Congressional Record—House H5832
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Five Guys Named Moe Sassy Tributesassy to Louis Jordan,Singer, Songwriter, Bandleader and Rhythm and Blues Pioneer
AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 3 Issue | Season 59th Our 2019 | A musical by Clarke Peters Featuring Louis Jordan’s greatest hits Five Guys Named Moe is a jazzy, Ch’ Boogie, Let the Good Times Roll sassy tribute to Louis Jordan, singer, and Is You Is or Is You Ain’t My Baby?. songwriter, bandleader and rhythm and “Audiences love Five Guys because Season Sponsors blues pioneer. Jordan was in his Jordan’s music is joyful and human, heyday in the 1940s and 50s and his and takes you on an emotional new slant on jazz paved the way for rollercoaster from laughter to rock and roll. heartbreak,” said Skylight Stage Five Guys Named Moe was originally Director Malkia Stampley. produced in London's West End, “Five Guys is, of course, all about guys. winning the Laurence Olivier Award for But it is also a true ensemble piece and Best Entertainment; when it moved to the Skylight is proud to support our Broadway in 1992, it was nominated for talented performers with a strong two Tony Awards. creative team of women rocking the The party begins when we meet our show from behind the scenes.” Research/Writing by hero Nomax. He's broke, his girlfriend, Justine Leonard for ENLIGHTEN, The Los Angeles Times called Five Skylight Music Theatre’s Lorraine, has left him and he is Guys Named Moe “A big party with… Education Program listening to the radio at five o'clock in enough high spirits to send a small Edited by Ray Jivoff the morning, drinking away his sorrows. -
Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees jazzletter PO Box 240, Ojai CA 93024-0240 February 2000 Vol. 19 No. 2 outside the experience. He tells you how to drive across this King Cole America in Bobby Troup’s Route 66. That song became such Part Two a part ofthe culture that when I moved to Califomia in 1974, Nat sings about partying ir1 BringAnother Drink. Or he gives and had determined the main highway on the map, I hardly you, in inversion, the same message as Nature Boy in You ‘re ever had to look at it again afler Chicago: I just ran the Nat Nobody Till Somebody Loves You. He gives you advice, Cole record in my head and aimed for the cities it specified. again, on your life, in It Only Happens Once and still more I doubt that I’m the only person who ever did that. friendly third-person counsel in It Is Better to Be by Yourself In his annotation to the Mosaic boxed set, Will Friedwald Or, with Cole Porter, he asks What Is This Thing Called tries to explain Cole’s predilection for silly songs with this: Love? And, in just case any white man should frown at even “The answer is in Cole’s miraculous capacity for melody. the hint ofa relationship here says, “You took my heart, and His limitless tool kit of methods of playing, singing and threw it away.” Just as she should have, you damned . arranging songs for his unusually-instrumented triumverate Or he looks at the girl, but won’t move on her, in But (sic) took him at once into high art and lowbrow comedy. -
Louis Jordan Let the Good Times Roll
08 Somebody Done Changed The Lock On My Door 23 Don’t Worry ‘Bout That Mule (Wild Bill Davis, 02 Saturday Night Fish Fry (Louis Jordan, Ellis Walsh) 5:24 LOUIS JORDAN (Casey Bill Weldon) 3:13 Duke Groaner, Fleecy Moore, Charlie Stewart) 2:06 09 Hungry Man (Bobby Troup) 3:05 11 What’s The Use Of Gettin’ Sober (Busby Meyers) 2:46 New York, 18 luglio 1945 New York, 9 agosto 1949 LET THE GOOD TIMES ROLL 12 I’m Gonna Leave You On The Outskirts Of Town Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), Aaron Izenhall, Bob Mitchell, Harold Mitchell (tr.), Louis Jordan (alto, (Louis Jordan) 2:53 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins voc.), Josh Jackson (ten.), Bill Doggett (p.), James «Ham» Jackson 13 Five Guys Named Moe (Jerry Bresler, Larry Wynn) 2:56 (cb.), Eddie Byrd (batt.). (chit.), Billy Hadnott (cb.), Christopher Columbus (batt.). 21 It’s A Low-Down Dirty Shame (Ollie Shepard) 2:46 Chicago, 21 luglio 1942 16 Ain’t That Just Like A Woman (Claude Demetrius, 17 Fat Sam From Birmingham (Robert E. Dade, Eddie Roane (tr., voc.), Louis Jordan (alto, ten. voc.), Arnold Thomas Fleecy Moore) 2:50 George Williams) 2:58 (p.), Dallas Bartley (cb.), Walter Martin (batt.). 25 Beware (Dick Adams, Morry Lasco, Fleecy Moore) 2.49 New York, 5 giugno 1951 26 Choo Choo Ch’Boogie (Denver Darling, Milt Gabler, Aaron Izenhall, Emmett Perry, Bob Mitchell (tr.), Leon Comegys, Bob 01 Deacon Jones (Hy Heath, Johnny Lange, Richard Loring) 2:55 Vaughn Horton) 2:42 Burgess (trne), Louis Jordan (alto, voc.), Oliver Nelson (alto), Josh 03 Is You Is Or Is You Ain’t My Baby? (Bill Austin, New York, 23 gennaio 1946 Jackson, Reuben Phillips (ten.), Marty Flax (bar.), Jimmy Peterson Louis Jordan) 2:45 Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), (p.), Bill Jennings (chit.), Wild Bill Davis (org.), Bob Bushnell (cb.), Los Angeles, 4 ottobre 1943 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins Christopher Columbus (batt.). -
