Repairing Symbolic Reparations: Assessing the Effectiveness Of
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Limits of Punishment Transitional Justice and Violent Extremism
i n s t i t u t e f o r i n t e g r at e d t r a n s i t i o n s The Limits of Punishment Transitional Justice and Violent Extremism May, 2018 United Nations University – Centre for Policy Research The UNU Centre for Policy Research (UNU-CPR) is a UN-focused think tank based at UNU Centre in Tokyo. UNU-CPR’s mission is to generate policy research that informs major UN policy processes in the fields of peace and security, humanitarian affairs, and global development. i n s t i t u t e f o r i n t e g r at e d t r a n s i t i o n s Institute for Integrated Transitions IFIT’s aim is to help fragile and conflict-affected states achieve more sustainable transitions out of war or authoritarianism by serving as an independent expert resource for locally-led efforts to improve political, economic, social and security conditions. IFIT seeks to transform current practice away from fragmented interventions and toward more integrated solutions that strengthen peace, democracy and human rights in countries attempting to break cycles of conflict or repression. Cover image nigeria. 2017. Maiduguri. After being screened for association with Boko Haram and held in military custody, this child was released into a transit center and the care of the government and Unicef. © Paolo Pellegrin/Magnum Photos. This material has been supported by UK aid from the UK government; the views expressed are those of the authors. -
The Right to Reparations for Acts of Torture: What Right, What Remedies?*
96 STATE OF THE ART The right to reparations for acts of torture: what right, what remedies?* Dinah Shelton** 1. Introduction international obligation must cease and the In all legal systems, one who wrongfully wrong-doing state must repair the harm injures another is held responsible for re- caused by the illegal act. In the 1927 Chor- dressing the injury caused. Holding the zow Factory case, the PCIJ declared dur- wrongdoer accountable to the victim serves a ing the jurisdictional phase of the case that moral need because, on a practical level, col- “reparation … is the indispensable comple- lective insurance might just as easily provide ment of a failure to apply a convention and adequate compensation for losses and for fu- there is no necessity for this to be stated in ture economic needs. Remedies are thus not the convention itself.”1 Thus, when rights only about making the victim whole; they are created by international law and a cor- express opprobrium to the wrongdoer from relative duty imposed on states to respect the perspective of society as a whole. This those rights, it is not necessary to specify is incorporated in prosecution and punish- the obligation to afford remedies for breach ment when the injury stems from a criminal of the obligation, because the duty to repair offense, but moral outrage also may be ex- emerges automatically by operation of law; pressed in the form of fines or exemplary or indeed, the PCIJ has called the obligation of punitive damages awarded the injured party. reparation part of the general conception of Such sanctions express the social convic- law itself.2 tion that disrespect for the rights of others In a later phase of the same case, the impairs the wrongdoer’s status as a moral Court specified the nature of reparations, claimant. -
Grade 7 Mini-Assessment Boston Massacre Set
