C MUSIC for BEGII{I{Ef

C MUSICFOR BEGII{I{Ef

EASYT() PLAY MUSIC THAT AtiY()}IE CAII PLAY /StgrtffiEneionoso TITLE er PAGE AIN'T MISBEHAVIN'...... Hank Williams,Jr.. 2 ALWAYSHAVE, ALWAYSWILL .JanieFricke ...... 40 AMERICA.. .WaylonJennings .. 20 , BEST YEAR OF MY LIFE ...... Eddie Rabbitt ...... 45 BLUII BAYOU ...... Linda Ronstadt. . . . 48 , BLUE EYES CRYING IN THE RAIN .WillieNelson ...... 4 THE CLOSERYOU GET ...... Alabama ...... 23 CRYING...... Don Mclean...... 51 ELVIRA ...... Oak RidgeBoys . . . . 53 THE GAMBLER...... Kenny Rogers...... 32 HAVE MERCY ...... The Judds...... 6 I BELIIIVE IN YOU. ....Don Williams...... 8 i'M FORLOVE ...... Hank Williams,Jr.. 62 LOST IN THE FIFTIES TONIGHT (In the Stillof theNight)...... Ronnie Milsap* .... 26 THE MOSTBEAUTII,'UL GIRL ...CharlieRich ...... 29 NOBODY LOVES ME LIKE YOU DO . . .Anne Murray/ DaveLoggins...... 12 SHE'S COMIN' BACK TO SAY GOODBYE ...... Eddie Rabbitt...... 16 TAKE ME DOWN ...... Alabama ...... 56 ' TOUCH A HAND, MAKE . A I'RIEND .OakRidge Boys.... 42 ' WALTZME TO HEAVFIN...... Waylon Jennings.. 37 YOU AND I ...... EddieRabbitt / 'lrqi; irrJnrmr qi, npr r.unr\ \... I m , I Ctystal Gayle...... 59

\\",d (atzaq

i 1987Co umb a P ctlres Plbl cations .E AllRrghlsFeserved 3n MO394MPX 2 AIN'T MISBEHAVIN' IRUMPET 'N' FUI-L BRN-LIANT Wordsbv ANOY RAZAI; _FAls rvruscbv lIoMAs WAI-LLR Jnd HARRY BROOKS lDml'

br- my ' self, I

El' tr

Gla

No onc to tnll In hrp'pr" 'Ti'l l m thru wirh flirt rhink ing Im hom€ a - boul eight. just da

tFl [6;it'

Im 'ng

CoFnshr il ltlt hl Nllr r\ Mlrslc. INC (iD{nh clIAFPIlrl (o. lrc M$rd. !$,d.d to yusrc.t ( (tNrERsora;irusrc ptrbrshcirnd NrrLLs t\ LikeJackHorn er

IA;J'

Whdt do I crrel

\9 Gl

l-'ou 4 BLUE EYES CRYING IN THE RAIN

CL RINET soFr solo FRED ROSE

Ir rwi,lighrglow I

@' tr

.Gt (a) () (A

Blue A1l rnv life I !e loved

G' IJ G (

caln cry nr8 in

copyrgh e 1915(Reftled 197:)

lhe se ofthe \ri.s of rhn \r! ! tr

? t

On'ly

Throueh

G' (A .GJ ()

a ges lll bcr - land ar k.ows no part irg -

cry - ing in the cry - ing in the 6 TIAVE MERCY

FULL 'N' MELLOW PA(IL KENNERLEY

stand - ing in 2. (Seeaddnional hrics)

EE' E'

D ?E O OE OCt ^ Ca lA E v Gl ta

VE OGI a

ery rnc past just like

E' E'

0 oct o OA^ Ga la f,

Phd tom jet with your

copyrigb'o 1e35,RoNDoR Musrc (LoNDoN) LrD (PRs) Y IRVINGMUSIC, INC. (BTfi) I rdenaiionsr cop}iichr s..und Mrd. in u s A. An Rishs Rsened DCt 0 oE o a G'

lit de Have E' EE' E'

OE G'

o' tFt' @'

OE DCt ? li

Its

Repet ant lade E' E' B

T' vct 2 OE f, G

Ba by. cy

You said you won\ be hone cause youre wo.king latei Honel, I B no fool. youive bee. out on a date rre lipqick on )nur lollar Fvc\ Lhceame Jq.y Its strasbcrry red and mine\ Pink rose.

