Ambler Theater

Total Page:16

File Type:pdf, Size:1020Kb

Ambler Theater Ambler Theater Previews7 6 A JUNE – AUGUST 2011 Gregory Peck publicity still TO forKILLA MOCKINGBIRD INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLER T HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. AMBLER THEATER Be a member. MEMBER ADMISSION Become a member of the nonprofit Ambler Theater General ..............................................................$9.75 and show your support for Members* .........................................................$4.75 good films and a cultural Seniors (62+) landmark. See back panel Students (w/ID) & Children (<18). ..................$7.25 for a membership form or join on-line. Your financial support is Matinees tax-deductible. Mon, Tues, Thurs & Fri before 4:45 Join Now and Save! Sat & Sun before 2:30 .......................................$7.25 You have three months to join at our current membership rates. Wed Early Matinee before 2:30 ..........................$5.00 On Sept 1st, membership rates will increase. If you aren’t a Affiliated Theaters Members** ...........................$6.00 member, join now before the rate increase. If you are a current You must present your membership card to obtain membership discounts. member, add 12 months at the current rate before Sept 1st. The above ticket prices are subject to change. * Members’ admission will increase to $5 on September 1, 2011. Membership Rates Increase on September 1st Your survey feedback convinced us to implement the smallest **Affiliated Theaters Members possible membership rates increase. These small increases are The Ambler Theater, the County Theater, and the Bryn Mawr made to keep our operations in the black and our facilities well Film Institute have reciprocal admission benefits. Your Ambler maintained. (The member ticket price will increase to $5.00 on membership will allow you $6.00 admission at the other theaters. September 1st, as well.) Policies Our Membership Rate increases will be as follows: Children under 6 – Children under age 6 will not be admitted to our Current After Sept 1 “Regular Films.” Individual $45 $50 Late Arrivals – The Theater reserves the right to stop selling tickets Senior $35 $40 (and/or seating patrons) after a film has started. Couple $70 $75 Outside Food and Drink – Patrons are not permitted to bring out- Senior Couple $60 $65 side food and drink into the theater. Producer $100 $110 Accessibility & Hearing Assistance – The Ambler Theater Senior Producer X $100 (NEW) has wheelchair accessible auditoriums and restrooms, and Producer Couple $130 $150 is equipped with hearing enhancement devices. (For head- Senior Producer Couple X $130 (NEW) phones, please see the theater manager when you arrive.) Mogul $500 No Change Parking Angel $1,000 No Change Check our web site for parking information: AmblerTheater.org Additional senior options: We have added two new Senior Producer categories to expand Senior options. How else can I help? Make a gift. Your additional gifts and support help us to Ambler Theater improve. Your donations are fully tax-deductible. And you can 108 East Butler Ave, Ambler, PA 19002 put your name on a bronze star in the sidewalk! Contact our 215-345-7855 HOTLINE Business Office at (215) 348-1878 x 117. 215-348-1878 Administrative Office AmblerTheater.org Become a sponsor. Receive prominent recognition for your business in exchange for helping our nonprofit theater. Recognition comes in a variety of ways – on our silver screens, PREVIEWS (76) JUNE 1, 2011 in our brochures, and on our website. Call us at PUBLISHED QUARTERLY BY AMBLER THEATER, INC. 108 EAST BUTLER AVENUE, AMBLER, PA 19002-4426 (215) 348-1878 x 112. ISSUE NO. 76 MAIN ATTRACTIONS Main Attractions What films will play? This section lists some of the main films we’ll play in the next few months. Additional unlisted films will also become available. Visit our website for the latest info on what films are upcoming. When will films play? We determine each Monday what main films will play starting on Friday. On Tuesday, we set the upcoming week’s schedule and then The Debt The Tree of Life UK - John Madden - 1 hr 52 min USA – 2 hr 18 min - Terrence Malick update our website and our telephone A political thriller in which three Mossad Few recent films have generated as much hotline. We’ll also send you a weekly agents hunt down and kill a Nazi war speculation and anticipation as Terrence email, if you sign up at our website. (We criminal in 1965. Thirty years later the Malick’s THE TREE OF LIFE. The writer- sometimes also book films more than agents, now national heroes in Israel, director’s fifth film stars Brad Pitt and a week ahead of time, which we post in revisit the operation, which was not what Sean Penn. It’s been described as the tale the “Coming Attractions” section of our it seemed. A well