Grade 7 Mini-Assessment Boston Massacre Set This grade 7 mini-assessment is based two passages: “The Boston Massacre” and “Excerpt from The Boston Massacre.” These texts are considered to be worthy of students’ time to read and also meet the expectations for text complexity at grade 7. Assessments aligned to the Common Core State Standards (CCSS) will employ quality, complex texts such as these. Questions aligned to the CCSS should be worthy of students’ time to answer and therefore do not focus on minor points of the text. Questions also may address several standards within the same question because complex texts tend to yield rich assessment questions that call for deep analysis. In this mini-assessment there are nine selected-response questions and two paper/pencil equivalents of a technology enhanced item that address the Reading Standards listed below, and one optional constructed-response question that addresses the Reading, Writing, and Language Standards listed below. We encourage educators to give students the time that they need to read closely and write to the source. While we know that it is helpful to have students complete the mini-assessment in one class period, we encourage educators to allow additional time as necessary. Note for teachers of English Language Learners (ELLs): This assessment is designed to measure students’ ability to read and write in English. Therefore, educators will not see the level of scaffolding typically used in instructional materials to support ELLs—these would interfere with the ability to understand their mastery of these skills. If ELL students are receiving instruction in grade-level ELA content, they should be given access to unaltered practice assessment items to gauge their progress. -
Functions of Reparation Systems
CHAPTER2 Functions of Reparation Systems INTRODUCTION In order to think effectively about the diversity of reparation systems and what they accomplish, it may be useful to attempt an analysis of the functions which might be desired in reparation systems and to note how these functions seem to be served at the present time. One may start by asking why reparation should be made at all; a dozen ideas come quickly to mind. "Justice" and "fairness" may lead the list and will as quickly be laid aside as one recalls the end less disputes about what is just and fair. To some observers, justice imperatively demands a negligence standard, while the negligence standard is just as clearly unjust in the minds of others. Further more, a little investigation reveals that there is no unanimity among civilized countries, nor among advanced and industrialized countries, nor among Christian and free-enterprise countries, about what is "just" or "fair" in this sphere. In any event, "justice" seems to be a package of ideas which can be better understood if they are pulled apart and examined one by one. It would be easy to list twenty or thirty distinguishable objec tives of reparation, but it will probably prove more useful to pre sent a smaller number of categories under which functions may be grouped and to employ concepts broad enough to accommodate items more numerous than can be detailed here. To this end, reparation functions will be discussed under the following head ings: 1. Conferring benefits on injury victims and their families 2. Allocating the burdens of reparation 75 76 INJURY REPARATION IN THE UNITED STATES 3. -
The 'Nirbhaya' Movement: an Indian Feminist Revolution Garima Bakshi
'Nirbhaya' Movement The 'Nirbhaya' Movement: An Indian Feminist Revolution Garima Bakshi In December 2012, New Delhi witnessed a horrifc crime – a female medical student was violently gang-raped on a moving bus and then dumped onto the highway, injured and unconscious. While she didn’t survive the attack, Nirbhaya, as she was named by the media, sparked a revolution in India and its neighboring countries. Tis paper delves into the many aspects of the movement, examining it as a whole by drawing on the theories of Castells, Jenkins, Papacharissi, and Sundaram. It examines the protests that took place on digital forums which then transcended onto the streets, the afective nature of the movement, and international responses it elicited. Garima Bakshi is a Master's candidate at New York University's Media, Culture, and Communication department. Her research focuses on the intersections between feminism, youth movements, and creative protest in South Asia. gnovis • 43 Volume 17, Issue 2 •Spring 2017 n the night of December 16, 2012, protestors took to candlelight vigils and medical student Jyoti Singh and her peaceful demonstrations at India Gate, friend Avanindra Pandey, looking eventually leading to a change in criminal Ofor transportation home, boarded a private laws, and the setting up of a fast track court bus in South Delhi. Immediately after the to prosecute the attackers (Harris and four other men in the bus turned of the lights Kumar, 2015). and snatched Singh’s and Pandey’s phones. Tey beat them up with iron rods, leaving Te outrage that followed the attack opened Pandey half-unconscious (“Delhi Gangrape up a previously nonexistent space for victims Victims Friend Relives the Horrifying 84 and those close to them to speak out against Minutes of December 16 Night”, 2017). -
Tyler Farrell, Ph.D. Website: E-Mail: [email protected] Or [email protected]
Tyler Farrell, Ph.D. website: http://tylerfarrellpoetry.com/ e-mail: [email protected] or [email protected] Educational Background 2002 Ph.D. in English (Creative Writing-Poetry, 20th C. American, British/Irish Poetry, Drama, Fiction) University of Wisconsin-Milwaukee. Dissertation: A Place Was Not Simply A Place – Poems Influenced by Ireland and the US 1997 M.A. in Literature, Creighton University, Omaha, Nebraska. Thesis: “From Miscommunication to Communion: Raymond Carver’s Progression from ‘The Bath’ to ‘A Small Good Thing.’ 1995 B.A. in English and Journalism (double major), Creighton University, Omaha, NE. Interests: Creative Writing (Poetry, Fiction, Non-Fiction, Drama, Screenwriting), Rhetoric & Composition, Drama and Poetry, 19th/20th Century British/Irish & American: Poetry, Fiction, Drama, Memoir. Film Studies. International Education. Professional Employment 2015-present Visiting Assistant Professor – Department of English– Marquette University, Milwaukee, WI 2010-2015 Lecturer – Department of English - Marquette University, Milwaukee, WI. 2009-2011 Lecturer – Department of English - Carroll University, Waukesha, WI. 2009 Instructor – Madison Area Technical College, Madison, WI. 2005-2008 Teaching Specialist/Asst. Prof.-Department of English-University of Dubuque, Dubuque, IA. 2003-2005 Visiting Assistant Professor-Department of English-Northland College, Ashland, WI 2002-2003 Lecturer, University of Wisconsin-Milwaukee and Instructor, Madison Area Technical College 2000-2002 Teaching Assistant (Instructor), UW-Milwaukee -
50 Cent to Join Eminem Shade 45 Channel Shade 45 Channel
50 Cent To Join Eminem Shade 45 Channel Shade 45 Channel "G Unit Radio" to Air All Day Saturdays With a Lineup of DJs and Shows NEW YORK – February 24, 2005 – SIRIUS Satellite Radio (NASDAQ: SIRI) announced today that multi-platinum artist 50 Cent will create and host exclusive programming on Shade 45, the new uncensored hip-hop radio channel co-produced by SIRIUS and Eminem. 50 Cent will oversee G Unit Radio, which will take over Shade 45 all day on Saturdays with an innovative mix of shows and DJs produced by his own DJ, Whoo Kid. “I’m bringing my A-game to SIRIUS,”said 50 Cent. “G Unit Radio is gonna blow up on Shade 45.” “Eminem and 50 Cent are two of the biggest names in hip-hop today" said SIRIUS President of Sports and Entertainment Scott Greenstein. “On Shade 45, 50 Cent will bring G Unit’s world to SIRIUS listeners.” SIRIUS launched Shade 45, the uncensored, commercial-free hip-hop music channel created by Eminem, Shady Records, Interscope Records and SIRIUS in October 2004. The channel also features other high profile figures in the world of hip-hop, including Eminem’s own DJ Green Lantern and Radio/Mixshow DJ of the Year Clinton Sparks. The channel also regularly features celebrity guests. 50 Cent, one of the most notorious figures in rap music, is also one of its most successful. His 2003 debut album, Get Rich or Die Tryin’, has sold more than 11 million copies. He has launched a successful G Unit clothing and footwear line, and can also be seen in an upcoming Jim Sheridan film, which is reported to be a semi-autobiographical film based on his ascension from drug dealer to superstar. -
Download February 2021
