The Howellsian Includes: (1) an Account Message from the Editor
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Manhattan Transference: Reader Itineraries in Modernist New York
Oberlin Digital Commons at Oberlin Honors Papers Student Work 2013 Manhattan Transference: Reader Itineraries in Modernist New York Sophia Bamert Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the English Language and Literature Commons Repository Citation Bamert, Sophia, "Manhattan Transference: Reader Itineraries in Modernist New York" (2013). Honors Papers. 308. https://digitalcommons.oberlin.edu/honors/308 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. 1 Sophia Bamert April 19, 2013 Oberlin College English Honors Paper Advisor: T.S. McMillin Manhattan Transference: Reader Itineraries in Modernist New York The development of transportation technologies played a vital role in New York City’s transformation into a modern metropolis. Between 1884 and 1893, travel by rapid transit in New York increased by 250 percent,1 and “by 1920 there were 2,365,000,000 riders annually on all city transit lines . twice as many as all the steam railroads in the country carried” (Michael W. Brooks 90). The Elevated trains, which were completed by 1880,2 and the subways, opened in 1904, fueled construction and crowding in the booming city,3 and they fundamentally altered the everyday experience of living in New York. These modern transit technologies were novel in and of themselves, but, moreover, they offered passengers previously unaccessible views of the urban landscape through which they moved: from above the streets on an Elevated track, from underground in a subway tunnel, and so on. -
Urban Emergence and the Pastoral Ideal: a Study of Three Related Works by William Dean Howells
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1980 Urban emergence and the pastoral ideal: A study of three related works by William Dean Howells Robert Francis Lastowski College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Lastowski, Robert Francis, "Urban emergence and the pastoral ideal: A study of three related works by William Dean Howells" (1980). Dissertations, Theses, and Masters Projects. Paper 1539625095. https://dx.doi.org/doi:10.21220/s2-h7qm-4b84 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. URBAN EMERGENCE AND THE PASTORAL IDEAL: A STUDY OF THREE RELATED WORKS BY WILLIAM DEAN HOWELLS A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts Rohert F. Lastowski 1980 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 1980 Elsa Nettels Robert J//Scholnick Walter P. Wenska ACKNOWLEDGMENTS The writer wishes to express his appreciation to Dr. Elsa Nettels, under whose guidance this essay was developed, for her patience and assis tance throughout the process. The author is also indebted to Dr. -
Sonoma County's Nineteenth Century Utopian Colonies
SHADOWS ON THE LAND: SONOMA COUNTY'S NINETEENTH CENTURY UTOPIAN COLONIES by Varene Anderson A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Date Copyright 1992 By Varene Anderson ii AUTHORIZATION FOR REPRODUCTION OF MASTER'S THESIS Permission to reproduce this thesis in its entirety must be obtained from me. Permission to reproduce parts of this thesis must be obtained from me. DATE: ~A 1,/99:2 I Signature City, State, Zip iii SHADOWS ON THE LAND: SONOMA COUNTY i S NINETEENTH CENTURY UTOPIAN COLONIES A thesis by Varene Anderson ABSTRACT purpose of the Study: Between 1875 and 1900, Sonoma county was the site of four utopian colonies, Fountaingrove, Preston, Icaria Speranza and Altruria. These colonies had religious and social reform origins, an agricultural economic base, and a message to present to the world. The purpose of this study is to examine generally the architecture, use of space and land, and community relationships of these colonies to determine if they builtin contemporary styles, used spatial arrangement to facilitate their communal lifestyle, were good stewards of the land, and perceived as good neighbors by nearby communities. This is intended as an overview of the four colonies to determine how they fit into Sonoma county culturally. Procedure: To determine how these colonies used architecture, space and land, and ,fit into their community, books, newspapers, and personal memOl.rs were consulted. In addition, personal interviews and inspection of the sites were conducted where possible. conclusions: The four Nineteenth century Sonoma county utopian colonies did not stand out architecturally from neighboring farms. -
Howellsian Realism in "The Landlord at Lion's Head"
