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Mobb Deep Reveal Tracklist for the Black Cocaine EP Featuresnas
Mobb Deep Reveal Tracklist For “The Black Cocaine” EP, Features Nas ERROR_GETTING_IMAGES-1 Mobb Deep Reveal Tracklist For “The Black Cocaine” EP, Features Nas 1 / 4 2 / 4 See separate feature article on page three for more on the ... country club feature. 60 Rider ... ing call for the show's 27th season outside of Tommy Doyle's in ... albums that any hip-hop fan must ... “Mobb Deep : The Black Cocaine. EP.” The album will be released on ... cord with Nas making a guest appear-.. Eight tracks deep, Lil' Fame and Billy Danze are sporting their usual energetic ... The EP was released shortly before their third album, "First Family 4 Life", ... Exactly one month from today, Mobb Deep will be releasing their first project ... and guest features and production from the usual suspects like Nas, ... Plus, it's a soundtrack, and hip-hop soundtracks have a history of mediocrity. ... Drumma Boy-produced album opener “Smokin On” featuring Juicy J sets the ... The classic status of Mobb Deep's The Infamous is undisputed: It's a seminal ... If the Black Cocaine EP released last week is any indication, the .... ... -show-featuring-rockie-fresh-julian-malone-harry-fraud-plastician- and-more-video/ ... http://www.jayforce.com/rb/vinyl-destination-ep-19-vancouver-canada-thats-a-wrap- ... 0.2 http://www.jayforce.com/music/dj-spintelect-the-best-of-nas-mixtape/ ... .jayforce.com/videos/mobb-deep-20th-anniversary- show-in-chicago-video/ .... Mobb Deep Reveal Tracklist For "The Black Cocaine" EP, Features Nas. 169. Mobb Deep has announced an upcoming EP to be released on ... -
GLASS in a NEW LIGHT JUNE 9-11, 2016 Corning2016
Corning2016 GLASS ART SOCIETY’S 45th ANNUAL CONFERENCE CREATING CONTEXT: GLASS IN A NEW LIGHT JUNE 9-11, 2016 Corning2016 THE GLASS ART SOCIETY is a 501c3, non-profit, international organization whose purpose is to encourage excellence, to advance education, to promote the appreciation and development of the glass arts, and to support the worldwide community of artists who work with glass. BOARD OF DIRECTORS 2015-2016 STAFF President Cassandra Straubing Pamela Figenshow Koss, Executive Director Vice President Kim Harty Kristin Galioto, Communications Manager Vice President Natali Rodrigues Shelbey Lang, Executive Assistant Treasurer Roger MacPherson Ted Cotrotsos, Graphic Designer* Secretary Tracy Kirchmann Laurie Streiner, Event Planner* Alex Bernstein Marc Petrovic Anne Beranger Giese, Corning Logo Designer Chris Clarke Charlotte Potter *part-time/contract Kelly Conway Stephen Rolfe Powell Matt Durran Masahiro Nick Sasaki REGISTER BY MARCH 1, 2016 for the lowest BJ Katz Jan Smith conference fee. Register online: www.glassart.org Ed Kirshner David Willis Jeff Lindsay Student Rep Amanda Wilcox GAS 2016 CONFERENCE CO-CHAIRS 6512 23rd Avenue NW, Suite 329 Ellen Corradini Michael Rogers Seattle, Washington 98117 USA Steve Gibbs Chris Sharkey Tel: 206.382.1305 Fax: 206.382.2630 Angus Powers [email protected] www.glassart.org 2 CONTENTS Centerway Square, downtown Corning 02 GAS Board & Staff 15 Students and Schools 04 Welcome to Corning • Education and Professional Resource Center 04 Letter from the Conference Co-Chairs • Poster Presentations -
British Bespoke Auctions
British Bespoke Auctions The Old Boys' School Antiques, Collectable & Jewellery Sale Gretton Road Winchcombe Gloucestershire Antique & Collectable Sale GL54 5EE United Kingdom Started 28 Sep 2017 10:30 BST Lot Description 1 A Gibson Epiphone Electric Guitar, nr 880 805546. (vgc) 2 An Antique Turned Mahogany Smokers Stand, approx 95 x 32 cms Vintage Cameras, including Ilford Sportsman with a Cassar 1:28/45mm lens, PED Camera, Ilford Sportie Kodak Ritinette, Carl Zeiss 3 jena 8 x 30 Binoculars, Exacta Varex IIa Tessar 2,8/50 lens. An Early 18th Century English Bronze Apothecary Pestle and Mortar, the waist applied with shell and foliate decoration, everted rim, 4 approx 6.2 kg, approx 13 cms h. A Victorian Rosewood Book Slide, marquetry inlay depicting peasants dancing, approx 11 x 33 cms together with a small copper A.P. 5 Rogers Guernsey copper milk can, a copper desk bell and a Cambridge University paperweight. (4) 6 A Victorian Fine Embroidery on Moire Silk, depicting a peacock seated on a branch, framed and glazed, approx 48 x 125 cms. A Good Conduct Medal dated 1913-14, together with two books A Copy of "Donald and his Friends", by Sarah Gibson published by The 7 Religious Tract Society, London, 56 Paternoster Row and 65 St Paul's Churchyard, awarded to Arthur Haywood, 2nd Prize 13 Class, St Judes Sunday School Xmas 1896 and a copy ...[more] 8 Two Beautifully Crocheted Table Cloths, approx 180 cms diameter, 84 cms diameter. 9 A Vintage Majong Set and Stand. 10 A Vintage WWI 'Chocolate and Boiled Sweets' Box, P.F. -
For Immediate Release
FOR IMMEDIATE RELEASE Contact: Lisa A. Batitto, Public Relations Manager, Newark Museum Phone: 973-596-6638, e-mail: [email protected] Newark Museum Exhibition Celebrates Sparkling Gift of Steuben Glass Unexpected Color: A Journey Through Glass Opens May 1, 2019 Newark, NJ – A sparkling, colorful gift of Steuben glass from The Thomas N. Armstrong III Collection will be on display in an upcoming exhibition at the Newark Museum. Unexpected Color: A Journey Through Glass, opening on May 1, 2019, showcases more than 130 works in glass designed by Frederick Carder for the famed Steuben Glass Works from 1903 to 1933 and used in a variety of settings by the collector. The exhibition presents a jewel box of shimmering glass, organized by Carder’s colors that he created and patented. Carder was fascinated with ancient glass colors and forms, and he worked to recreate the iridescent colors of excavated ancient Greek and Roman glass. He also designed new shapes inspired by Chinese and Venetian glass as well as shapes influenced by Art Nouveau and Art Deco styles, modern at the time. Carder kept detailed notebooks of his color formulas and glass types, revealing the glassblowing chemistry and techniques used to create the variety of functional and decorative glassware in the exhibition, including vases, bowls, candlesticks and stemware. The exhibition will include interactive tablets to connect Carder’s formulas and shapes with the colors and forms on display. Audio recordings of Carder interviews will also heighten the story of the experimentation behind the creation of this colorful glass. “Carder’s work for Steuben is particularly appropriate for Newark’s collection,” said Amy Simon Hopwood, the Museum’s Associate Curator of Decorative Arts. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
Glass Fest 2010
CORNING’S CONNECTION TO GLASS IS CRYSTAL CLEAR Why hold a festival celebrating glass in a small, rural upstate New York city with fewer than 11,000 residents? Because the city of Corning has for the past 142 years produced startling innovations in the use of glass and glass-ceramic materials for both artistic and industrial purposes. A partial list of Corning’s glass milestones includes: • Arrival in 1868 of the Brooklyn Flint Glass Works, later Corning Glass Works and now Corning Incorporated. • Corning Glass Works’ production in 1879 of the first glass bulb for Thomas Edison’s incandescent electric light. • Opening in 1903 of Steuben Glass Works, where Englishman Frederick Carder de- signed and produced exquisite colored art glass that rivaled that of Tiffany and is still coveted by collectors around the world. • Opening in 1951 of The Corning Museum of Glass. • Development of some of the best-known brands of consumer glassware in the world, including Pyrex, Corning Ware and Corelle dinnerware. • Corning Incorporated’s design and production of windows for all U.S. manned space projects and the International Space Station. • Development in 1970 of blazing-fast optical fiber, which revolutionized global communications networks and helped build the Internet. • Creation in the 1970s of cellular-ceramic devices, used in catalytic converters of cars and trucks worldwide has cut air pollution dramatically. • Production of flat-panel glass that is used in more than half the flat-screen televi- sions in the world. • Design and production of mirror blanks for some of the world’s largest telescopes, including the Hubble Space Telescope. -
Reshaping American Identity
Reshaping American Identity American Identity in Reagan’s War on Drugs, 1981-89 Utrecht University American Studies Program MA Thesis Dr. J. Verheul Jeffrey van de Bunt 3713881 August 8, 2018 Table of Contents Introduction 1 §A. Theoretical Framework 2 §B. Methodology 5 §C. Historical Context of the War on Drugs 7 1 Deconstructing the War on Drugs Discourse 9 §A. Drug Consumption as a Public Health Threat 9 §B. Drug Consumption as a Public Safety Threat 19 §C. Conclusion 28 2 Shaping the American Identity 29 §A. Creating a Moral Panic 29 §B. Targeting Drug Consumers 31 §C. Racializing the War on Drugs 34 §D. Glorifying the Non-Drug Consumer 47 §E. Conclusion 51 Conclusion 53 Bibliography 55 Introduction On March 19th, 2018, President Donald Trump officially proposed imposing the death penalty for certain drug dealers, arguing that “[i]f we don’t get tough on the drug dealers, we are wasting our time. […] And that toughness includes the death penalty.”1 Public health experts quickly condemned this proposal, and argued