Martin 1 Since Hip Hop Received National Acclaim In
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Eazy E Nwa Diss
Eazy e nwa diss Eazy E Leader Of NWA And Owned Of RUTHLESS Records. Dissing Dr Dre And Snoop Doggy Dogg. Here's a classic diss song from Compton Legend Eazy-E Feat B.G. Knocc Out & Dresta - Real. Eazy-E Dissed Ice Cube (Ice Crumbles) [Unreleased Eazy-E Songs]. Hip-Hop Ice Cube and Dr. Dre had. Ice Cube didn't hold back against his former N.W.A. pals after Ice Cube and the other members: Dr. Dre, Eazy-E, DJ Yella and MC Ren. "No Vaseline" is a diss track by Ice Cube from his second album, Death Certificate. The song was produced by Ice Cube and Sir Jinx. The UK release of Death Certificate omitted this song, along with the second long "Black Korea". The song contains vicious lyrics towards Ice Cube's former group, N.W.A, Dr. Dre and his protégé Snoop Dogg later dissed Eazy-E in the song "Fuck Information · Aftermath · In popular culture · Samples. MC Ren shares the family aspects of N.W.A even as former member MC Ren Explains Why N.W.A Didn't Record Ice Cube Diss Track After "No Vaseline" .. I think Ren should have done more interviews about Eazy E and. As most know by now Eric 'Eazy E' Wright and Andre 'Dr. Dre' Young were with Eazy E and together with Ice Cube and MC Ren they formed NWA. From harmless diss records like Kokane and Above The Law's “Don't. N.W.A is back in this motherfucker / And this is only the single / Wait until the motherfucking album comes out Real Niggaz. -
Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural
Information Services & Systems Digital Course Packs Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural Expression. In: T.Rose, Black noise : rap music and black culture in contemporary America. Hanover, University Press of New England, 1994, pp. 99-145. 7AAYCC23 - Youth Subcultures Copyright notice This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Staff and students of King's College London are Licence are for use in connection with this Course of reminded that copyright subsists in this extract and the Study. You may retain such copies after the end of the work from which it was taken. This Digital Copy has course, but strictly for your own personal use. All copies been made under the terms of a CLA licence which (including electronic copies) shall include this Copyright allows you to: Notice and shall be destroyed and/or deleted if and when required by King's College London. access and download a copy print out a copy Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is Please note that this material is for use permitted without the consent of the copyright holder. ONLY by students registered on the course of study as stated in the section above. All The author (which term includes artists and other visual other staff and students are only entitled to creators) has moral rights in the work and neither staff browse the material and should not nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any download and/or print out a copy. -
BLOCKHEAD Funeral Balloons
BLOCKHEAD Funeral Balloons KEY SELLING POINTS • Blockhead has released albums with Ninja Tune and produced for artists such as Aesop Rock, Open Mike Eagle and Billy Woods over the course of his nearly two decade long career • Blockhead’s evolution as a producer is on full display, exploring different avenues and sounds with every new release and continuing to forge his own lane between the worlds of hip-hop and electronic music DESCRIPTION ARTIST: Blockhead Funeral Balloons is the new album from acclaimed producer & NYC TITLE: Funeral Balloons fixture Blockhead [real name; Tony Simon]. Funeral Balloons is as bold CATALOG: l-BWZ747 / cd-BWZ747 and irreverent as the title suggests; from the uplifting and energetic mood LABEL: Backwoodz Studioz of “Bad Case of the Sundays” to the spaced out airy grooves found on GENRE: Hip-Hop/Instrumental BARCODE: 616822028315 / 616892517146 “UFMOG” all the way to the 1970s car chase anthem like “Escape from FORMAT: 2XLP / CD NY”, the songs never stop in one place. HOME MARKET: New York RELEASE: 9/8/2017 While, at its core, Funeral Balloons doesn’t stray far from the kind of LIST PRICE: $25.98 / FA / $13.98 / AM music Blockhead has been making since his debut Music by Cavelight, his evolution as a producer is on full display, exploring different avenues TRACKLISTING (Click Tracks In Blue To Preview Audio) and sounds with every new release and continuing to forge his own lane 1. The Chuckles between the worlds of hip-hop and electronic music. 2. Bad case of the Sundays 3. UFOMG 4. Zip It 5. -
