500 days of summer free download reddit What We Can Learn Watching ‘(500) Days of Summer’ Ten Years Later. On the ten-year anniversary of its theater release, July 17, (500) Days of Summer is due for a revisit, particularly a critical and unsentimental one. For a film that was heralded as a quirky response to the traditional romance and has since endured as a cult classic, its central message and themes don’t go down quite as easily today. The film follows the fleeting office romance of Tom (Joseph Gordon-Levitt) and Summer (Zooey Deschanel) as they bond over a mutual love of sad boy British music and IKEA. It employs a nonlinear format and flits between each of the 500 days until the love story and its ultimate demise come together for the viewer. Upon its first release, (500) Days of Summer was received as a fresh take on the romantic comedy. The off-beat dialogue feels fairly authentic. The soundtrack is appropriately varied and indie, the ending is not happy or overdone. There is technical experimentation with form and linearity. Zooey Deschanel has an impressive vintage wardrobe, and the couple listens to French music in the car. As a result of being lauded as an aesthetically pleasing and romantically honest film, (500) Days of Summer was a 2009 summer box-office hit, earning over $60 million. But the blissful adoration was short-lived. Not long after its release, some smart film critics and generally keen observers broke ranks with those singing its praises, picking apart the seemingly lighthearted piece of cinema as an exhibitor of the worst kind of patriarchal screenwriting, citing Deschanel’s lack of character depth. Just shortly before, in 2007, astute film critic Nathan Rabin coined the term Manic Pixie Dream Girl, which he defined as a character who “exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” The term percolated in public consciousness until (500) Days of Summer came along and crystalized the idea in our imaginations. Summer became the archetype. She has little dialogue and little backstory, seeming to exist only in the psychological space of Tom’s romanticization. A large part of the film’s legacy is the popularization of the previously coined term and the association of Deschanel as its personification. While some fans (curiously choosing this hill as the one to die on) have argued that the film is actually trying to subvert the trope of the Manic Pixie Dream Girl through Summer’s rejection of Tom at the end, the film fails to fully realize this subversion as it drowns from the weight of Tom’s perspective and his tendency to idealize. That the film overwhelmingly preferences his point of view caused many to think that an alternate reading of the movie would be to fault Summer as the cause of the breakup. What has become even more obvious with time is that the movie doesn’t even give us the tools, or proper character arch, to make that call. Last year, Gordon-Levitt himself weighed in on the conflict via Twitter, responding to a fan’s condemnation of Summer with the instructions: “Watch it again. It’s mostly Tom’s fault. He’s projecting. He’s not listening. He’s selfish. Luckily he grows by the end.” Fans and defenders of Summer rejoiced. However, similar to Tom’s character, Gordon-Levitt himself succumbs to the pitfalls of oversimplification when he explains, “he [Tom] grows by the end.” This effectively frames the film in terms of Tom’s personal growth, ultimately neglecting Summer’s character entirely. As a result, Gordon-Levitt’s response performs the Manic Pixie Dream Girl trope in its explanation. Why is the film defined in terms of Tom’s personal story arch while Summer’s own desires and character development are entirely neglected? Viewer outrage should not concern Summer’s choices but instead should examine her shallow depiction that allows for little context for her actions. Summer has, over and over again, been labeled as a Manic Pixie Dream Girl. This is not a fresh or original take. The question, as the ten-year anniversary arrives, is whether audiences and viewers want to continue to consume media that we can now better see is problematic or flawed for nostalgia’s sake. As general consciousness grows and expands, it is important to examine where our old favorites and established classics let us down. (500) Days of Summer contains sexist writing, Sixteen Candles employs racist stereotypes, Grease condones rape. As audiences develop critical viewing skills and a higher sensitivity to offensive content, the question remains whether we discard old classics entirely or whether we simply continue to view them while cringing. Fans’ ability to criticize (500) Days of Summer so incisively