DOCSLIB.ORG

Brecon Beacons & Southeast Wales

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

©Lonely Planet Publications Pty Ltd Brecon Beacons & Southeast Wales Includes ¨ Why Go? Newport Wales’ southeast corner, where the misty River Wye me- (Casnewydd).................77 anders along the border with England, is the birthplace of Caerleon (Caerllion) .....81 British tourism. For over 200 years travellers have visited Monmouthshire this tranquil waterway and its winding, wooded vale, where (Sir Fynwy) ...................84 the romantic ruins of Tintern Abbey have inspired poets Chepstow and artists such as Wordsworth and Turner. (Cas-gwent) .................84 But there’s more to the region than the market towns and Brecon Beacons rural byways of the Lower Wye. To the west, the dramati- National Park ............... 95 cally serried South Wales valleys tell the story of the Indus- South Wales Valleys .... 114 trial Revolution through heritage sites and still close-knit communities. Move north and the landscape opens out to the magnificent upland scenery of Brecon Beacons Nation- al Park, where high mountain roads dip down to remote hamlets and whitewashed ancient churches. The hiking and Best Places mountain-biking terrain here is superb. to Eat ¨ The Whitebrook (p88) ¨ St John’s Place (p101) ¨ Mango House (p116) When to Go ¨ ¨ Walnut Tree (p94) Outdoor types should consider heading to Brecon Beacons National Park in late spring, early summer ¨ Tomatitos Tapas Bar (p101) or early autumn to take advantage of what should be reasonable weather (though there’s no guarantee). The narrow country roads may be impassable in winter, and Best Places become congested during school summer holidays (mid- to Sleep July to August). Many hostels and campgrounds don’t open till after Easter. ¨ The Bear (p100) ¨ The literary extravaganza of the Hay Festival runs from ¨ Celyn Farm (p96) late May until early June, the Green Man music festival ¨ Peterstone Court (p106) is in August, while foodies should focus a trip around ¨ Coed Owen Bunkhouse Abergavenny’s food festival in September. (p114) ¨ Pencelli Castle Caravan & Camping Park (p107) 77 NEWPORT and a twice-married homosexual who kept a boxing kangaroo. (CASNEWYDD) On the ground floor, the entrance hall POP 146,000 opens into the sumptuous grand dining Sitting at the muddy mouth of the River room. The adjoining ‘gilt room’ is blanketed Usk and flanked by the detritus of heavy in goldleaf and paintings of bare-breasted industry, Newport is never going to win mythological figures; you’re invited to re- any awards for beauty. However, Wales’ cline on the day bed in order to get a better third-largest city is in the process of smart- look. In another parlour there are period ening itself up, with the shiny new Friars costumes to try on and board games to play. Walk shopping complex opening up the his- The decor of the upstairs bedrooms toric city centre to a redeveloped riverside jumps forward in time to the 1930s, when BRECON BEACONS & promenade. A handful of interesting sights Evan Morgan was hosting his fabulous par- more than justify a day trip to the city, but ties at Tredegar. For the full Downton Abbey you’re unlikely to be tempted to stay over. experience, head ‘below stairs’ to explore the preserve of the Morgan’s numerous History servants. Newport takes its name from the fact that it was built after the ‘old port’ at Caerleon, fur- St Woolos Cathedral CHURCH ther upstream, following the construction of (%07933 627594; www.newportcathedral.org.uk; Stow Hill; h7.45am-5.30pm Mon-Fri, 10am-6pm Newport Castle in Norman times. The Welsh S Sat, to 8pm Sun) A steep 10-minute walk up- name, Casnewydd, actually means ‘new cas- OUTHEAST WALES tle’ for much the same reason. Like many hill from the main shopping strip leads to harbour towns in South Wales, it grew rich Newport’s ancient cathedral. The building on the back of the iron and coal industries in provides a fascinating journey through his- the 19th and early 20th centuries. The lega- tory via a succession of distinct architectural cy of these boom times can be glimpsed in styles. the historic facades of Commercial St. The main door leads into the oldest part In the second half of the 20th century, of the building, a 9th-century stone chapel Newport’s shipbuilding industry disap- constructed to replace a wooden church NE SIGHT N peared, and the docks declined in impor- built here in 500 on the burial site of Welsh E WP tance as coal exports shifted to Barry and king-turned-monk St Gwynllyw (Woolos wp ORT is an English corruption of his name). The (CA ORT iron-ore imports to Port Talbot. In 2001 the S huge Llanwern steelworks closed down. Normans came next, represented by the magnificent Romanesque arch leading into (C 1 their grand nave (look up to the curved tim- A Sights SN bers of the medieval ‘wagon roof’). You can sn HISTORIC BUILDING E Tredegar House see the transition from the Romanesque to E W (NT; %01633-815880; www.nationaltrust.org.uk; W YDD the Gothic style in the pointy windows of the YDD) h house adult/child £7.20/3.60, parking £2; park outside aisles, which were grafted on later. dawn-dusk year-round, house 11am-5pm Feb-Oct; Newport’s prosperous Victorian period is ) p ) The seat of the Morgan family for more evident in the chancel, while the very end than 500 years, Tredegar House is a stone of the building is pure 1960s, including the and red-brick 17th-century building set amid painted marble effect behind the altar. extensive gardens, 2 miles west of Newport city centre. It is one of the finest examples of Newport Museum & Art Gallery MUSEUM a Restoration mansion in Britain, the oldest (%01633-656656; www.newport.gov.uk/museum; parts dating to the 1670s. The National Trust John Frost Sq; h9.30am-5pm Tue-Sat) F In took over management of the property in the same building as the tourist office and late 2011 and has done a great job bringing library, Newport Museum covers the town’s the fascinating stories of its owners to life. history from the prehistoric to the 20th The Morgans, once one of the richest century, via the Romans and the Industrial families in Wales, were an interesting lot. Sir Revolution. Henry was a 17th-century pirate (Captain Morgan’s Rum is named after him); God- Riverfront ARTS CENTRE (%01633-656757; www.newport.gov.uk/riverfront; frey, the second Lord Tredegar, survived the Kingsway; h10am-6pm Mon-Sat) Charge of the Light Brigade; and Viscount Opened in Evan was an occultist, a Catholic convert 2004, the city’s swish cultural centre takes .
Recommended publications
  • Roman Conquest, Occupation and Settlement of Wales AD 47–410

    Roman Conquest, Occupation and Settlement of Wales AD 47–410

    no nonsense Roman Conquest, Occupation and Settlement of Wales AD 47–410 – interpretation ltd interpretation Contract number 1446 May 2011 no nonsense–interpretation ltd 27 Lyth Hill Road Bayston Hill Shrewsbury SY3 0EW www.nononsense-interpretation.co.uk Cadw would like to thank Richard Brewer, Research Keeper of Roman Archaeology, Amgueddfa Cymru – National Museum Wales, for his insight, help and support throughout the writing of this plan. Roman Conquest, Occupation and Settlement of Wales AD 47-410 Cadw 2011 no nonsense-interpretation ltd 2 Contents 1. Roman conquest, occupation and settlement of Wales AD 47410 .............................................. 5 1.1 Relationship to other plans under the HTP............................................................................. 5 1.2 Linking our Roman assets ....................................................................................................... 6 1.3 Sites not in Wales .................................................................................................................... 9 1.4 Criteria for the selection of sites in this plan .......................................................................... 9 2. Why read this plan? ...................................................................................................................... 10 2.1 Aim what we want to achieve ........................................................................................... 10 2.2 Objectives.............................................................................................................................

  • Let's Walk Newport: Small Walks for Small Feet

    SMALL WALKS for small feet... FIND YOUR NEWPORT WALK Lets Walk Newport - Small Walks for Small Feet 10 Reasons to walk... 1. Makes you feel good 2. Reduces stress 3. Helps you sleep better 4. Reduces risk of:- • Heart disease • Stroke • High blood pressure • Diabetes • Arthritis • Osteoporosis • Certain cancers and can help with theirmanagement and recovery 5. Meet others and feel part of your community 6. See your local areaand discover new places 7. Kind to the environment 8. Can be done by almost anyone 9. No special equipment required 10. Its FREE, saving money on bus fares and petrol 2 Lets Walk Newport - Small Walks for Small Feet How often should I walk? As often as you can Aim for at least:- 30minutes This can be in one go or 3 walks of 10 minutes or 2 walks of 15 minutes per day or more days 5 of the week How fast should I walk? Start slowly to warm up gradually increase to a brisk pace:- • heart beating a little faster • breathing a little faster • feel a little warmer • leg muscles may ache a little • you should still be able to hold a conversation Slow down gradually to cool down Tips • Walk to the local shops • Get o the bus a stop earlier • Park a little further from your destination • Walk the children to and from school • Go for a lunchtime walk • Walk to post a letter • Use the stairs • Walk with friends/family • Explore new areas • Walk the dog • Note your progress 3 Lets Walk Newport - Small Walks for Small Feet What equipment will I need? Healthy Start Walks brochure:- • Comfortable and sensible footwear (no ip-ops or high heels) • Water Small Walks for Small Feet brochure:- • Comfortable and sensible footwear (no ip-ops or high heels) • Water Healthy Challenge Walks brochure:- • Sturdy footwear • Water Countryside Walks brochure:- • Sturdy footwear/Hillwalking boots • Water Safety information (Countryside brochure only) • Tell someone where you are going • Tell someone how long you will be • Remember to let them know when you return Have fun and enjoy your walk! 4 Lets Walk Newport - Small Walks for Small Feet Walks Distance Page 1.
  • A Study Into the Material Culture of the Morgan Family of Tredegar House

    A Study Into the Material Culture of the Morgan Family of Tredegar House

    A Study into the Material Culture of the Morgan Family of INTRODUCTION Tredegar House in the late-Seventeenth Century There are many reasons why people wanted to own material goods, some practical, some financial, some psychological. This makes it necessary to explore social as well as economic factors. 1 Becky Gingell As Lorna Weatherill’s comments above, there are a variety of ways in which the study of material culture can be examined, as well as a number of reasons for such an investigation. The study of material culture can provide a vivid insight into the past, and a vast amount can be discovered about the individuals who owned the household goods. The ability to purchase new items was obviously determined by the person’s financial background and whether they were a spendthrift by nature, or perhaps less inclined to use their wealth, ranging from practical necessities of the household to the accumulation of personal niceties, to the more fundamental psychological reasons for owning such goods – desire and emulation. The Morgan family of Tredegar has had a long association with the county of Monmouthshire dating as far back as the fifteenth century and finally ending in the twentieth century when the house was finally sold. Each member of the Morgan family was famous during their lifetime and several grew to be significant entrepreneurs, while others became renowned for their eccentric behaviour. What this study will concentrate upon is the ownership of Tredegar House during the late-seventeenth century and the way in which the estate was run coinciding with the material culture of the owners during this period.
  • Listed Buildings Detailled Descriptions

    Listed Buildings Detailled Descriptions

    Community Langstone Record No. 2903 Name Thatched Cottage Grade II Date Listed 3/3/52 Post Code Last Amended 12/19/95 Street Number Street Side Grid Ref 336900 188900 Formerly Listed As Location Located approx 2km S of Langstone village, and approx 1km N of Llanwern village. Set on the E side of the road within 2.5 acres of garden. History Cottage built in 1907 in vernacular style. Said to be by Lutyens and his assistant Oswald Milne. The house was commissioned by Lord Rhondda owner of nearby Pencoed Castle for his niece, Charlotte Haig, daughter of Earl Haig. The gardens are said to have been laid out by Gertrude Jekyll, under restoration at the time of survey (September 1995) Exterior Two storey cottage. Reed thatched roof with decorative blocked ridge. Elevations of coursed rubble with some random use of terracotta tile. "E" plan. Picturesque cottage composition, multi-paned casement windows and painted planked timber doors. Two axial ashlar chimneys, one lateral, large red brick rising from ashlar base adjoining front door with pots. Crest on lateral chimney stack adjacent to front door presumably that of the Haig family. The second chimney is constructed of coursed rubble with pots. To the left hand side of the front elevation there is a catslide roof with a small pair of casements and boarded door. Design incorporates gabled and hipped ranges and pent roof dormers. Interior Simple cottage interior, recently modernised. Planked doors to ground floor. Large "inglenook" style fireplace with oak mantle shelf to principal reception room, with simple plaster border to ceiling.
  • Community Activity and Groups Directory

    Community Activity and Groups Directory

    Newport City Council Community Connector Service Directory of Activities Information correct at April 2017 This directory is intended as a local information resource only and Newport City Council neither recommend nor accept any liability for the running of independent support services. You are advised to contact organisations directly as times or locations may change. This directory is available on Newport City Council website: www.newport.gov.uk/communityconnectors 1 Section 1: Community Activities and Groups Page Art, Craft , Sewing and Knitting 3 Writing, Language and Learning 13 BME Groups 18 Card / Board Games and Quiz Nights 19 Computer Classes 21 Library and Reading Groups 22 Volunteering /Job Clubs 24 Special Interest and History 32 Animals and Outdoor 43 Bowls and Football 49 Pilates and Exercise 53 Martial Arts and Gentle Exercise 60 Exercise - Wellbeing 65 Swimming and Dancing 70 Music, Singing and Amateur Dramatics 74 Social Bingo 78 Social Breakfast, Coffee Morning and Lunch Clubs 81 Friendship and Social Clubs 86 Sensory Loss, LGBT and Female Groups 90 Additional Needs / Disability and Faith Groups 92 Sheltered Accommodation 104 Communities First and Transport 110 2 Category Activity Ward/Area Venue & Location Date & Time Brief Outline Contact Details Art Art Class Allt-Yr-Yn Ridgeway & Allt Yr Thursday 10am - Art Class Contact: 01633 774008 Yn Community 12pm Centre Art Art Club Lliswerry Lliswerry Baptist Monday 10am - A club of mixed abilities and open to Contact: Rev Geoff Bland Church, 12pm weekly all. Led by experienced tutors who 01633 661518 or Jenny Camperdown Road, can give you hints and tips to 01633 283123 Lliswerry, NP19 0JF improve your work.
  • Desert Island Times 10

    Desert Island Times 10

    D E S E R T I S L A N D T I M E S S h a r i n g f e l l o w s h i p i n NEWPORT SE WALES U3A No. 10 22nd May 2020 “Liriodendron Tulipifera Aureomarginata” – the U3A 20th Anniversary Tree Photograph by Steven and Karen Lansdown in Belle Vue Park, Newport A miscellany of contributions from OUR members 1 View from the Chair As we are not going to be able to publish a summer newsletter this year I thought I would nevertheless publish what would have been my contribution to that had things been normal! Clearly the content would have been somewhat different but the underlying messages are on the same theme. Our enforced closure after afternoon groups on Friday, 13th March has, I know, been disruptive for everybody. It is, after all, an important part of our weekly routine to attend U3A at Shaftesbury Street or to meet as walkers or cyclists and I am sure we are all feeling a great sense of loss. This magazine will, I hope, have filled at least a small gap and the online activities of the groups that are able to do something is, I am sure, a boon to their participants. I still hear of new initiatives and any further ideas will be most welcome! Desert Island Times is being circulated beyond Newport U3A – I send each edition to members in Caldicot, Torfaen, Usk, Dartmouth and Odiham (Surrey) U3As and to others who are not currently members of any U3A.
  • Newport Cycle Map Shows the Improving E

    Newport Cycle Map Shows the Improving E

    E C LAN A4051 RE O PE NT L LE GE A O G VE W L B E N E A 4 K O N 2 O U D R E E 3 B C 6 N L A A To L 4 GL 0 A A D E R N O 5 4 - 0 D US R 1 L K C Cwmbran 4 E D H C I VE 2 F L I A O W R H E R L W T L A R I O D Y E O F A G N C T D R The Newport Cycle Map shows the improving E SO L N S D A G L E T A A D R R LD CL E P BE E FIE IV E RO H O M G R W I L D N O H M E C E network of ‘on’ and ‘off’ road routes for cycling. Be A S N S C T R O V L A ER O T O R E L H L ND SN S E A L C Y A CL D A E C E I L L A C S N W R P L L E O E T K P L R D A N ROO E L Y L A B R E A D N IE C it for getting to work, leisure or as a way to enjoy C L F O K G O N R S ESTFIELD IE H R DO CL G I F A A A HAR W H T L A B R L C R D N R E O IN E Y D DR G C A L F G S I A A R L O O T T AV T H I W E C F N N A L I I H W E D the heritage, attractions, city county or countryside L E L CL A V A A I RI D V D WAY E P A O H E D R H WHITTL E VI E D R L B M P R D C R A I D L S R L BAC D A N O O E IE L N F E N D W M I E of Newport.
  • Visitor Experience Destination Management Plan

    Visitor Experience Destination Management Plan

    Living Levels Landscape Partnership Landscape Conservation Action Plan August 2017 APPENDIX 3 Living Levels Visitor Experience Destination Management Plan Living Levels Landscape Partnership Destination Management Plan Final Report May 2017 Prepared by: Cole & Shaw cyf with Letha Consultancy, Wye Knot Tourism, Gareth Kiddie Associates, Lucy von Weber Ltd, Can Do Team supported by Planning Solutions Consultancy Ltd Page | 3 CONTENTS PAGE Section 1 Project Introduction 3 What we were asked to do (and how we did it) 5 The Living Levels Story 13 Section 2 Interpretation Plan 15 Interpretation Action Plan 40 Section 3 Access and Signage Plan 62 Access Action Plan 83 Section 4 Marketing Plan 108 Marketing Action Plan 147 Section 5 Governance Monitoring and Evaluation 152 Section 6 Summary 3 year Project Plan 162 Appendices 1 Access and Signage: Joining up 164 2 Access and Signage: Draft Wales Coast Path Protocol 167 3 Case Study: Lighthouse Inn project details and costings 170 4 Tourism Assets on the Levels 174 5 Consultees 178 6 Baseline STEAM Data for the Levels 181 7 Travel Isochrones and Population Profiles 182 8 Sources and Resources 195 9 Background Information for Recommended Routes 196 Page | 4 SECTION 1 Introduction We are pleased to present the Visitor Experience Destination Management Project Plan for the Living Levels, a key output of the development phase of a successful major project supported by Heritage Lottery Fund under its Landscape Partnership Scheme for the area of the Severn Estuary coast of Wales known colloquially as the ‘Gwent Levels’, lying between Cardiff and Chepstow and either side of the River Usk.
  • 10919 WTB Tourism English 108Pp

    10919 WTB Tourism English 108Pp

    Cultural tourism strategy for Wales Brecon Jazz Eisteddfod Powis Castle Cardiff Bay Whilst every effort has been made to ensure accuracy in this publication, the Wales Tourist Board can accept no liability for any errors, inaccuracies or omissions for any matter in any way arising out of the publication of the information. Published by the Wales Tourist Board, Brunel House, 2 Fitzalan Road, Cardiff CF24 0UY ©2003 Designed by Peter Gill & Associates, Cardiff www.petergill.com CONTENTS Foreword 3 Executive Summary 4 1.0 Introduction 10 2.0 The Policy Context 12 3.0 The Market for Cultural Tourism 16 4.0 The Cultural Tourism Product 26 5.0 Strategic Principles and Vision 46 6.0 Strategy for Action 48 Thematic Programme 1 48 Thematic Programme 2 58 Thematic Programme 3 74 Thematic Programme 4 76 Action Plan 78 7.0 Implementation 90 8.0 Monitoring and Evaluation 92 Appendix 1 94 Appendix 2 96 Appendix 3 98 Appendix 4 104 1 F OREWORD The Wales Tourist Board recognises the vital role that our culture and the Welsh language places in differentiating Wales from our competitors so giving us that ‘competitive edge’.Whilst those who are defined as cultural tourists are a relatively small market, they are high value and projected to grow in numbers. Furthermore, cultural activities or experiences rarely fail to touch or enhance every visitor’s experience. This document sets out a strategic framework for action by both the Board and our partners to develop Wales’ potential as a cultural tourism destination. Our vision is for Wales to be recognised internationally as a destination offering a quality cultural tourism experience based on our unique culture which forms an essential part of the overall visitor experience.
  • Trafalgar Square Publishing Spring 2016 Don’T Miss Contents

    Trafalgar Square Publishing Spring 2016 Don’T Miss Contents

    Trafalgar Square Publishing Spring 2016 Don’t Miss Contents Animals/Pets .....................................................................120, 122–124, 134–135 28 Planting Design Architecture .................................................................................... 4–7, 173–174 for Dry Gardens Art .......................................................8–9, 10, 12, 18, 25–26 132, 153, 278, 288 Autobiography/Biography ..............37–38, 41, 105–106, 108–113, 124, 162–169, 179–181, 183, 186, 191, 198, 214, 216, 218, 253, 258–259, 261, 263–264, 267, 289, 304 Body, Mind, Spirit ....................................................................................... 33–34 Business ................................................................................................... 254–256 Classics ....................................................................................43–45, 47–48, 292 Cooking ......................................................1, 11, 14–15, 222–227, 229–230–248 Crafts & Hobbies .............................................................................21–24, 26–27 85 The Looking Design ......................................................................................................... 19–20 Glass House Erotica .................................................................................................... 102–103 Essays .............................................................................................................. 292 Fiction ...............................................42,
  • Report on the Administrative History of the Chartist Trials Papers

    Report on the Administrative History of the Chartist Trials Papers

    A Report on the Administrative History of the ‘Chartist Trials’ Papers Introduction: The documents now referred to as the ‘Chartist Trials’ papers, an archive collection conserved and catalogued by Newport Public Library c. 1960 in a series of twenty-five bound volumes, consist primarily of the records generated during the magistrates’ preliminary hearings conducted at the Westgate Hotel, Newport, the scene of the Chartist Rising. These hearings, held in preparation for the Chartist Trials at Monmouth in January 1840, commenced on Tuesday 5 November and were held almost continuously down to Saturday 30 November (some residual cases were heard at Monmouth on the 4 & 5 December ), before the Grand Jury for the Special Commission assembled at Shire Hall on 10 December 1839. In the course of these hearings the capital charge of high treason was initially made against fifty of the accused. The Attorney-General, Sir John Campbell, and the prosecution team subsequently reduced the number charged with high treason to a total of twenty persons (in part for reasons of practical legal management). Broadly speaking the remaining Chartists indicted for offences during the Rising were prosecuted on the lesser charges of riot and conspiracy, and sedition. The Grand Jury (sitting 10-11 Dec.) found true bills to proceed to the main trial by Petty Jury against fourteen of the twenty persons presented for the charge of high treason . Of the preliminary hearings that commenced on the morning of 5 November John Frost, Charles Waters and John Partridge were the first accused brought before the makeshift courtroom (Frost had been arrested the previous evening in the house of the printer John Partridge, by Thomas Jones Phillips).
  • 1948 Amgueddfa 00-02

    1948 Amgueddfa 00-02

    Amgueddfa Yearbook of the National Museums & Galleries of Wales, 2000 - 2002 First published in 2002 by National Museums & Galleries of Wales, Cathays Park, Cardiff, CF10 3NP, Wales. © National Museum of Wales ISBN 0 7200 0530 2 Production: Mari Gordon Design: Andrew Griffiths Printed by MWL Print Group Copyright of all images is NMGW unless stated otherwise. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the written permission of the copyright owner(s) and of the publisher. Front cover: Flight exhibition (see page 56) Back cover: Let Paul Robeson Sing! exhibition (see page 52) Amgueddfa Yearbook of the National Museums & Galleries of Wales, 2000 - 2002 Editors: Teresa Darbyshire & Sioned Williams AMGUEDDFEYDD AC ORIELAU CENEDLAETHOL CYMRU NATIONAL MUSEUMS & GALLERIES OF WALES 2 Contents 3 Introduction by Anna Southall 4 List of NMGW Sites Collections & Acquisitions 5 Introduction 6 The British Bryological Society Herbarium (BBSUK) has a permanent home at NMGW 8 Dragons, Zebras and doorstops: NMGW's collection of Welsh computers 10 Beyond yesterday’s scalpel: donation of items from the former Miners’ Rehabilitation Centre at Talygarn House 12 Women in their own words 13 Aluminum Palaces 15 The Welsh Slate Museum clock 16 Distinguished service: Campaign and Gallantry Medals 18 Saving the Jackson Collection of silver 20 The Gilbey Gold Collection Research 21 Introduction 22 Rodrigues International