DOCSLIB.ORG

Ledding Library News

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ledding Library News VOLUME 20, ISSUE 2 FEBRUARY 2019 We’ve got a LOT The Ledding Library is part of the pilot program for Library of Things (LOT) in the library district. We were chosen to be one of the eight libraries planning to add a LOT collection in the summer of 2019. We will receive $7,275.80 from the County to build a collection, an amount based on our unincorporated service area of 20,788. LOT libraries across the country have circulated kitchenware, musical instruments, games, yard tools, interview accessories (like a briefcase), to name a few. The LOT collection will be selected by each participating library, based on the survey results of the survey running through 2/28/19. Please take this survey, online at http://bit.ly/LibraryofThingsInput or on paper at the library. Funds for New Library Movie Maven Presents: Intelligent Rom-Coms February is here and with it, Valentine's Day, the most romantic of holidays. If you and your beloved like to celebrate with pizza, a movie and snuggling on the couch, have I got a list for you. Here's a few that will delight both your emotions and your intellect. Annie Hall (1977): Arguably, Woody Allen's greatest film, this love doesn't quite conquer all tale of the relationship between a twice divorced Jewish New York comic and a ditzy Midwestern WASP (Allen and Diane Keaton) is full of brilliant dialog on the foibles of love and relationships. Eternal Sunshine of The Spotless Mind (2004): Screenwriter Charlie Kaufman always comes To ring in the new year Friends up with more than the typical love story. In this one, a stagnant couple undergoes a of Ledding Library announced procedure to erase each other from their memories, only to discover that loss can clarify they approved increasing their what you had to begin with. pledge toward building the Philadelphia Story (1940): Snooty socialite, Tracy Lord (Katharine Hepburn) is due to remar- new library in March 2018 of ry after a tempestuous marriage and divorce from Dexter Haven (Cary Grant). Dexter, who $100,000 to $150,000. These is an ex-employee of the tabloid Spy magazine, arranges a reporter, Mike Connor (James funds will go toward the Stewart), to secretly cover this wedding of the year. Lots of hijinks ensue. completion of the new library. Sideways (2004): Two middle aged men with nothing much to show for their years take a In addition to this pledge, over road trip through California wine country before one of them is due to be married. the past five years the Friends Romance, humor and drama are told through the witty screenplay of Alexander Payne raised close to $200,000 and (Election, About Schmidt, The Descendants). Adam's Rib (1949): Katharine Hepburn was an early proponent of women's rights and her donated more than $160,000 films often reflected this. Here she stars with her real life love Spencer Tracy as lawyers on to the library to support the opposing sides at a trial for a woman who has shot her abusing husband. library’s programs such as High Fidelity (2000): Based on the wonderful novel by Nick Hornby, this film recounts the summer reading, symphony loves and losses of Chicago record store owner Rob Gordon (John Cusack) who recounts storytimes, the purchase of his life through playlists. A funny and heartbreaking movie. special equipment and Crazy, Stupid, Love (2011): Cal (Steve Carell) feels he is living the American Dream until his materials that otherwise could wife Emily (Julianne Moore) asks him for a divorce. Forced to navigate the singles scene, not be afforded. he enlists the help of his friend and expert bachelor Jacob Palmer (Ryan Gosling) to show him the ropes. Out of Sight (1998): Based on an Elmore Leonard Novel, this film tells the story of an unusual romance between career criminal Jack Foley (George Clooney) and his kidnap victim, U.S. Marshall Karen Sisco (Jennifer Lopez). Directed by Steven Soderbergh. So why blow your money on a fancy restaurant when true romance is just a remote click away? Check out a love story from your Clackamas County Library today! Amelia Heinl aka the Movie Maven Ledding Library of Milwaukie, 9600 SE Main St, Milwaukie, OR 97222 ● 503.786.7580 ● milwaukieoregon.gov/library Library Hours: Mon - Thurs: 9 a.m. - 8 p.m., Fri - Sat: 10 a.m. - 6 p.m. & Sun: 12 - 6 p.m. PDX/Milwaukie who strive to develop Feb 23 - Wallace Programs for Adults their creative writing skills. For 2019 Stevens Poetry they are planning to publish an Discussion - 2 - FEBURARY 2019 anthology of short stories. Visit their 4 p.m. at St Johns website to learn more about Episcopal Sun Mon Tue We Thu Fri Sat them http://craftywriters.club/. Church. Join us 1 2 Feb 13 - Tim Whitsel for a poet discussion on the poet Wallace 3 4 5 6 7 8 9 Poetry Reading - 6:30 - 7:30 p.m. in the Stevens led by Lisa Steinman. Please 10 11 12 13 14 15 16 Pond House. Tim RSVP for this discussion at [email protected]. 17 18 19 20 21 22 23 Whitsel’s first collection, We Say Feb 27 - Ledding Book 24 25 26 27 28 Ourselves, was Club - 6:30 – 7:30 p.m. published in 2012 by This month we will New Hours: Traprock Books. His second collection, discuss The Hidden Life Wish Meal, was published in 2016 by of Trees by Peter Mon-Thurs: 9 a.m. - 8 p.m. Airlie Press. In his poems, we encounter Wohlleben. Fri & Sat: 10 a.m. - 6 p.m. places, rites, decades and nights of Sun: 12 - 6 p.m. perishable abundance. He nurtures For Children’s Programs visit: apple trees, secrets, prize tomatoes, www.milwaukieoregon.gov/library fascinations and bewildering kids. He Construction Update journeys between the burden of an Every Thursday - Knit Nite - heirloom faith and the transcendence The New Library construction is moving 6:30 - 7:45 p.m. Knitters and of Oregon rivers and skies. The WISH of along steadily. The terrain leveling is crocheters of all skill levels are belonging becomes Whitsel’s grist, his complete and foundations are welcome. MEAL subject to blemish and ferment. poured. Soon the floor slab will be poured! Photos by Katie Kewell and Light refreshments will be served. Feb 7 – Daylight Andrew Connellan. Book Group – 11 a.m. – Feb 16 - Guided 12 p.m. This month the Meditation - 10 - book group will discuss 11 a.m. in the Pond The Girls of Atomic City by House. Presented Denise Kiernan. In April the by Claudette group will discuss In Pelletier, M. Divinity. Patagonia by Bruce Chatwin. Learn how to take time out of your Feb 9 - Guided busy life to quiet your mind, reduce Meditation - 10 - stress, manage pain, and truly be in 11 a.m. in the Pond the moment. Feel free to come to one House. Presented or both classes. by Claudette Pelletier, M. Divinity. Feb 16 - SCI Fantasy Learn how to take Book Club - 3 :30 - time out of your 5 p.m. This month we will busy life to quiet your mind, reduce discuss science fiction stress, manage pain, and truly be in and fantasy books we the moment. A second class will be enjoy and plan our next held Feb. 16, come to one or both. reads. RSVP with Robert classes. at 503.786.7546 or [email protected] Feb 18 - Closed - Presidents Day Feb 11 - Crafty Writers and Readers - 6 – 7:45 p.m. A group of writers in SE Ledding Library of Milwaukie, 9600 SE Main St, Milwaukie, OR 97222 ● 503.786.7580 ● milwaukieoregon.gov/library Library Hours: Mon - Thurs: 9 a.m. - 8 p.m., Fri - Sat: 10 a.m. - 6 p.m. & Sun: 12 - 6 p.m. .
Recommended publications
  • Before the Forties

    Before the Forties

    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
  • Elmore Leonard, 1925-2013

    Elmore Leonard, 1925-2013

    ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year.

  • Summer Classic Film Series, Now in Its 43Rd Year

    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
  • Screwball Syll

    Screwball Syll

    Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny.
  • False Authenticity in the Films of Woody Allen

    False Authenticity in the Films of Woody Allen

    False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr.
  • Films Winning 4 Or More Awards Without Winning Best Picture

    Films Winning 4 Or More Awards Without Winning Best Picture

    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
  • Helping You to Focus Better

    Helping You to Focus Better

    #1 BOOK ONE word search Helping you to focus better Crystalens® vision workbook “your road to visual rejuvenation” DUNKIN DONUTS F J N H I A F L R W X D D T Z K T P E K Y W X C S T V B Q L O D V H O O R F Y X S O T E O M G M Q R D I Q K L T H I Z B J Y T T Y H G M V C Y Y T F L E L L E H J J P L I Y C H U J Y W N C E R K F O A R I T C R O I S S A N T W F R P C N F Z I X Y N Y E Y J X L N Y F R P A I L N E O L S W Z T E F K D U O C X D C J B Y L K G N Q E T T A L V C R W D C K D Q N N S A G R U B W F N U W R H U X O M D D U Q C L K W P B R P B W B P T U M J D R T F W S L T E I M A Y Y P X G E J X C V V S C L K I L P D V M A V H S Y V Q Y W N N A T W O N I J D C U N R Y Z F I J Q O A K D K N E A D T M U A J F P V D R O U E L E G A B E V Y T E J K V G P S H D E B M M H T C R Q T G K U W V F Z W R U K P T R O I J U B Y U H J E L E E X W Q V Q F B N M G J A W M U F F I N Z E G X K A S N B P A S V P Q X A L K O D U D A Q Bagel Drive Thru Beans Hazelnut Cappuccino Iced Coffee Latte Croissant Muffin Doughnut Vanilla #1 CANDY BARS W G I X B R B U Q I U C V Q S V K O O I H Y V S W Q Q U O R C N D C T Y Z K F B O O WH M M Y A W C E J T V Y I R R P S W O U U R K A L N O O E R N X J B X M G G J O O G C U Q W C Z Q T D H V M O W O W R E Q O C M V F U I L Y E D O R A O W R D M E O S L G Q M C S A I K E K E E K A J U L D E S E E R M B W Z S S O N Y K R L J Q B Y T A S H U H Y Q S M U V A U A I M P A A U R B T M N K E H E B M C O B R E O R T M S T V T I L H E R S H E Y Y V K L N N B E K I K H I U T M J T T V K B B A B D R W K C A K M E F K A T Q B S A
  • And the Oscar Goes To

    And the Oscar Goes To

    SOCIETY & CULTURE Oscar de la Renta with Spanish socialite and exhibits former fashion model Naty Abascal in the 1960s. AND THE OSCAR GOES TO... As the Museum of Fine Arts pays tribute to prolific fashion designer Oscar de la Renta, local style icons look back on his impact on both their lives and the world. By Michele Meyer The first major fashion exhibit at The Museum of Fine Arts, Houston began with one phone call, when philanthropist Lynn Wyatt rang up Museum Director Gary Tinterow. Having seen a tribute to the late, great Oscar de la Renta at San Francisco’s de Young museum, Wyatt believed Houston should stage its own showcase of the dapper designer. After all, he’d often visited our city and had clad not only Audrey Hepburn, Taylor Swift, Oprah Winfrey and every first lady of the United States—from Nancy Reagan to Michelle Obama— but also many local fashionistas, Wyatt among them. Needless to say, Tinterow agreed. Rest assured that the resulting exhibit, The Glamour and Romance of Oscar de la Renta—on view through Jan. 28—is no knock-off. Not only did de la Renta’s heirs and French label Pierre Balmain share corporate and personal archives, but some of Houston’s best-dressed denizens opened their own closets to the MFA. Each section features gorgeous garb loaned by Wyatt; former Mayor Bob Lanier’s wife, Elyse Lanier; fine arts patron Rosanette Cullen; anesthesiologist Yvonne Cormier; and former first lady Laura Bush. “He told me he had a special affection for the women of Houston because they had style and wore their clothes beautifully,” Cormier says.
  • 3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie

    3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie

    1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
  • Scaurs. Car W - - Caro O and Newcomers

    Scaurs. Car W - - Caro O and Newcomers

    Sunday, April 7, 1968 3 rm JO- 11- (&ett scaurs. car W - - caro o and newcomers. Two hoped-fo- r 0 Bv HAUVEY 0 To Eternity years ago, appearance, the ELLIOTT True. For the past seven something extra is added for From Here their of The who had Dally Tar Heel Staff or eight years, nominees have Oscar's 40th birthday. Last On The Waterfront. Other ever heard of Faye presenters of the awards are It's Oscartime again! year, a segment spotlighting Oscar-winne- rs shown will be: Runaway, Michael J. Pollard, culled from all areas of been almost exclusively Dustin After months of arguing British. Filmgoers were begin- the Oscar-winne- rs for Best Audrey Hepburn in Roman Hoffman, or Katharine Hollywood stardom. Some of whether Ross? And who Hollywood's brightest lights The Graduate was a ning to wonder if the American Song throughout the years was Holiday would ever I-- V t V suspect Oscar-winni- ng well-receive- The better film that Bonnie d. year, the Humphrey Bogard in that will be giving out Oscars this and film industry had any future. This performances r Clyde, wondering where five This year, however, the entire history of the Awards African Queen could ever be year. Best Song Ingred Bergman in Anas-tas- ia brought out of pretty-bo-y War- Wood whatever nominees were tables are turned. Only three is reviewed, using film clips r . ren Natalie - . going actor-nomine- Beatty or George to come from try to out of 20 es from 33 Oscar winners.
  • The Argument for Agency in the Stardom of Katharine Hepburn

    The Argument for Agency in the Stardom of Katharine Hepburn

    Sara Bakerman Too Good for the Fan Rags: The Argument for Agency in the Stardom of Katharine Hepburn Abstract During her tenure at RKO in the 1930s, Katharine Hepburn ascended to the top echelon of stardom, establishing herself in the public eye as a gifted actress even as she resisted the formal structures of fame and celebrity. Through the examination of personal correspondences, including letters and telegrams from fans, friends, and colleagues, this paper investigates the extent to which Hepburn actively contributed to the maintenance of her image leveraged her stardom as the means to manage her own career. Of equal concern in this inquiry are the implications of the actress’s agency for the longevity of her early career; to this end, contemporary fan magazine coverage will be analyzed for its role in constructing Hepburn’s public persona. The discrepancies and overlaps in the public and private discourses surrounding her star image serve as crucial evidence of Hepburn’s privileged status within the industry, which runs contrary to broadly accepted notions of the studio system. As early as 1935, RKO memorandums reveal that the star wielded considerable power within the studio and was making decisions regarding production, which was particularly rare for actresses during this phase of the studio era. That same year, Hepburn received a letter that predicted her eventual labeling as “box office poison” and suggested ways to achieve greater influence in Hollywood; subsequent correspondence indicates the nuances of the studio’s response to Hepburn’s attempts to follow that advice. In terms of industrial agency, these communications offer a dynamic that is particularly crucial to the understanding of the ostensibly “private” star.
  • December 8, 2009 (XIX:15) Mike Leigh TOPSY-TURVY (1999, 160 Min)

    December 8, 2009 (XIX:15) Mike Leigh TOPSY-TURVY (1999, 160 Min)

    December 8, 2009 (XIX:15) Mike Leigh TOPSY-TURVY (1999, 160 min) Directed and written by Mike Leigh Produced by Simon Channing Williams Cinematography by Dick Pope Film Editing by Robin Sales Art Direction by Helen Scott Set Decoration by John Bush and Eve Stewart Costume Design by Lindy Hemming Allan Corduner...Sir Arthur Sullivan Dexter Fletcher...Louis Sukie Smith...Clothilde Roger Heathcott...Banton Wendy Nottingham...Helen Lenoir Stefan Bednarczyk...Frank Cellier Geoffrey Hutchings...Armourer Timothy Spall...Richard Temple (The Mikado) Francis Lee...Butt Kimi Shaw...Spinner William Neenan...Cook Toksan Takahashi...Calligrapher Adam Searle...Shrimp Akemi Otani...Dancer Martin Savage...George Grossmith (Ko-Ko) Kanako Morishita...Samisen Player Jim Broadbent...W. S. Gilbert Theresa Watson...Maude Gilbert Lesley Manville...Lucy Gilbert Lavinia Bertram...Florence Gilbert Kate Doherty...Mrs. Judd Togo Igawa...First Kabuki Actor Kenneth Hadley...Pidgeon Eiji Kusuhara...Second Kabuki Actor Keeley Gainey...Maidservant Ron Cook...Richard D'Oyly Carte Naoko Mori...Miss 'Sixpence Please' Eleanor David...Fanny Ronalds Eve Pearce...Gilbert's Mother Gary Yershon...Pianist in Brothel Neil Humphries...Boy Actor Katrin Cartlidge...Madame Vincent Franklin...Rutland Barrington (Pooh-Bah) Julia Rayner...Mademoiselle Fromage Michael Simkins...Frederick Bovill Jenny Pickering...Second Prostitute Alison Steadman...Madame Leon Kevin McKidd...Durward Lely (Nanki-Poo) Cathy Sara...Sybil Grey (Peep-Bo) Sam Kelly...Richard Barker Angela Curran...Miss Morton Charles Simon...Gilbert's Father Millie Gregory...Alice Philippe Constantin...Paris Waiter Jonathan Aris...Wilhelm David Neville...Dentist Andy Serkis...John D'Auban Matthew Mills...Walter Simmonds Mia Soteriou...Mrs. Russell Shirley Henderson...Leonora Braham (Yum-Yum) Louise Gold...Rosina Brandram (Katisha) Nicholas Woodeson...Mr.