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All Terrain String Festival Press Release
Press Contact: Blake Zidell Blake Zidell & Associates 718.643.9052 [email protected] For Immediate Release February 6, 2017 PEAK PERFORMANCES’ ALL TERRAIN STRING FESTIVAL: BOLCOM 4x4 PAYS TRIBUTE TO COMPOSER WILLIAM BOLCOM, MARCH 31 – APRIL 2 Festival Celebrating String Quartet Composition and Performance Will Feature Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet, and Acclaimed Guest Artists Including Jazz Bassist John Patitucci and Classical Guitarist Eliot Fisk Program Includes the World Premiere of Bolcom’s String Quartet No. 12, by Shanghai Quartet, and the New York / New Jersey Premiere of His String Quartet No. 8, by Arditti Quartet, as well as a Genre-Spanning Range of Classic and Contemporary Music Shanghai Quartet, Ensemble-in-Residence at John J. Cali School of Music at Montclair State University, Will Join the Other Featured Quartets, in Addition to Headlining a Concert of Their Own Peak Performances presents All Terrain String Festival: Bolcom 4x4 Featuring Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet March 31 – April 2 The Alexander Kasser Theater at Montclair State University (1 Normal Ave, Montclair, NJ) Ticket Prices: $20 per concert; Saturday Pass (two concerts and Mingle with the Musicians Dinner), $60; All-Festival Pass, $90 To Purchase: www.peakperfs.org or 973.655.5112 Peak Performances is pleased to present All Terrain String Festival: Bolcom 4x4, a three-day festival in which four of the world’s foremost string quartets will perform the work of prolific Pulitzer Prize-winning American composer William Bolcom, along with music by a wide variety of other composers, from Mozart to Dizzy Gillespie. -
Kronos Quartet Prelude to a Black Hole Beyond Zero: 1914-1918 Aleksandra Vrebalov, Composer Bill Morrison, Filmmaker
KRONOS QUARTET PRELUDE TO A BLACK HOLE BeyOND ZERO: 1914-1918 ALeksANDRA VREBALOV, COMPOSER BILL MORRISon, FILMMAKER Thu, Feb 12, 2015 • 7:30pm WWI Centenary ProJECT “KRONOs CONTINUEs With unDIMINISHED FEROCity to make unPRECEDENTED sTRING QUARtet hisTORY.” – Los Angeles Times 22 carolinaperformingarts.org // #CPA10 thu, feb 12 • 7:30pm KRONOS QUARTET David Harrington, violin Hank Dutt, viola John Sherba, violin Sunny Yang, cello PROGRAM Prelude to a Black Hole Eternal Memory to the Virtuous+ ....................................................................................Byzantine Chant arr. Aleksandra Vrebalov Three Pieces for String Quartet ...................................................................................... Igor Stravinsky Dance – Eccentric – Canticle (1882-1971) Last Kind Words+ .............................................................................................................Geeshie Wiley (ca. 1906-1939) arr. Jacob Garchik Evic Taksim+ ............................................................................................................. Tanburi Cemil Bey (1873-1916) arr. Stephen Prutsman Trois beaux oiseaux du Paradis+ ........................................................................................Maurice Ravel (1875-1937) arr. JJ Hollingsworth Smyrneiko Minore+ ............................................................................................................... Traditional arr. Jacob Garchik Six Bagatelles, Op. 9 ..................................................................................................... -
RED HOT + CUBA FRI, NOV 30, 2012 BAM Howard Gilman Opera House