\l'he! I called lou ,p on rhe rclephone. I could heai you {as playing "Haggard' and "Joner'. I knew right then there was sonething srong; There\ only one reason yon play cheatilg songsl

well, I wenr to the bank wirb my little checkbook. The casbier. he gave me the strangestlook; He said, "Youve gol no money ca6e youro olerdraM: Your man took it all and he's long gone. R..td.d br DON WILLIAMS I BELIEVE IN YOU

GUITAR 'N' FULL MELLOW w6rG and Music by ROCER COOK Ad SAI4 IIOCIN

1. I su per - stars, or Heav en waits for gin - i ty is as

Ea Cta Yg

gd - ic food ard for-eign ca , I don't be-lieve theprice of gold, the on ly those who con-gle-gate, I like to think of cod as love, He's it used to be, in work ' ing days odsleepingrights,that

6 -gf, YtrC

cer - tain ty of growing old, that right is righta left is wong,that doM be iow, He's up a-bove,He's *atch;ng peo-ple ev - '.ywhere,He black is black andwhite is white,that Su-per mdandRob - in-hood are

co$rth o 1e3o by Rog{ c.ol Thn mscdmr c.pyighr {i r9t34by Ibgcr codk MBic md Gotrho rntrbarjoial c.pydsht semd Md. ii u.s A all Rish6 RceBed rG' A - 'jGt a

north and south can't 8et a-long,that east is east and west is west dd knows who does aDddoes- n't care.and Im an or- di -na -ry man,some- slill a ' live in Hol - ly-wood,that gas o line\ in sbon sup'ply, the

al - aays best: But who I m; But Ibe ns-mg gct - ting by; But Ibe

Cla E- A a

Ibe lieve in ba biesi lieve in mu sici

Mom a.d Dad, and I bc -lieve mag'ic - and I bc -lievc @'

t;l

cer tarn - ty wbafs

go in' on sith you and mc is goodthing.

R.ruri ro o E' Plav ro @ ski; b @

@ ll

E' '- R...n/.{l/)' .t!\F 1/at/t.1} d NOBODY LOVES ME LIKE YOU DO

W. s hy PAMELA PHILLIPS FULL .N' IUELLO\\ ,\I!IES P D(JNNE

Gtlr Like .r burn ing brighr

D? lAmlT

- EEI a

glo$ - rng

flanre to light our \!ry, thar burns

cotish, t resr. le8l br ENsrc | ( d' s$L{n PLrl,,.Ncs yort \,r shtl 13

no - bod - y loves me like you

tr o @ E tr

BoI Like a

I could liod no placero dreamedlhehours n - way, and

won-'jered eve - ry day, do 6irlr No - bod

G'A

Bo_yiWhat if I ner - cr metvou? Wherewould I bc ri8htnow?

Fun'ny how lifc just falls in placesome Bot

o lAml'

iouchedmy heart in plac - esGt/: thatl ve. knew. _ Gt^

Aodr No bod - y loves me likc you

bod - v loves mc likc \oL,

E E'

Gla

No ' bod ' v loles me lilc vo! 16 te.orded bv EDDIE RABBII T SHE'S COMIN' BACK TO SAY GOODBYE

FLTITE soFI solo EVEN STEVENS andEDDIE RABBITT tr

planecom in in a1 I'm gonna 2. lsee oddnion.tUticr)

tpmt' @?

@la

rlc

Gla G'

ovs fly D8 flrgnr,

copyishr I r$r DcbDrlc Music.lnc. & Bnalpdch Mrsic IBMI) |ntniliomlcopyights€u{d 17 [pml'

Ct^ GI

he ' liere I nr gon

N.C.

a G'A |j EA G'

tr tFt

E Z

back lo s(a! thc back rLr mrk.Ihins! 18 tr t ta

right. To

foundsome-bod y ncw in hcr No. she ain tcom in

f.,

back to stay this bact ro easc hcf

No, she ain r con in' stay; t , if ,r

goo(t - Dle _

lAmlT IFrl

t t,r

Io \ta\: snes

tFt [AmJ'

l,r

cunr.in t'.1([ r" \.'\ !,' ,.1-h\( l. she\re\ rhelilhri of rhc.ir\ lr€l(\\:in run r roupleol nnrure!.\'.ll t,. rissrnhello Ard sheacrs likc she'sre.dni her L.ool.bur d'e s rhi.l,ii hoN hiffr I m lonni loor ,\fd aIer.l! th.ic s r lunrpin h.r thr. Ho\ \ill shcrell me shrr I d.f r \rnnr ln.s ' 20 R.o..Ied h, WAYLON TENNINGS AMERICA

BIG 'N' BOLD SAMMY JOHNS

said. downthrough his if you 3. lsee additionulbtits)

lnsl gue$theydonr know tr

wharrhe) rcrrlk in' Fromthe moun-rains

G' Gla

do$n lo the seayou vebe hab it witb me, A

cop!+hr o 1e3.1LolvPRY MLr . ^pr^rN .Rysrar Muslc (BMI)

\ ;! 21

G' ct

al1bhckand $hirc. \.1 1c,s

E t (AJ

red nan is rilht e\ Pecl r ht - Il. tronr

/ 22_ tcl tr

Prom ise, and then fol los

L All the

2. Well, I comefrom dovn lound Tenne$..- But the peoplcin Califonia arc nice r) me. Anerica. It dont Dattcr shcrc I mav ro.m. Tell you. people,thdt it s home $reet hone. America.Ameica.

L All lhc mcn who fell on rhe phins And sho lived throuShhardship and pain. Anericd, Anenca: And the men who could nor llght in a war Tlrdrdidn r rem n8hr.)ou ler him .omehomp Anerica. Ancrica. Recordedtry ALABAMA 23 THE CLOSERYOU GET

.WorG and Mu\ic by soFr solo MARK GRAY and JAMES P. PENNINGTON

gei.

fall. I'u o ver tbe edge now,

D E

all I'm fa - ing

l,..j

fast er dd fast-€r and fast - er with no time to

, oD\aeh,' t\6u I r^ \h 'E l (BvIl i-"" v .,. i." b tbe rem.ininsrcrirodes emh o Mdc in ! s.A An Ri8hs R*eNd 24 @

The clos- er you gel. tr

Ialt I Ine rungs rnar you I Could I be

ingl - h this tr

bring out the 'Cause ther€'ssomething mac E

Do Iseca feel - Rerun ro O Phv ro @ st

/a) E E t;r E

t t) .Iu G'

tlLl I'M fall ing. oh In fall in8

E IF

lrll n

fall - ing. Ycs, I m fall- ing. -

t t 26 Re.o ed by RONNTEMILSA? LOST IN THE FIFTIES TONIGHT (In Th€ Slill Of The Nighr)+

CLARINET soFTsol-o Wo s and Musicby MIKE REID, TROY SEALS ANdFRED P/\RRIS'

Closeyoureyesba by. (Seeuddnional lvns)

G' aL

- call on the mcm iics _ here in the dark. _ tr

ela Ea j

ure us a way, _

Gml'

back to thc feel - ing wc sharedwhen tbey'd playi In

copvrighr o re3{_Loic-tHArl NrLrstcrNc. lAsaAp).$B l\lljsta coRp lAscAp). Tvo (cr\\ vr \ti {i''gl'L'i\+"|f. . Niade; LrsA Ajr R,gh,5 R*slrd 27 tn 3 t 6\

still nr.qht.

oh, tr

r4r

G' EG Gtf, G f, E

shoo-doDp. shoo- be doo. clooP- dooi

L $p+elpG

l$r rn rhe Fil - lie\ ro night. nrgnt.

Iti

J' tz T @G'@J

doop. shoo ' bc doo. doop. shoo - b€ doo,

J' E

doop. shoo - be doo.

-l 2. hcseprecious hou$. sc knoq crnl su ive. Loves .ll thar matteF while rhe pasris alive. No{ lnd for alwlys. lill tjmc disaptells. we ll hold eachorher shen.vcr $e hc!.: THE MOST BEAUTIFUL GIRL 29

GUI-TAR Wor& and Music by FI]LL 'N' BRTLI-IANT NORRIS WII,SON, BILLY SHERRILL Ed'RORY BOURKE

llcy,

tr E'

Gt'

grrl if you

lDml tr f-t7

t ta \

did, was she rnc, ing? tr

a it t t

Hey. hap- pen

c.pFcnt O rcrr br al Ganio Mdi. corp a AlAeeMNic corp, Ner Yo!k. N Y Intnd[tralcopyighlSeuedMadeinU'S'AAnRigftR*ened 30E

beau ti ful girl walkedout on ne, E' Eml' tr

'I ryi tell her: ba by.