ALWAYS Mendocino Coast's FREE Lighthouse February 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast ValentinesValentines DayDay ArtArt toto Enjoy,Enjoy, 22 GalleriesGalleries toto VisitVisit We’re blessed here on the coast with a world of art that surrounds us. We can take a look at the art, spend a li!le time gazing upon it, read something into it or just enjoy the moment. "is month two of our local galleries will have new exhibits and both are worth a look. So we’ve planned a day for you. Start your day in Gualala at the Dolphin Gallery for their new opening “Hearts for the Arts. "en take an easy 15 minute drive north to Point Arena for a stop at the Coast Highway art Collective where members of the collective will present Valentines Art. And don’t forget to look at the ocean as you drive between the two galleries. Both galleries will welcome you, and you will be assured a delightful day. At the Dolphin Gallery the new exhibit, “Hearts for the Arts”, brings together three artists: Jane Head’s focus on clay, Walt Rush’s on jewels, and Leslie Moody Cresswell’s glass. Cont'd on Page 12 Coast Highway Art Collective in February • Valentines Art and Poetry Meet February 6 By Rozann Grunig !e members of the Coast Highway Art mechanically adept artist mother” and her Council to deliver creative arts instruction Collective are hosting their "rst opening “gregarious, disordered, audacious poet fa- in K-12 classrooms around the Northern reception of 2021 on Saturday, February 6 ther,” she says. -
Clear Black Smoke Mohammed Qasim Ashfaq
CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 17 18 18 19 19 20 20 21 21 22 22 23 23 24 24 25 25 26 26 27 27 28 28 CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 First Edition 2017 17 18 18 19 Editor Shanay Jhaveri 19 20 Concept Shanay Jhaveri and Hannah Barry 20 21 Coordination Diana Córdoba Barrios 21 22 Photography Damian Griffiths 22 23 Studio photos Mohammed Qasim Ashfaq 23 24 ©The Isamu Noguchi Foundation and Garden Museum 24 25 / ARS, New York + DACS, London 25 26 Design Victoria Bridal 26 27 Typefaces Circular and Palatino Edited by 27 28 Printed by Ex Why Zed, Cambridge, United Kingdom Shanay Jhaveri 28 1 1 2 2 3 3 4 4 5 SCALING UP, TO SHIFT 5 5 6 Shanay Jhaveri 6 7 7 8 BLACK 9 8 9 Alexis Lowry 9 10 10 11 THINKING THROUGH PERFECT 13 11 12 WITH DONATIEN GRAU 12 13 13 14 MULTIPLE PERSPECTIVES: 33 14 15 ISAMU NOGUCHI AND THE JANTAR MANTAR 15 16 Devika Singh 16 17 17 18 POTENTIAL ART 39 18 19 Ben Eastham 19 20 20 21 PERFECTION 45 21 22 Charlie Clarke 22 23 23 24 SHIFT 51 24 25 Paul Hobson 25 26 26 27 27 28 28 SCALING UP, 1 TO SHIFT 2 3 4 SHANAY JHAVERI 5 6 7 8 9 Mohammed Qasim Ashfaq’s is a nascent practice, one that 10 is still revealing itself. -
Marriage Certificates
GROOM LAST NAME GROOM FIRST NAME BRIDE LAST NAME BRIDE FIRST NAME DATE PLACE Abbott Calvin Smerdon Dalkey Irene Mae Davies 8/22/1926 Batavia Abbott George William Winslow Genevieve M. 4/6/1920Alabama Abbotte Consalato Debale Angeline 10/01/192 Batavia Abell John P. Gilfillaus(?) Eleanor Rose 6/4/1928South Byron Abrahamson Henry Paul Fullerton Juanita Blanche 10/1/1931 Batavia Abrams Albert Skye Berusha 4/17/1916Akron, Erie Co. Acheson Harry Queal Margaret Laura 7/21/1933Batavia Acheson Herbert Robert Mcarthy Lydia Elizabeth 8/22/1934 Batavia Acker Clarence Merton Lathrop Fannie Irene 3/23/1929East Bethany Acker George Joseph Fulbrook Dorothy Elizabeth 5/4/1935 Batavia Ackerman Charles Marshall Brumsted Isabel Sara 9/7/1917 Batavia Ackerson Elmer Schwartz Elizabeth M. 2/26/1908Le Roy Ackerson Glen D. Mills Marjorie E. 02/06/1913 Oakfield Ackerson Raymond George Sherman Eleanora E. Amelia 10/25/1927 Batavia Ackert Daniel H. Fisher Catherine M. 08/08/1916 Oakfield Ackley Irving Amos Reid Elizabeth Helen 03/17/1926 Le Roy Acquisto Paul V. Happ Elsie L. 8/27/1925Niagara Falls, Niagara Co. Acton Robert Edward Derr Faith Emma 6/14/1913Brockport, Monroe Co. Adamowicz Ian Kizewicz Joseta 5/14/1917Batavia Adams Charles F. Morton Blanche C. 4/30/1908Le Roy Adams Edward Vice Jane 4/20/1908Batavia Adams Edward Albert Considine Mary 4/6/1920Batavia Adams Elmer Burrows Elsie M. 6/6/1911East Pembroke Adams Frank Leslie Miller Myrtle M. 02/22/1922 Brockport, Monroe Co. Adams George Lester Rebman Florence Evelyn 10/21/1926 Corfu Adams John Benjamin Ford Ada Edith 5/19/1920Batavia Adams Joseph Lawrence Fulton Mary Isabel 5/21/1927Batavia Adams Lawrence Leonard Boyd Amy Lillian 03/02/1918 Le Roy Adams Newton B. -
Reparations Mid-Atlantic RFP V5 FINAL 0.Pdf
REQUEST FOR PROPOSALS Research Efforts on Injuries of Slavery and Remedies for Reparation in the District of Columbia October 2020 PURPOSE Enterprise Community Partners, Inc. (Enterprise) has initiated a Request for Proposal (RFP) process to secure research capacity with expertise in the reparations movement, within the District of Columbia. This RFP is designed to develop a comprehensive history of the negative impacts of slavery and subsequent systematic oppression on Africans and their descendants in the District of Columbia, as well as the costs, remedies, and responsible parties, to make repair. This effort is in line with Enterprise’s national strategic priority on advancing racial equity and upward mobility. This research phase will benchmark and inform subsequent development of cross-sector partnerships, and implementation of the recommendations, in the District of Columbia. As one example, DC Councilmember Kenyan McDuffie recently introduced a bill to create a Task Force to study and develop reparation proposals for African-Americans in Washington, D.C. It is our intended goal that this Enterprise-sponsored research will inform and advance the goals of the Task Force, should it be convened. OVERVIEW Enterprise’s Mid-Atlantic market office is spearheading the design of a cross-sector strategy to provide an evidence-based quantifiable accounting of, and specific strategies and remedies for, the negative impacts of the Transatlantic Slave Trade (TST) and subsequent systematic oppression of African nationals and Black people of African descent within the District of Columbia (systematic oppressions include but are not limited to issues such as residential redlining and Jim Crow laws). Enterprise envisions working with a range of cross-sector stakeholders as this process unfolds, with other stakeholders potentially coordinating subsequent phases. -
Better Mus' Come
BETTER MUS’ COME PUBLICITY CONTACTS Tilane Jones [email protected] 818.995.0050 Rating: NR TRT: 104 minutes CREDITS Written & Directed by Storm Producer Paul Bucknor Executive Produced by Joshua Bratter Samantha Bratter Paul Bucknor Director of Photography Storm Editors Storm Paul Bucknor Cast Sheldon Shepherd - Ricky Nicole Grey - Kemala Ricardo Orgill - Flames Everaldo Creary - Short Man Roger Guenveur Smith - Prime Minister SYNOPSIS Better Mus’ Come is a coming of age drama set in Jamaica’s turbulent 1970s, against the backdrop of the Cold War, a national water crisis, an energy crisis, corruption, and numerous murder scandals that gave birth to the polarized violence gripping the streets of Kingston both then and now. After months of incarceration as a suspected political agitator, Ricky is released. Haunted by the tragic death of his devoted young wife and paralyzed by conflicting feelings of guilt and loyalty to his political tribe, he tries to navigate his way through the minefields created by the constant social upheaval that seems to be ubiquitous in his community, while providing a better life for his 5- year old son. At his home coming party Ricky meets Kemala, a book smart country girl, who lives in the opposing neighborhood, enemy territory. In many ways they are opposites, but what starts as antagonism quickly turns into burning passion. Kemala encourages Ricky to convince his old friends in the community to adopt a more passive approach. To defy the status quo of confrontation, this leads to the inevitable cycle of violence. The big question is, can Ricky and his crew beat the odds and ensure that Better Mus’ Come? Director’s Statement I’ve always been a bit of a cold war junkie, and there was a point in my life where I would watch, read, and research everything I could on geopolitics and espionage in the 20th century.