2013 Football Media Guide.Indd
2013 HOLY CROSS FOOTBALL FACT BOOK TABLE OF CONTENTS / QUICK FACTS TABLE OF CONTENTS ADMINISTRATION Media Information . 3-4 President. Rev. Philip L. Buroughs, S.J. Opponent Information . .5 Athletic Director . Richard M. Regan, Jr. 2013 Season Preview . 6-8 Associate Athletic Director . Bill Bellerose Pronunciation Guide . .8 Associate Athletic Director . Rosemary Shea Two-Deep Comparison . .9 Associate Athletic Director . Ann Zelesky 2013 Numerical Roster . 10-11 Assistant Athletic Director. Frank Mastrandrea 2013 Alphabetical Roster. 12-13 Athletic Department Phone . (508) 793-2571 Coaching Staff . 14-18 Ticket Office Phone . (508) 793-2573 Player Profiles . 19-49 Athletic Department Fax . (508) 793-3863 2012 Final Statistics. 50-54 2012 Game-By-Game Recaps . 55-60 2012 Honors & Awards . .61 GENERAL COLLEGE INFORMATION Individual Records . 62-73 Location . Worcester, Mass. Year-By-Year Leaders . 74-79 Founded . .1843 Team Records. 80-81 Enrollment . 2,891 100-Yard Rushers / 300-Yard Passers . 82-83 Denomination. Roman Catholic, Jesuit The Last Time . 84-85 Nickname . .Crusaders Year-By-Year Records . .86 Color . Royal Purple Tradition of Excellence . 87-90 National Affiliation . NCAA Division I Postseason History. 91-92 Conference . Patriot League All-Time Head Coaches / Coaching Records . 93-96 College Web Site . .www.holycross.edu Hall of Fame Inductees . .97 Athletic Web Site . www.goholycross.com Crusaders in the Professional Ranks . .98 Honors & Awards. 99-106 Fitton Field Records & History . .107 FOOTBALL QUICK FACTS Head Coach . .Tom Gilmore Homecoming & Family Weekend . .108 Alma Mater . Pennsylvania, 1986 All-Time Series Records . .109 Record at Holy Cross. .53-47 / Nine Years Series History vs. 2012 Opponents . -
Canibus, Not 4 Play
Canibus, Not 4 Play [Chorus: Kurupt & Canibus] Dont play them games, not for play, not today say what you say, not for play, not to day we horseman man, you fools insane, locked the game we spit flames, not for play, not today [Kurupt:] Each day I dip sometimes I trip this gangsta shit (west gangsta shit) I just don't give a fuck I gallop role I'm in control I like gettin high in G mode with the homeys just lettin all the weed blow fired up, nigga what you thought it was buz cause nigga I don't give a fuck [Canibus:] Niggaz like us don't give a fuck Canibus and Kurupt, choke a nigga up comin through in the four by four truck chromed from the flour up, with ????? white air force ones with the low cut I'm in the back of the jeep gettin ????? me and my dawg Kurupt spark that skunk I know I'm a G cos' my name start with one [Chorus] [Canibus:] We Horseman man the next Wu-Tang you know the name, Killah Priest and Kurupt Ras Kass to you heard of us we go to the club, curse and cus start that buzz, thats wots up spike the punch, fight and fuzz rush that stage for the mic and bus straight up cause I love them guts dont call me unless you invite some sluts 36C cup with big butts I pay big books to get my dick sucked she can spit it up, then lick it back up thank you very much, there you go slut a Benjamin Franklin was more than enough write your number down ill be in touch [Chorus] [Kurupt] A Benjamin Franklin was more than enough bitch give me that cash before I fuck you up genuine banging in the deck same old G, D.P.G show you somethin gangstafied -
Automatic Recognition of Samples in Musical Audio
