UC Riverside Electronic Theses and Dissertations
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Raphael Bossong, LSE
Challenge Working Paper July 2007 The politics of subterfuge and EU JHA governance capacity Raphael Bossong, LSE This paper starts out from a puzzle: Why is EU JHA characterized by frustrations and blockades, while it is at the same time one of the most dynamic policy-areas?1 Posed in such general terms, this question is almost impossible to answer: Not only is EU JHA policy2 a highly diverse, but has also seen phases of ambitious agenda-setting contrasted by periods of stagnation.3 Therefore, a convincing answer to the above puzzle would require an extensive historical exposition of this policy area, which is beyond the scope of this paper. Here I only intend to review some general factors that inform EU’s current governance capacity in JHA,4 giving particular emphasis to the problems posed by unanimous decision- making in the Third Pillar.5 This structuralist approach cannot explain any particular instances of EU JHA policy-making on its own,6 but it aims to inform subsequent case studies. The paper proceeds in four steps. In a first part, I will discuss the EU’s structural obstacles to unanimous decision-making from a rationalist perspective. For this purpose I draw heavily on the work of Fritz Scharpf (1997) and Adrianne Héritier (1999) who have introduced many useful insights from comparative politics and policy analysis into EU studies. In the second part, I will survey different strategies for successful policy-making under extensive structural constraints to account for the dynamic development of EU JHA policy in recent years. This overview will be broken down into the classic dimensions of policy, polity and politics. -
Bailey Warren Senior Honors Thesis Project.Pdf
1 Foreword “Dimitri Mitropoulos was asked if he could explain the extraordinary effect his conducting had on orchestra and audience alike, and he answered that he wouldn’t even try to explain it, for fear that he might become like the centipede who was asked by a humble little bug which of his hundred legs moved first when he walked. The centipede, responding to the admiration with immense pride, began to analyze the question, and has not walked since.” This excerpt is from Madeleine L’Engle’s book A Circle of Quiet. In the same chapter as this quote, she explains how when Beethoven performed his sonatas and was immediately asked what his sonatas meant, he simply sat down and played them once more. What L’Engle is trying to get at is if one could truly explain their art, there would have been no reason to create the art in the first place. In response to Mitropoulos’ quote she says, “we’re apt to get tangled up in legs when we begin to analyze the creative process.” Throughout the process of creating this album I have embedded a lot of myself into the project. So much of it has become inherently who I am that I feel as if I have become too close to it. This is the first creative project that I have ever completed to this caliber, and the first collection of musical works that is thoroughly mine. Putting it into words doesn’t seem to do it justice. Analysis can only do so much in describing the nuances of art. -
NMR Project Proposal
www.ssoar.info National minority 'regions' in the enlarged European Union: mobilizing for third level politics? Malloy, Tove H. Arbeitspapier / working paper Empfohlene Zitierung / Suggested Citation: Malloy, T. H. (2005). National minority 'regions' in the enlarged European Union: mobilizing for third level politics? (ECMI Working Paper, 24). Flensburg: European Centre for Minority Issues (ECMI). https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-63119 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
ICN1886-04-08.Pdf
mm jai:ilia''qiii^ sbbviiigVflraternlty,f' Is alwaya welooine ,to Dry Oooils.—Bnrnham & Company. Legal. Two WMk)B (h>m '.to-day Preatdent Mrs. Race Is very slok. iKDBR OP PUBLICATION.-8TATK OP WlUetta of the Agricultural college A. D. Bnirdsley's father la visiting _ MlohlaaMichiganu, ..In. th.u Circuit Court for tho Thursdnjr, April 1, W hlriri. County of Initham-Iiam-IIIi CliancoryCliancory,. will addriesis the ol lib on "Moslems Mrs. A. O. Walker of Detroit Is Lillian Oamblo, Complainant,'Complainant,)) &nd Mormons." As this will probably VB, Fanners* Club. ipuoh better. Kll Oamblo, Dofondant. be the laafr regular meeting for.some It satlaraclorily appearing to thin court by Miss Luclna Beardsley was home affidavit on fllo that tlio dcfondant, £11 aambto, . dtUB BooMB, March 27, ISSis. weeks thiere will be a large attendance. over Sunday. ia not > roaldent of this atato, hut retidoa at the • The oluti^^^^^^^ full up UKlay. Ladles eapeoially Invited. village or Nunda,iu thoHtatool Now York, on. .1 Chas. McKuigbt Is going to Holly moUon of K. D, Lewia, compltlnant'a aollcltor. Nothlhpnew In inarket.reporta. Quite L. H. Ivjiss, Secretary. for treatment. It la ordered that tho aald dulCndant, £11 Gamble, Claude and Etta West have returned Display of Spring Novelties excels that of any cause hla appoaranco to bo entorod horcln wltbln a quantity of seeds graced the tables four montha from tho data of thla order, and in For neuralgia, rbeumatism,'lumbago, from their visit at Manistee. and the meeting was one of much li> previous season, in point of elegance and var caao of hla appoaranco that ho cauae his anawer gout,' Bwellinga, burns, wounds, etc., There will be a mum social at Mrs. -
SONG ARTIST 375 Roar
# SONG ARTIST 400 We're All In This Together Ben Lee 399 Be The One Dua Lipa 398 Take My Breath Away Berlin 397 Treat You Better Shawn Mendes 396 The Fighter Keith Urban Feat Carrie Underwood 395 I'm Still On You're Side Jimmy Barnes 394 Dance Monkey Tones & I 393 Just Like Fire Pink 392 One Dance Drake Feat Wizkid & Kyla 391 Fire & The Flood Vance Joy 390 Hide Away Daya 389 Don't Wanna Know Maroon 5 Feat Kendrick Lamar 388 Stonger Kanye 387 Dancin with myself Billy Idol 386 London Calling Clash 385 Ain't Nobody (Loves Me Better) Felix Jaehn Feat Jasmine Thompson 384 10,000 Hours Dan + Shay & Justin Bieber 383 You Don’t Know Me Jax Jones Feat RAYE 382 You Need To Calm Down Taylor Swift 381 American Woman Lenny Kravitz 380 You Keep Me Hangin On Kim Wilde 379 Senorita Shawn Mendes & Camila Cabello 378 Whenever, Wherever Shakira 377 The Middle Zedd Feat Maren Morris & Grey 376 Get Lucky Daft Punk Feat Pharrell Williams 375 Roar Katy Perry 374 Heroes David Bowie 373 Hey Ya! Outkast 372 Left Outside Alone Anastasia 371 24K Magic Bruno Mars 370 In My Blood The Veronicas 369 Addicted To You Avicii 368 Welcome to the Jungle Guns N Roses 367 Scars To Your Beautiful Alessia Cara 366 Que Sera Justice Crew 365 I Love You Always Forever Betty Who 364 Strip That Down Liam Payne Feat Quavo 363 Starboy The Weeknd Feat Daft Punk 362 Issues Julia Michaels 361 Rather Be Clean Bandit Feat Jess Glynne 360 Your The Voice John Farnham 359 Moves Like Jagger Maroon 5 Feat Christina Aguilera 358 Am I Wrong Nico & Vinz 357 Take Me To Church Hozier 356 Mr Brightside -
Annual Report 2019
Annual Report 2019 Who we are What we want How we work Table of Contents Foreword ................................................................................................................................................................. 1 Climate justice – now! ...................................................................................................................................... 2 Shaping a new energy system ........................................................................................................................ 4 For a responsible infrastructure and raw materials policy ................................................................ 6 Promoting sustainable agriculture and development .......................................................................... 8 Strengthening democracy and human rights .........................................................................................10 Strengthening women’s and LGBTI rights .............................................................................................12 Towards a sustainable and humane migration policy ........................................................................14 For European solidarity in times of crisis ...............................................................................................16 30th anniversary of the Peaceful Revolution – promoting a strong democracy! ...................18 A just society needs intact public spaces .................................................................................................19 -
Licensing and Differential Object Marking: the View from Neo-Aramaic Laura Kalin
Syntax 21:2, June 2018, 112–159 DOI: 10.1111/synt.12153 Licensing and Differential Object Marking: The View from Neo-Aramaic Laura Kalin Abstract. I propose a novel analysis of differential object marking (DOM) that revolves around nominal licensing and, unlike most previous accounts, does not appeal to object visibility (e.g., Danon 2006, Lyutikova & Pereltsvaig 2015), object raising (e.g., Bhatt & Anagnostopoulou 1996, Baker & Vinokurova 2010), or object differentiation or identification (e.g., Aissen 2003, De Hoop & Malchukov 2008). I argue (i) that not all nominals need abstract licensing (following Massam 2001, Danon 2006, Ormazabal & Romero 2013), but also that all nominals have the potential to be licensed, that is, all nominals are visible to case and agreement processes; (ii) that the set of objects that are overtly marked (e.g., by case or agreement) can reveal the set of nominals that require licensing in a language, and (iii) that clauses typically have one obligatory nominal licenser, with secondary licensers merging only when needed for convergence (following Levin & Massam 1985; Bobaljik 1993; Laka 1993, 2000; Rezac 2011). Taken together, I show that variation in the types of nominals that need licensing and the location/identity of obligatory and secondary licensers can derive crosslinguistic differences in case, agreement, and DOM patterns. This unified account simplifies our understanding of nominal licensing within and across languages, as it does not require objects to have special properties as compared to subjects, nor does it fundamentally differentiate DOM languages from non-DOM languages. The motivating data come largely from the Neo-Aramaic language Senaya, which clearly illustrates that certain nominals can occupy a position where abstract licensing is unavailable. -
Dreams-041015 1.Pdf
DREAMS My Journey with Multiple Sclerosis By Kristie Salerno Kent DREAMS: MY JOURNEY WITH MULTIPLE SCLEROSIS. Copyright © 2013 by Acorda Therapeutics®, Inc. All rights reserved. Printed in the United States of America. Author’s Note I always dreamed of a career in the entertainment industry until a multiple sclerosis (MS) diagnosis changed my life. Rather than give up on my dream, following my diagnosis I decided to fight back and follow my passion. Songwriting and performance helped me find the strength to face my challenges and help others understand the impact of MS. “Dreams: My Journey with Multiple Sclerosis,” is an intimate and honest story of how, as people living with MS, we can continue to pursue our passion and use it to overcome denial and find the courage to take action to fight MS. It is also a story of how a serious health challenge does not mean you should let go of your plans for the future. The word 'dreams' may end in ‘MS,’ but MS doesn’t have to end your dreams. It has taken an extraordinary team effort to share my story with you. This book is dedicated to my greatest blessings - my children, Kingston and Giabella. You have filled mommy's heart with so much love, pride and joy and have made my ultimate dream come true! To my husband Michael - thank you for being my umbrella during the rainy days until the sun came out again and we could bask in its glow together. Each end of our rainbow has two pots of gold… our precious son and our beautiful daughter! To my heavenly Father, thank you for the gifts you have blessed me with. -
Islam Councils
THE MUSLIM QUESTION IN EUROPE Peter O’Brien THE MUSLIM QUESTION IN EUROPE Political Controversies and Public Philosophies TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2016 by Temple University—Of Th e Commonwealth System of Higher Education All rights reserved Published 2016 Library of Congress Cataloging-in-Publication Data Names: O’Brien, Peter, 1960– author. Title: Th e Muslim question in Europe : political controversies and public philosophies / Peter O’Brien. Description: Philadelphia, Pennsylvania : Temple University Press, 2016. | Includes bibliographical references and index. Identifi ers: LCCN 2015040078| ISBN 9781439912768 (cloth : alk. paper) | ISBN 9781439912775 (paper : alk. paper) | ISBN 9781439912782 (e-book) Subjects: LCSH: Muslims—Europe—Politics and government. | Islam and politics—Europe. Classifi cation: LCC D1056.2.M87 O27 2016 | DDC 305.6/97094—dc23 LC record available at http://lccn.loc.gov/2015040078 Th e paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Printed in the United States of America 9 8 7 6 5 4 3 2 1 For Andre, Grady, Hannah, Galen, Kaela, Jake, and Gabriel Contents Acknowledgments ix 1 Introduction: Clashes within Civilization 1 2 Kulturkampf 24 3 Citizenship 65 4 Veil 104 5 Secularism 144 6 Terrorism 199 7 Conclusion: Messy Politics 241 Aft erword 245 References 249 Index 297 Acknowledgments have accumulated many debts in the gestation of this study. Arleen Harri- son superintends an able and amiable cadre of student research assistants I without whose reliable and competent support this book would not have been possible. -
Slightly Stoopid, the Ocean Beach, California Based Group Led by Co