Louis Jordan & the Tympany Five
Louis Jordan & The Tympany Five Good Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Good Times Country: UK Released: 1980 Style: Rhythm & Blues, Swing MP3 version RAR size: 1191 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1885 mb Rating: 4.5 Votes: 648 Other Formats: MP2 VOX MMF MOD AU DMF AHX Tracklist Hide Credits A1 Fat Like That 3:55 Sometimes I'm Happy A2 2:43 Vocals – Peggy Thomas A3 If You Can't Smile And Say Yes, Please Don't Cry And Say No 3:48 A4 Five Guys Named Moe 3:10 A5 Let Your Hair Down 2:57 A6 Jumping At The Jubilee 2:09 B1 Texas And The Pacific (The T.P. Special) 3:05 B2 That's Why We Can't Agree 2:47 B3 Indiana 2:37 B4 Let The Good Times Roll 2:44 B5 Baby, That's Alright For You (Married Woman Blues) 2:45 B6 The Drippy Drippers 4:20 Credits Producer – Christopher A. Pirie Notes "This album is number . in a limited edition of 3,000 copies and is already a collector's item." Other versions Category Artist Title (Format) Label Category Country Year BSTCD 9103 Louis Jordan Good Times (CD, Album) Best BSTCD 9103 Unknown Related Music albums to Good Times by Louis Jordan & The Tympany Five Louis Jordan And His Tympany Five - 1941-1943 Louis Jordan And His Tympany Five - Junco Partner/Azure-Te Louis Jordan - Remember... Louis Jordan Louis Jordan And His Tympany Five - Greatest Hits Louis Jordan And His Tympany Five - G.I. -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
DAWSON, WILLIAM LEVI, 1899-1990. William Levi Dawson Papers, 1903-1990
DAWSON, WILLIAM LEVI, 1899-1990. William Levi Dawson papers, 1903-1990 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Dawson, William Levi, 1899-1990. Title: William Levi Dawson papers, 1903-1990 Call Number: Manuscript Collection No. 892 Extent: 94.375 linear feet (142 boxes), 2 oversized papers folders (OP), and AV Masters: 14.75 linear feet (11 boxes and LP1-9) Abstract: Papers of William Levi Dawson, African American composer, conductor, and educator from Anniston, Alabama, including correspondence, original scores of Dawson's works, personal and family papers, photographs, audio visual materials, and printed material. Language: Materials mostly in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for all of the audiovisual series at this time. Researchers must contact the Rose Library in advance for access to these materials. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. Emory Libraries provides copies of its finding aids for use only in research and private study. -
Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (Guest Post)*
“Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (guest post)* Louis Jordan Original label “Caldonia” film poster, 1945 “Caldonia” (originally titled “Caldonia Boogie”) became one of Louis Jordan and his Tympany Five’s most enduring hits. The song, with its lyrical catchphrase “Caldon-YAH! Caldon-YAH! What makes your big head so hard!?” set America on its ear and spawned endless cover versions, two of which competed directly with Jordan’s version in 1945. The song had been in Jordan’s repertoire since at least the summer of 1944, when he recorded it for use on a December airing of “Jubilee!,” an Armed Forces Radio Service show for African- American servicemen. In January, 1945 he recorded it for Decca, but the label first released a pairing of Jordan’s “Mop! Mop!” and “You Can’t Get That No More” that became a major hit that winter, and perhaps delayed the release of “Caldonia.” In February, Jordan filmed a performance of it for a short film of the same name, which hit theaters in March. In late Feburary, white bandleader Woody Herman recorded a modern jazz-tinged arrangement by Ralph Burns, who’d heard Jordan perform it live. Herman’s version hit the stores at about the time that African-American bandleader Erskine Hawkins recorded a version for RCA-Victor at the end of March. Decca, perhaps feeling the pressure, released Jordan’s definitive small group version at almost the same time that Hawkins’ disc came out in mid-April. Surprisingly, all three versions of the tunes were hits. -
Louis Jordan Let the Good Times Roll (The Anthology 1938 - 1953) Mp3, Flac, Wma
Louis Jordan Let The Good Times Roll (The Anthology 1938 - 1953) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Blues Album: Let The Good Times Roll (The Anthology 1938 - 1953) Country: US Released: 1999 Style: Jump Blues, Swing MP3 version RAR size: 1697 mb FLAC version RAR size: 1530 mb WMA version RAR size: 1671 mb Rating: 4.6 Votes: 729 Other Formats: MPC FLAC MIDI AU ASF VOC XM Tracklist 1-1 Barancle Bill The Sailor 1-2 Doug The Jitterbug 1-3 At The Swing Cat's Ball 1-4 Honeysuckle Rose 1-5 The Two Little Squirrels (Nuts To You) 1-6 Pan Pan 1-7 Saxa-Woogie 1-8 Boogie Woogie Came To Town 1-9 Rusty Dusty Blues (Mama Mama Blues) 1-10 I'm Gonna Move To The Outskirts Of Town 1-11 What's The Use In Gettin' Sober 1-12 I'm Gonna Leave You On The Outskirts Of Town 1-13 Five Guys Named Moe 1-14 Ration Blues 1-15 Is You Is Or Is You Ain't (My Baby) 1-16 Mop-Mop 1-17 G.I. Jive 1-18 Buzz Me Blues 1-19 Caldonia 1-20 Salt Pork, W. VA. 1-21 Don't Worry 'Bout That Mule 1-22 Stone Cold Dead In The Market 1-23 Beware 1-24 Choo Choo Ch 'Boogie 2-1 Ain't That Just Like A Woman 2-2 Ain't Nobody Here But Us Chickens 2-3 Let The Good Times Roll 2-4 Texas And Pacific 2-5 Jack, You're Dead! 2-6 Open The Door, Richard 2-7 Boogie Woogie Blue Plate 2-8 Run Joe 2-9 Beans And Cornbread 2-10 Saturday Night Fishfry, Parts 1 & 2 2-11 Bluelight Boogie, Parts 1 & 2 2-12 (You Dyed Your Hair) Chartreuse 2-13 Life Is So Peculiar 2-14 Teardrops From My Eyes 2-15 Louisville Lodge Meeting 2-16 Bone Dry 2-17 Fat Sam From Birmingham 2-18 Cock-A-Doodle-Doo 2-19 Slow Down 2-20 Never Trust A Woman 2-21 Junco Partner 2-22 I Want You To Be My Baby Companies, etc. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Five Guys Names Moe Song List
Five Guys Names Moe Song List A Chicken Ain't Nothin' But A Bird B flat After The Lovin A Kiss To Build A Dream On Ain't That A Kick In The Head! Ain't Misbehavin' Ain't Nobody Here But Us Chickens All Of Me All My Tomorrows All Shook Up All The Way Always Angel Eyes Angelina (From The Pizzaria) Anniversary Waltz (Oh how we danced) Anything Goes Are You Lonesome Tonight? As Time Goes By At Last Azure Te' (Paris Blues) Automobile (She Loves My) Baby Won't You Please Come Home? Basin Street Blues/ 5 Ft. 2 Big Ten Inch Beyond The Sea Buona Serra Buzz Me Baby Bye Bye Blackbird Bye Bye Love Black Cadilac/Kansas City Black Magic Woman Blue Light Boogie Blue Moon Blue Spanish Eyes Blue Suede Shoes Brother Beware Brown Eyed Girl Bowlegged Woman Caldonia... Chicago (a toddlin' town) Choo Choo Ch-Boogie Come Dance With Me Come Fly With Me Come Rain Or Come Shine Crazy Critical Condition-.(J. Sapienza) Daddy's Little Girl Day-O ( The Work Song ) Don't Be Cruel (You know I can be found) Don't Get Around Much Anymore Don't Let The Sun Catch You Cryin' Drownin' On Dry Land...slow Early In The Morning Embraceable You Everybody Loves Somebody Sometime Fever Fly Me To The Moon Five Guys Named "MOE' Frim Fram Song God Bless The Child t Georgia Gigolo Girl From Ipanema G. I. Jive G.L.O.R.I.A. Gloria Guess I'll Hang My Tears Out To Dry Help Me Make It Through The Night Honey Child Honky Tonk Woman How About You How Little We Know I Don't Know Why ( I Love You Like I DO ) I Feel Good I Get A Kick Out OF You I Left My Heart In San Francisco In My Chevrolet ( J. -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
Griffith Family Papers, 1907-1950, Bulk 1913-1945
Griffith family Papers, 1907-1950, bulk 1913-1945 Kim L. Dixon 2010-12-15 Anacostia Community Museum Archives 1901 Fort Place, SE Washington, D.C. 20020 [email protected] http://www.anacostia.si.edu/Collections/ArchiveCollection Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 2 Scope and Contents note................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Biographical, 1907-1950 .......................................................................... 4 Series 2: Music Collection, undated......................................................................... 6 Series 3: Photographs, circa 1914-1940s.............................................................. 14 Griffith family papers ACMA.06-004 Collection Overview Repository: Anacostia Community Museum Archives Title: