Collaborative Work with Annie Sprinkle 2021 Guggenheim Fellowship
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F. D. R RESTATES SOCIAL CREED Mmti Aad a Aoetai O F Tbe Pregraib
Maqr Bntiaall C h u y aoailiarjr.l VAthTYi, win bold a apciai aMattogl at u. a. a t • o^elock toawiTow aight to tha i Btata Anaocy. Iha approachiag I , 8 4 1 > aaaaMr mla Mrthday o f Praaldeat MlVHaai Me* I r titin dewly i Klaley artU ba obaeraad. ^ . __i mmt teaigM at S il m TMXXA. Am Mt- lha OsdUaa Ctub wm rabaa M ANCHESTER— A CITY OF VILLAGE CHARM l* o r . tetigtat at 7:80 at the Bontta Matho* JANUARY diat cbattii to praparatkai for tha I MttjMB aad Mn. aarrioa it la to ocmduet at the State | 1 T| VOLI'VL.NO.M (OaatiSaiASvtoMd^aaragaM). MANCBBSTBB,IfANCiiBSTEB, CONN., CONN., WEDNESDAY. WEDNESDAY, JANUARY JANUARY SMM7 SQ. 1M7 (SIXTEEN(S IX T E EF Na GES).F a GES). PUCBP U C RTHRRR^iS T H R R R 1^ bftlivi PriaoB la WatberaSeld Sunday after* I I n t Bight Bt tiM Boon. Her. Eari Stoty arUI accam*| MK BhitMrt. paay them aad Anthony O’Brlgbtl win pl*7 tbe ayh^boae duriag the | OMBtar. HojfbI Arch I b - progiBBL I hob tta ngnlar oMatliig tig h t hi tiM MMOBle Iba Profoaeional OMa C3ub wni I IPm dagrMs win b« eon- meat at tl|a Center ehurdi botuM to- [ • elMB t i t it BwidhiitaB, night at h o’doek. Mi*. Ann Spaa* ■ad paat BMatan* ear of Oitard atreet win bar* eharga F. D. R RESTATES SOCIAL CREED MMti aad a aoetai o f tbe pregraiB. Mlaa floraaee Ban* I tha biMdawa aad an I I and Inaa Htiea Oarrlar win ba| at* argad to attoad. -
Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience
Spring 1993 177 Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience Angelika Czekay Today, after seventeen years in the porn industry, ex-sex worker Annie Sprinkle is a performance artist. In her recent performance piece "Post-Post Porn Modernist Still in Search of the Ultimate Sexual Experience," Sprinkle talks about her life as a former porn star and ex-prostitute. The show's topic is sex, which Sprinkle "understands as her hobby, politics, spiritual experience, expertise, main subject matter . and the key to her great health and happiness" (Program note, Theatre Oobleck, October 1991). The performance is visually graphic: Sprinkle urinates and douches on stages, invites the spectator to look at her cervix, performs a "bosom ballet," and introduces sex toys for the fulfillment of various sexual desires. In a series of loosely linked segments, her narration moves through the different stages in her life and reveals its changes, both in job and attitude. To complement her stories, Sprinkle uses sets of slides; for instance, the "pornstistics" [sic], showing an image of the Empire State Building as a demonstration of the length of all the penises she "sucked," or a diagram that reveals in percentages her reasons for becoming a sex worker. I had the opportunity to see Sprinkle's performance piece on two separate occasions and in two different cultural contexts in 1991, once in Berlin in July and once in Chicago in October. Although the performance had basically remained the same, my reactions were almost directly opposite. -
Is the Otis 2009 Donghia Designer-In-Residence in the Architecture/Landscape/Interiors Department
MEDIA RELEASE Ed Ruscha, Every Building on the Sunset Strip, 1966 FOR IMMEDIATE RELEASE: NOVEMBER, 2013 Press Contact: Kathy MacPherson / [email protected] / (310) 665.6909 Binding Desire: Unfolding Artists Books, an exhibition at Otis College of Art and Design’s Ben Maltz Gallery, displays important works from the Otis Artists Book collection, one of the largest in Southern California. LOS ANGELES, CA – October, 2013 – The Ben Maltz Gallery is proud to announce the upcoming exhibition, Binding Desire: Unfolding Artists Books, on view from January 25 – March 30, 2014. Binding Desire: Unfolding Artists Books is a group exhibition featuring approximately 120 works from OTIS Millard Sheets Library’s Special Collection of 2,100 artists books dating from the 1960s to the present. The Otis Artists’ Book Collection is one of the largest in Southern California. It houses a wide range of works representing every genre of artists books by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha, as well as significant works from major centers of production like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Woman‘s Studio Workshop. A foundational strength of the collection is its holdings of artists books made in the 1960s and 1970s—a time when this material was often not collected by libraries because so much of it was hard to define, catalog and house. The exhibition also includes a reading room showcasing new work produced by OTIS students in the Fall 2013 semester. Work by: Kim Abeles, Sally Alatalo, Ant Farm, Emily -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Law, Art, and the Killing Jar