RED HOT + CUBA FRI, NOV 30, 2012 BAM Howard Gilman Opera House Music Direction by Andres Levin and CuCu Diamantes Produced by BAM Co-Produced with Paul Heck/ The Red Hot Organization & Andres Levin/Music Has No Enemies Study Guide Written by Nicole Kempskie Red Hot + Cuba BAM PETER JAY SHARP BUILDING 30 LAFAYETTE AVE. BROOKLYN, NY 11217 Photo courtesy of the artist Table Of Contents Dear Educator Your Visit to BAM Welcome to the study guide for the live The BAM program includes: this study Page 3 The Music music performance of Red Hot + Cuba guide, a CD with music from the artists, that you and your students will be at- a pre-performance workshop in your Page 4 The Artists tending as part of BAM Education’s Live classroom led by a BAM teaching Page 6 The History Performance Series. Red Hot + Cuba is artist, and the performance on Friday, Page 8 Curriculum Connections an all-star tribute to the music of Cuba, November 30, 2012. birthplace of some of the world’s most infectious sounds—from son to rumba and mambo to timba. Showcasing Cuba’s How to Use this Guide diverse musical heritage as well as its modern incarnations, this performance This guide aims to provide useful informa- features an exceptional group of emerging tion to help you prepare your students for artists and established legends such as: their experience at BAM. It provides an Alexander Abreu, CuCu Diamantes, Kelvis overview of Cuban music history, cultural Ochoa, David Torrens, and Carlos Varela. influences, and styles. Included are activi- ties that can be used in your classroom BAM is proud to be collaborating with and a CD of music by the artists that you the Red Hot Organization (RHO)—an are encouraged to play for your class. -
San Francisco Symphony MICHAEL TILSON THOMAS MUSIC DIRECTOR
Audio And Video from the San Francisco Symphony MICHAEL TILSON THOMAS MUSIC DIRECTOR the San francisco Symphony is the first uS orchestra with its own in-house label, SfS media™, offering a distinctive series of recordings and dVds. under the leadership of music director michael tilson thomas, the orchestra has recorded a GrAMMY®-winning, critically acclaimed cycle of the symphonies of Gustav mahler. our groundbreaking Keeping Score series, available on dVd and Blu-ray, features MTT and the orchestra exploring great works and the people behind them, and is designed to make classical music accessible to those of all ages and musical backgrounds. Also on dVd is A Celebration of Leonard Bernstein: Carnegie Hall Opening Night 2008, the San francisco Symphony’s gala Bernstein concert, broadcast originally on PBS’s Great Performances. MAHLER SYMPHONY NO. 1 “it’s not unheard of for this orchestra and conductor to sound so good together; anyone who’s been going to davies Symphony hall with any frequency in recent years has heard comparable performances. But to hear the dramatic sweep and sonic depth of the performance caught so resplendently on disc—that’s another story. thomas’ dedication to live recordings has never seemed so thoroughly justified.” – San Francisco Chronicle Mahler: Symphony No. 1 SFS-0002 Hybrid SACD MAHLER SYMPHONY NO. 2 SOLOISTS Isabel Bayrakdarian Lorraine Hunt Lieberson with the San francisco Symphony Chorus “At times demoniacally dramatic, [MTT] … yields a forceful, stunning interpretation (sumptuous brass) with sepulchral undertones (strings from beyond the grave). the vocal parts are almost supernatural.… it is a decidedly classy performance.” – Le Monde Mahler: Symphony No. -
The Nationalnational a Bitter, Angry Record in a Lot of Spots
ISSUE #28 MMUSICMAG.COM ISSUE #28 MMUSICMAG.COM Q&A songs and make records together, definitely and closer and repeatedly, the different “Our voices will be mixed together in a weird in the shadows. dimensions of our songs reveal themselves. I way.” I wanted it to sound like what would get why people label us dark or brooding or be on the radio in the afterlife, and she got Why was it easier to write this time? depressing. It’s the most obvious thing when into that. Our voices are kind of distorted Alligator was the first record we released you first hear us because of the sound of my and mutated into some weird hybrid that was signed to a real label. We were voice or the instrumentation we’re using. And creation in that section. But it’s not like, desperate for people to notice us, and they when I’m writing I definitely like to wallow “Here’s Annie Clark in her starring cameo!” did. But we had a lot of anxiety about how in the dark stuff, but often it’s also very silly People prefer that way because they know to follow that up without painting ourselves observations about my own neuroses or they’re not just being used for their name; into a corner. We knew we wanted to make obsessions. A lot of our songs are about it’s because we respect their musicality, something that wasn’t like Alligator, but we death and the idea of existence, but in kind and they’re friends. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 9/6/2017 Good Old War “The River” The first single from their new EP Part Of Me, out now The full EP is available for download on PlayMPE Early at KVNA This is the first of three EPs that the band plans to release over the next year On tour in October and November with Josh Ritter: 10/22 Dallas, 10/23 Birmingham, 10/24 Atlanta, 10/25 Carrboro, 10/27 Boston, 10/28 Portland ME, 10/29 Brooklyn, 11/1 Millvale... Ted Leo “Can’t Go Back” The first single from his new solo album, out this Friday, on PlayMPE now Early: WNKU, WBJB, KBAC, WYCE, KRCL, KHUM, KVNA, Open Air This is his first solo album since his work with The Pharmacists and with Aimee Mann as The Both On tour: 9/17 Boston, 9/20 Detroit, 9/22 Chicago, 9/23 Cleveland, 9/24 Pittsburgh, 10/23 Richmond, 10/24 Carrboro, 10/25 Atlanta... The National “Day I Die” The follow up to their first #1 single “The System Only Dreams In Total Darkness” from Sleep Well Beast, in stores Friday Most Added including KCSN, KCMP, WFUV, WXPN, WPYA, KTBG, KVNV, KUTX, KJAC, KVNA, WDST, WNKU, WVOD... Playing on Colbert this Thursday and featured on CBS This Morning Saturday this weekend US tour dates kick off in October Joan Osborne “Quinn The Eskimo (The Mighty Quinn)” The first single from Songs Of Bob Dylan, out now Most Added AGAIN! New this week at KRCC and WUTC Already on WFUV, XM Loft, WYEP, WEXT, WNCW, KBAC, WMVY, WBJB, WFIV, KVNA, WMWV, KOZT, WCBE, KMTN, KHUM.. -
San Francisco Symphony 2018–2019 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 5, 2018 SAN FRANCISCO SYMPHONY 2018–2019 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2018–19 season go on sale TUESDAY, March 6 at 10 am at www.sfsymphony.org/1819season, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Discover how to receive free concerts with your subscription package. For additional details and questions visit www.sfsymphony.org/1819season. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA with ITZHAK PERLMAN Wednesday, September 5, 2018 at 8:00 pm Michael Tilson Thomas conductor Itzhak Perlman violin Students of the Perlman Music Program San Francisco Symphony LISZT Mephisto Waltz No. 1 for Orchestra J.S. BACH Concerto No. 3 in D minor for Two Violins, Strings, and Continuo, BWV 1043 GERSHWIN Cuban Overture GARDEL Tango from Scent of a Woman BARRY Main Title from Out of Africa John WILLIAMS Theme from Schindler’s List Ennio MORRICONE Love Theme from Cinema Paradiso GERSHWIN An American in Paris SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 13, 2018 at 8 pm Friday, September 14, 2018 at 8 pm Saturday, September 15, 2018 at 8 pm Sunday, September 16, 2018 at 2 pm Michael Tilson Thomas conductor Yuja Wang piano Luke Kritzeck lighting design Clyde Scott video -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
Newsletter Art Barn and Finch Lane Gallery ǀ Newsletter of the Salt Lake City Arts Council
SUMMER 2013 NEWSLETTER ART BARN AND FINCH LANE GALLERY ǀ NEWSLETTER OF THE SALT LAKE CITY ARTS COUNCIL TABLE OF CONTENTS 2013 TWILIGHT CONCERT SERIES Click title below to go directly to story. The Salt Lake City Arts Council is pleased to announce the 2013 Twilight Concert Series, now in its 26th season, returning to Pioneer Park with another tremendous Twilight Concert Series lineup. The series will run July 18 through September 5 every Thursday evening, with special back-to-back shows scheduled for Wednesday, August 7 and Thursday, Oelerich & Somsen Exhibition August 8. Featured performing artists include Belle & Sebastian, Blitzen Trapper, Public Art Program The Flaming Lips, The National, Sharon Van Etten, Grizzly Bear, Youth Lagoon, Erykah Badu, Kid Cudi, Empire of the Sun, and MGMT. Twilight concerts are a Wheatley & Ashcraft