January 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WHEN MARK TWAIN WAS I Urged to Take out an Insurance Policy To
WHEN MARK TWAIN WAS I urged to take out an insurance policy to protect him from risk of accident while on the train trip for which he had just bought a ticket he declined, saying that he thought that instead he would take out a policy for the following day. The agent couldn't understand this, and Mark explained that he had been looking over the statistics and had discovered that by far the greatest number of accidents occurred to people while they were at home, so he concluded that it was more dangerous to stay at home than to travel. JUST NOW WE ARE Shocked by the number of deaths resulting from automobile accidents. Some statistician who has devoted considerable time to the subject compares automobile fatalities with deaths in war. According to his figures there were in the United States 388,936 deaths resulting directly from automobile accidents in the past fifteen years. And the record shows that in all the wars in which the United States has been engaged there were 244,357 American soldiers killed outright or fatally wounded on the field of battle. Probably Mark Twain would conclude that it is less dangerous to go to war than to ride in an automobile. BUT THAT IS NOT THE worst of it. It seems to be almost as dangerous to stay at home as it is to go joy-riding. In the year 1934 there were 36,000 persons killed by or in motor cars, and in the same year 34,500 persons were killed in accidents at home. -
Program PDF Saturday, March 28, 2020 Updated: 02-14-20
Program PDF Saturday, March 28, 2020 Updated: 02-14-20 Special ‐ Events and Meetings Congenital Heart Disease ‐ Scientific Session #5002 Session #602 Fellowship Administrators in Cardiovascular Education and ACHD Cases That Stumped Me Training Meeting, Day 2 Saturday, March 28, 2020, 8:00 a.m. ‐ 9:30 a.m. Saturday, March 28, 2020, 7:30 a.m. ‐ 5:30 p.m. Room S105b Marriott Marquis Chicago, Great Lakes Ballroom A CME Hours: 1.5 / CNE Hours: CME Hours: / CNE Hours: Co‐Chair: C. Huie Lin 7:30 a.m. Co‐Chair: Karen K. Stout Fellowship Administrators in Cardiovascular Education and Training Meeting, Day 2 8:00 a.m. LTGA, Severe AV Valve Regurgitation, Moderately Reduced EF, And Atrial Acute and Stable Ischemic Heart Disease ‐ Scientific Arrhythmia Session #601 Elizabeth Grier Treating Patients With STEMI: What They Didn't Teach You in Dallas, TX Fellowship! Saturday, March 28, 2020, 8:00 a.m. ‐ 9:30 a.m. 8:05 a.m. Room S505a ARS Questions (Pre‐Panel Discussion) CME Hours: 1.5 / CNE Hours: Elizabeth Grier Dallas, TX Co‐Chair: Frederick G. Kushner Co‐Chair: Alexandra J. Lansky 8:07 a.m. Panelist: Alvaro Avezum Panel Discussion: LTGA With AVVR And Reduced EF Panelist: William W. O'Neill Panelist: Jennifer Tremmel Panelist: Jonathan Nathan Menachem Panelist: Joseph A. Dearani 8:00 a.m. Panelist: Michelle Gurvitz Case of a Young Women With STEMI Panelist: David Bradley Jasjit Bhinder Valhalla, NY 8:27 a.m. ARS Questions (Post‐Panel Discussion) 8:05 a.m. Elizabeth Grier Young Women With STEMI: Something Doesn't Make Sense... -
Printable Bio / Resume
BARBARA MINKUS - BIOGRAPHY Barbara Minkus began show business in Julius Monk's New York review Bits and Pieces. She then went on to receive rave reviews touring as Fanny Brice in Funny Girl throughout the United States. She was the original Lucy in the recording and Off-Broadway production of You're A Good Man Charlie Brown, and continued her Broadway success in The Education of Hyman Kaplan, directed by the great George Abbott. On television, she was a regular for six seasons of Love American Style and played Gittle the Witch in ABC's Curiosity Shop. She made many appearances on The Tonight Show and a record twenty times on The Merv Griffin Show. Barbara has numerous film and voice over credits, including playing the voice of Ms Pacman in the ABC cartoon series Pac Man. After taking time out to raise her family, Barbara returned to the theater at the Santa Monica Playhouse in Funny You Don't Look Like a Grandmother, and went on to star there as Molly Picon in Picon Pie, a role she helped research. She then reprised Molly Picon Off-Broadway. Barbara Minkus starred in Los Angeles and Florida as Jennie Grossinger in Stephen Cole's delightful musical Saturday Night at Grossinger's. Barbara presented From This Moment On – Minkus Sings Porter at The American Jewish University in Los Angeles and returned to AJU to present The Songs Of Irving Berlin. She played Miss Lynch in Grease at the Muni Theatre in St. Louis, and came back to The Muni and Starlight Theater in Kansas City, to play Yente in Fiddler on the Roof. -
Guide to the Jack Siefert Woody Herman Collection
Guide to the Jack Siefert Woody Herman Collection NMAH.AC.0659 Wendy Shay 2003 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Correspondence........................................................................................ 4 Series 2: Photographs.............................................................................................. 6 Series 3: Business Records.................................................................................. -