that “it renews the failed rhetoric from the war on drugs in the 1980s,”2 during which President Ronald Reagan was in office (1981- 1989). That President Trump is using the same rhetoric and is arguing for a similar approach to combat America’s ‘drug problem’ as President Reagan already did unsuccessfully four decades earlier, raises the question of what the motives behind those drug policies might be. Did the policies of the 1980s really fail, as the public health experts claim, or were they perhaps successful in achieving other goals than combatting the ‘drug problem’? One thing the Reagan administration and the Trump administration have in common, is that both have been concerned with the concept of American nationhood. -
Drug Abuse Treatment
If you have issues viewing or accessing this file contact us at NCJRS.gov. '., S1 ATISTICAl PERSPECTIVES ON DRUG ABUSE TREATMENT ~N NEW JERSEYg 1986 New Jersey Department @f Health Ai«:@ho~, Narcotic Olnd Drug Abuse OHke of [i)(OJta All1alysis and Epidemiology CN362 Trenllf@n, INlJl 08625-0362 114982 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been gr.,;mted by :.'leW LTersey State Department -'6fKeaI'Eh ... -.. ------------,------ to the National Criminal Justice Reference Service (NCJRS). Fiirlher roproduction outside of the NCJRS system requiros permis sion of the copyright ownor. PREFACE This is the fourth annual report on clients of New Jersey's drug abuse treatment system. It, as did its predecessors, attempts a statistical description of drug abusers in treatment; who they are demographically, what they use, what treatment they get, how long they stay in treatment, and whether or not they succeed in completing their treatment plans. Before we go on to developing answers to these questions, perhaps we should pause to consider why we should be concerned, why drug abusers affect us. I believe the answer to this question is because drug abuse affects all of us. Families and friends of drug abusers worry over the self-destructive acts of abusers--their loss of employment, trouble with the police, "hanging out" with undesirable associates, and now over the possibility that they may get AIDS through sharing needles. -
Asian Artists in Crystal: Steuben Glass at Sunnylands
ASIAN ARTISTS IN CRYSTAL: STEUBEN GLASS AT SUNNYLANDS January 28, 2016, through January 22, 2017 Essays by Geoffrey Cowan, Frank Lopez, and William Warmus The Unicorn (page 48) Previous page Dawn (page 59) Text, design, and all contemporary images Contents © The Annenberg Foundation Trust at Sunnylands 2015 Black-and-white photographs of Steuben crystal (pages 24 through 59 inclusive) © Erich Hartmann/Magnum Photos Steuben historical images (pages 10 through 22 inclusive unless otherwise noted) © Steuben Glass/The Corning Museum of Glass Reproductions of original drawings for the Asian Artists in Crystal series from the permanent collection of The New York Public Library (pages 60 through 77 inclusive), Print Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations The Annenbergs and Cultural Diplomacy by Geoffrey Cowan page 6 Due to the different naming conventions used by The New York Public Library and Steuben Glass, the titles of works and artist names are based on Asian Artists in Crystal: Designs by An Historical Account of Asian Artists in Crystal by Frank Lopez pages 8 – 15 Contemporary Asian Artists Engraved on Steuben Crystal by Steuben Glass, 1956. Images have been provided in many cases by the owners or custodians of the work. Individual Reflections on Asian Artists in Crystal by William Warmus pages 16 – 22 works of art appearing herein may be protected by copyright in the United States of America or elsewhere, and may not be reproduced in any form without the permission of the rights holders. Asian Artists in Crystal Collection pages 24 – 59 In reproducing the images contained in this publication, The Annenberg Foundation Trust at Sunnylands obtained the permission of the rights holders whenever possible. -
Dates and Attributions on This Index Were Provided by David Huchthausen Based on His Connoisseurship the Era with Special Input on Czech Glass by Helmut Ricke