after its initial reception reflects the progress that has been made in creating female characters who are more complex and fleshed out. The creation of the Manic Pixie Dream Girl trope forced a necessary reckoning with the way that women are depicted on screen. This reckoning then called for viewers’ heightened awareness and sensitivity to the problematic representation that used to be nearly ubiquitous. It is far more possible today to seek out and find romantic comedies that feature women who are social agents, who have depth, who exist independently of their partner’s idealization of them, than it was even a decade ago. Only through increased consciousness of these shortcomings can future filmmakers and viewers correct the issues of the old guard. Ten years later, the elements of (500) Days of Summer that made it initially compelling are still there, in the expertly curated soundtrack and earnest attractiveness of its leads that borders on chemistry. However, it is also thematically dated, and its white liberal male gaze is stale. It is possible that fans can acknowledge its failings while simultaneously finding entertainment and enjoyment in the film. While Tom might have only grown at the expense of Summer’s autonomy, the audience has the chance to revisit the film and develop their own understanding of its flawed albeit entertaining narrative. 500 days of summer free download reddit. Movie Title :(500) Days of Summer. There is a breach in the security system of the Luthor mansion, and while running to the panic room with Lana, Lex vanishes. Sooner he finds that he is invisible, trapped in another frequency by the meteor freak and former electrician Bronson that wants to disclose to the world the experiments of the LuthorCorp's secret laboratory 33.1. Meanwhile Clark is informed by Chloe that the entire crew of the vessel was found dead in Seattle and he discovers that they have been slaughtered by the starving Zoner Aldar that feeds of human bones. Movie Year : 2009. Movie Genres : Comedy. Boy meets girl. Boy falls in love. Girl doesn't. This is not a love story. This is a story about love. Start the download (500) Days of Summer [ in DVDRip - HDRip - full DVD/HD ] Movie Actors : Joseph Gordon-Levitt:Tom Hansen Zooey Deschanel:Summer Finn Geoffrey Arend:McKenzie Chloe Moretz:Rachel Hansen Matthew Gray Gubler:Paul Clark Gregg:Vance Patricia Belcher:Millie Rachel Boston:Alison Minka Kelly:Autumn - Girl at interview Charles Walker:Millie's New Husband Ian Reed Kesler:Douche Darryl Alan Reed:Bus Driver Valente Rodriguez:Employee #1 Yvette Nicole Brown:New Secretary Nicole Vicius:Partygoer Natalie Boren:Another Partygoer Maile Flanagan:Rhoda Darryl Sivad:Usher Gregory Thompson:Minister (as Gregory A. Thompson) Michael Bodie:Man. 500 days of summer free download reddit. An offbeat romantic comedy about a woman who doesn't believe true love exists, and the young man who falls for her. After it looks as if she's left his life for good this time, Tom Hansen reflects back on the just over one year that he knew Summer Finn. For Tom, it was love at first sight when she walked into the greeting card company where he worked, she the new administrative assistant. Soon, Tom knew that Summer was the woman with whom he wanted to spend the rest of his life. Although Summer did not believe in relationships or boyfriends - in her assertion, real life will always ultimately get in the way - Tom and Summer became more than just friends. Through the trials and tribulations of Tom and Summer's so-called relationship, Tom could always count on the advice of his two best friends, McKenzie and Paul. However, it is Tom's adolescent sister, Rachel, who is his voice of reason. After all is said and done, Tom is the one who ultimately has to make the choice to listen or not. He's Tom, from New Jersey, working in L.A. writing greeting cards even through he's an architect by training. She's Summer, in from Michigan. Day one is her first day as an AA in Tom's office. We jump back and forth in time: by day 67, they've become an item when she decides to put aside the lovemaking and just be friends. Tom, a romantic who's sure Summer is the one for him, wallows in self pity. We go back to the early days and see the relationship begin. Summer tells him right away that she doesn't believe in love. He mopes well past day 100. Then, as day 500 approaches, they find themselves at a wedding together. Does the old flame rekindle? Is Tom right that destiny controls love? Tom (Gordon-Levitt) is an aspiring architect who currently earns his living as a greeting card writer. Upon encountering his boss' beautiful new secretary, Summer (Deschanel), Tom discovers that the pair have plenty in common despite the fact that she's seemingly out of his league; for starters, they both love the Smiths, and they're both fans of surrealist artist Magritte. Before long Tom is smitten. All he can think about is Summer. Tom believes deeply in the concept of soul mates, and he's finally found his. Unfortunately for Tom, Summer sees true love as the stuff of fairy tales, and isn't looking for romance. Undaunted and undeterred by his breezy lover's casual stance on relationships, Tom summons all of his might and courage to pursue Summer and convince her that their love is real.. Spoilers. The synopsis below may give away important plot points. Synopsis. (500) Days of Summer is presented in a non-chronological format, each scene being introduced by which of the 500 days it is. The plot as given here has been rearranged in chronological order. It is important to note cinematographically that the film opens with day 488, the scene where Tom and Summer are seated at a bench and the audience sees Summer's ringed finger as the two hold hands. Tom (Joseph Gordon-Levitt) works at a greeting card company as a card writer. He has a few friends and is seemingly happy with his life. One day at a meeting, Tom's boss (Clark Gregg) introduces the board room to Summer (Zooey Deschanel), his new assistant. He is immediately taken by Summer's beauty. Tom talks to his friends about how much he likes Summer. While at first he plays things cool, he is convinced she is "the one" after an exchange in the elevator over their mutual love of the Smiths. He spends two weeks pining over her and executing awkward attempts to initiate conversation, but can't hit a chord. An opportunity arises when Tom's best friend tells him that the entire office is going to a karaoke bar the following evening. Tom arrives at the bar as his best friend is singing. He sees Summer and she seems happy to see him. Summer goes up and sings while Tom drinks with his friend and watches Summer. Summer then gets Tom a little drunk and has him sing karaoke. Afterwards, the three sit together and talk about relationships and love, during which Tom and Summer argue over whether or not love is real, with Summer saying it isn't while Tom says it is. The two agree to disagree. While helping Tom's friend to a cab, Tom's friend blurts out that Tom likes Summer and the two are left on the sidewalk. Summer asks if it is true and Tom, after some coaxing from Summer, says that he likes her (but adds "as friends"). Summer calls him "very interesting" and leaves Tom standing there on the sidewalk. The next day at work, she kisses him in the copy room. Once Summer's copies are finished, she simply ignores Tom and leaves the copy room. Summer and Tom go out and have fun in the city. As they spend more time together, they become closer. Summer shares her most intimate thoughts and stories with him, while Tom takes her to his favorite spot in the city and tells her about how he was studying to become an architect before he ran out of money and was forced to work for the Card Company to sustain himself. As the two walk around Ikea, they joke about living as a married couple in the store's demonstration rooms, but as they're about to kiss on a bed in a store, Summer makes it clear that she isn't looking for anything serious. They return to Tom's bedroom and start to make out on his bed. He goes into the bathroom and convinces himself that it's just casual fun, reminding himself to just take it slow. As he walks out, however, he sees her lying naked on the bed. They presumably make love, although it is never shown. He walks out the next morning, dancing and upbeat. He's in love with Summer and on top of the world. After a singing and dancing scene, Tom arrives at work and starts suggesting high quality slogans for cards, all the while thinking of Summer. Things go well for a few weeks. However, one night in a bar, a random guy starts hitting on Summer. She makes it clear she isn't interested, but he won't believe she's with Tom. After taking some more insults, Tom stands up and punches the guy. He awkwardly smiles at Summer before the guy gets up and beats him down. She takes Tom to her apartment and yells at him since she thought he was not acting cool at all and did it for his own sense of self. Tom starts fighting back. He yells that everything they are doing isn't a friendship, and that even though she doesn't want to label things, he thinks that they're in a relationship because Summer isn't the only one who gets a say. He storms out. The two go to bed. Tom contemplates calling her, but doesn't. She comes to his apartment and apologizes. The two have a heart to heart and share their past relationships. She tells him about her bisexual experience, her first relationship and her relationship with "The Puma". The two seem happy. Weeks pass. Summer and Tom go out and see a film. She starts crying as she sees the ending of The Graduate, as Dustin Hoffman and Katharine Ross escape a wedding and their looks of joy and excitement slowly vanish. Summer tells Tom that she's exhausted and wants to sleep, but Tom convinces her to go get pancakes with him. Whilst waiting for their order, Summer blurts out that she thinks they should stop seeing each other. Tom is taken aback and asks why if they were so happy. Summer says that she isn't happy. As the pancakes arrive, Tom stands up and leaves. Summer tells him not to leave because he is still her best friend. Tom's friends call his little sister, Rachel, who bikes to his apartment. Tom is upset and she makes him explain what happened. He recounts the break up. He is adamant that he doesn't want to get over her, but get her back. His depression worsens and begins to affect his work. His boss calls him in and he asks if Tom's performance is related to Summer leaving. Tom tries to play it off, but his boss tells him that everyone knows. It is made clear that Summer also quit her job at the card company. Months pass. One of Tom's co-workers is getting married. He takes the train to go to the wedding and sees Summer on the way to his seat. He tries to hide, but she sees him and approaches. They talk and go get a coffee. The entire weekend is spent together. At the wedding, he asks her to dance and they have a very romantic night together. She invites Tom to a party on at her place. Tom is hopeful. Tom's expectations for the night are to make his dreams a reality. However, as he arrives at the party, the differences between his dream night and that night are hauntingly apparent. He barely talks to Summer and finds comfort with the bottle. He then sees Summer showing off her ring and her fiance. Tom loses it. He leaves without a word, angry and hurt that Summer would treat him like this. Tom spends the next 2 days in a catatonic state. He leaves the apartment once to buy orange juice, Twinkies and Jack Daniel's. He eventually returns to work, just in time for the weekly presentations. His best friend reminds him that today is the day they present their pitches for new cards. Halfway through the presentation, Tom decides that his beliefs of love, fate, and relationships were wrong. He gives the board a passionate speech about how their company is comfortable feeding people lies and that they are the reason people have such unrealistic expectations. He quits and leaves. The board is left stunned as his best friend awkwardly claps at his friend's departure. Tom is seen struggling with his depression. He slowly begins to take steps to help himself. Rachel tells him that he should take a second look at Summer and Tom's relationship and stop ignoring the bad. He realizes that there was always something Summer was holding back and kept her from truly being "in" the relationship. He begins to take up architecture again. He trashes his apartment and begins drawing on the walls and designing. He slowly builds up a portfolio and makes a list of firms to present his work at. One by one he is rejected. Once the firms dwindle to a handful, Tom begins to lose hope. Tom goes to the bench at his favorite part of the city. He's gazing down at some of the buildings when Summer calls out to him. She compliments his looks and tells him she knows he's angry. She also tells him that she's happy to see he's doing alright. Tom confesses that he now realizes that all his ideas about love were wrong. Summer points out that they weren't. The girl who didn't want to be anyone's girlfriend was now someone's wife. She tells him that with her husband, she knew what she was never sure of with Tom: that she was in love with him and wanted to spend the rest of her life with him. She also tells Tom that if there's no destiny, she might have easily never randomly met him in a deli. She tells Tom he was right, but just not about her. She holds his hand and squeezes before telling him that she needs to go. Tom tells her he's happy that she's happy, but makes a point not to congratulate her on her marriage. She smiles and leaves Tom. Tom is on his way to a job interview. As he sits there, waiting to be interviewed, a girl across the waiting room calls out to him and asks if they've met. She tells him that she's seen him sitting on a bench in Tom's favorite spot, which is coincidentally her favorite spot as well. Tom says he's never seen her before, so she replies he probably was not looking. Tom jokes that since she's the competition he hopes she doesn't get the job. She returns the wish. The interviewer calls Tom in, but as he's walking he turns back and asks the girl to get some coffee afterwards. She tells him that she is meeting someone. However, as Tom turns around, she agrees and says they'll work it out. Tom smiles and introduces himself. She smiles and introduces herself. Her name is Autumn. 