Automatic Recognition of Samples in Musical Audio Jan Van Balen MASTER THESIS UPF / 2011 Master in Sound and Music Computing. Supervisors: PhD Joan Serr`a,MSc. Martin Haro Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Acknowledgement I wish to thank my supervisors Joan Serr`aand Martin Haro for their priceless guidance, time and expertise. I would also like to thank Perfecto Herrera for his very helpful feedback, my family and classmates for their support and insightful remarks, and the many friends who were there to provide me with an excessive collection of sampled music. Finally I would like to thank Xavier Serra and the Music Technology Group for making all this possible by accepting me to the master. Abstract Sampling can be described as the reuse of a fragment of another artist's recording in a new musical work. This project aims at developing an algorithm that, given a database of candidate recordings, can detect samples of these in a given query. The problem of sample identification as a music information retrieval task has not been addressed before, it is therefore first defined and situated in the broader context of sampling as a musical phenomenon. The most relevant research to date is brought together and critically reviewed in terms of the requirements that a sample recognition system must meet. The assembly of a ground truth database for evaluation was also part of the work and restricted to hip hop songs, the first and most famous genre to be built on samples. Techniques from audio fingerprinting, remix recognition and cover detection, amongst other research, were used to build a number of systems investigating different strategies for sample recognition. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
Federal Bureau of Investigation
O O FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECT: TUPAC SHAKUR FEDERALOF BUREAU INVESTICQION FOIPA DELETED PAGE INFORMATION SHEET Serial Description " COVER SHEET O1/03/1997 Total Deleted Page s! " 28 ~ Page Duplicate -| Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate -I Page Duplicate ~ Page Duplicate -: Page Duplicate ~ Page Duplicate 4-: Page Duplicate ~ Page b7C ~ Page b7C FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECTT O Tupap _S11:;kyr___ ii I _ FILE NUMBER __ 266A-OLA-2Q1_8Q74 VI-IQ!_ _ _ _ _ _ SECTION NUMBER: _ ,7 _1_ _ _ _ FEDERAL BUREAUOF INVESTIGATION 2/3:/1995! FEDERAL BUREAU OF INVESTIGATION Precedence: ROUTINE Date: 01/03/1997 4/{oz FBIHeadquarters Attn: NSD, CTBranch, DTS,DTOU From! Los Angeles NSD~6 ApprovedI By:I Drafted By: mpbh}I92'I'I'M' Case ID #= 266A-LA-2o1so7,¬3 - ECEASED!;I _ ERIC WRIGHT,AKA EAZY~EVICTIM DECEASED!; WC AOTDTDEATH THREATS 00; LOS ANGELES ARMED AND DANGEROUS synopsis: Status of investigation and request for extension to PI. Previous Title: | _| ET AL; TUPAC SHAKURVICTIM DECEASED!; EAZY-EVICTIM DECEASED!; ACT-DT-DEATH THREATS; O02 LOS ANGELE$ Preliminary Inquiry Initiated: 10/1'7/1996, set to expire 01/17/1995. Enclosures: One original and five copies of a Letterhead Memorandum, dated 01/O3/1997. Details: Title marked changed to reflect the true name of EAZY-E. Enclosed for the Bureau are one original and five copies of a Letterhead Memorandum, dated O1/03/1997, which contains the current status of captioned matter. -
AV 011 KXNG CROOKED X BRONZE NAZARETH Gravitas CD
KXNG CROOKED x BRONZE NAZARETH GRAVITAS 01. Emperor’s Arrival (Intro) 02. Outer Limits (feat. Hus Kingpin & Killah Priest) 03. Slave Chains 2 Handcuffs (feat. Ras Kass, Bishop Lamont & Compton Menace) 04. Still (Reprise) 05. I Can Still Remember… 06. Westside Willie (feat. Planet Asia & P.U.R.E.) 07. Change Ur Beliefs (feat. Bronze Nazareth & Kevlaar 7) 08. Precious Moments (Interlude) (feat. Snoop Dogg) 09. French Connection (feat. Tristate, Bronze Nazareth & L.A.D. aka La The Darkman) 10. Soul Drenched 11. Get Rich (Outro) 12. Buck Shots (Remix) (feat. Ghostface Killah, Benny The Butcher & 38 Spesh) 13. Kxng Shxt (Remix) (feat. DMX, Royce Da 5’9 & Statik Selektah) 14. Fresh From The Morgue (Remix) (feat. RZA & Bronze Nazareth) Long Beach legend Kxng Crooked takes a break from his consistently dope “Weeklys” series to serve up listeners a slab of hardcore hip-hop fashioned with lauded Wu-Tang clan affiliate Bronze Nazareth. It's East meets West in a collision of sound. And plenty of Crooked and Bronze's homies come along for the ride, including Snoop Dogg, RZA, Ghostface Killah, Planet Asia, Ras Kass, and many more. Kxng Crooked aka Crooked I is best known as a former member of the hip hop supergroup Slaughterhouse with other members Joe Budden, Joell Ortiz and Royce da 5'9". Bronze Nazareth is from Grand Rapids, Michigan, and is a hip hop music producer and emcee associated with the Wu-Tang Clan. He has a solo career as an emcee and is also a part of the hip-hop group Wisemen along with his brother Kevlaar 7. -