told story with a of a Texas boy’s journey from childhood website; however, those bookings are romantic subplot, THE DEBT stars Helen innocence to adult disillusionment and only tentative and subject to change.) Mirren, Ciaran Hinds and Tom Wilkinson. his quest to regain meaning in life. AmblerTheater.org Expect dazzling cinematography and (215) 345-7855 inventive filmmaking. Snow Flower and the Submarine Meek’s Cutoff Secret Fan UK – Richard Ayoade – 1 hr 37 min USA - Kelly Reichardt - 1 hr 44 min USA – Wayne Wang SUBMARINE is the coming-of-age story of Set in 1845, MEEK’S CUTOFF tells the SNOW FLOWER tells the story of the a sensitive teenager set in a coastal town story of a group of settlers that embark friendship of two girls over their lifetimes in Wales. It’s a sweet-natured comedy that on a journey along the Oregon Trail. in China. The film has two separate but has been compared to Rushmore and When their guide leads them astray, the parallel storylines. The first is the period The Squid and the Whale, but it also has expedition is forced to contend with the piece about the two girls. The second a strong dose of French New Wave-style unforgiving conditions of the high plain is a contemporary plot that follows the filmmaking. Made with genuine artfulness desert. Inspired by a true story, this women’s descendants who struggle and passion, this delightful original is a fine independent film is cerebral and to maintain their friendship as their joy. astonishingly cinematic. With Michelle demanding careers and complicated love Williams, Bruce Greenwood and Paul lives get in the way. Dano. MAIN ATTRACTIONS Another Earth Beginners The Greatest Movie USA - Mike Cahill - 1 hr 30 min USA – Mike Mills – 1 hr 44 min Ever Sold ANOTHER EARTH is an intimate drama to BEGINNERS is about a man who learns USA - Morgan Spurlock - 1 hr 30 min which science fiction adds a provocative, that his elderly father is gay. This off-beat Intrepid filmmaker Morgan Spurlock philosophical context. An astrophysics film features captivating performances (Super Size Me) examines the world student at MIT is driving when she is and a smart screenplay that mixes of advertising and product placement startled to see a new planet in the night the styles of Charlie Kaufman and by financing this entire film through sky. In that moment, she causes a tragic Miranda July. Director Mills breaks from advertising and product placement. He auto accident. The planet she saw is a conventional story structure to present gently mocks the whole enterprise by “mirror planet” of Earth, which prompts this surprising and moving drama. saturating his film with products and the possibility of visiting her “mirror life.” Starring Ewan McGregor and Christopher endorsements. This engaging and funny Plummer. film takes marketing to the limit. One Day Midnight in Paris Limited Engagements USA - Lone Scherfig USA – 1 hr 40 min - Woody Allen We try to play each of our Main ONE DAY follows a friendship between Woody Allen’s latest film is a romantic Attractions films for a full multi-week Emma (played by Anne Hathaway) and comedy about a family visiting run. Sometimes, however, we are unable Dexter (Jim Sturgess), who meet on the the City of Light. A young couple, to play a film in a timely or complete night of their college graduation - July engaged to be married, experiences a way, and it becomes a question of either 15th, 1988. For the next two decades, profound transformation. A man with squeezing it in or not playing it at all. We every July 15th reveals how “Em” and a romanticized view of the city finds then often schedule that film for a couple “Dex” are faring, as their friendship that not everything lives up to his of mid-week screenings, called Limited ebbs and flows with the passing of the expectations. Starring Marion Cotillard, Engagements. Make sure that you sign years. Through laughter and romance, Rachel McAdams, Kathy Bates, Owen up for our weekly email blast, so that heartbreak and happiness, they begin to Wilson, and Carla Bruni. you don’t miss these short, last-chance find what is important in their lives. screenings. A MBLER T HEATER.ORG 215 345 7855 HOLLYWOOD SUMMER2011 NIGHTS This Hollywood Summer Nights series contains the fixed schedules for both the County Theater and the Ambler Theater. Hollywood ClASSICS Menacing Summer NightS Hollywood Classics Menacing Summer Nights Chaplin in HD Every week this summer, the stars from The This series is NOT about classics from the We’re happy to continue our year-long Golden Age of Hollywood return to the silver Golden Age. These films are edgier. They’re Charlie Chaplin series. Chaplin wrote, screen: Gregory Peck, Grace Kelly, Audrey profane and violent and scary. And they directed, produced, and starred in some of Hepburn, Cary Grant, Judy Garland, Humphrey were not made for the entire family.
Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big
    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
    [Show full text]
  • Neues Textdokument (2).Txt
    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
    [Show full text]
  • The Beneficence of Gayface Tim Macausland Western Washington University, [email protected]
    Occam's Razor Volume 6 (2016) Article 2 2016 The Beneficence of Gayface Tim MacAusland Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation MacAusland, Tim (2016) "The Beneficence of Gayface," Occam's Razor: Vol. 6 , Article 2. Available at: https://cedar.wwu.edu/orwwu/vol6/iss1/2 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. MacAusland: The Beneficence of Gayface THE BENEFICENCE OF GAYFACE BY TIM MACAUSLAND In 2009, veteran funny man Jim Carrey, best known to the mainstream within the previous decade with for his zany and nearly cartoonish live-action lms like American Beauty and Rent. It was, rather, performances—perhaps none more literally than in that the actors themselves were not gay. However, the 1994 lm e Mask (Russell, 1994)—stretched they never let it show or undermine the believability his comedic boundaries with his portrayal of real- of the roles they played. As expected, the stars life con artist Steven Jay Russell in the lm I Love received much of the acclaim, but the lm does You Phillip Morris (Requa, Ficarra, 2009). Despite represent a peculiar quandary in the ethical value of earning critical success and some of Carrey’s highest straight actors in gay roles.
    [Show full text]
  • Schedule of Exhibitions and Events
    THE MUSEUM OF MODERN ART Ro, 102 11 WEST 33 STREET, NEW YORK 19, N. Y. FOR RELEASE: TELEPHONE: CIRCLE 5-8900 September 1, 1962 HOURS: ADMISSION: Weekdays: 11 a.m. - 6 p.m., Thursdays until 9 p.m. Adults: $1.00 Sundays: 1 p.m. T P.m. (Thursday, Sept. 6, until 10 p.m.) Children: 25 2 Members free The final Jazz in the Garden concert will be held Thursday, September 6 at 8:30 p.m. Museum galleries will be open until 10 p.m.; daily film showing repeated at 8 p.m. in the auditorium. Beginning September 13, galleries will be open until 9 p.m. on Thursdays. Special events, including concerts, lectures, symposia and films, will be presented beginning at 8:30 p.m. in tue auditorium. Supper and light refreshments available, SCHEDULE OF EXHIBITIONS AND EVENTS Note: Full releases on each exhibition are available five days before the opening. Photographs are available on request from Elizabeth Shaw, Publicity Director. SEPTEMBER OPENING September 12 - MARK TOBEY. A one-man show of about I30 prime paintings, mostly November k from the past two decades. Tobey (b.1890) first won general recognition after World War II, and was the first American painter since Whistler to be awarded an International Grand Prize at the Venice Biennale (1958) ana* the first living American to be given an exhibition at the Louvre in Paris (I96I). The exhibition will be accompanied by an extensive monograph on the artist's work by William Seitz, Associate Curator, Painting and Sculpture Exhibitions who is also directing the show.
    [Show full text]
  • Quentin Tarantino's KILL BILL: VOL
    Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Cinematic Sessions : the Ethics of Therapy in Hollywood Film
    Smith ScholarWorks Theses, Dissertations, and Projects 2011 Cinematic sessions : the ethics of therapy in Hollywood film Meredith Kendra Flouton-Barnes Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Flouton-Barnes, Meredith Kendra, "Cinematic sessions : the ethics of therapy in Hollywood film" (2011). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/552 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Meredith K. Flouton-Barnes Cinematic Sessions: The Ethics of Therapy in Hollywood Film ABSTRACT This qualitative study was undertaken to examine how the therapeutic process is depicted in modern films produced for American audiences over the past two decades, with special reference to how the conventions of ethics in therapy are treated, and to discuss the implications of these findings for clinical practice. A sample of 50 films that featured at least one scene of individual therapy was identified and surveyed using a coding scheme developed for this project. The domains of interest included: clinician, client, and session demographics, and adherence to ethical standards as portrayed in therapy scenes. This study was undertaken to contribute a more recent voice to the growing clinical discussion about the representation of mental health practitioners in film and to call attention to the specific strengths and shortcomings therein. The findings are discussed from a social learning theory framework and the implications for social work practice are discussed.
    [Show full text]
  • Citizen Kane
    A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours.
