Wedgwood's Green Frog Service and an Otherwise Unknown View Of

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Wedgwood’s Green Frog Service and an Otherwise Unknown View of Stourhead Josiah Wedgwood’s firm produced in 1773-74 a dinner service for Catherine II, Empress of Russia, the renowned Green Frog Service. Totaling nearly one thousand individual pieces, the Service featured centrally on each dish, cover, or serving piece a depicted view of some building or landscape of English patrimony. The motifs of the Green Frog Service align more with Romanticism than with Neo-Classicism, and my interest in the Green Frog Service is focused on only one of the pieces that provided a vista of Stourhead Landscape Garden (Wiltshire) that is mostly still forgotten today, even by the National Trust. Although this paper will not promise original research on the Frog Service itself, it will bring an authoritative extrapolation on an otherwise unknown view of the Stourhead “Turkish Tent.” The Turkish Tent on the Mount of Diana, the long-lost "Chinese" bridge, and the Gothic cottage (and other medieval features) were all situated to dilute the Classicism of the Palladian house and its temples of Hercules, Ceres, and Apollo. Henry Hoare's heir removed all the non-classical bits, but that original intent remained. And the present paper pursues the parallel commission of a porcelain service related to landscape and horticulture, merging Aristotelian knowledge and Englightenment empiricism. Classicists may have walked the Stourhead circuit or know about it from reading. It was seen in its day as the journey of Aeneas miniaturized. But later scholars accept the stylistic eclecticism of Hoare's landscape features. The garden — and Wedgwood’s transmission of one detail — are of interest in the context of a discussion of Wedgwood’s neoclassicism, for thereby one can illustrate more honestly the three-dimensionality of 18th-century British neoclassicism. .

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Recorder 13.Indd
n o .13 februAry 2014 THE ECORDER The AnnuAl newsletter of The wilTshire record socieTy ediTor iAl noble thing. I heard it first while we were still working wireless, when there was a ragtime tune for us, and nce again we have managed to fill the pages the last I saw of the band when I was floating out in Oof the Recorder with widely differing articles the sea with my lifebelt on, it was still on deck playing which I hope everyone will enjoy. I was unavoidably “Autumn”. How they ever did I cannot imagine.’ absent from last year’s AGM, so Helen Taylor, our When a version of Bryars’ composition was first Secretary, has kindly put together a short account of performed, incorporating the hymn tune ‘Autumn’, the afternoon. Sir Ronald Johnson suggested that Bride had been This year’s AGM will be held at the Quaker misunderstood, and that the hymn tune he was actually Meeting House in Salisbury and the theme will be referring to was ‘Aughton’. The episcopalian hymn set connected with that building’s former role as part to this tune included the most appropriate stanza: ‘And of the old Fisherton House asylum. Details of the when my task on earth is done | When by Thy grace afternoon’s programme will be sent out later in the the victory’s won | E’en death’s cold wave I will not year, but there is a preliminary advert at the end of flee | Since God through Jordan leadeth me’. Bryars this newsletter. subsequently adapted the tune ‘Aughton’ as one of The year began with a sad note, when it was the movements of an extended version of the piece, learned that Robert Pearson, a stalwart of the CCED recorded in 1994.
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