Exhibition longtime staple of Salt Lake City‘s downtown landscape, recognized for inviting Brown Bag Concert Series some of today‘s most impressive names in music to perform on summer nights, when the air is slightly cooler and where the community can come together under New Visual Arts Season a canopy of stars. City Arts Grants Deadlines For 2013, tickets are still just $5 for each concert and $35 for season tickets. Arts Council Welcomes New Season tickets are on sale now via the local ticketing agency, www.24tix.com. Staff Member Additionally, individual tickets will go on sale June 1 at noon and will be available online at 24tix.com and all Graywhale locations throughout the valley. Day of Lifelong Learning Class show entry will be allowed at the gate for $5. -
John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll. -
Philip Glass
DEBARTOLO PERFORMING ARTS CENTER PRESENTING SERIES PRESENTS MUSIC BY PHILIP GLASS IN A PERFORMANCE OF AN EVENING OF CHAMBER MUSIC WITH PHILIP GLASS TIM FAIN AND THIRD COAST PERCUSSION MARCH 30, 2019 AT 7:30 P.M. LEIGHTON CONCERT HALL Made possible by the Teddy Ebersol Endowment for Excellence in the Performing Arts and the Gaye A. and Steven C. Francis Endowment for Excellence in Creativity. PROGRAM: (subject to change) PART I Etudes 1 & 2 (1994) Composed and Performed by Philip Glass π There were a number of special events and commissions that facilitated the composition of The Etudes by Philip Glass. The original set of six was composed for Dennis Russell Davies on the occasion of his 50th birthday in 1994. Chaconnes I & II from Partita for Solo Violin (2011) Composed by Philip Glass Performed by Tim Fain π I met Tim Fain during the tour of “The Book of Longing,” an evening based on the poetry of Leonard Cohen. In that work, all of the instrumentalists had solo parts. Shortly after that tour, Tim asked me to compose some solo violin music for him. I quickly agreed. Having been very impressed by his ability and interpretation of my work, I decided on a seven-movement piece. I thought of it as a Partita, the name inspired by the solo clavier and solo violin music of Bach. The music of that time included dance-like movements, often a chaconne, which represented the compositional practice. What inspired me about these pieces was that they allowed the composer to present a variety of music composed within an overall structure. -
PAX MUSICAMUSICA 2011 Touring Year • Client Tour Stories 2011 Highlights What’S Inside Baltimore Symphony Orchestra
Classical Movements, Inc. PAXPAX MUSICAMUSICA 2011 Touring Year • Client Tour Stories 2011 Highlights What’s Inside Baltimore Symphony Orchestra ........... 9 202 Concerts Canterbury Youth Chorus ................. 15 Arranged College of William and Mary ............ 10 Worldwide Collège Vocal de Laval ...................... 11 Read more inside! Children’s Chorus of Sussex County ............................... 7 Dallas Symphony Orchestra Proud to Start and Chorus .................................... 9 Our 20th Year Drakensberg Boys’ Choir .................... 2 Eric Daniel Helms Classical Movements New Music Program ...................... 5 Rwas established in El Camino Youth Orchestra ................ 7 1992, originally Fairfield County Children’s Choir .......................... 15 operating as Blue George Washington University Choir .. 7 Heart Tours and Greater New Orleans providing exclusive Youth Orchestra ............................ 4 tours to Russia. Harvard-Radcliffe Orchestra ............... 3 Ihlombe! South African Rapidly, more Choral Festival ............................. 14 countries were added, Marin Alsop (Baltimore Symphony Orchestra Music Director), David Los Angeles Children’s Choir ........... 15 attracting more and Rimelis (Composer), Dan Trahey (OrchKids Director of Artistic Melodia! South American Program Development) and Neeta Helms (Classical Movements Music Festival ................................ 6 more extraordinary President) at the premiere of Rimelis’ piece OrchKids Nation Minnesota Orchestra ..........................