meeting at Oak Restaurant, Manchester. Dinner at 6:00 P.M., business meeting and program at 7:00 P.M. [email protected] Program will be Dr. Michael R. Bradley, speaking on his new book Myths and Mysteries (931)728-9492 of the Civil War. July 13 - 16, 2011. SCV Sesquicentennial Convention. Embassy Suites Hotel, Dates to Remember: Montgomery, AL. Please visit the website at http://2011scvreunion.zxq.net/ for June 30, 1861 - CSS more information. Sumter evades New Orleans blockade, Please e-mail your suggestions for this newsletter to [email protected] becomes a commerce Be sure to visit our website at tennessee-scv.org/camp72/. raider. July 8, 1863 - Gen. Franklin Gardner, under siege for six weeks at Port Hudson, asks Gen. Commander's Comments... Nathaniel Banks for To All, surrender terms. It gives me great honor to announce that the Franklin July 13, 1861 - Gen. County (Winchester, TN) Civil War (War Between the Robert S. Garnett killed States) Trails Brochure has been completed and is ready at Corrick's Ford. -
The Future of Knoxville's Past
Th e Future of Knoxville’s Past Historic and Architectural Resources in Knoxville, Tennessee Knoxville Historic Zoning Commission October 2006 Adopted by the Knoxville Historic Zoning Commission on October 19, 2006 and by the Knoxville-Knox County Metropolitan Planning Commission on November 9, 2006 Prepared by the Knoxville-Knox County Metropolitan Planning Commission Knoxville Historic Zoning Commissioners J. Nicholas Arning, Chairman Scott Busby Herbert Donaldson L. Duane Grieve, FAIA William Hoehl J. Finbarr Saunders, Jr. Melynda Moore Whetsel Lila Wilson MPC staff involved in the preparation of this report included: Mark Donaldson, Executive Director Buz Johnson, Deputy Director Sarah Powell, Graphic Designer Jo Ella Washburn, Graphic Designer Charlotte West, Administrative Assistant Th e report was researched and written by Ann Bennett, Senior Planner. Historic photographs used in this document are property of the McClung Historical Collection of the Knox County Public Library System and are used by MPC with much gratitude. TABLE OF CONTENTS Introduction . .5 History of Settlement . 5 Archtectural Form and Development . 9 Th e Properties . 15 Residential Historic Districts . .15 Individual Residences . 18 Commercial Historic Districts . .20 Individual Buildings . 21 Schools . 23 Churches . .24 Sites, Structures, and Signs . 24 Property List . 27 Recommenedations . 29 October 2006 Th e Future Of Knoxville’s Past INTRODUCTION that joined it. Development and redevelopment of riverfront In late 1982, funded in part by a grant from the Tennessee sites have erased much of this earlier development, although Historical Commission, MPC conducted a comprehensive there are identifi ed archeological deposits that lend themselves four-year survey of historic sites in Knoxville and Knox to further study located on the University of Tennessee County.