500 Days of Summer Essay. In my Interpersonal Communication class, we viewed the film “500 Days of Summer” featuring Joseph Gordon-Levitt as Tom Hansen and Zooey Deschanel as Summer. In this movie, Tom and Summer become extremely close friends. Tom has had feelings for Summer from the beginning and it seems like Summer has the same feelings. They go through multiple ordeals and Summer ends up marrying another man. For the class assignment, we were given four different choices of essays to write on the movie, from which we had to choose two. My two choices were as follows: 1. Select one concept from chapters three through eight and apply it to one character and/or situation in the film & 2. Apply the stages of coming together to Summer and Tom’s relationship. These were my answers. 500 Days of Summer Essay #1 – Option 1. Summer is a character who commits many controversial actions throughout the entire movie “500 Days of Summer.” Her nonverbal communication is horribly confusing and considerably harmful to Tom. She may have verbally told Tom that she wasn’t interested, but her nonverbal actions, such as holding hands in IKEA, kissing in the copy room, and dancing with him at the wedding, said completely different things. Tom didn’t have a chance with this girl. From an outsider’s perspective, key moments in Tom and Summer’s relationship are very clear. The first exchange happens in the elevator, when Summer comments on how she also likes The Smiths. Tom immediately has feelings for her and his attraction is much deeper than hers. Next, at the karaoke bar, they seemed to hit it off immediately. They are very close at the end of the night, and the way that they say goodbye seems to leave both of them wanting more. At this point, an outsider would assume that these two like each other equally, and both are gaining feelings for the other. After Summer kisses Tom in the copy room, she quickly grabs her copies and awkwardly walks out of the room. After this, the relationship between the two deepens. They begin to go around the city, and open up to each other. Tom shows Summer his favorite spot in the city, and Summer allows Tom into her home. One big event they do in the city is their trip to IKEA. They walk around the store, pretending they are married and that all of the housing setups are their own homes, and they end up in the bedroom. At this point, Summer clearly tells Tom that she isn’t looking for anything serious, and that they are just friends. Although she verbally told Tom this, her nonverbal action that follow say exactly the opposite. While walking out of the store, she grabs and holds Tom’s hand. Friends normally don’t just hold hands. Next, they go home and begin to kiss intensely. Tom excuses himself for a minute, goes to the bathroom, and convinces himself that this isn’t anything. When he returns though, she is laying naked on the bed, and they proceed to have sex. Once again, friends normally don’t just have sex. At this point, Tom falls into the intensifying stage of the relationship, while Summer still “doesn’t want to put a label on their relationship.” A few weeks later, they are at a bar, when a guy comes up to Summer and begins to hit on her. She refuses him flat out, so he begins to question whether Tom is the reason she is saying no, and begins to insult him. Tom starts a fight, Summer gets mad at him, they get into a fight about “what they are,” and everything seems to begin to go downhill. She then shows up at his door in the middle of the night, apologizes for the fight, kisses him intensely, and then they spend the night together. This is yet another action that gives Tom hope. Weeks pass, and Summer decides to break it off with Tom. He is baffled and hurt, so he goes home and sulks, until his sister comes over and talks some sense into him. The real kicker though happens months after this event. Tom is on his way to a co-workers wedding, where he sees Summer again. She invites him to get a cup of coffee, and they end up spending the entire weekend together. They dance at the end of the wedding, quite romantically, and Tom begins to fall for her all over again. Before they leave, she invites him to her party at the end of the week. All of this nonverbal communication (dancing romantically, being