The Sou'wester Vol
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Report to the Community Is Courtesy of Jerry’S Printing Service
REPORT TO THE Grant Llewellyn, Music Director COMMUNITY North Carolina’s state orchestra, an orchestra achieving the highest level of artistic 2017 quality and performance standards, and embracing our dual legacies of statewide service and music education. Dear Friends, Orchestral music is thriving in our state: Over the past year, North Carolinians in 91 counties connected with the music-making of the North HOW OUR 84TH YEAR Carolina Symphony. More than 250,000 people—of all ages and walks of life—filled concert halls, libraries, restaurants, and gymnasiums, finding STACKED UP knowledge, inspiration, and joy through our performances. NCS is an artistic treasure, but it is also a vibrant, collaborative organization for North Carolina that matters to people in every corner of the state. Our community roots have grown deeper through ever-strengthening partnerships with fellow institutions, from school Thousands of Millennials and systems to museums, creating an impact greater than the sum of the parts as we work together to embrace and shape North Carolina life and culture. Gen X-ers at the Symphony— The Symphony’s national footprint has expanded as well; our March 2017 appearance at the 18,500 miles traveled 40% of ticket-buyers prestigious SHIFT festival in Washington, D.C., garnered praise from The Washington Post and The throughout North Carolina New York Times. And, our dedication to our home-state couldn’t be missed—each of the works we and beyond performed had ties to North Carolina. Reflecting on remarkable successes on and off the stage in the 2016/17 season, I feel confident Concerts and events that we have met the goals set forth in our strategic plan five years ago. -
A Historical and Critical Study of Browning's Asolando Volume
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 3-1961 A Historical and Critical Study of Browning's Asolando Volume Paulina Estella Buhl University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Buhl, Paulina Estella, "A Historical and Critical Study of Browning's Asolando Volume. " PhD diss., University of Tennessee, 1961. https://trace.tennessee.edu/utk_graddiss/2989 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Paulina Estella Buhl entitled "A Historical and Critical Study of Browning's Asolando Volume." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Kenneth L. Knickerbocker, Major Professor We have read this dissertation and recommend its acceptance: Alwin Thaler, Bain T. Stewart, Reinhold Nordsieck, LeRoy Graf Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Copyl'ight by PAULINA ESTELLA BUHL 1961 March 2, 1961 To the Graduate Council: I am submitting herewith a thesis written by Paulina Estella Buhl entitled 11A Historical and Critical Study of Browning's Asolando Volume ." I reconunend that it be accepted in partial fulfillment of the require ments for the degree of Doctor of Philosophy, with a major in English. -
Molly Hankwitz Thesis
Personal Media and Wireless Cities: Towards An Urban Spatial Analysis Molly Hankwitz B.A. Honours in Philosophy, Barnard College of Columbia University Coursework towards Masters, Yale School of Architecture, Yale University Media and Communications Creative Industries Faculty Queensland University of Technology, Brisbane, Australia January 2011 Supervisors: Dr. Terry Flew, QUT Dr. Stephen Wilson, San Francisco State University, San Francisco. CA (1947 - 2011) KEYWORDS Mobile communications, mobile media, wireless, urban space, spatialities, gendered use, urban planning, social space, cell phone, mobile phone, architecture, wireless cities i ABSTRACT For the past decade, at least, varieties of small, hand held networked instruments have appeared on the global scene, selling in record numbers, and being utilized by all manner of persons from the old to the young; children, women, men, the wealthy and the poor and in all countries. Their presences bespeak a radical shift in telecommunications infrastructure and the future of communications. They are particularly visible in urban areas where mobile transmission network infrastructure (3G, 4G, cellular and Wi-Fi) is more established and substantial, options more plentiful, and density of populations more dramatic. These end user products—I phones, cell phones, Blackberries, DSi, DS, IPads, Zooms, and others – of the mobile communications industry are the latest, hottest globalized commodities. At the same time, wirelessness, or the state of being wireless, and therefore capable of taking -
The Inform Designer's Manual