Digital Commons @ Touro Law Center Scholarly Works Faculty Scholarship 1993 Law, Art, And The Killing Jar Louise Harmon Touro Law Center, [email protected] Follow this and additional works at: https://digitalcommons.tourolaw.edu/scholarlyworks Part of the Entertainment, Arts, and Sports Law Commons, and the Other Law Commons Recommended Citation 79 Iowa L. Rev. 367 (1993) This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Touro Law Center. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Law, Art, and the Killing Jart Louise Harnon* Most people think of the law as serious business: the business of keeping the peace, protecting property, regulating commerce, allocating risks, and creating families.' The principal movers and shakers of the law work from dawn to dusk, although they often have agents who work at night. 2 Their business is about the outer world and how we treat each other during the day. Sometimes the law worries about our inner life when determining whether a contract was made5 or what might have prompted a murder,4 but usually the emphasis in the law is on our external conduct and how we wheel and deal with each other. The law turns away from the self; it does not engage in the business of introspection or revelation. t©1994 Louise Harmon *Professor of Law, Jacob D. Fuchsberg Law Center, Touro College. Many thanks to Christine Vincent for her excellent research assistance and to Charles B. -
Interview with Helen Meyer Harrison and Newton Harrison
Total Art Journal • Volume 1. No. 1 • Summer 2011 BETH AND ANNIE IN CONVERSATION, PART ONE: Interview with Helen Meyer Harrison and Newton Harrison Helen Meyer Harrison and Newton Harrison, The Lagoon Cycle, 1974-1984. Image Credit: The Harrison Studio Introduction by Elizabeth (Beth) Stephens Helen Meyer Harrison and Newton Harrison are two of the foremost artists practicing in the field of en- vironmental art today. I first met them in 2007 when they moved to Santa Cruz from San Diego where they were emeriti faculty from UC San Diego. In the early ‘70’s, they helped form UCSD’s Art Depart- ment into one of the most powerful centers for conceptual art in the country. They mentored artists such as Martha Rosler and Alan Sekula. Pauline Oliveros, Eleanor and David Antin, Alan Kaprow and Faith Ringgold were colleagues and together they formed a nurturing community for art and teaching. In addi- tion to their primary practice of environmental art, the Harrisons have also participated in a range of other historical and social movements, including the seminal west coast feminist art movement exemplified by works such as the 1972 installation Womanhouse. During that period they interacted with feminist artists and critics such as Arlene Raven, Miriam Shapiro, Judy Chicago and Suzanne Lacy. Even earlier, in 1962, Helen Harrison was the first New York coordinator for Women’s Strike for Peace. Newton Harrison Total Art Journal • Volume 1 No. 1 • Summer 2011 • http://www.totalartjournal.com served on the original board of directors of the Third World College, which Herbert Marcuse and Angela Davis initiated. -
Feminist Perspectives on Curating
Feminist perspectives on curating Book or Report Section Published Version Richter, D. (2016) Feminist perspectives on curating. In: Richter, D., Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386 Available at http://centaur.reading.ac.uk/74722/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.on-curating.org/issue-29.html#.Wm8P9a5l-Uk Publisher: On-Curating All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online ONN CURATING.org Issue 29 / May 2016 Notes on Curating, freely distributed, non-commercial Curating in Feminist Thought WWithith CContributionsontributions bbyy NNanneanne BBuurmanuurman LLauraaura CastagniniCastagnini SSusanneusanne ClausenClausen LLinaina DzuverovicDzuverovic VVictoriaictoria HorneHorne AAmeliamelia JJonesones EElkelke KKrasnyrasny KKirstenirsten LLloydloyd MMichaelaichaela MMeliánelián GGabrielleabrielle