    [Show full text]
  • Greenberg (2011)
    Greenberg (2011) “You like me so much more than you think you do.” Major Credits: Director: Noah Baumbach Screenplay: Noah Baumbach, from a story by Baumbach and Jennifer Jason Leigh Cinematography: Harris Savides Music: James Murphy Principal Cast: Ben Stiller (Roger Greenberg), Greta Gerwig (Florence), Rhys Ifans (Ivan), Jennifer Jason Leigh (Beth) Production Background: Baumbach, the son of two prominent New York writers whose divorce he chronicled in his earlier feature The Squid and the Whale (2005), co-wrote the screenplay with his then-wife, Jennifer Jason Leigh, who plays the role of Greenberg’s former girlfriend. His friend and sometime collaborator (they wrote The Life Aquatic with Steve Zissou together), Wes Anderson, co-produced Greenberg with Leigh. Most of Baumbach’s films to date deal with characters who are disappointed in their lives, which do not conform to their ideal conceptions of themselves. At whatever age—a father in his 40s, his pretentious teenage son (The Squid and the Whale), a college graduate in her late twenties (Frances Ha, 2012)—they struggle to act like grownups. The casting of Greta Gerwig developed into an enduring romantic and creative partnership: Gerwig co-wrote and starred in his next two films, Frances Ha and Mistress America (2015). You can read about Baumbach and Gerwig in Ian Parker’s fine article published in New Yorker, April 29, 2013. Cinematic Qualities: 1. Screenplay: Like the work of one of his favorite filmmakers, Woody Allen, Baumbach’s dramedy combines literate observation (“All the men dress up as children and the children dress as superheroes”) and bitter commentary (“Life is wasted on… people”) with poignant confession (“It’s huge to finally embrace the life you never planned on”).
    [Show full text]
  • Our Weekly Activity Newsletter with Ideas and Activities To
    ISSUE: 5 24th May 2020 Welcome to our weekly activity newsletter with ideas and activities to support your well-being at this time and also includes photographs of some of our attendees accessing their interests. As restrictions continue, we will carry on providing outreach service along with controlled access to our bases, this is to ensure that support is carried out safely whilst meeting the needs of the individual. If you need to discuss service provision, please don’t hesitate to contact us. Cooking This week’s recipe is a traditional braised beef stew with thick, rich gravy. Sport and Leisure Including squats in your workout will enable you to develop strength and power. Benefits include: • A stronger core, knees and joints. • Builds muscle and burns fat • Can be done without any equipment. Please also find below links for free fitness and wellbeing activities: https://watch.lesmillsondemand.com/free-content https://www.nhs.uk/live-well/exercise/free-fitness-ideas/?tabname=fitness-guides Before They Were Famous Match the number to the name: Mark Hamill David Hasselhoff Ferne Cotton Sacha Baron Cohen Britney Spears Lewis Hamilton David Beckham David Tennant Kylie Minogue Kristin Davis Ewan McGregor Ross Kemp Zoe Ball Ben Stiller Russell Brand Answers can be found on page 6 Photography Task Look for items that match the colour of the rainbow i.e. red, orange, yellow, blue, indigo and violet. Take close-up photographs of the items using your camera or mobile phone as shown in the example below. Art Ladybirds can be seen in gardens, parks, meadows and woods from early spring until autumn.
    [Show full text]
  • The Relevance of Tennessee Williams for the 21St- Century Actress
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
    [Show full text]
  • Pass the Gravy by Steve Massa
    Pass the Gravy By Steve Massa Max Davidson had appeared in movies since the early teens – act- ing at Biograph, supporting Fay Tincher in her Komic Comedy and Fine Arts comedy, and briefly headlining in his own Izzy Come- dies” – usually portraying stereo- typical Jewish tailors and mer- chants. After scoring a notable success co-starring with Jackie Coogan in the features “The Rag Man” and “Old Clothes” (both 1925) he was hired by producer Hal Roach to be part of his stable of supporting comedians. Proving himself in the service of Roach star comics Cuckoos” (1927) introductory description of “Love’s such as Stan Laurel, Charley Chase, and Mabel Greatest Mistake.” Screen freckles usually denote Normand in the shorts “Get ‘Em Young,” “Long Fliv fresh and fun-loving characters, but Spec’s spots the King” (both 1926), and “Anything Once” (1927), came with an icy heart, a malevolent grin, and Max was bumped up to the leading role in his own beady eyes that loved to see his screen father series and given the opportunity to flesh out his squirm. standard screen persona. The first entries were di- rected by Leo McCarey, then director-general of the In contrast to his sons like Spec, Max’s screen Roach Studio, who laid the ground work with shorts daughters are always his pride and joy, but still such as “Why Girls Say No,” “Jewish Prudence,” cause him a lot of aggravation, particularly when “Don’t Tell Everything,” and “Should Second they take up with boys he doesn’t approve of or as- Husbands Come First?” (all 1927).
    [Show full text]