The Inform Designer's Manual Graham Nelson Fourth Edition 2001 The Inform Designer's Manual, Fourth Edition Author: Graham Nelson Editor: Gareth Rees Proofreaders: TorbjornÈ Andersson, Toby Nelson, Andrew Plotkin Printed edition managed by: David Cornelson Cover: Wing of a Roller (watercolour and gouache on vellum, 1512), Albrecht DurerÈ (1471±1528) Notice of Copyright Inform, the program and its source code, its example games and documentation, including the text and typography of this book, are copyright c Graham Nelson 1993, 94, 95, 96, 97, 98, 99, 2000, 01. The Inform software may be freely distributed provided that: (a) distributed copies are not substantially different from those archived by the author, (b) this and other copyright messages are always retained in full, and (c) no profit is involved. The same conditions apply to distribution or conversion of any electronic form of this book which may be made available by the author. Exceptions to these conditions must be negotiated directly with the author. A story file produced with the Inform system belongs to whoever wrote it and may be sold for profit if so desired, without the need for royalty payment, provided that it prints a game banner conforming to the standard library's banner at an early stage in play: in particular, this banner must contain the information that the story file was compiled by Inform, and the version numbers of compiler and library used. The author assumes no liability for errors and omissions in this book, or for damages or loss of revenue resulting from the use of the information contained herein, or the use of any of the software described herein. -
Lawton M. Chiles Center for Florida History Oral History Project
1 May 22, 2020 LAWTON M. CHILES CENTER FOR FLORIDA HISTORY ORAL HISTORY PROJECT Interview with: Jon Corneal Interviewer: James M. Denham Location: Date: May 22, 2020 pages 1-44 JD=James M. Denham JC=Jon Corneal JD: Today is May 22, 2020 and I am here once again with Jon Corneal and we are here to talk about his memories of his music career. “Good morning John.” JC: Good morning Mike. JD: Before we get to California and Connie Smith, I’d like to ask you a couple of things that we may have forgotten about your earlier experiences in Nashville. What was it like when you first went to the Grand Ole Opry? What did you think, first of all when you first went in there. JC: Well we waited in line all day long, got rained on and had to lean up against the building. It needed a porch but didn’t have it so we were just dodging the rain. JD: Were you going to the show? 2 May 22, 2020 JC: Yeah, going to see the Grand Ole Opry. We thought we were gonna have to pay to get in and then Cousin Jake [Tullock] told us the bass player for Earl Scruggs sees us standing in line and he said, “Hey boys, do you want to come in the stage door with me?” JD: How many days had you been in Nashville before you got to go to the Grand Ole Opry? JC: Not long. JD: That was one of the first things you wanted to do. -
Music Like Glen Hansard
Music Like Glen Hansard Acclimatizable and unsubmerged Page mizzling some newmarket so disloyally! Chunderous Brett pittings: he satiate his mickeys upspringing and hereabouts. Clustered Jerri confute plentifully while Stevy always caparison his sentence demythologized straightforward, he cross-pollinate so sixth. FUV's New Dig Glen Hansard WFUV. As good as I'm make fan of Mr Hansard the music started to feel. Bands like Glen Hansard on BandNextcom. Is Glen Hansard in a relationship? Are other top Glen Hansard songs ranked in order including music from. Glen hansard family Craft Beer Cellar Blog. Stock but standing like glen between two shores is drowned out. FREE POSTAGE Glen Hansard The Commitments Once with Music Poster. Two Shores and 2015's Didn't He Ramble pivoted around similar sparse. Glen Hansard is with cute Irish man who conquered the leisure by singing the Academy award winning. It felt alternately like a candlelight church service fund a campfire at the. Didn't He omit the second solo outing from acclaimed singer songwriter Glen Hansard is the Academy Award winning Warner Chappell writers' first new. Glen Hansard finds a dark path to step with solo album. Glen Hansard and Marketa Irglova represent everything when the hot. List adjust all Glen Hansard tour dates concerts support acts reviews and venue info. The brass players brought a bluesy swagger to upbeat tunes like. The bath Like officer of Hansard's albums the musicianship on various Wild Willing is less notch. 'Once' already The Swell Season sings of degree loss CNNcom. Look back orders being some people you care of her father from picture items to load of atmosphere it again like glen music and it would check your subscription once from the. -
Dear Friends, As I Think Back on the 2014/15 Season, I Feel an Enormous Sense of Pride