Giving a character: Howellsian realism in "The landlord at Lion's Head" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Crowley, John W. 1994. Giving a character: Howellsian realism in "The landlord at Lion's Head". Harvard Library Bulletin 5 (1), Spring 1994: 53-66. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42663824 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 Giving a Character: Howellsian Realism in The Landlord at Lion's Head John W. Crowley find this young man worthy," attested Hawthorne to Emerson, thus giving I Howells one of the best characters in American literary history. Decades after his New England pilgrimage of 1860, W. D. Howells still cherished the memory of Hawthorne as "without alloy one of the finest pleasures of my life." The postu- lant from Ohio, over dinner with James Russell Lowell, Oliver Wendell Holmes, and James T. Fields, had already been ordained by them into the apostolic succes- sion of the New England clerisy. But the laying on of hands by these idols of Howells's youth was less signal an honor than his acceptance by Hawthorne, of whom the Bostonians had all spoken "with the same affection, but the same sense of something mystical and remote in him." Thinking perhaps of Lowell and the other Bostonians, Howells reflected that many great men "wittingly or unwittingly .. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
Fall 2005) Page 1
The Howellsian, Volume 8, Number 2 (Fall 2005) Page 1 New Series Volume 8, Number 2 The Howellsian Fall 2005 A Message from the Editor Inside this issue: We hope that all our readers have had a pleas- Speech and Howells,” revised from his ant and perhaps even a productive summer. presentation at the ALA conference last From our perspective, it passed too quickly, From the Editor 1 spring; 3) a Call for Papers, with the topics but autumn, too, is a beautiful season, not selected and the deadline for submission of only in the Midwest where W. D. Howells proposals, for the 2006 ALA conference to Howells Society Activities 1 lived before setting out for Italy, but also be held in San Francisco next May; 4) a along the eastern seaboard, where he resided review by Sarah B. Daugherty of the new after his return. This fall, however, leads us biography by Susan Goodman and Carl Howells Abstracts from ALA 2005 3 to think westward, toward San Francisco, Dawson: William Dean Howells: A where the William Dean Howells Society will Writer’s Life , pub- next meet again to present a program now in lished earlier this Jerome Loving, “Twain’s Whittier 5 its initial stage of preparation. We look for- Birthday Speech and Howells” year; and 5) a dues ward to seeing you all there. notice for 2006 Following our editorial message, this Book Review: William Dean 10 with a membership Howells: A Writer’s Life by Susan expanded issue of The Howellsian in- form. Goodman and Carl Dawson. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
William Dean Howells and the Antiurban Tradition 55
william dean howells and the antiurban tradition a reconsideration gregory I. crider The debate about William Dean Howells' attitudes toward the late nineteenth-century American city involve the much broader question of the place of antiurbanism in American thought. Responding to the charges of H. L. Mencken, Sinclair Lewis and other post-World War I critics who had condemned the author as a complacent symbol of the nineteenth-century literary establishment, scholars in the fifties and early sixties portrayed him as a Middle Western rural democrat who spent much of his adult life criticizing urban-industrial America.1 Unfortu nately, in attempting to revive Howells' reputation, these critics exag gerated his occasional nostalgia for the Ohio village of his youth, leaving the impression that he was an alienated critic of the city, if not genuinely antiurban. Although recent scholars have partly revised this view, critics have generally continued to accept the argument that the author's well- known affinity for socialism, together with his nostalgia for a vanishing countryside, left him an unswerving critic of the city.2 During the years in which scholars were discovering these antiurban sentiments, urban historians and sociologists began challenging the depth and cohesiveness of what had long been accepted as a monolithic, anti- urban tradition, dating back to Jefferson and Crevecoeur, and persisting through the transcendentalists, the pragmatists and literary naturalists, and the Chicago school of urban sociology, to the present. R. -
William Dean Howells and the Seductress- from 'Femme Fatale'
William Dean Howells and the seductress: From "femme fatale to femme vitale" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Prioleau, Elizabeth S. 1992. William Dean Howells and the seductress: From "femme fatale to femme vitale". Harvard Library Bulletin 3 (1), Spring 1992: 53-72. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42662022 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 William Dean Howells and the Seductress: From Femme Fatale to Femme Vitale Elizabeth S. Prioleau illiam Dean Howells and the seductress seem an unlikely pair. By tradition, W sirens inhabit the wilder shores of romanticism, not the level plain of real- ism with its "mixed characters," 1 "usual" 2 situations, and complex moral dilemmas. At one point Howells equated coquettes who try to arouse "vivid and violent emotions" 3 with "effectism." Howells coined "effectism" to refer to the cheap, emotional appeals of romanticistic fiction. Nonetheless, coquettes and temptresses 4 pervade his work and comprise some of his most memorable characters. A con- temporary critic, Thomas Perry, said of them: "[Howells's] accomplished experts in the gay science ... are not simply arch or mischievous or appealing but much more ... his coquettes [are] admirable because here as everywhere, Mr. Howells describes what he sees and his eyes are exceed- ingly sharp." 5 ELIZABETH PRIOLEAU is an His portraits of seductresses are acutely observed, vivid, and drawn with finesse. -