@' tr @

tr -a ---cr-.cr-Gt- G'

anct rc - al izedwhat I had

I slood a lone in thc cold - Brey dawn, I 3l E] o

4,1 G'Z, a

kne$ I'd lost I losl m! head aid I

t it t

no\ come the hearl aches thar the

l,rGlar a,l

T Ino\ I msron! a rd

Rdun b o t(,

t1 Ea

let mr_ world sl'p Su. TIIE GAMBLER

CUITAR BRILLIANT SOLO DON SCHLIIZ

1.On a Ona 2.3.4. (Seeadditionot Ittics)

su bler; So tr

G' G' G' G'

in'

copFsnr o 19776y WRr:IERSN n.o3Jbl wRrn Rs\tcHr Musrt tr tr 33

1n I tr tr I

A^ Eax [tf, G'

And he be gan Io tr

read in' peo ple's

Z' G' G' G'

lnos - in shdt their wav they held tbeir

- G'X E E' G'

you doDl mind my tr

tr tr tr

G' (F

I'11

Gaa G' G' G' hand - ed him my diank down my last

Tlen hebummed a crg-areneand

@ tr

G' G' E G'

light. night got death - ly tr 35

G' G' f, G'

'Itvou lrJi - e Ard \i. %cp lon J1 e\ Dre..\io1. s3id. re tr o

Cla f, E'

gon nr plat_ the qane. bo\'. va got ta learn io plav j! tr

(F YG G G G' righr. You got to know Fhen ro hold 'em, tr

\now ehen 10 tbld cm. tr tFl

(A GtGlr G' salk a ' say and know when to run. You nev er 36tr

(F G' G G'

E tr

2. F\eD Bamble,Ino$\ rLarrrr Is knowin whai to tbrow aNay And Ino$i! what to 'Cause kccp. everyhand\ d winnc. and even hand\ a loser. And rhe bestrhat yo! can hope for n to die in your sleep.

3. And when he'd ndshed speakin-.he turnedback rosardsihe wirdow, Crushedout his cigarctreand laded off nr nccp. And somewhe.ein the darkncssrhe Sanbler,he b.oke e!en. Bur in his linal wordsI found an actthar I could keep.

4. You got kr know whcn ro hold em. knos whcn to fotd en. Know ahen to walk awavand knos whe. to run. You nevercount your m6neyvhen youre sittin at rhe rable. ThereU be dme eDousbfor countin whcn the dealins &)nc. 37 ,Jie.ordcd h lt,l Y/.ON JE,N,V,\C;.! 1 W ALTZ ME TO HEAVEN

r lodg nmc I down low and play 'ng tr o

a I . E' t .Gt

I nrink bjgh time I tr tr

)

did. I hale

F] tr lrl

G' G

APPIL IIUSIC (BNII) 38 E

Ea J

feel - ins like this. The

t;r ar- tr

G' I J

night- To tbe E

G' I Ev (F

ful ly glide E

I oa G' G' . ltt '

NIitk

ru*r r. O Pla\ro @ tr E tr sripr. @

(^ Gla (F

trightl 39

(A I DCt f, G' f,

r'li1k tr

G' (A G G' .G'

OE ct G'

eles. $.n t J4u tr tr tr

J I

night? lrl tr

I ct I

nighlr 40 ALWAYS HAVE, ALWAYS WILL

CLARINET BI JOHN\} tlEilRS FULL -N TILLLO\\'

1 ltseems fun'nv I rc'nrem-bcrcdyour nunrber af ter all tbis 2. (Sc(additionol

r , La L,- La La La L^ L^ L^

L,r L,r La La Gla E'

I'm tsut lor

tr tr

I e heentlnk-i'tg hout ,^u all

(co rIERI \Iuslc CORPOR,TTIOI)TE\ICA\\iLrslc iAscAPl hcmdomr coprilr" scoicd \1tr'1.r L l.\ All tughERren.d E'

now,- Ive been tr E'

think - irg of some thing to

Chorus tr GmlT

tr Gml? E'

L,A.. La L,- Glr will. But you tr

But I love you still: al-ways 42 @' tr G;t'

wit|

16-17 tr

G' G' (F

will

2. Are you

Are yo! slcelir8 ber(er,now lhat I n gone? (And I Nant ro know) wlo\ holdingyou li8ht or are you holdirSyour osn? Youte awfullyquiet. (l gles youte tked). so l'll hangup r}c pbonc. But yox know ny hean cant leale sell enoughalonc.