Football Support Staff
2021 BOSTON COLLEGE FOOTBALL RECORD BOOK 2021 BOSTON COLLEGE FOOTBALL UNIVERSITY INFORMATION TABLE OF CONTENTS Location Chestnut Hill, Mass. 2021 Information 1 Founded 1863 Rosters 2-5 Pronuncation Guide 5 Nickname Eagles Roster Breakdown 6-7 Colors Maroon and Gold Player Bios 8-35 Enrollment 14,513 Coaching Staff 36-45 President Rev. William P. Leahy, S.J. 2020 Statistics 46-91 History of Boston College Football 92-95 William V. Campbell Director of Athletics Patrick Kraft Award Winners 96-103 Boston College All-Time Letterwinners 104-122 FOOTBALL INFORMATION Boston College Bowl Game History 123-136 Offense Pro Style Boston College Individual & Team Records 137-172 Boston College Year-by-Year Records 173-175 Defense Multiple Boston College Year-by-Year Results 176-193 2020 Record 6-5 All-Time Results vs. Opponents 194-200 2020 ACC Record 5-5 All-Time Records vs. Opponents 201 2020 Bowl/Result Opted out to participate in a bowl game Boston College and the NFL 202-208 William V. Campbell Director of Athletics Patrick Kraft 209 Letterwinners Returning 45 (19 O, 22 D, 4 ST) Athletics Administration/Boston College Learfield Sports Network 210 Letterwinners Lost 14 (6 O, 7 D, 1 ST) BC on TV 210-213 Starters Returning 20 (9 O, 8 D, 3 ST) Media Information/Athletic Communications 214 Starters Lost 5 (2 O, 3 D) Offensive Starters Returning 9 STADIUM INFORMATION Zay Flowers (WR), Jaelen Gill (WR), Zion Johnson (OL), Phil Jurkovec (QB), CJ Lewis (WR), Stadium Alumni Stadium Alec Capacity 44,500 Lindstrom (C), Christian Mahogany (OL), Ben Petrula (OL), Tyler Vrabel (OL) Surface AstroTurf Defensive Starters Returning 8 Press Box Phone 617-552-4747 Brandon Barlow (DE), Josh DeBerry (CB), Elijah Jones (CB), Jahmin Muse (SS), Mike Palmer (FS), 2021 SCHEDULE Chibueze Onwuka (DT), Brandon Sebastian (CB), Marcus Valdez (DE) Date Opponent (Television) Time Specialists Starters Returning 3 Saturday, Sept. -
3 Rap Subgenres
Jazyk černého britského a černého amerického rapu Bakalářská práce Studijní program: B7507 – Specializace v pedagogice Studijní obory: 7504R300 – Španělský jazyk se zaměřením na vzdělávání 7507R036 – Anglický jazyk se zaměřením na vzdělávání Autor práce: Jan Wolf Vedoucí práce: Christopher Muffett, M.A. Liberec 2019 The Language of Black British and Black American Rap Bachelor thesis Study programme: B7507 – Specialization in Pedagogy Study branches: 7504R300 – Spanish for Education 7507R036 – English for Education Author: Jan Wolf Supervisor: Christopher Muffett, M.A. Liberec 2019 Prohlášení Byl jsem seznámen s tím, že na mou bakalářskou práci se plně vzta- huje zákon č. 121/2000 Sb., o právu autorském, zejména § 60 – školní dílo. Beru na vědomí, že Technická univerzita v Liberci (TUL) nezasahuje do mých autorských práv užitím mé bakalářské práce pro vnitřní potřebu TUL. Užiji-li bakalářskou práci nebo poskytnu-li licenci k jejímu využití, jsem si vědom povinnosti informovat o této skutečnosti TUL; v tomto pří- padě má TUL právo ode mne požadovat úhradu nákladů, které vyna- ložila na vytvoření díla, až do jejich skutečné výše. Bakalářskou práci jsem vypracoval samostatně s použitím uvedené literatury a na základě konzultací s vedoucím mé bakalářské práce a konzultantem. Současně čestně prohlašuji, že texty tištěné verze práce a elektronické verze práce vložené do IS STAG se shodují. 23. 6. 2019 Jan Wolf Acknowledgements First of all, I would like to thank my supervisor, Christopher Muffett, M.A. for his advice, guidance and support. Also, I want to give thanks to my family for supporting me druing my studies. Lastly, I would like to show my appreciation to all the teachers at the English Department at the Faculty of Science, Humanities and Education of the Technical University in Liberec for allowing me to improve the level of my English. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money