Dates and attributions on this index were provided by David Huchthausen based on his connoisseurship the era with special input on Czech glass by Helmut Ricke. Information is based on the available research to date. Attributions listed are those of company of manufacture, followed by known designer when applicable. All items are Collection of David Huchthausen. All photos by Lloyd Shugart, Studio413 Photo Label copy Verreries Schneider (French, founded 1913 – closed 1981) Charles Schneider (French, 1881-1953) Vase Cerises (Cherries Vase) from Le Verre Français line, circa 1918-1919 Mold-blown glass with interior and exterior crushed and powdered glass frits and single surface acid cutting 18 x 11 in. (45.7 x 27.9 cm) Verreries Schneider (French, founded 1913 – closed 1981) Charles Schneider (French, 1881-1953) Vase Scarabes (Beetle Vase) from Le Verre Français line, circa 1920-1924 Mold-blown glass with interior and exterior crushed and powdered glass frits and single surface acid cutting 12 1/2 x 6 1/4 in. (31.8 x 15.9 cm) Verreries Schneider (French, founded 1913 – closed 1981) Charles Schneider (French, 1881-1953) Vase Épinettes (Spruce Vase) from Le Verre Français line, circa 1922-1925 Mold-blown glass with interior and exterior crushed and powdered glass frits and single surface acid cutting 21 1/2 x 7 in. (54.6 x 17.8 cm) Verreries Schneider (French, founded 1913 – closed 1981) Charles Schneider (French, 1881-1953) Vase Dahlias (Dahlia Vase) from Le Verre Français line, circa 1924- 1926 Mold-blown glass with interior and exterior crushed and powdered glass frits and single surface acid cutting 18 x 6 1/2 in. -
The Juliette K
The Juliette K. and Leonard S. Rakow Research Library The Corning Museum of Glass Finding Aid for The Notebooks of Frederick Carder 1885–1936 ACCESS: This collection is available on microfilm to researchers in the Library. It is not available on interlibrary loan BIBLIOGRAPHIC #: 84746 COPYRIGHT: Requests for permission to publish material from this collection should be discussed with one of the following: the Archivist, Librarian or Rights & Reproductions Manager PROCESSED BY: Nive Chatterjee, August 2007 PROVENANCE: This archive was donated to the Corning Museum of Glass by heirs of the Carder family in January 2005 SIZE: 1.83 linear feet (4 boxes) The Juliette K. and Leonard S. Rakow Research Library The Corning Museum of Glass 5 Museum Way Corning, New York 14830 Tel: (607) 974-8649 TABLE OF CONTENTS Biographical Sketch 3-4 Scope and Content Note 5 Series Descriptions 6-12 Box and Folder List 12-14 Series I: Notebooks & Loose Pages 6-11 Series II: Diaries 11-12 Series III: Publications & Clippings 13-14 Series IV: Letters 14 2 BIOGRAPHICAL SKETCH Frederick Carder was born on September 18, 1863, the son of Annie and Caleb Carder. He was born in Brockmoor, Kingswinford, Staffordshire, England. He was the second son in a family of five boys and one girl. His father and paternal grandfather owned Leys Pottery, which produced salt-glazed stoneware articles. Carder spent the first forty years of his life studying and working within about five miles of his birthplace. By the time he was fourteen, Carder was top of his class. However, later he quit school to go to work at Ley’s pottery. -
"The Most Dangerous Drug": Images Ofafrican- Americans and Cocaine Use in the Progressive Era1
46 Left History 7.1 "The Most Dangerous Drug": Images ofAfrican- Americans and Cocaine Use in the Progressive Era1 Catherine Carstairs On 8 February, 1914, the New York Ernes published a full-page article entitled "Negro Cocaine 'Fiends' Are a New Menace." Under a picture of the stern and respectable-looking white author, Edward Huntington Williams, M.D., the article's subtitle proclaimed: "Murder and Insanity Increasing Among Lower Class Blacks Because They Have Taken to 'Sniffing."' Williams claimed that crazed cocaine users had killed nine men in Mississippi on a single occasion. He declared: "there is no escaping the conviction that drug taking has become a race menace in certain regions south of the line." Further, Williams asserted that blacks who took cocaine improved their marksmanship, causing incidents such as that of the "cocaine nigger" near Asheville, North Carolina, who Ialled five men, using only one bullet for each. Even worse, he claimed, cocaine provided a "temporary immunity to shock - a resistance to the 'knock-down' effects of fatal wounds." Thus when the chief of police of Asheville tried to kill another black man who was "running amuck in a cocaine frenzy, he fired directly at his heart. Although the bullet hit its mark, it had no impact. He stated that police officers in the South, afraid ofthe "increased vitality of the cocaine-crazed negroes" had exchanged their guns for more powerful ones for "the express purpose of combating the 'fiend' when he runs amuck." * These were fantastic claims, but Williams was not alone. From the late 19th century to the passage of federal legislation regulating the sale of narcotic drugs in 1914, numerous journals, newspapers, and books from both the North and the South, alleged that growing numbers of black men and some poor whites used cocaine and that black use of cocaine posed a significant threat to the security of whites.