physically close to him, etc.) give Tom a lot of hope. Little does he know though, Summer is engaged. He finds this out at the party, when he sees her showing off her fiancé and the ring. Summer’s facial expressions, the way she looked at Tom, the intimate space they often shared, and all of the other nonverbal cues that Summer uses send many mixed messages to Tom. He is lead-on, then heartbroken, then given hope, and once again heartbroken. Tom trusted all of her nonverbal cues, and was hurt because of it. 500 Days of Summer Essay #2 – Option 1. Summer and Tom’s relationship was definitely not perfect. Although they started off very well, it began to spiral downward rapidly. The relationship between the two lasted for months, which did allow them to experience most of the stages of Mark Knapp’s model of relationship development and deterioration. This model consists of 2 parts: Coming Together and Coming Apart. Each of these 2 parts, consists of 5 different subparts. For ‘Coming Together’, these 5 subparts are: initiating, experimenting, intensifying, integrating, and bonding. The 5 different subparts for ‘Coming Apart’ are: differentiating, circumscribing, stagnating, avoiding, and terminating. Let us look at the beginning stage, Coming Together. The initiating stage of Tom and Summer’s relationship began when summer walked into the meeting at the greeting card company. This was the first time that Tom and Summer had ever seen each other. Tom was instantly attracted, and though it seemed like Summer was too, it was never made clear. When Tom first saw Summer, he instantly noticed all of her external features, primarily how physically attractive she was. He began to notice her often at work, and talked about her all the time to his friends outside of work. Next came the experimenting phase. This began when Tom finally got the chance to talk to Summer in the elevator. She started the conversation with some small talk about how she liked the band that Tom was listening to. They exchanged names and became acquainted at this point. This is when Tom began to fall even harder for her. He started to think of different ways he could start talking to her, and he thankfully was bailed out by the Karaoke Bar Night. This gave him his chance to be with her outside of work, and he took advantage of it. They talked all night, and ended up getting close. The next day, in the copy room, Summer kisses Tom spontaneously, and then walks away like nothing happens. After this they began hanging out away from work, and got closer. They went to places like IKEA, where they pretended to own the place, they went to movies, they went out for dinner, etc. Where they began to reach the third stage, intensifying, was after their trip to IKEA. They go home, back to her apartment, and begin to kiss intensely. He excuses himself to the bathroom for a moment, and comes out to find her naked. They have sex, and reach into the intensifying stage of their relationship. The issue here though, is that although Tom is fully into the intensifying stage, even doing a little dance routine after that night, Summer isn’t as interested as him. She never truly gets into this stage, and never gains as strong of feelings for Tom, as he does her. Things go well for a couple months, with Tom fully committed, and Summer still flirting on the line between intensifying and experimenting. Then they began to end. This couple never got to experience the final stages of ‘Coming Together’ because their relationship began to deteriorate at this point. They went to a movie and Summer began to cry at the end. Tom invited her out to dinner afterwards, where their night ended in Summer telling Tom that she thought they should stop seeing each other. From this point on, the couple would progress no farther. ‘500 Days of Summer’ (Tom): “People think of LA as this place with no history” Character : Tom Hansen, a trained architect who works as a writer at a greeting card company. Gender : Male. Age Range : 20's. Summary : Tom tells Summer what he thinks of LA. TOM: This is my favorite spot. It’s… it’s hard to explain . You really wanna know? (points) You see that building with the orange hue? That’s been there since 1911. Over there, that’s the Continental. LA’s first skyscraper. Built in 1904. People think of LA as this place with no history, you know, where nothing is real. That’s only cause they’re not paying attention. That’s… a parking lot. Most of that is parking lots. But there’s so much beauty too. See, if it was me… I just… I’d make sure people noticed. That’s what I would do. Integrate the buildings better. Play off the facades, maximize the light capacity, there’s really so much.