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ACWC Spring 2021 Journal Is Here!
Spring 2021 Journal eJournal ACWC/ACC Spring 2021 Table of Contents 3 Notes from the Chair Carol Ann Weaver 8 From the Editor Fiona Evison 9 40th Anniversary of ACWC / ACC Diane Berry 12 The ACWC/ACC 20th Anniversary: Then, Now, and Beyond... A Festival of Music by Women Janet Danielson 17 Spotlight on Our Archives Elma Miller 25 Pioneering Compositrices of Canada Elaine Keillor 31 Anniversary Interview: Brenda Muller: Canadian Challenges for Women Com- posers, and the History of the Ardeleana Trio Patricia Morehead 40 Anniversary Interview: Sylvia Rickard: My Composing Life and Memories of Jean Coulthard / Entrevue: Sylvia Rickard Patricia Morehead 48 Panel Reports: Soundscapes and More / Muses Too Carol Ann Weaver 50 New Member Profiles 52 Member Opportunities and News All writers in the Journal are ACWC members, unless otherwise indicated. 2 eJournal ACWC/ACC Spring 2021 Notes from the Chair In Celebration as ACWC/ACC Turns 40: Finding Our “Necessary” Voices Carol Ann Weaver An anniversary 40 years in the making – reason enough to celebrate! In 1981 when Carolyn Lomax met with Ann Southam, Mary Gardiner, and others to form what was to become ACWC, little did she and the other Toronto-based composers know that their work would expand to become an association of over 100 members spread across Canada from Vancouver Island to Newfoundland, and from the Northwest Territories to the US and Europe, incorporating musical forms from soundscape to jazz improvisation, song to symphony, largely centred on innovative Western classical styles – music necessary to compose. In the early 80’s when ACWC1 boasted a membership of some 15 – 35 members, few questioned its predominantly European-rooted membership. -
Box # # of Items in Folder Name of Organization
Box # of Name of Organization (note: names that are underlined are filed by the underlined word in alphabetical order) Location # Items in Folder 1 1 Feike Asma. Organ recital. Toronto Toronto 1 ARS NOVA presents Theatre of Early Music presents "Star of Wonder" A Christmas Concert. Knox Presbyterian Church, Ottawa Ottawa. 1 ARS Omnia with Contemporary Music Projects presents The Inspiration of Greece and China. A trans-cultural Toronto contemporary music event. Kings College Circle, University of Toronto. 1 2 ARS Organi. Montreal 1 L'ARMUQ Quebec 1 1 A Benefit Concert for Women's College Hospital. John Arpin, [Pianist.]. Women's College Hospital 75th Anniversary, Toronto 1911-1986. Roy Thomson Hall, Toronto. 1 1 A Space - Toronto. Toronto 1 L'Academie Commerciale Catholique de Montreal. Montreal 1 1 L'Academie Des Lettres Et Des Sciences Humaine de la Society Royal Du Canada. [Ottawa?] 1 1 Academy of Dance. [Brantford, Ontario?] 2 Acadia University. Wolfville, Nova Scotia. Nova Scotia 1 2 ACME Theatre Company. Toronto 1 2 Acting Company. Toronto. Toronto 1 1 The Actors Workshop. Toronto. Toronto 1 1 Acustica International Montreal. Montreal 1 1 John Adams. New Music for synthesizers, solo bass and grand pianos by John Adams & Chan Ka Nin. Premiere Dance Toronto Theatre. New Music Concert. [Toronto.] 1 1 Adelaide Court Theatre. Toronto. Toronto 1 1 The Aeolian Town Hall. The London School Of Church Music. A Concert to honour the Silver Jubilee of Her Majesty London, Ontario Queen Elizabeth II. 1 Aetna Canada Young People's Concerts. Toronto. Toronto 1 2 Afternoon Concert Series. The Women's Musical Club of Toronto. -
Hannigan Ascending BACH ST
PRICELESS! Vol 20 No 5 CONCERT LISTINGS | FEBRUARY 1 - MARCH 7 2015 Hannigan Ascending BACH ST. JOHN PASSION BACH ST. JOHN PASSION BACK BY POPULAR DEMAND! HOUSE OF DREAMS DIRECTED BY IVARS TAURINS Mar 19-22, 2015 Trinity-St. Paul’s Centre, Jeanne Lamon Hall DIRECTED BY Tafelmusik Baroque Orchestra JEANNE LAMON and Chamber Choir CONCEIVED, SCRIPTED, AND Julia Doyle, soprano PROGRAMMED BY Daniel Taylor, countertenor ALISON MACKAY Charles Daniels, tenor Peter Harvey, baritone Feb 11-15, 2015 Trinity-St. Paul’s Centre, Jeanne Lamon Hall “A testament to his faith, Bach’s Passions speak to us of the Journey to the meeting places of baroque art and music fea- turing music by , , , and more. greater human experience through music Bach Handel Vivaldi of powerful drama and profound beauty.” Don’t miss this stunning multimedia — IVARS TAURINS event before it goes on tour to Australia! A CO-PRODUCTION WITH Stage Direction by Marshall Pynkoski Production Design by Glenn Davidson Projection Design by Raha Javanfar 416.964.6337 Narrated by Blair Williams tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR The TSO and festival curator George Benjamin join forces with Canadian soprano Barbara Hannigan for new sounds, cutting-edge drama, and 7 premières! A Mind of Winter SAT, FEB 28 AT 8pm Peter Oundjian, conductor and host George Benjamin, conductor Barbara Hannigan, soprano Jonathan Crow, violin Dai Fujikura: Tocar y Luchar (CANADIAN PREMIÈRE) George Benjamin: A Mind of Winter (CANADIAN PREMIÈRE) Vivian Fung: Violin Concerto No. 2 “Of Snow and Ice”(WORLD PREMIÈRE/TSO COMMISSION) Dutilleux: Métaboles Pre-concert Performance, Intermission Chat, and Post-concert Party in the Lobby. -
Box File No. Title Location Aca
BOX FILE NO. TITLE LOCATION A.C.A. Newsletter. Alberta Composers' Association Newsletter. Alberta A.S.O. Atlantic Symphony Orchestra. Newfoundland, New Brunswick, Nova Scotia …. Nova Scotia …. [Atlantic Provinces] A Benefit Concert for Women's College Hospital. John Arpin, [Pianist.]. Women's College Hospital 75th Anniversary, Toronto. 1911-1986. Roy Thomson Hall, Toronto. 1 1 A Space - Toronto. Toronto 1 2 L'Acadamie Des Lettres Et Des Sciences Humaine de la Society Royal Du Canada. [Ottawa?] 1 3 Academy of Dance. [Brantford, Ontario?] Acadia University. Wolfville, Nova Scotia. Nova Scotia 1 4 ACME Theatre Company. Toronto Acting Company. Toronto. Toronto 1 5 The Actors Workshop. Toronto. Toronto John Adams. New Music for synthesizers, solo bass and grand pianos by John Adams & Chan Ka Nin. Premiere Dance Toronto. Theatre. New Music Concert. [Toronto.] 1 6 Adelaide Court Theatre. Toronto. Toronto 1 7 The Aeolian Town Hall. The London School Of Church Music. A Concert to honour the Silver Jubilee of Her Majesty London, Ontario Queen Elizabeth II. 1 8 Aetna Canada Young People's Concerts. Toronto. Toronto African Theatre Ensemble. Toronto 1 9 AfriCanadian Playwrights Festival. Toronto. Toronto 1 10 Agnes Etherington Art Centre, Kingston. Kingston Aid to Artists. The Canada Council, 1978-79. Ottawa. Ottawa Air Command Band. Winnipeg 1 11 Alberta College. Alberta The Alberta Music Conference. Banff School of Fine Arts. Alberta 1 12 The Aldeburgh Connection. Concert Society. Toronto. Toronto Lenore Alford, orgue. Conseil Des Arts et Des Lettres Du Quebec. Quebec 1 13 Algoma Fall Festival. Saulte Ste. Marie, Ontario. Saulte Ste. Marie, Ontario Alianak Theatre. -
Naomi Jackson Groves Fonds
Canadian Archives Direction des archives Branch canadiennes NAOMI JACKSON GROVES FONDS MG30-D351 Finding Aid No. 1735 / Instrument de recherche no 1735 Prepared in 2003 by Anne Goddard, Christiane Préparé en 2003 par Anne Goddard, Christiane Prévost, Janet Murray and Sarah Stacey of the Prévost, Janet Murray et Sarah Stacey des Social and Cultural Archives. Modified in 2007 Archives sociales et culturelles. Modifié en 2007 by Geneviève Morin of the Visual Heritage par Geneviève Morin de la Division du Division. Patrimoine Visuel. ii TABLE OF CONTENTS PERSONAL RECORDS SERIES .....................................1, 143, 144, 145 Correspondence Sub-Series ........................................1, 143, 144 Correspondence Sub-Series (additional) ....................................147 Diaries Sub-Series......................................................38 Financial Records Sub-Series .............................................48 Memorabilia Sub-Series .............................................49, 144 Printed Material Sub-Series...............................................51 Subject Files Sub-Series .........................................54, 144, 145 A.Y. JACKSON AND FAMILY RESEARCH SERIES ...........................76, 145 A.Y. Jackson Inventory Sub-Series.........................................76 Research Files Sub-Series............................................83, 145 Correspondence Sub-Series ...............................................93 A.Y. JACKSON RECORDS SERIES........................................103, 146 Correspondence -
To Download the PDF File
NOTE TO USERS This reproduction is the best copy available. UMI* A New Matrix of the Arts: A History of the Professionalization of Canadian Women Artists, 1880-1914 Susan Butlin, M.A. School of Canadian Studies Carleton University, Ottawa A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Doctor of Philosophy. 2008 © Susan Butlin, 2008 Library and Archives Biblioth&que et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de ('Edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your Tile Votre r6f6rence ISBN: 978-0-494-60128-0 Our file Notre r6f6rence ISBN: 978-0-494-60128-0 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimis ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
O Dowland! Sla Ery & La
PRICELESS! Vol 20 No 6 CONCERT LISTINGS MARCH 1- APRIL 7 2015 O Dowland! Slaery & La Nef “...she has chops that Eric Clapton would wish for “A testament to his faith, on a good day.” BOSTON MUSICAL Bach’s Passions speak to us INTELLIGENCER of the greater human experience through music of powerful drama and profound beauty.” IVARS TAURINS BAROQUE MISBEHAVING BACH ST. JOHN AISSLINN NOSKY PASSION VIOLINIST AND GUEST DIRECTOR Musical Misdemeanours and Mayhem. DIRECTED BY Apr 23-26 Trinity-St. Paul’s Centre, Jeanne Lamon Hall IVARS TAURINS Apr 28 George Weston Recital Hall Powerful Drama. An orchestral romp featuring music by Purcell, Profound Beauty. Telemann, Charpentier, and and Snow White, a new work by Canadian composer Michael Oesterle. Mar 19-22 Trinity-St. Paul’s Centre, Jeanne Lamon Hall APR 23 SPONSORED BY Tafelmusik Baroque Orchestra and Chamber Choir GWRH CONCERT SUPPORTED BY Margaret and Jim Fleck Julia Doyle, soprano Daniel Taylor, countertenor Charles Daniels, tenor TSP: 416.964.6337 Peter Harvey, baritone GWRH: 1.855.985.2787 tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR “...she has chops LET THE TSO that Eric Clapton would wish for “A testament to his faith, on a good day.” Bach’s Passions speak to us BOSTON MUSICAL INTELLIGENCER INSPIRE YOU of the greater human experience through music of powerful Beethoven Symphony 7 Stravinsky The Rite of Spring Tchaikovsky Symphony 4 drama and profound beauty.” WED, MAR 11 AT 8pm FRI, MAR 27 AT 7:30pm WED, APR 1 AT 8pm IVARS TAURINS THU, MAR 12 AT 8pm SAT, MAR 28 AT 7:30pm THU, APR 2 AT 2pm SAT, MAR 14 AT 8pm Krzysztof Urbański, conductor James Conlon, conductor Gianandrea Noseda, conductor Sol Gabetta, cello Vilde Frang, violin Adrianne Pieczonka, soprano Kilar: Orawa (MAR 27 ONLY) Wagner: Preludes to Acts I & III from Casella: Italia Dvořák: Cello Concerto Lohengrin BAROQUE R. -
Toronto Arts Council Report to Economic Development Committee
Attachment TABLE OF CONTENTS Introduction and Grants Impact Analysis ........................................................................................... 3 Summary of Increased Funding, 2013-2016, chart ……………………………………………….……. 7 Operations Budget Allocation ……………………………………………………………………………….8 Grants Programs Overview Strategic Funding .................................................................................................................. 9 Arts Discipline Funding ......................................................................................................... 10 Assessment and Allocations Process ................................................................................... 11 Loan Fund ............................................................................................................................. 11 2016 Allocations Summary ................................................................................................................ 12 Income Statement & Program Balances for the year ended December 31, 2016............................. 13 Strategic Funding 2016 Partnership Programs .......................................................................................................... 14 Strategic Partnerships ........................................................................................................... 15 Strategic Allocations .............................................................................................................. 17 Recipient Details .................................................................................................................. -
Helen Sanderson Sewell Fonds CA OTAG SC089
Art Gallery of Ontario E. P. Taylor Research Library and Archives Description & Finding Aid: Helen Sanderson Sewell Fonds CA OTAG SC089 Prepared by Sylvia Lassam, 2003 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4 Reference Desk: 416-979-6642 www.ago.net/ago/library Helen Sanderson Sewell fonds Helen Sanderson Sewell fonds Dates of creation: 1920 – 1950 Physical description: 47 cm of textual records and graphic material Biographical sketch: Helen Sanderson Sewell (1905-2001) was a Toronto artist and teacher. She attended the Ontario College of Art, graduating in 1928 with the Governor General’s Gold Medal. After graduation, she taught for six years with Arthur Lismer at the Art Gallery of Ontario and in Barrie, London, and her Toronto studio. She traveled to northern Ontario to paint with members of the Group of Seven. In 1934 she married William Sewell and interrupted her career to raise four children, including former Toronto mayor John Sewell. She resumed painting when her children were in high school, specializing in portraiture, and was active in the Toronto Heliconian Club. Scope and content: The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series. Custodial history: Material constituting this fonds was inherited by Helen Sanderson Sewell’s children, who donated it to the Art Gallery of Ontario in 2002. -
CURRICULUM VITAE September 2020 MARK GERALD KINGWELL Professor of Philosophy Phone: (416) 978-3286 University of Toronto E-Ma
CURRICULUM VITAE September 2020 MARK GERALD KINGWELL Professor of Philosophy Phone: (416) 978-3286 University of Toronto E-mail: [email protected] 6 Hoskin Avenue, Toronto, Canada M5S 1H8 DEGREES AND DISTINCTIONS 2018 Fellow of the Royal Society of Canada 2018 Fellow of the Royal Society of Arts (United Kingdom) 2000 DFA (Doctor of Fine Arts), honoris causa, Nova Scotia College of Art and Design, Halifax Convocation Address: Against Smoothness 1991 PhD, Yale University, Department of Philosophy (by dissertation) Thesis: Just Talking: Dialogic Models in Contemporary Justice Theory Supervisors: Georgia Warnke (Philosophy) and Bruce Ackerman (Law/Political Science) 1989 MPhil, Yale University; Department of Philosophy (by coursework) 1987 MLitt, Edinburgh University, Departments of Philosophy and English Literature (by coursework and thesis) Thesis: Atomic Dreams: Moral Mythology in the Nuclear Age Supervisors: R. W. Hepburn (Philosophy) and C. N. Manlove (English) 1985 Honours BA, High Distinction, St. Michael’s College, University of Toronto, Departments of Philosophy and English Literature (by coursework and senior thesis) EMPLOYMENT, AFFILIATIONS, AND VISITING POSTS 2020-pr. Visiting Professor, Faculty of Law, Stockholm University, Sweden 2019-pr. Member, Advisory Board, NSF STEM+C Project, University of Colorado, Boulder 2019 Visiting Lecturer, Faculdade de Arquitetura e Urbanismo, Escola da Cidade, São Paulo, Brazil 2017-pr. Faculty Affiliate, School of Cities, University of Toronto 2016-17 Associate Chair (Director of Graduate Studies), Department of Philosophy, University of Toronto 2015-16 Visiting Fellow, Neubauer Collegium for Culture and Society, University of Chicago 2011-12 Chancellor Jackman Faculty Research Fellow, Jackman Humanities Institute, University of Toronto 2009-11 Associate Chair (Director of Undergraduate Studies), Dept. -
Butlin the P RACTICE of HER PROFESS ION
the practice of her profession McGil l-Queen’ s/ Beaverbrook Canadian Foundation Studies in Art History Recognizing the need for a better understanding of Canada’s artistic culture both at home and abroad, the Beaverbrook Canadian Foundation, through its generous sup - port, makes possible the publication of innovative books that advance our understand - ing of Canadian art and Canada’s visual and material culture. This series supports and stimulates such scholarship through the publication of original and rigorous peer- reviewed books that make significant contributions to the subject. We welcome submis - sions from Canadian and international scholars for book-length projects on historical and contemporary Canadian art and visual and material culture, including Native and Inuit art, architecture, photography, craft, design, and museum studies. Studies by Cana - dian scholars on non-Canadian themes will also be considered. The Practice of Her Profession Florence Carlyle, Canadian Painter in the Age of Impressionism Susan Butlin THE P RACTICE OF HER PROFESS ION FLORE NCE CARLYLE CANA D IA NPAINT ER IN THE AGE OF IMPRESSIONISM SUSAN BUTLIN McGil l-Queen’s University Press kingston & montreal • london • ithaca ©McGil l-Queen’s University Press 2009 isbn 978-0-7735-3509-1 Legal deposit first quarter 2009 Bibliothéque national du Québec Printed in Canada on acid-free paper This book has been published with the help of a grant from the Canadian Federation for the Humanities and Social Sciences, through the Aid to Scholarly Publications Programme, using funds provided by the Social Sciences and Hu manities Research Council of Canada. McGil l-Queen’s University Press acknowledges the support of the Canada Council for the Arts for our publishing program. -
Modern C7in7idi7in Poets
Per C0Py CANADIAN Winter, ig6j MODERN C7IN7IDI7IN POETS Articles BY A. W. PURDY, DONALD STEPHENS, D. A. CAMERON, PETER STEVENS, JOHN ROBERT COLOMBO Recollections BY DOROTHY LIVE SAY Reviews BY ROBIN SKELTON, FRED COGSWELL, LEN ANDERSON, RODERICK HAIG-BROWN, GEORGE ROBERTSON, DAVID WATMOUGH, FRANCES M. FRAZER, GEORGE WOODCOCK, M. W. STEINBERG Annual Supplement CANADIAN LITERATURE CHECKLIST, 1964 A QUART6RLY OF CRITICISM AND R€VI€W SURVEYORS AND NATURAL HISTORIANS LITERATURE IN CANADA has become like a land rising out of the sea, over which the surveyors march with rod and chain, recording their observations almost before the soil has had time to dry out. Here I do not refer to such tasks as reviewing and criticism, which are normal processes of any literary society, but rather to the vast activity which takes the form of assembling and arranging information. This publishing season in particular there is a notable influx of the kind of books that cultural surveyors produce, books which no one is likely to read for entertainment, ¿esthetic pleasure or moral edification, but which, standing on the right shelves, become useful tools for critics and scholars. Two such compilations, fresh from the press, are on my desk as I write, and more, according to the publishers' announcements, will shortly arrive. Neither of the volumes which I now mention will find much of a market outside the uni- versity libraries, and both have been subsidized by the Canada Council to make their publication possible. The first is entitled The Humanities in Canada (Uni- versity of Toronto Press, $6.00), and has been prepared by F.