Fecatdedbt THE OAK FIDGE BOY9 TOUCH A IIANTD,MAKE A FRIEND Wo \ rnd Mu\ir b' soFr solo HOMER BANKS. RAYMOND JACKSON ANdCARL HAMPTON G'

L Canlyou feel it your bones? A change 2. 3. lseeaddlionot bnd)

CopynghrO 197r& l97a[Asr]Nl 'nri5coprn! Asrsn.dro lRvINc MUsrc.INc (BMI) re32 artans.m.i,copFishr o t9s6rRvlNG Musrc. rNc (BMr) Ii'cnd0lilcopynAh'ssuled tr

lighr. Can tyou feel it

E' tFt

t Gla )'

n€s rhinr i\

rcrch oul aidtouch a make a fiend - ii You

Rerch out and kruch r @?

Rcrcll

fricnd -

2. Hey. what 3.

2. Hey. whar aboul you m) niend? L la\ tucn reflecredin tbe a(tnude Ain r n rine to cone on 'n1' Of orh.r peoplcjust like !ou. We can nnd a betet $a!. Rcrch our and touch ! hand. \\ily dorl yoDjoin Lrstodayl' V kc ^ Iriend if you crn. Cln t you fccl it. . . Cln t yoD teel it. . fuN II b\ LDD]E R.\BA]TI THE BEST YEAR OF MY LIFE

FDDIE RABBITT dd EVEN STEVENS

We ll so down - ry. tSeeddrlthanal hrir\) rl

vou 1or in m..

J\(. r\( T RRJARPArallN1r SrC (BIfl) tr

G' G'

Be a lon8.

Nalkedright in

'lhe herr year of my E

Ct^ c, lif.. \.rr lhrt jusl \rent

G' q 47 I

Gla G'

life.

my drcanE cone

tr f-l

i| .

romr sill br the life ,

The lilc.

I 8ab\. rnrce\ou .Jm. rl!,n! nr\ Li. . r!rn.J ln vo!r .!.s 1 Ilnrll\ \cc \i\ b.\.nr .r.rnLh \..,h \JU,.I.. || i n. ... . li jun k..ps on qro\i. lttuiLer c\rr\ \ BLUE BAYOU

rNIi IOF MELSO\

1, I feel $ bad, I got a 2. lSee atlditia al Itri..t)

G' G'

lone h all copnshta re6L,* lcTr bl tr 49

ca :o ba by be ' hind Blue Bay - tr

G' . tt'

ba-by a - gain, wirh E'

some of ny &icnds, May be I'll hap pi er theD on _ tr

Blue Bay - ou. I'm go - ing

I Blue Bay '- I-17 lltl tr

ta (A (

sl€epall day aDd th€ BlueBi,.ou. - And the

fish - ins boar $ith rhe tr

m,l .r0r sun ri\< throueh

tt (F .Gt - G'@ (F

hap-p) I-d b" \--'l hrp-p) lit ' \-/

I fcel so bad. I gor d Mr.ied mind. I d so lone l\ lll the rjnrc since I Icft mt bab) behind on Bhc B.)ou sain.q nic\les. lavin-sdime\. $orkiig tiu ihe iun dun r shiic lon\,nd lur*.'rd ro happ;, rime,.'n nluc 8.,\or

I m going b!!k soneda,r. gonna slar o! Bhe Bitou whcrc mv ldlks l-ll find. all the rimc on Blue Ba\ou wirh thaa Birl of nine br mr \ide till rhc Door in lhe e\ening dies Oh. somc s$eet day, gonna takc !$a| ihis bultin nside. CRYING 51

By ROY ORBISON dd JOE MELSON

I l right for a 2. (Seeadditional lftics)

while But I sds yuu l!\r niSht,youbeld my tEl tr IFml@'

hand real tight stopped! !o say, "bel On, you

A^ G' G'

wished nc wcll You could ' n't tell that l d been

coplrighi O 1961hy: acUFF Ro P O Iro! r2r1r00.66 Mtrsic souee IntnaijomlcopydghtSe red 1lreusol'belFi6or'hn{D[w 4' lFl E tr

t c G' G' G'

tr l!4 t

o ' ver vou. whcn bng.- left me tr tr

cry lngl

tr G'

un - dcr stand, bur thc hand can \rarr me irg. - I was all cry , ing. -

2. I lh.ught thar I wa5 over yo! tsut ils true. so true I lolc you cvcn Dore than I dld belore. But darlirg, what can I do? Foi you donl love ne and I ll alway\ bc Crying olcr you. crying over you. Ye.. nos lol e Aoned d 1,"- rhF monrenron I1l be cryine, crying, crying, fying- Yeah. crying, crying over you.

ELVIRA

TRUMPLT 'N' BIG BRASSY DALLAS FR,{ZIER

E] E]

l-17 t!4 o

My ti - rc for El

coprdghr Lrc6i & 1931bl: $es. Nr6ri[e. Td ]7rI] rc00 tcj'

l. Eves that look like 2. (Seeaddtionul Utics) lcl'

l-l E'

Up G'

'Calsc I kro$ that m) El IFI otr

l m sing in'El EI E' tr 55

My f re fo! El

Chorus II

Gid-dy up, a oom pa pa oom pa - pa nowmow, Gid-dy up, a ooro pa - pa

Hi sil

'lo 2. - E] -

Tonight I n gonna neet her At the hungry house caie And l n gon.a gile her all $e love I can. shc's junp and holler 'Causceoona I saved up nl last t$o dollar And wete gonna search and find tbar preacher nm 56 TAKE ME DOWN TROMBO\E Wordsand IUu\i! bf IJULL 'N' MELLO\I' ]AMES P. PENNI\GTON

Fl.r In

blo$ ' ins bright.

keep lhe lires burning: rt \rarm me -rhrouth rhe

f- tr t.t

ngnr.-

copv.lhr c rElD r idg vGj. c,

when Do one else - 'cause could un der{tand: youirewbat love was meet to be:

|;I

Ea Ea youi.e th€ one whonoves me, likc Do bod ' y You and me ba by, we'il set tbeflame iD side us

oE IDml'

down, - where I tr

in - side of me. Take mc M

all nightlonB. hold ne closeand male me strong: - uuE tr

me down, F-F Itrttr

t taa

Youdon thave to stay for ev - cr,

a/t a/t

let\ just put ourheartsro-gelh-er, share an oih - er night in ec - sta - tr

a t laa

sy. - feel ' ing bct - ier,

lDmlT

I f.r,r trr.r l ev - ry - hmc we get to - geth - er, may- be love wasmea.tfor you:nd o 59 tEl ri\

oh, Take ne down -

tr G

- to - night. Ooh,

YOU AND I

FLLL-l.r' ITELLOW FRANK Nf\€RS tr

oreams lo - geth er, and I knos n

(asr AIJ u.d hJ Pcr,\,or Inrenarionar copyrighr seurcd Madc in u.s.A. ax Ftshr Rsefl.d 60 E?

6 DEa

drqms we trea sure tr

IAmI' E'

mem-berour tust em

lGml? E' tr

thal and your love is my

lAmlT E' GmlT

wnrd, and I love you cv - en than

E' lAml' E'

I ev er did bc - iore.

We made it. you - and L 62 Rf.,f,/.,1tr u.l \l nTtttlr/s. JR I'M FOR LOVE

'N' FLII L IiIELI O\\ HANK \\ILLIAMS. JT r-l tr

l. Nlolh€.s ! ga,nndrunk Pope is a gainsrlhe l.L tSeeatdirlondl ^n6)

The Un tr

work - ing a gainsr rheir eill Pres- i-denr'sr-grinst the

ct G' (A)

Sen- ate is a garnst the

Mir€ in ! s A Al Riihlt R$c^(,r 63 @'

a - glrn{ Por tr tr

(4' I

Inl a gainn crls house. Bul lin for o

ct \vYa

t) Cla a

lil( ir...nr \nu ju\t tr E

G' Gla

irr lighls. 64

cause I'm for noth F-- l l@ |

@ @ night niEht.

:. The Cnr's as.'nn rhe Cdunr!: the Counr)\ ieainst ih. Stare. Tle Staten .erinsr the Go\rmmerr. lnd rhe highsa\s srilt ain l pa\ed TIe Banlers aeainsrrhe farmer:rhe fameis aeainstrhe \all tle Dcror\ aia,n\tne \mol,n.Jno rhede!,li dsdn.ru. Jtl

-l The copsare a-eainstrhe robbe^: the la*5 arc aeain\ithe cops. .lusticeis aelinsrthe s$tcm. and sone I'eoplerre blowin rhen rops. The ho6e is a-eainstdre automobile:thc bus is againsrthe rrain. Tle train n asrin( the jumbo jer. and In againsrfishin in thc raio