2014/15 REPORT TO THE COMMUNITY Dear Friends, As I think back on the 2014/15 season, I feel an enormous sense of pride. Using our strategic plan, “Strategy 2017,” as a guide, we continue to make a difference across the state. Last season, the Symphony received some of the largest gifts in our history, had a record-breaking year in ticket sales, was named as one of four inaugural orchestras in a national festival, and extended its collaborations with other cultural organizations in the state, including the Hayes School of Music at Appalachian State University and the University of North Carolina School of the Arts. The North Carolina Symphony is recognized as a Symphony on the move – stories mentioning the Symphony in 2014/15 appeared in the San Francisco Globe, the Washington Post, the New York Times, and of course in many media outlets across our state. Each year, we touch the lives of more than 250,000 of our citizens in communities large and small, fulfilling our mission of music education and statewide service. I am especially proud that the Symphony impacts the lives of our children as we reach more than 50,000 students each year through our nationally recognized curriculum-based education program. Serving as the Board Chair for the North Carolina Symphony Society has been a high honor. Like me, my successor Don Davis is a “Symphony Kid,” who first heard the orchestra as a youngster. A long-time Trustee, he has served over the years on the nominating, audit, finance and executive committees, and is our immediate past Treasurer. -
The Inform Designer's Manual
The Inform Designer's Manual Graham Nelson Fourth Edition 2001 The Inform Designer's Manual, Fourth Edition Author: Graham Nelson Editor: Gareth Rees Proofreaders: Toby Nelson, Andrew Plotkin, TorbjornÈ Andersson Cover: Wing of a Roller (watercolour and gouache on vellum, 1512), Albrecht DurerÈ (1471±1528) Notice of Copyright Inform, the program and its source code, its example games and documentation, including the text and typography of this book, are copyright c Graham Nelson 1993, 94, 95, 96, 97, 98, 99, 2000, 01. The Inform software may be freely distributed provided that: (a) distributed copies are not substantially different from those archived by the author, (b) this and other copyright messages are always retained in full, and (c) no profit is involved. The same conditions apply to distribution or conversion of any electronic form of this book which may be made available by the author. Exceptions to these conditions must be negotiated directly with the author. A story file produced with the Inform system belongs to whoever wrote it and may be sold for profit if so desired, without the need for royalty payment, provided that it prints a game banner conforming to the standard library's banner at an early stage in play: in particular, this banner must contain the information that the story file was compiled by Inform, and the version numbers of compiler and library used. The author assumes no liability for errors and omissions in this book, or for damages or loss of revenue resulting from the use of the information contained herein, or the use of any of the software described herein. -
Catchy Melodies, Unusual Subject Matter, and Clever Wordplay, and Attracted a Huge Following with Their Unique Showmanship
They Might Be Giants "After 30 years, They Might Be Giants retain the virtues that have endeared them to everyone from indie-favoring hipsters to the preschool set...” - USA Today Quick Facts You have 60 seconds to learn 6 things about They Might Be Giants. (There will be a quiz.) 1. The Giants are both named 4. They Might Be Giants is one John. John F. & John L. This of the Internet's favorite never gets confusing. bands. Just ask the Internet. 2. John F. and John L. met in 5. They have released 20 studio Junior High. They formed the band albums and played over 2000 in 1982, which means this year is shows all over the world. the band's 30th Anniversary. They are registered at Macy's. 6. They have written music for TV, movies, video games and 3. They have two Grammys. major ad campaigns. History They Might Be Forming a Band With John L. on accordion and sax, John F. on guitar, and a drum machine, They Might Be Giants took the 1980s NYC music scene by storm. They quickly became known for their catchy melodies, unusual subject matter, and clever wordplay, and attracted a huge following with their unique showmanship. The first TMBG shows included oversized props, cardboard masks, and one song for which the only accompaniment was a huge stick John F. banged on the stage. Dial-A Song When John L. broke his wrist biking and John F.’s apartment was burgled, TMBG started recording one song a day on their answering machine.