MMoseroser HHeikeeike MMunderunder LLaraara PPerryerry HHelenaelena RReckitteckitt MMauraaura RReillyeilly IIrenerene RevellRevell JJennyenny RichardsRichards DDorotheeorothee RichterRichter HHilaryilary RRobinsonobinson SStellatella RRolligollig JJulianeuliane SaupeSaupe SSigridigrid SSchadechade CCatherineatherine SSpencerpencer Szuper Gallery, I will survive, film still, single-channel video, 7:55 min. Contents 02 82 Editorial It’s Time for Action! Elke Krasny, Lara Perry, Dorothee Richter Heike Munder 05 91 Feminist Subjects versus Feminist Effects: Public Service Announcement: The Curating of Feminist Art On the Viewer’s Rolein Curatorial Production (or is it the Feminist Curating of Art?) Lara Perry Amelia Jones 96 22 Curatorial Materialism. -
Wgst 250: Women's Health Activism
Wgst 250: Women’s Health Activism Spring 2011 - T, Th 10:10-12:00pm – Leighton 330, Carleton College Instructor: Dr. Meera Sehgal Office Hours: Tuesday & Thursday: 5-6pm; Office: 222 Leighton Monday & Friday: 1:30-3:00pm & by appointment Phone: x4975 Description This course focuses on women’s health movements and feminist activism around reproductive justice in the U.S.. Our explorations will be linked to a Carleton art gallery exhibit titled EveryBody! that highlights the use of graphic teaching aids, polemical publications and artistic projects by women’s health movements to teach women to celebrate “embodied self-knowledge”. Thus, we'll be looking at, reflecting, practicing (to the extent possible) and reading about feminist political art in general and specifically in relation to women's health in the context of the 70s to the present. Our intellectual focus will be on the role of feminist activism in shifting the discourse around women’s health from medicalized pathology to empowerment. The course has a major civic engagement component that requires students to work with feminist non-profit organizations on campus or in and around Northfield or in the greater Twin Cities area in ways that: Ø contribute to the organization’s vision for social justice; Ø deepens your intellectual understanding of feminist health activism from 2000 to present; Ø enables you to situate the organization and its goals, mission, activities, style of functioning within the wider historical sweep of feminist health movements from the 1960s onwards. In line with the emphasis on visuality in the EveryBody art exhibit, students will be encouraged to develop creative visual approaches to feminist health education in the community through the non-profit they work with. -
Curating in Feminist Thought
ONN CURATING.org Issue 29 / May 2016 Notes on Curating, freely distributed, non-commercial Curating in Feminist Thought WWithith CContributionsontributions bbyy NNanneanne BBuurmanuurman LLauraaura CastagniniCastagnini SSusanneusanne ClausenClausen LLinaina DzuverovicDzuverovic VVictoriaictoria HorneHorne AAmeliamelia JJonesones EElkelke KKrasnyrasny KKirstenirsten LLloydloyd MMichaelaichaela MMeliánelián GGabrielleabrielle MMoseroser HHeikeeike MMunderunder LLaraara PPerryerry HHelenaelena RReckitteckitt MMauraaura RReillyeilly IIrenerene RevellRevell JJennyenny RichardsRichards DDorotheeorothee RichterRichter HHilaryilary RRobinsonobinson SStellatella RRolligollig JJulianeuliane SaupeSaupe SSigridigrid SSchadechade CCatherineatherine SSpencerpencer Szuper Gallery, I will survive, film still, single-channel video, 7:55 min. Contents 02 82 Editorial It’s Time for Action! Elke Krasny, Lara Perry, Dorothee Richter Heike Munder 05 91 Feminist Subjects versus Feminist Effects: Public Service Announcement: The Curating of Feminist Art On the Viewer’s Rolein Curatorial Production (or is it the Feminist Curating of Art?) Lara Perry Amelia Jones 96 22 Curatorial Materialism. A Feminist Perspective The Six Enemies of Greatness on Independent and Co-Dependent Curating Video programme compiled Elke Krasny by Susanne Clausen and Dorothee Richter 108 27 Performing Feminism ‘Badly’: Slapping Scenes Hotham Street Ladies and Brown Council Susanne Clausen Laura Castagnini 29 116 Feminism Meets the Big Exhibition: Taking Care: Feminist Curatorial Pasts, -
From Womyn to Grrrls: Fostering Understanding Between Feminist
Maria Elena Buszek “From Womyn to Grrrls: Fostering understanding between feminist generations” Paper presented at the annual meeting of the College Art Association, Seattle, WA, 19 February 2004. Elizabeth Adan’s call for third-wave panel participants could not have been more timely, considering the tense but exciting dialogue begun at last year’s CAA conference, just weeks before her call was announced. At the New York conference, the Women’s Caucus for Art had assembled a panel to pay well-deserved tribute to the New York Feminist Art Institute. The fruit of the dynamic Women’s Liberation movement begun in the late 1960s, NYFAI’s successes in giving women a voice for their self-expression, using art as a vehicle for consciousness-raising and activism, and encouraging women to take all these tools into broader gallery and academic systems reflect the larger successes of feminism’s second wave. However, discussion of the institute’s closing in 1990 led to inevitable questions of feminism’s future in the subsequent question-and-answer session, as one audience member after another each essentially rephrased a single question: “Where are the young feminists?” As a young feminist in attendance, my first instinct was to slink down in my seat and look around me with the same question on my mind. However, a cursory glance at the rows to my left and right revealed something: I was hardly the only young feminist in attendance. Indeed, with each rephrasing of the question, my neck craned around a few more degrees to gradually take in the entire crowd. -
Reviewer Spotlight: Annie Sprinkle on Sex, Art and Activism - Nytimes.Com
Reviewer Spotlight: Annie Sprinkle on Sex, Art and Activism - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe: Digital / Home Delivery Log In Register Now Search All NYTimes.com Friday, July 8, 2011 Arts WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER VIDEO GAMES Advertise on NYTimes.com Search This Blog Previous Post Next Post Book Review Podcast: The Week in Culture July 1, 2011, 3:55 PM A Pacifist in the Pictures, July 1 Reviewer Spotlight: Annie Sprinkle on Sex, Family Art and Activism FOLLOW THIS BLOG Twitter RSS By JENNIFER B. MCDONALD Annie Sprinkle, who reviews Chester In the Spotlight Brown’s “Paying for It: A Comic-Strip Memoir About Being a John” in this Popcast: Deciphering New Projects by Bjork and Brian Eno weekend’s Book Review, is no stranger to the Theater Talkback: A Method to Their Madness documentary urge. “From the day I gave After Lincoln Center, City Opera’s Next Season away my virginity at 17, I started Q. & A.: How to Start Your Own Theater Company Thinking Cap: The Zoot Suit: Statement of Style or documenting my sexual experiences,” Protest? Sprinkle told us recently. “I still am, 40 years later.” THE VENICE BIENNALE Interactive Feature: Sprinkle has cultivated one of the more Everyone's a Critic audacious careers of anyone who has ever From the deluge of art, a reviewed a book in our pages: porn star, critic chooses some standouts. -
William C. Thompson, Jr
WILLIAM C. THOMPSON, JR. NEW YORK CITY COMPTROLLER Lesbian Gay Bisexual Transgender DIRECTORY OF SERVICES AND RESOURCES NEW YORK METROPOLITAN AREA JUNE 2005 www.comptroller.nyc.gov June 2005 Dear Friend, I am proud to present the 2005 edition of our annual Lesbian, Gay, Bisexual and Transgender Directory of Services and Resources. I know it will continue to serve you well as an invaluable guide to all the New York metropolitan area has to offer the LGBT community, family and friends. Several hundred up-to-date listings, most with websites and e-mail addresses, are included in this year’s Directory. You’ll find a wide range of community organizations, health care facilities, counseling and support groups, recreational and cultural opportunities, houses of worship, and many other useful resources and contacts throughout the five boroughs and beyond. My thanks to the community leaders, activists and organizers who worked with my staff to produce this year’s Directory. Whether you consult it in book form or online at www.comptroller.nyc.gov, I am sure you’ll return many times to this popular and comprehensive resource. If you have questions or comments, please contact Alan Fleishman in my Office of Research and Special Projects at (212) 669-2697, or send us an email at [email protected]. I look forward to working together with you as we continue to make New York City an even better place to live, work and visit. Very truly yours, William C. Thompson, Jr. PHONE FAX E-MAIL WEB LINK * THE CENTER, 208 WEST 13TH STREET, NEW YORK, NY 10011 National gay/lesbian newsmagazine.