The Utopia MEGAPACK™ Is Copyright © 2014 by Wildside Press, LLC
Contents COPYRIGHT INFO . 3 A NOTE FROM THE PUBLISHER . 4 . The MEGAPACK™ Ebook Series . 6. EREWHON, by Samuel Butler [Part 1] . 14 EREWHON, by Samuel Butler [Part 2] . 107 MOVING THE MOUNTAIN, by Charlotte Perkins Gilman . 227. HERLAND, by Charlotte Perkins Gilman . 367 EQUALITY, by Edward Bellamy [Part 1] . 518 EQUALITY, by Edward Bellamy [Part 2] . 636 CAESAR’S COLUMN, by Ignatius Donnelly [Part 1] . 937 . CAESAR’S COLUMN, by Ignatius Donnelly [Part 2] . .1034 . CAESAR’S COLUMN, by IgnatiusSample Donnelly file [Part 3] . .1135 . THE REPUBLIC OF THE FUTURE, by Anna Bowman Dodd . 1205. A CRYSTAL AGE, by W . H . Hudson [Part 1] . 1234 A CRYSTAL AGE, by W . H . Hudson [Part 2] . 1314 A TRAVELER FROM ALTRURIA, by W . D . Howells . 1387 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka [Part 1] . 1560 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka [Part 2] . 1691 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka Contents | 1 [Part 3] . 1812 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka [Part 4] . 1941 MIZORA: A PROPHECY, by Mary E . Bradley Lane . 2076 SOLARIS FARM, by Milan C . Edson [Part 1] . 2227 . SOLARIS FARM, by Milan C . Edson [Part 2] . 2337 . SOLARIS FARM, by Milan C . Edson [Part 3] . 2451 . LOOKING BACKWARD, by Edward Bellamy [Part 1] . 2777 . LOOKING BACKWARD, by Edward Bellamy [Part 2] . 2881 . SOME PICTURES OF A SOCIALIST FUTURE, by Eugene Richter . 2980 UTOPIA, by Thomas More . 2994 . THE COMMONWEALTH OF OCEANA, by James Harrington [Part 1] . 3097 THE COMMONWEALTH OF OCEANA, by James Harrington [Part 2] . 3202 THE COMMONWEALTH OF OCEANA, by James Harrington [Part 3] . -
Table of Contents
Volume 21, Number 1 (Fall 2018) The Howellsian The Biannual Newsleter of the William Dean Howells Society “Redtop.” Howells Residence in Belmont, Massachusetts, 1878-1881. McClure’s Magazine, Vol. I, No. 1, June 1893. TABLE OF CONTENTS Howells Essay Prize Winner 2017: 2 Lindsey Grubbs “The slow martyrdom of her sickness malady”: William Dean Howells’ “Sketch of Winnie’s Life” Call for Entrants: 2018 Howells Essay Prize Contest 6 Minutes of the Howells Society Business Meeting, May 2018 6 Essay Abstracts: Howells Papers Delivered at ALA 2018, San Francisco 7 Call for Papers: Howells Panels at ALA 2019, Boston 10 Special Event: Visit the Howells Archive at Harvard’s Houghton Library 11 WDH Society Information 12 Volume 22, Number 1 (Fall 2018) HOWELLS ESSAY PRIZE WINNER 2017 “The slow martyrdom of her sickness malady”: William Dean Howells’ “Sketch of Winnie’s Life” Lindsey Grubbs (Emory University) Winifred Howells, the first-born child of realist author Wil- photographs and fourteen of her original poems. Often more liam Dean Howells, was born in Venice, Italy on December 17, hagiography than biography, he presents a saintly figure, likely 1863. Growing up in the company of family friends like Henry spurred in part by guilt over his earlier criticisms. He writes, James and Henry Wadsworth Longfellow, she dreamed of be- “every impulse in her was wise and good… She had the will to coming a famous poet. Her father recorded her rhymes before yield, not to withstand; she could not comprehend unkindness, it she could write herself, and at the age of nine or ten was devas- puzzled and dismayed her. -
Representations of Italian Americans in the Early Gilded Age
Differentia: Review of Italian Thought Number 6 Combined Issue 6-7 Spring/Autumn Article 7 1994 From Italophilia to Italophobia: Representations of Italian Americans in the Early Gilded Age John Paul Russo Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Russo, John Paul (1994) "From Italophilia to Italophobia: Representations of Italian Americans in the Early Gilded Age," Differentia: Review of Italian Thought: Vol. 6 , Article 7. Available at: https://commons.library.stonybrook.edu/differentia/vol6/iss1/7 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. From ltalophilia to ltalophobia: Representations of Italian Americans in the Early Gilded Age John Paul Russo "Never before or since has American writing been so absorbed with the Italian as it is during the Gilded Age," writes Richard Brodhead. 1 The larger part of this American fascination expressed the desire for high culture and gentility, or what Brodhead calls the "aesthetic-touristic" attitude towards Italy; it resulted in a flood of travelogues, guidebooks, antiquarian stud ies, historical novels and poems, peaking at the turn of the centu ry and declining sharply after World War I. America's golden age of travel writing lasted from 1880 to 1914, and for many Americans the richest treasure of all was Italy. This essay, however, focuses upon Brodhead's other catego ry, the Italian immigrant as "alien-intruder": travel writing's gold en age corresponded exactly with the period of greatest Italian immigration to the United States.