Alaris Capture Pro Software
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
18.7 Instrumental 78S, Pp 173-195
78 rpm INSTRUMENTAL Sets do NOT have original albums unless indicated. If matrix numbers are needed for any of the items below in cases where they have been omitted, just let me know (preferably sooner rather than later). Albums require wider boxes than I use for records. If albums are available and are wanted, they will have to be shipped separately. U.S. postal charges for shipment within the U.S. are still reasonable (book rate) but out of country fees will probably be around $25.00 for an empty album. Capt. H. E. ADKINS dir. KNELLER HALL MUSICIANS 2107. 12” PW Plum HMV C.2445 [2B2922-IIA/2B2923-IIA]. FANFARES (Composed for the Musicians’ Benevolent Fund by Lord Berners, Sir. W. Davies, Dorothy Howell and Dame Edith Smyth). Two sides . Lt. rubs, cons . 2. $15.00. JOHN AMADIO [flutist] 2510. 12” Red Orth. Vla 9706 [Cc8936-II/Cc8937-II]. KONZERTSTÜCK, Op. 98: Finale (Heinrich Hofmann) / CONCERTINO, Op. 102 (Chaminade). Orch. dir. Lawrance Collingwood . Just about 1-2. $12.00. DANIELE AMFITHEATROF [composer, conductor] dir. PASDELOUP ORCH. 3311. 12” Green Italian Columbia GQX 10855, GQX 10866 [CPTX280-2/ CPTX281-2, CPTX282-3/ CPTX283- 1]. PANORAMA AMERICANO (Amfitheatrof). Four sides. Just about 1-2. $25.00. ENRIQUE FERDNANDEZ ARBOS [composer, conductor] dir. ORCH. 2222. 12” Blue Viva-Tonal Columbia 67607-D [WKX-62-2/WKX-63]. NOCHE DE ARABIA (Arbos). Two sides. Stkr. with Arbos’ autograph attached to lbl. side one. Just about 1-2. $20.00. LOUIS AUBERT [composer, con- ductor] dir. PARIS CONSERVA- TOIRE ORCH. 1570. 10” Purple Eng. -
Conducting Studies Conference 2016
Conducting Studies Conference 2016 24th – 26th June St Anne’s College University of Oxford Conducting Studies Conference 2016 24-26 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute Conducting Studies Conference 2016. The conference brings together 44 speakers from around the globe presenting on a wide range of topics demonstrating the rich and multifaceted realm of conducting studies. The practice of conducting has significant impact on music-making across a wide variety of ensembles and musical contexts. While professional organizations and educational institutions have worked to develop the field through conducting masterclasses and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, there has yet to be a space where this knowledge has been brought together and explored as a cohesive topic. The OCI Conducting Studies Conference aims to redress this by bringing together practitioners and researchers into productive dialogue, promoting practice as research and raising awareness of the state of research in the field of conducting studies. We hope that this conference will provide a fruitful exchange of ideas and serve as a lightning rod for the further development of conducting studies research. The OCI Conducting Studies Conference Committee, Cayenna Ponchione-Bailey Dr John Traill Dr Benjamin Loeb Dr Anthony Gritten University of Oxford University of -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
The Delius Society Journal Autumn 1999, Number 126
Delius Journal 126.qxd 15-Nov-99 17:44 Page 1 The Delius Society Journal Autumn 1999, Number 126 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £15 per year (£20 from 1 April 2000) UK students: £10 (unchanged after 1 April 2000) USA and Canada US$31 per year (US$38 from 1 April 2000) Africa, Australasia and Far East £18 per year (£23 from 1 April 2000) President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 126.qxd 15-Nov-99 17:44 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: (0171) 935 4241 Fax: (0171) 935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 126.qxd 15-Nov-99 17:44 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial............................................................................................................... -