Qui Perd Gagne: Failure and Cinematic Seduction
1 Žižek and Cinema - IJŽS Vol 1.3 Qui Perd Gagne: Failure and Cinematic Seduction Hugh S. Manon – Oklahoma State University, Stillwater, Oklahoma, United States Introduction – “To Cracow” Although it is mentioned only once in the writings of Sigmund Freud, the so called “Jewish joke” appears on various occasions in the work of Jacques Lacan (1978: 139; 1993: 37; 2006: 13, 436) and is developed in various permutations, and with great didactic force, by Slavoj Žižek (1989: 197; 1992: 73; 1998: 12). The joke, as Freud originally presents it, is as follows: Two Jews met in a railway carriage at a station in Galicia. “Where are you going?” asked one. “To Cracow,” was the answer. “What a liar you are!” broke out the other. “If you say you’re going to Cracow, you want me to believe you’re going to Lemberg. But I know that in fact you’re going to Cracow. So why are you lying to me?” (1960: 137-8) For Freud, this unusual joke points up “the problem of what determines the truth” by playing on the difference between two kinds of lying. Whereas a basic lie involves a willful attempt to represent things as other than they are, regardless of who is listening, a second option is also available. Taking into account how various statements might be received by a particular individual—for instance someone already known to be a skeptic—a speaker may create a customized lie, one more ideally suited to the disposition of its potential victim. The result is a paradox: a lie that takes the form of the truth itself. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
The GRAMMY Museum Presents George Carlin: a Place for My Stuff
The GRAMMY Museum Presents George Carlin: A Place For My Stuff New Display to Open Sept. 30 Commemorating The Late GRAMMY-winning comedian WHO: The GRAMMY Museum will commemorate GRAMMY-winning comedian George Carlin with a new display opening Wednesday, Sept. 30, 2015 on the Museum's third floor. The exhibit will mark the third display in the Museum's comedy series, following previous tributes to Rodney Dangerfield and Joan Rivers. WHAT: Artifacts on display in George Carlin: A Place For My Stuff will include: Carlin's GRAMMY Awards and other accolades Childhood scrapbook and photos The set list from his performances on The Tonight Show in 1962 and The Ed Sullivan Show in 1971 His public arrest records Script from the 1999 cult film Dogma And more "Ever since I became the keeper of my dad's stuff in 2008, I have enjoyed sharing little bits of it with friends and comedians," said Kelly Carlin, the comedian's daughter. "But to know that his fans will now get to see some of it, makes my heart swell with joy. I am thrilled that the GRAMMY Museum is creating a place for his stuff." "George Carlin helped redefine the art form of stand-up comedy. He used his talent to not only entertain, but to question conventional wisdom and social injustices," said Bob Santelli, Executive Director of the GRAMMY Museum. "With this latest display in our comedy series, we continue to spotlight some of the greatest comedy acts, many of whom have been recognized by the GRAMMY Awards." WHEN & WHERE: George Carlin: A Place For My Stuff will be on display at the GRAMMY Museum through March 2016. -
With Recent Appearances in Jackass, the Bonnie Hunt Show and Next in Rob Reiner's New Movie Alex and Emma, the Legendary King Of
With recent appearances in JackAss, The Bonnie Hunt Show and next in Rob Reiner's new movie Alex and Emma, the legendary King of Confetti, Rip Taylor, has been introduced to a new generation of fans, which is another reason he has a star on Hollywood Boulevard for movies, film and television. Although most of his new admirers don't realize it, Rip Taylor has dazzled audiences worldwide in a career that has spanned over forty years. A master of comedic timing and consummate showman, Rip has headlined in Las Vegas, appeared on hundreds of television shows, played the lead in various plays and musicals, and frequently taken a dramatic turn in feature films. It is no exaggeration to say that Rip Taylor has succeeded in every facet of the entertainment industry. The phenomenon that is Rip Taylor began when Ed Sullivan could not remember the young comedian's name; he introduced Rip as "The Crying Comedian." Ed Sullivan accidentally stumbled upon Rip's niche, and after that appearance Rip found himself booked solid for months. This taught the young performer the importance of having a memorable hook. Bright costumes, outrageous props, wacky wigs and colorful confetti soon followed - and Rip Taylor became a pop culture sensation. Rip is one of television's most recognizable celebrities. A guest star with over 2 ,000 television appearances under his belt, Rip brought his wild energy to The G ong Show, Password, The Merv Griffin Show, The Mike Douglas Show, T he Tonight Show, Late Night with David Letterman and to the coveted c enter square on Hollywood Squares. -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
Baker, James A.: Files Folder Title: [White House] Correspondence (Higgens) Box: 2
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Baker, James A.: Files Folder Title: [White House] Correspondence (Higgens) Box: 2 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing THE WHITE HOUSE WASHINGTON March 30, 1981 NOTE FOR ANN HIGGINS FROM: FRANK HODSOLL Would you please see that the attached requr st is answered. Thanks so much. ATTACHMENT .........·, ~)i DEPARTMEN T OF STAT E I W ashln11ton, D.C. 20520 ' •-- March 26, 1981 Mr. Frank S. ~1. Hodsoll Deputy Assistant to the President The White House Washington, D.C. 20500 Dear Mr. Hodsoll : Sorry to bother you with such a minor request, but I am wondering if it would be possible to ask for some autographed photos of the President for my b~other and his family. He would like four photos with dedications, if possibl~ as follows: Jeff ::!{ ing Tammy Jeanne King Heather D. King Jeffry King, Jr. ' If it is possible to provide the photos, could they please be sent to me at the address indicated below, so I can forward them? Many thanks for any help you can give me on this matter. ~~sincerely, c;;~: H. King EUR/RPM Room 6513, N.S. Department of State Washington, D.C. 20520 THE WHITE HOUSE WA S HINGTON March 31, 1981 MEMORANDUM FOR ANNE HIGGINS FROM: FRANK HODSOLL /;., / j f' ~( . -
Butch Miles Butch Miles
Master Clinics and Master Performances Butch Miles Butch Miles The accomplishments of drummer Butch Miles continue “Miles will probably be the to attract worldwide attention. next Buddy Rich, the future Playing with such luminaries as Krupa.” (Review of Count Basie, Frank Sinatra, Monterrey Jazz Festival) Sammy Davis, Jr., Dave Santa Cruz Sentinel Brubeck, Mel Torme, Lena Horne, Joe Williams, Ella “Drummer Butch Miles was Fitzgerald, Woody Herman, flamboyant and flashy but Clark Terry, Gerry Mulligan, impeccably precise and Billy Eckstein, Eddie “Lockjaw” brilliantly swinging.” Davis, Harry “Sweets” Edison, Washington Post Benny Goodman, Tony Bennett, Rosemary Clooney, “I have never seen (and I Wild Bill Davison, Zubin Mehta, probably never will again) Itzak Pearlman, Michele Leeb, anyone like the drummer, Dick Hyman and others, Butch Butch Miles. He was beyond displays the maturity of his description and his solo experience with youthful performance brought the first imagination and unending standing ovation of the energy. evening.” Townsville Daily Bulletin (Australia) As the drummer for the world-famous Count Basie Orchestra (1975-1979 and 1997-2007), Butch quickly became renowned for his swinging big band “Miles enhances every lick. style and techniques. He has performed at every major jazz festival in the He can bring out the best in world including: the Montreal Jazz Festival; North Sea Jazz Festival at the any band and it’s Hague, the Netherlands; the Montreux and Bern Jazz Festivals in sensational to have him Switzerland; the Berlin, Munich, Cologne and Stuttgart Jazz Festivals in back where he belongs.” Germany along with many tours throughout Europe, Australia, the Far East, New York Post the Americas and the Caribbean. -
Gettv and Cine Sony Television Join DISH Lineup, DISH Renews Sony Movie Channel
December 17, 2015 getTV and Cine Sony Television Join DISH Lineup, DISH Renews Sony Movie Channel DISH takes classic television network getTV nationwide DishLATINO bolsters Spanish-language movie offering with Cine Sony Television DISH continues to offer the popular Hollywood film network Sony Movie Channel CULVER CITY, Calif. & ENGLEWOOD, Colo.--(BUSINESS WIRE)-- Sony Pictures Television (SPT) and DISH Network L.L.C have completed long-term carriage agreements for three of SPT's wholly-owned domestic networks: Sony Movie Channel, Cine Sony Television and getTV. The agreements include first-time nationwide distribution of classic TV channel getTV, the addition of Spanish-language Hollywood movie and entertainment network Cine Sony Television on DishLATINO, and continued distribution of the popular, contemporary, English-language network Sony Movie Channel. "Sony Movie Channel, Cine Sony Television and getTV each offer a distinctive brand of high quality entertainment that successfully serves viewers' continued demand for premium content on television," said Tom Troy, senior vice president, distribution, networks, U.S., SPT. "Each network has a unique voice that will resonate across the nation, whether it be for those who enjoy timeless television, film favorites or recent Hollywood movies in Spanish." Beginning today, getTV is available to DISH customers on channel 373 in America's Top 120 programming package and above. getTV showcases weekly variety shows like The Merv Griffin Show on Monday nights in addition to a Saturday Showdown block featuring Western TV series such as HONDO, starring James Garner. During this holiday season, getTV will offer specials featuring entertainment icons such as Bing Crosby, Judy Garland, Sonny & Cher, Perry Como, and Andy Williams, as well as a 30-hour marathon of vintage Christmas specials, starting Christmas Eve at 12 p.m.