Slightly Stoopid, the Ocean Beach, California based group led by co-founders and multi-instrumentalists Kyle McDonald and Miles Doughty, along with drummer Ryan “Rymo” Moran; percussionist Oguer “OG” Ocon; saxophonist Daniel “Dela” Delacruz; keyboardist Paul Wolstencroft; trumpet and trombone player Andy Geib; plus special guest and “unofficial 8th member” Karl Denson (The Rolling Stones/Greyboy Allstars) on saxophone unveiled their latest musical experiment Meanwhile… Back at the Lab through the band’s own Stoopid Records on June 30th. The sessions for Meanwhile… Back at the Lab began in late 2013, shortly following the band’s seventh studio release Top Of The World. The forthcoming album was recorded at the band’s studio, as well as at Platinum Sound, NYC; Rivas Studios, L.A.; Mixdown Town LBC, Long Beach, CA; and was self-produced by the band along with The Lab’s in-house audio engineering maestro James Wisner with the help of Jerry Wonda (The Fugees, Wyclef Jean) engineered an impromptu late night/early morning session at Platinum Sound, yielding the collaborative “Come Around.” Back home, Kyle and Miles also called on their long-time friends and Southern California music icons, Michael “Miguel” Happoldt and Marshall “Ras MG” Goodman, to produce standout tracks “Life Rolls On” and “The Prophet.” "We're a touring act, and we've been on the road pretty much non-stop over the last decade," explains Doughty, offering that the band's own local recording studio and rehearsal clubhouse “The Lab at Stoopid Studios” (within the warehouse district of Mission Valley just inland of Ocean Beach), is a key ingredient of what keeps the band’s sound fresh. -
“Together We Can Knock One out of the Park.”
THE Winter 2012 Where Marist Alumni Meet for News “Together we can knock one out of the park.” – Br. Patrick McNamara, fms President, Marist High School Letter From Brother Patrick Winter 2012 reunion&awards 02 Dear Marist Family, Letter From Brother Patrick Marist recently hosted its last Open House for the Class of 2016. More than 03 1,500 students visited the campus this year, and on this last chance before the 2012 Alumni BIG ENTRANCE TEST, I watched a Marist grad giving his child a tour. Reunion & Awards Trust me, nothing our Admissions folks, student ambas 03 sadors, friendly faculty of staff could say that would have 2012 Time & Eternity Honorees matched this tour. I watched as he reverently led his child into the chapel; 08 there were mentions of retreat days, religion teachers, and Together We Can Knock One Out of the Park private prayers. He walked proudly through the halls, want ing to straighten his tie in case an old nemesis was on guard. 10 Each classroom and lab called forth a special memory of a Marist Alumni: challenging course. When they reached the cafeteria and Excelling after Graduation the gym, once again, memories of performances, class and Reaching Their Goals mates, and even sounds and smells came rushing back and 12 gushing forth. With all of the choices for Catholic high Larry Malito's Farewell schools this alumnus, now father, shared his Marist pride and memories. The prospective student gladly put on the “red and white” 13 and later that week, joined more than six hundred students who applied to be 25 Years Later: Thousands of a part of the Class of 2016. -
The Future of Schengen. Internal Border Controls As a Growing
NO. 44 OCTOBER 2018 Introduction The Future of Schengen Internal Border Controls as a Growing Challenge to the EU and the Nordics Raphael Bossong and Tobias Etzold The free movement of people is considered one of the key achievements of the Euro- pean Union. Even though the Schengen Agreement has survived the most difficult phase of the refugee crisis, it is now under threat again. It is no longer possible to reconcile temporary internal border controls that Germany, France, Austria, Sweden, Denmark and Norway introduced in 2015 with the stipulated deadlines and proce- dures of the Schengen regulation. The common European regime is increasingly at risk due to concerns over narrow domestic policies or that individual countries, in particular Denmark, will exit. Such a potential break would be drastic, especially for the Nordic states where the principle of open internal borders has previously been practiced for decades, but whose recent controls have so far received less attention in the European debate. A compromise is, therefore, urgently required to fully restore the free movement of people in the Schengen area whilst, at the same time, taking greater account of the security interests of the member states. As the main trigger for border controls, Germany has a key role to play here. During the height of the refugee crisis be- This sharply contradicted the principle of a tween autumn 2015 and spring 2016, six borderless North, not least as these actions Schengen member states introduced con- were hardly coordinated with each other. trols at some of their internal European Meanwhile, France was forced to declare borders.