Mario Cozzi Joseph Regneas
CARMELLA PONSELLE AMRI GALLI -CAMPI FRANKLYN BAUR DENNIS NOBLE MARIO COZZI Mario Cozzi's parents took him as a boy from Florence, Italy, to the United States. He became well -known in New York musical circles as assistant to Gatti -Casazza, and made his first appearance as a baritone in several sound films with Grace Moore and Lawrence Tibbett. After launching his operatic career in Italy, he returned to New York in 1933. Since then he has been heard fre- quently on the concert stage and over Station WJZ. Cozzi has achieved nation -wide popularity in a number of outstanding broadcasts, including the John Hancock program, the Continental Varieties and his own solo spot on NBC, in addition to his brilliant performances as star of the Mollé show. He has been a favorite guest star on the National networks for Bab -O, RCA -Victor, the Chase and Sanborn operas and the Radio City Party, also on the JOSEPH REGNEAS Columbia chain for Chevrolet. MARIO COZZI DENNIS NOBLE CARMELLA PONSFT.i.E When Dennis Noble of Bristol, England, was wounded Carmella Ponselle was born in Schenectady and studied while serving with the Royal Air Force, he was trans- music under private tutors. She made her début at the ferred to the entertainment staff as baritone. After the Metropolitan in 1926 as Amneris in "Aida," and later ap- war he was appointed a member of the Westminster peared in "Norma" and "La Gioconda." Abbey choir. Studies in Italy, France and England were Miss Ponselle has concertized throughout the United followed by eleven consecutive seasons at Covent Garden States. -
JOHN IRELAND 70Th Birthday Concert
JOHN IRELAND 70th Birthday ConCert Sir ADRIAN BOULT conductor EILEEN JOYCE piano LONDON PHILHARMONIC ORCHESTRA JOHN IRELAND 70th Birthday ConCert The Henry Wood Promenade Concerts were BBC Symphony Orchestra’s Chief Conductor, inaugurated in 1895 in London’s principal the move from one rostrum to another was concert venue, Queen’s Hall. Following the effected with great smoothness: “I was only hall’s destruction during World War II, the out of work for two or three days,” he liked to BBC Promenade concerts have continued say. For Ireland’s birthday concert he was the ever since at the Royal Albert Hall. The annual ideal choice. Boult’s wide embrace of English summer season is in effect a huge music music had long included Ireland’s music: he festival, drawing the greatest artists and had premièred These things shall be in his BBC orchestras from all over the world. In the days, and in 1936 encouraged the composer to years after the 1939–45 war it became quite turn his Comedy Overture, originally composed usual to celebrate composers’ anniversaries, for brass band, into A London Overture, so sometimes devoting a concert entirely to giving it a wider and more popular following. their music. The concert recorded on this CD, Ireland had a great love of London, revealed in given on 10 September 1949 to mark John such cameos as his picturesque London Pieces Ireland’s 70th birthday, was conducted by Sir for piano with their nostalgic titles ‘Chelsea Adrian Boult (1889–1983). Boult described Reach’ and ‘Soho Forenoons’. A London Overture the composer -
Back Cover Image
110305 rr Casals EU 7/7/05 11:09 am Page 1 CMYK NAXOS HistoricalNAXOS 8.110305 BOCCHERINI • HAYDN • ELGAR Playing ADD Cello Concertos Time ൿ THIS COMPACTAND COPYINGOF BROADCASTING DISC PROHIBITED. UNAUTHORISED PUBLIC PERFORMANCE, RESERVED. TRANSLATIONS ALLAND TEXTS ARTWORK, THIS SOUNDRECORDING, RIGHTS IN 8.110305 Pablo Casals (1876-1973) 79:23 & Ꭿ 2005 Naxos RightsInternational Ltd. BOCCHERINI: Cello Concerto in B flat 22:08 Despite his eminence, Pablo (arr. Grützmacher) Casals did not make a 1 I Allegro moderato 9:00 substantial recording with an 2 II Adagio 6:12 3 III Rondo: Allegro 6:54 orchestra until he was in his London Symphony Orchestra conducted by Landon Ronald early fifties. Unlike violin Recorded by HMV, Abbey Road Studio London, 2nd May 1938 concertos, cello concertos were (matrices 2EA 4156161) catalogue DB 305618 not considered a priority by the HAYDN: Cello Concerto in D, Op. 101 (arr. Gevaërt) 17:37 record companies, while Casals CASALS: CelloConcertos 4 I Allegro moderato 12:43 himself seems not to have been 5 II Adagio 4:52 in a hurry to make discs of any Note: the third movement of this Concerto was not recorded kind. The HMV concerto BBC Symphony Orchestra conducted by Adrian Boult recordings, made in the 1930s Recorded by HMV, Abbey Road Studio London, 15th October 1945 and 1940s when the great cellist (matrices 2EA 10648150) unpublished on 78rpm was in his sixties, are among the ELGAR: Cello Concerto in E minor, Op. 85 27:41 finest documents of Casals. In 6 I Adagio-Moderato 7:50 the Elgar Concerto, which CASALS: Cello Concertos 7 II Lento-Allegro molto 4:43 8 III Adagio 4:03 benefits from the superb 9 IV Allegro 11:02 backing of his friend Adrian BBC Symphony Orchestra conducted by Adrian Boult Boult, Casals at 68 is still in Recorded by HMV, Abbey Road Studio London, 14th October 1945 glorious form. -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N. -
English Chamber Orchestra
Charles Mackerras & English Chamber Orchestra Concerts and broadcasts with the Goldsbrough Orchestra, which became the English Chamber Orchestra at the end of 1960. I am extremely grateful to Pauline Gilbertson, General Manager of the ECO, for allowing me to consult the orchestra’s archives, in particular the typed schedules (covering the years 1962–1991) which include information that would otherwise have been impossible to find. Venues are in London unless otherwise stated. A. Goldsbrough Orchestra 1953, April 10, broadcast Stravinsky: Renard (Richard Lewis, John Kentish, John Cameron, George James) [other works unspecified; The Times ‘Broadcasting’ lists the composers as Kodály, Ibert and Stravinsky] 1953, July 7, broadcast Ernst Eichner: Symphony [Op. 5 No. 1] Sullivan: Cello Concerto (William Pleeth) Radio Times: ‘The cadenzas Wiliiam Pleeth is to play tonight were written specially by Charles Mackerras’. This was the last known performance of Sullivan’s Cello Concerto before all the material was destroyed in Chappell’s fire (1964). 1953, August 16, broadcast Strauss: Le Bourgeois gentilhomme 1954, March 1, broadcast [unspecified works] Victoria Elliott (soprano), Marjorie Shires (contralto), John Kentish (tenor), Frederick Sharp (baritone), BBC Singers 1954, April 22, broadcast Piccini: La buona figliola Joan Sutherland (Lucinda), Hugues Cuénod (Armidoro), Alexander Young (Marquis of Conchiglia) Elsie Morison (Cecchina), Margaret Ritchie (Sandrina), Marion Lowe (Paoluccia), Dennis Noble (Tagliferro), John Cameron (Mengotto) 1955, -
The Delius Society Journal
The Delius Society Journal April 1981,Number 7l The Delius Society Full Membership97.00 per year Studentsf,3.50 Subscription to Libraries (Journal only) f,5.00 per year USA and CanadaUS S17.00per year President Eric Fenby OBE, Hon D Mus, Hon D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith DaviesMA, B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon D Mus Vernon Handley MA, FRCM, D Univ (Surrey) Chairman R B Meadows 5 WestbourneHouse, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 1 Cherry Tree Close,St. Leonards-on-Sea,Sussex TN37 6EX Secretary Miss Estelle Palmley 22 Kingsbury Road, London NW9 ORR Editor Stephen Lloyd 4l MarlboroughRoad, Luton, BedfordshireLU3 IEF Tel: Luton (0582\ 20075 Contents Editorial 3 The President'sAddress 6 Beecham:The Delius Repertoire 9 An Eveningwith Norman Del Mar l9 Book Review 2l Obituary: Robert Aickman 23 Forthcoming Events 23 Cover lllustration An early sketch of Delius by Edvard Munch reproducedby kind permissionof the Curator of the Munch Museum,Oslo, Norway. Additional copiesof this issuef,l each,inclusive of postage. ISSN-0306-0373 Editorial No recent publication can have commandedsuch widespreadcritical attention in the musical world as The New Grove whose additional adjectivein its title might seemdesigned to bestow eternal youth on this fountain of musicalknow- ledge. One wonders what they will name the seventh edition years hence. Its twenty volumesare an impressiveachievement and a pleasureto read and handle, though for the purchaserat f,850 a set a costly touch. -
Download Booklet
110305 bk Casals EU 04/07/2005 20:04 Page 4 Ward Marston ADD In 1997 Ward Marston was nominated for the Best Historical Album Grammy Award for his production work on Great Cellists • Casals BMG’s Fritz Kreisler collection. According to the Chicago Tribune, Marston’s name is ‘synonymous with tender 8.110305 loving care to collectors of historical CDs’. Opera News calls his work ‘revelatory’, and Fanfare deems him ‘miraculous’. In 1996 Ward Marston received the Gramophone award for Historical Vocal Recording of the Year, honouring his production and engineering work on Romophone’s complete recordings of Lucrezia Bori. He also served as re-recording engineer for the Franklin Mint’s Arturo Toscanini issue and BMG’s Sergey Rachmaninov recordings, both winners of the Best Historical Album Grammy. BOCCHERINI Born blind in 1952, Ward Marston has amassed tens of thousands of opera classical records over the past four decades. Following a stint in radio while a student at Williams College, he became well-known as a reissue producer in 1979, when he restored the earliest known stereo recording made by the Bell Telephone Laboratories in 1932. HAYDN In the past, Ward Marston has produced records for a number of major and specialist record companies. Now he is bringing his distinctive sonic vision to bear on works released on the Naxos Historical label. Ultimately his goal is ELGAR to make the music he remasters sound as natural as possible and true to life by ‘lifting the voices’ off his old 78 rpm recordings. His aim is to promote the importance of preserving old recordings and make available the works of great musicians who need to be heard. -
Download Booklet
of Opera at Covent Garden”. She may however have joined imparts the requisite solidity of tonal foundation to the CAVALLERIA RUSTICANA (Rustic Chivalry) BNOC after it left Covent Garden, or perhaps she was specially whole performance.” A Melodrama in One Act by Pietro Mascagni - English words by Frederic E.Weatherly. promoted from the chorus for this recording. She did record Principals, Chorus and Orchestra of the British National Opera Company, (1935-1926) for the small Beltona record label but she is not Biographical Notes © Chris Ball conducted by Aylmer Buesst mentioned in any of the standard reference books nor any of the biographies or autobiographies of musicians who had A Pristine Audio restoration by Andrew Rose. 1 Prelude [1.55] 11 So thou seest what thou hast done [2.46] connections with BNOC. Booklet design: Divine Art 2 Siciliana [2.09] 12 Ah, ‘tis the Lord who hast sent thee [2.53] Print preparation: Blake Printers Ltd. Aylmer Buesst (1883-1970) was born in Melbourne. He With thanks to Chris Ball for providing worked with the Moody-Manners Company – a touring 3 Prelude (reprise) [2.20] 13 Sweet Mistress Santa [1.42] the biographical notes. company founded by the husband and wife team of Charles Manners and Fanny Moody – before joining the Beecham © Divine Art Limited 2005 4 Opening Chorus [2.41] 14 Intermezzo [2.45] company. He was one of the founders of the BNOC and he wrote a concise and lucid analysis of Wagner’s Ring which 5 Tell me, Mother Lucia [2.41] 15 Now homeward returning [2.03] is well worth reading.