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Journal of the American Viola Society Volume 9 No.2/3, 1993
JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds -
Program of the 2015-16 Season ______Jazz Studies Department
JAZZCELEBRATION INAUGURAL IU JAZZ ALUMNI HALL OF FAME Featuring IU Jazz Faculty & Student Big Band, & Plummer Jazz Sextet Saturday, April 23 | 8pm | Musical Arts Center Sponsored by JACOBS SCHOOL OF MUSIC Indiana University Bloomington A Message from Tonight’s Sponsor Old National Wealth Management Old National Wealth Management (ONWM) is jazzed to sponsor the inaugural IU Jazz Alumni Hall of Fame and to support the Indiana University Jacobs School of Music. At Old National Wealth Management, we are proud to be a part of this annual presentation of timeless music and feature world- renowned musicians. Thank you for joining us this evening, and we hope you have a wonderful time. About Old National Wealth Management At Old National Wealth Management, we manage money for people with more important things to manage. Families, corporations, and foundations experience local, personal service from a dedicated team of seasoned professionals. Our team structure offers the unique advantage of long-term continuity of service. ONWM is a trusted financial partner, assisting with investment management, financial planning, retirement planning, and trust services. Old National Wealth Management is a Top 100 Fiduciary in the U.S. and part of the Old National Bancorp family of companies . the largest financial services company headquartered in the state of Indiana. _______________________ Supporting Jazz Studies at the IU Jacobs School of Music The Indiana University Jacobs School of Music gratefully acknowledges persons and institutions who support our students and faculty through the following endowments, scholarships, estate plans, and other funds. Endowed Funds Jamey and Sara Aebersold Jazz Fellowship David N. Baker Jr. -
Of Audiotape
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVID N. BAKER NEA Jazz Master (2000) Interviewee: David Baker (December 21, 1931 – March 26, 2016) Interviewer: Lida Baker with recording engineer Ken Kimery Date: June 19, 20, and 21, 2000 Repository: Archives Center, National Museum of American History Description: Transcript, 163 pp. Lida: This is Monday morning, June 19th, 2000. This is tape number one of the Smithsonian Jazz Oral History Project interview with David Baker. The interview is being conducted in Bloomington, Indiana, [in] Mr. Baker’s home. Let’s start with when and where you were born. David: [I was] born in Indianapolis, December 21st, 1931, on the east side, where I spent almost all my – when I lived in Indianapolis, most of my childhood life on the east side. I was born in 24th and Arsenal, which is near Douglas Park and near where many of the jazz musicians lived. The Montgomerys lived on that side of town. Freddie Hubbard, much later, on that side of town. And Russell Webster, who would be a local celebrity and wonderful player. [He] used to be a babysitter for us, even though he was not that much older. Gene Fowlkes also lived in that same block on 24th and Arsenal. Then we moved to various other places on the east side of Indianapolis, almost always never more than a block or two blocks away from where we had just moved, simply because families pretty much stayed on the same side of town; and if they moved, it was maybe to a larger place, or because the rent was more exorbitant, or something. -
Mch Kaufmanconnectsbell 050
Kaufman Music Center presents A Virtual Concert and Cocktail Tasting Kaufman Connects Streamed Monday, May 3, 2021 at 6:30 pm ET with Joshua Bell, violin and Peter Dugan, piano Kevin Peterson, mixologist Program Welcome and Introduction KATE SHEERAN, Executive Director SHAHRIAR RAFIMAYERI, President, Board of Trustees JUSTIN BERRIE, Trustee SAMUEL COLERIDGE-TAYLOR La Tarantelle Frétillante BIANNA BELL, violin Special Music School,10th Grade Student of Nurit Pacht Tasting: Cocktail Experience #1 KEVIN PETERSON, mixologist LUDWIG VAN BEETHOVEN Violin Sonata No. 5 in F Major, Op. 24 “Spring” Allegro JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #2 KEVIN PETERSON, mixologist KaufmanMusicCenter.org|866-222-6330 FRÉDÉRIC CHOPIN Nocturne in E-flat Major, Op. 9, No. 2 arr: Bell/Wallace HENRYK WIENIAWSKI Polonaise brillante in D Major, Op. 4 JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #3 KEVIN PETERSON, mixologist Event Sponsors and Hosts Justin Berrie Shahriar Rafimayeri Castalia at Sfumato Maker’s Mark Winfield Flynn Wine & Spirits Kaufman Connects Benefactors Bethany and Robert B. Millard Cathy White O’Rourke Joy and Graham Wyatt All 2020-21 Kaufman Music Center performances are online, filmed in safe, socially distanced locations observing health and safety protocols, and enjoyed from the safety of your home. Steinway is the official piano of Merkin Hall KaufmanMusicCenter.org|866-222-6330 About the Artists Joshua Bell With a career spanning almost four decades, Joshua Bell is one of the most celebrated violinists of his era. Having performed with virtually every major orchestra in the world, Bell continues to maintain engagements as a soloist, recitalist, chamber musician, conductor, and Music Director of the Academy of St. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTY-SEVENTH SEASON I 957- I 958 Carnegie Hall, New York Boston Symphony Orchestra (Seventy-seventh Season, 1957-1958) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster Albeit Bernard George Zazofsky Rolland Tapley George Humphrey Contra-Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Reuben Horns Harry Dickson Green Gottfried Wilfinger Bernard Kadinoff James Stagliano Vincent Charles Yancich Einar Hansen Mauricci Joseph Leibovici John Fiasca Harry Shapiro Earl Hedberg Harold Meek Emil Kornsand Paul Keaney Roger Shermont Violoncellos Osbourne McConathy Minot Beale Samuel Mayes Herman Silberman Alfred Zighera Trumpets Stanley Benson Jacobus Langendoen Leo Panasevich Roger Voisin Mischa Nieland Andr6 Come Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Gerard Goguen Clarence Knudson Bernard Parronchi Trombones Pierre Mayer Martin Hoherman Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Kauko Kahila Victor Robert Ripley Manusevitch Josef Orosz James Nagy Winifred Winograd Melvin Bryant Flutes Tuba Lloyd Stonestreet Doriot Anthony Dwyer K. Vinal Smith Saverio Messina James Pappoutsakis William Waterhouse Phillip Kaplan Harps William Marshall Bernard Zighera Leonard Moss Piccolo George Madsen -
Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957, Subscription
SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 ' SEVENTY-SIXTH SEASON, 1956-1957 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1957, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft C. D. Jackson Raymond S. Wilkins • Oliver Wolcott . TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe 1 j N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager G. W. Rector | Assistant J. J. Brosnahan, Assistant Treasurer N. S. Shirk Managers Rosario Mazzeo, Personnel Manager [1285] - » . THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities —and can be large or small. -
The BEST $500 VIOLIN
Serving All Levels Of Players The SHAR Connection Just Starting A Global Network Have questions about instruments? SHAR’s purchasing agents are string players, and they Only Musicians Answer the phone at travel the globe to work directly with our partner SHAR 800.248.7427 workshops. For nearly 50 years we have established longstanding relationships with the world’s leading makers and workshops in America, Europe, and Asia. How can I tell the quality of my student violin? Of course, a violin must sound good in order to From the wood selection to the acoustic models motivate your young student. But a high quality used, from the neck shapes to the various varnish instrument must also have easy-turning pegs that stay properties, our purchasing agents work with our in tune. The bridge, fingerboard, nut and soundpost partners to ensure that every detail is crafted to our must be carefully shaped and fit so that the violin is specifications. Our world-wide logistics network also easy to play and feels good to the hand. guarantees that our instruments and bows arrive here in Ann Arbor in ideal, safe condition. What makes one violin more expensive than another? The two biggest factors are the quality and age of the wood and the skill of the makers. Only a skilled maker is able to make all the parts fit together The SHAR Setup properly so the violin will work perfectly. Where Millimeters Count What size violin does my child need? That is best answered by the child’s teacher. The musicians who SHAR’s own Setup Shop, Restoration and Repair answer the phone at SHAR are well qualified to make department, staffed by experienced luthiers and a recommendation based on your child’s age and arm technicians, ensures each instrument is in healthy, length, but there’s no substitute for having a good stable condition and adjusted for optimal tonal response. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957
fa' mi i 4 f 1 BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON X 'Wll Kim/i/ f) H SEVENTY-SEVENTH SEASON 1 957" I 958 Tuesday Evening Series BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LA layette 3-5700 SEV ENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer * Talcott M. Banks E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Raymond S. Wilkins C. D. Jackson Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. -
Music School Performing Two Operas Annually for Nearly Two Decades
HARLES H. WEBB, dean emeritus of Indiana University Jacobs School of Music, says there is no mystery as to how Jacobs became the world’s largest school of music and one of the best. “The single most important factor is the quality of the faculty,” Webb says. “If you are an outstanding student, the foremost question (l-r) Susann McDonald, Violette in your mind is who will I study with? Who will be my mentor?” Verdy, Menahem Pressler, It’s been well documented that vaunted IU President and Chan- David Baker, and Stanley Ritchie. cellor Herman B Wells wanted to see the university develop a world-class school of music. During his presidency (1938–1962), The MASTERS Metropolitan Opera helped set the stage by traveling from its home of the in New York City to the small Midwestern outpost of Bloomington, music school performing two operas annually for nearly two decades. Webb and the current dean, Gwyn Richards, agree that the ap- pointment of Wilfred C. Bain as dean in 1947 set the music school on its path to greatness. “When he became dean, no school in the country gave a doctorate in performance,” says Webb. “He argued that people in performance needed to be able to complete their education as high as people who were seeking a Ph.D. in other fields. So a doctorate in performance became a reality.” The ability for a student to gain conservatory-quality training and take academic classes at a Research 1 university also enhanced the allure of IU. “Bain sought faculty who knew what it was to be successful on the world’s best stages. -
Boston Symphony Orchestra
I 957- s . .)2./'-(3 BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON • 5 . 1955 ~~tk 1956 ANNJV£RSARV SEASON Academy of Music, Brooklyn Under the auspices of the BROOKLYN INSTITUTE OF ARTS AND SCIENCES and the PmLHARMONtc SocrETY OF BROOKLYN THE WOMEN'S COMMITTEE FOR The BostoJz Sy1J1photzy Orchestra Concerts IN BROOKLYN Mrs. Carroll J. Dickson, Chairman Mrs. Edward C. Blum Mrs. William H. Good Mrs. H. Haughton Bell Vice-Chairman Vice-Chairman Vice-Chairman Mrs. Irving G. Idler Mrs. Miles Kastcndicck Chairman Boxes Chairman Membership Mrs. Elias J. Audi Mrs. George H. Gartlan :\Irs. Raymond King Pendleton Mrs. Charles L. Babcock, Jr. \Irs. Ed·win L. Garvin ;>.Irs. Valentine K. Raymond Mrs. Bernard S. Barr Mrs. Andrew L. Gomory :\frs. Frederick H. Rohlfs Mrs. John R. Bartels Mrs. R. Whitney Gosnell Mrs. Donald Ross Mrs. George M. Billings Mrs. Arthur C. Hallan Mrs. !J ving J. Sands Mrs. Robert E. Blum Mrs. James M. Hills Mrs. Oscar P. Schoenemann Mrs. Lawrence J. Bolvig Mrs. Raymond V. Ingersoll Mrs. Eliot H. Sharp Mrs. Irving L. Cabot Mrs. Henry A. Ingraham Mrs. Frank E. Simmons Mrs. Otis Swan Carroll 1\frs. Darwin R. James. III Mrs. Donald G. C. Sinclair Mrs. Oliver G. Carter Mrs. James Vincent Keogh Mrs. Ainsworth L. Smith Mrs. Francis T. Christy Mrs. John Bailey King Mrs. Harry H. Spencer Mrs. Donald M. Crawford Mrs. \Varner King Mrs. David W. Swanson Mrs. Russell V. Cruikshank Mrs. Almet R. Latson, Jr. Mrs. Donald Edgar Swift Mrs. William T. Daily Mrs. l\f. Paul Luther Mrs. -
Download Booklet
111252 bk Fuchs EU 14/7/08 12:02 Page 8 BEETHOVEN Complete Violin Sonatas • 2 H F SEP UCH JO S 19 s 52 Recording Joseph Fuchs, Violin Artur Balsam, Piano The Naxos Historical label aims to make available the greatest recordings in the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. 8.111252 8 111252 bk Fuchs EU 14/7/08 12:02 Page 2 Great Violinists • Joseph Fuchs (1899-1997) of several months in 1954 all ten sonatas were released in solved by Fuchs and Balsam. At more than half a Britain on the Brunswick label, and they stayed in the century’s distance, the style of the playing seems not at 1899 Born 26th April, New York City catalogue for a decade. Apart from being the first integral all old-fashioned: it has the polish required by the 1918 Graduated, School of Musical Art (now the Juilliard School) cycle on the new vinyl medium, this one set a high virtuoso-conscious New World taste, along with a touch 1920 New York début recital, Aeolian Hall standard in quality of both recording and performance. of Old World graciousness. The entire series is a fine “‘Prodigious!’ was the exclamation which the audience must have had in mind... after the young man The present volume includes perhaps the most agreeable memorial to two exceptional artists. -
Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957
• ' - -- . ! - - • - - SYMPHONY HALL, BOSTON Telephone, CO mmonwealth 6-1492 SEVENTY-SIXTH SEASON, 1956-1957 CONCERT BULLETIN of the I Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1957, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Vice-President Jacob J. Kaplan Richard C. Paine Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft C. D. Jackson Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager Assistant. Assistant Treasurer G. W. Rector J. J. Brosnahan, N. S. Shirk Managers Rosario Mazzeo, Personnel Manager [889] THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities —and can be large or small.