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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
(TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc. -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
1 the Legendary Saga of the Volsungs Cecelia Lefurgy Viking Art and Literature October 4, 2007 Professor Tinkler and Professor E
1 The Legendary Saga of the Volsungs Cecelia Lefurgy Viking Art and Literature October 4, 2007 Professor Tinkler and Professor Erussard Stories that are passed down through oral and written traditions are created by societies to give meaning to, and reinforce the beliefs, rules and habits of a particular culture. For Germanic culture, The Saga of the Volsungs reflected the societal traditions of the people, as well as their attention to mythology. In the Saga, Sigurd of the Volsung 2 bloodline becomes a respected and heroic figure through the trials and adventures of his life. While many of his encounters are fantastic, they are also deeply rooted in the values and belief structures of the Germanic people. Tacitus, a Roman, gives his account of the actions and traditions of early Germanic peoples in Germania. His narration remarks upon the importance of the blood line, the roles of women and also the ways in which Germans viewed death. In Snorri Sturluson’s The Prose Edda, a compilation of Norse mythology, Snorri Sturluson touches on these subjects and includes the perception of fate, as well as the role of shape changing. Each of these themes presented in Germania and The Prose Edda aid in the formation of the legendary saga, The Saga of the Volsungs. Lineage is a meaningful part of the Germanic culture. It provides a sense of identity, as it is believed that qualities and characteristics are passed down through generations. In the Volsung bloodline, each member is capable of, and expected to achieve greatness. As Sigmund, Sigurd’s father, lay wounded on the battlefield, his wife asked if she should attend to his injuries so that he may avenge her father. -
A New Paradise Ekkehardt Mueller
A New Paradise Ekkehardt Mueller There is hardly a human being that does not long for peace, fulfillment, harmony, and happiness or, in other words, for some type of a paradise. The Greek talked about Elysium, the land of the blessed, in which good people would be able to live without worries. Germanic tribes dreamed about Valhalla, a splendid palace, where the warriors would feast on the flesh of boars and drink liquor. They would spent their days with sports, fighting, and hunting. Muslims are looking forward to a garden with abundant food to eat, wine to drink, and noble virgins to serve them. Many have tried or are still trying to create a paradise of their own on this earth. In any case, many yearn for complete satisfaction and perfect bliss. The first two chapters of Scripture talk about a paradise that humanity has lost, the last two chapters about a paradise which we may gain. I. Time and Place of the New Paradise • Rev. 20-21 After the Millennium, when Satan and his followers will be destroyed, a new heaven and a new earth will be created (Rev. 21:1). • Rev. 21:1-2 The new paradise will be found on planet earth, probably because it was here that the drama of redemption unfolded, and it was here that Jesus had lived and had been crucified. II. The Features of the New Paradise 1. The City (Rev. 21:10-27) The New Jerusalem reminds us of the garden of Eden and the temple, and it replaces both. In addition, it is found in stark contrast to the great, but wicked city Babylon (Rev 18:10, 21). -
Death and the Afterlife in Homer
Death and the Afterlife in Homer Death and what happens after death are universal concerns for humanity; around the world different cultures and religions contemplate our existence, and try to make sense of both our place in the world and our deaths. Although we no longer (for the most part) follow the religious beliefs of the ancient Greeks and Romans, their exploration of mortality and the afterlife can nonetheless be emotionally powerful and meaningful for us. In what follows, we will consider the presentation of death and the afterlife in some of the earliest Greek literature, Homer’s Iliad and Odyssey. The most common name for the underworld was Hades, a personified god and brother of Zeus, but also a place to which the souls of departed mortals go. Hades is in fact far more commonly mentioned as the underworld than as a personified god in Greek literature, although we do see him as an actual character in some myths, most famously in the story of the abduction of Persesphone by Hades, a tale told in the Homeric Hymn to Demeter. In post-classical times, the term Hades was adopted by Christian authors, including the early Church Fathers, Dante and Milton, to refer to the Christian concept of Hell. The term used is the same, but it is important to distinguish between the Christian conception of Hell and Hades. For Christians, Hell is a place to which the souls of the wicked descend after death, whereas the souls of the good are taken to Heaven to be with God. The ancient Greek concept is extremely different. -
DUR 22/02/2013 : CUERPO E : 1 : Página 1
E VIERNES 22 DE FEBRERO DE 2013 Editor: HILDA CASTRO B. [email protected] En la categoría de mejor actriz y la más joven y la más longeva en alcanzar esa candidatura competirán en la 85 edición de los premios. EFE NAOMI WATTS, Los Ángeles, Cal. OSCAR IMPOSIBLE La británica Naomi Watts, de 44 años, tie- La intérprete más longeva en haber sido ne una relación especial con las produc- Jennifer Lawrence, la nominada a un Oscar en la categoría de ciones de directores hispanoamericanos. actriz del momento. mejor actriz y la más joven en alcanzar A pesar de su consagrada carrera con fil- esa candidatura competirán en la 85 edi- mes como “King Kong” , “J. Edgar” , ción de los premios, aunque los pronósti- “Mulholland Dr.” y la saga “The Ring” , la cos indican que los votantes se decanta- artista ha encontrado su camino al Óscar rán por Jennifer Lawrence por “Silver Li- de la mano del mexicano Alejandro Gon- nings Playbook” . zález Iñárritu (”21 Grams”) y este año ba- jo la dirección del español Juan Antonio JENNIFER LAWRENCE, Bayona (”Lo imposible”) . LA ACTRIZ DEL MOMENTO Watts obtuvo la candidatura de mejor ac- A sus 22 años, Jennifer Lawrence os- triz por esas dos películas aunque la estatui- tenta ya un par de candidaturas a los lla parece que se le seguirá resistiendo. Óscar -ambas como mejor actriz- la pri- Su dramático trabajo como supervi- mera conseguida por la cinta indepen- viente al tsunami que arrasó el sudeste diente “Winter’s Bone” , la segunda por asiático en 2004 recogido en “Lo imposi- “Silver Linings Playbook” , largome- ble” es la única opción de ese largometra- trajes estrenados con apenas dos años je español realizado en inglés en la presen- Jessica Chastain, de Bin Laden de diferencia. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
Disenchantment 6,297 This TV-14 | 30Min | Animation, Adventure, Comedy | TV Series (2018– )
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE Top-Rated Episodes 7.4/10 Rate Disenchantment 6,297 This TV-14 | 30min | Animation, Adventure, Comedy | TV Series (2018– ) Episode Guide 20 episodes S1.E9 To Thine Own Elf Be True After he learns a surprising secret about himself, Elfo heads home to Elfwood in search of the truth. 8.4 Rate S1.E10 Dreamland Falls As Dreamland celebrates an unexpected arrival while saying goodbye to a friend, everyday life is thrown into disarray. 1:42 | Trailer 7 VIDEOS | 65 IMAGES 8.2 Rate The medieval misadventures of a hard-drinking princess, her feisty elf, and her personal S1.E5 demon. Faster, Princess! Kill! Kill! Banished from the castle by Zøg, Bean Creators: Matt Groening, Josh Weinstein tries to work but has trouble keeping a job. Stars: Abbi Jacobson, Eric André, Nat Faxon | See full cast & crew » Elfo encounters a bizarre pair of siblings living in a candy house. Reviews Popularity 7.7 Rate 205 user | 18 critic 12 ( 136) See more episodes » Episodes Phil Rosenthal's 5 Favorite Food Seasons Years Films 2 1 2019 2018 Videos Phil Rosenthal, creator of "Everybody Loves See all 7 videos » Raymond" and host of "Somebody Feed Phil," picks the five tastiest food films of all time. See Phil's 5 favorite food-related movies » Photos Related News ‘Disenchantment’: A Tiny Demon Holds the Secret to a Major Growth Spurt for Matt Groening’s Netflix Series See all 65 photos » 1 day ago | Indiewire Disenchantment closes out its first season with a major betrayal and a Learn more destructive cliffhanger More Like This 2 days ago | The AV Club Futurama (1999–2013) Matt Groening Hands Out Signed Animation | Comedy | Sci-Fi Drawings at LAX, Gets Shocked by Real- Life Homer 8.5/10 3 days ago | TMZ Fry, a pizza guy, is accidentally frozen in 1999 and thawed out New Year's Eve 2999. -
Alumni Spotlight: Derek Frey ’95
Alumni Spotlight: Derek Frey ’95 Please provide your biographical information. Home Town: Drexel Hill, Pennsylvania Current Town: London, UK Major: Communication Studies Minor: Journalism Bio: Filmmaker Derek Frey has a long and successful working relationship with director Tim Burton, running Tim Burton Productions since 2001. Most recently Derek co-produced Frankenweenie, which received an Academy Award nomination for Best Animated Picture in 2012. That same year he produced the music video Here With Me for The Killers. Derek is currently serving as Executive Producer on Big Eyes, starring Christoph Waltz and Amy Adams, slated for release this Christmas. Up next he'll Executive Produce Miss Peregrine's Home for Peculiar Children starring Eva Green and Asa Butterfield. Derek has worked on over 15 feature films, including as Associate Producer on Alice in Wonderland, Dark Shadows, Sweeney Todd: The Demon Barber of Fleet Street, Abraham Lincoln: Vampire Hunter, Corpse Bride, and Charlie and the Chocolate Factory. His credits also include producer on the documentary A Conversation with Danny Elfman and Tim Burton; writer of the Frankenweenie-based short film Captain Sparky vs. the Flying Saucers; and editor of the comprehensive and award-winning publication The Art of Tim Burton. Derek worked closely with curators from the Museum of Modern Art for the creation of the Tim Burton touring exhibit, which has made record-breaking stops in New York City, Toronto, Melbourne, Paris, Los Angeles, Seoul, Prague and Tokyo. Derek has directed his own films and music videos, including The Ballad of Sandeep, which has appeared in over 35 film festivals and brought home 16 awards, including Best Director at the Independent Film Quarterly Festival and Best Featurette at the Las Vegas International Cinefest. -
A Handbook of Norse Mythology
A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. This compilation © Phoenix E-Books UK AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect. -
The Goddess: Myths of the Great Mother Christopher R
Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives.