May 2019 Newsletter
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Legal Use Requires Purchase CONDUCTOR by John L
Road Song By John L. (Wes) Montgomery Arranged by Alan Baylock INSTRUMENTATION Conductor 1st Trombone 1st E Alto Saxophone 2nd Trombone b 2nd E Alto Saxophone 3rd Trombone b 1st B Tenor Saxophone Bass Trombone b 2nd B Tenor Saxophone Guitar Chords b E Baritone Saxophone Guitar b 1st B Trumpet Piano b 2nd B Trumpet Bass b 3rd B Trumpet Drums b 4th B Trumpet b Optional/Alternate Parts Sample Solo C insts Sample Solo B Trumpet b Sample Solo B Tenor Sax b Sample Solo E insts b Sample Solo Trombone C Flute Vibraphone Tuba (Doubles Bass) Horn in F (Doubles 1st Trombone) 1st Baritone Horn T.C./B Tenor Saxophone (Doubles 1st Trombone) b Preview Only(Doubles 2nd Trombone) 2nd Baritone Horn T.C./B Tenor Saxophone b 3rd Baritone Horn T.C./B Tenor Saxophone (Doubles 3rd Trombone) Legal Use Requiresb Purchase NOTES TO THE CONDUCTOR Alan Thanks for your interest in this new arrangement of Wes Montgomery’s classic, Road Song. It’s written to feature your Baylock guitarist on the melody and on the improvised solo passages. I have included written-out suggested solo parts for C, B-flat, Alan Baylock is quickly becoming recognized as E-flat, and bass clef instruments for solo flexibility. Therefore guitar or any wind instrument could be the featured soloist. one of the most creative young voices in the music business today. He is in demand as a composer, To achieve the right vibe and feel, please have the band listen closely to Wes’ 1968 version found on the Road Song album. -
Duke Ellington Kyle Etges Signature Recordings Cottontail
Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke Ellington, states that Cottontail “opened a window on the future, predicting elements to come in jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more grandiose pieces with more extended forms. -
Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Competition Wrap Release 2019 REV
FOR IMMEDIATE RELEASE Contact: Alisse Kingsley December 3, 2019 [email protected] 323.467.8508 Herbie Hancock Institute of Jazz International Guitar Competition Finalists Share Stage with Terence Blanchard, Herbie Hancock, Dee Dee Bridgewater, John Scofield, Cassandra Wilson, Lee Ritenour, Lizz Wright, Bobby Watson, and Many Others at All-Star Gala Concert Washington, DC – The 2019 Herbie Hancock Institute of Jazz International Guitar Competition and All-Star Gala Concert came to a thrilling conclusion following the announcement of Evgeny Pobozhiy, 30, of Seversk, Russia, as first place winner of the Competition. Pobozhiy then joined the evening's honoree, Terence Blanchard, and a host of jazz guitar legends onstage for a dazzling performance of Wes Montgomery's "Four On Six." Presented by the Herbie Hancock Institute of Jazz, the world’s preeminent jazz education organization, the Competition awarded more than $150,000 in scholarships and prizes, including a $30,000 scholarship and a guaranteed recording contract with Concord Records for the first-place winner. Internationally acclaimed guitarists Stanley Jordan, Lionel Loueke, Russell Malone, Pat Metheny, Chico Pinheiro, Lee Ritenour and John Scofield served as the Competition judges. The December 3rd event at the Kennedy Center Eisenhower Theater featured a star-studded Gala Concert with the presentation of the Institute's Maria Fisher Founder's Award to multi-GRAMMY Award-winning trumpeter, composer and educator Terence Blanchard. The evening featured stellar performances by a diverse group of all-stars including Musical Director John Beasley, Dee Dee Bridgewater, Keith David, Antonio Hart, Jane Monheit, Cassandra Wilson and Lizz Wright. They were joined onstage by many of Blanchard's former Institute students, among them Billy Buss, Alan Hampton, Lionel Loueke, Gretchen Parlato, Walter Smith III and Dayna Stephens. -
AND ELECTIONS! Perby D"Ch* I Fraternity Sponsors Simi
m Derby Day Today-In The 'Oqmte^ Sororitiesn ^Vi'^c ~~ MAR 25 1960 *es, fo 'Strip' VOL. XXXV, No. urriccane Qn Field UNIVERSITY OF MIAMI CORAL GABLES, FLA. MAKCH 25,1960 A in "outhouses" on the St3t5 Sd- Id,, UM's 1122 sorori- ^^ vie this afternafternooo n for rLTm the Hth annual honors top AND ELECTIONS! perby D"Ch* i fraternity sponsors simi. iddv Spring Derby Day for I! &Ws sororities. ^ „,ritv will be stationed ^So^on the field in USG Week: in an ss wit*h~ th e "Day in the ^-throughout "Snatch Tinted members of Sigma Jazz, Races, rf'ote their top hats C «Tcamims. Girls are sup- ^i^atch them away, and STliS must then try to Lecture, Etc. recover them. By BARBARA McALPINE i .ls0 a variety of events are in 1 Activities ranging from student elections to bike Lr participants on the m- races, from Drew Pearson's lecture to Kai Winding's p.m. horn will highlight Undergraduate Student Govern I A four-legged race, strip ment Week, beginning Monday. {ease obstacle course and Strip The elections will be held Thursday and Friday for Tease are among the events positions on the USG Council and for school govern planned. ment offices. 4- from Miller Drive to Dickinson, I An egg and pepper contest, ALSO ON the ballot will be a to Walsh. The course whips on mystery event and baby-bottle referendum issue giving stu around to Ponce de Leon and sucking contests are also on the dents the opportunity to choose back up Miller Drive. -
Ronnie Scott's Jazz C
GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 7 z 1 0 z 2 a r J MEMBERSHIP TO e b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n OR CALL: 020 74390747 m e n v o Europe’s Premier Jazz Club in the heart of Soho, London o N R Cover artist: Roberto Fonseca (Mon 27th - Wed 29th Nov) Page 36 Page 01 Artists at a Glance Wed 1st - Thurs 2nd: The Yellowjackets N LD OUT Wed 1st: Late Late Show Special - Too Many Zooz SO o Fri 3rd: Jeff Lorber Fusion v Sat 4th: Ben Sidran e m Sun 5th Lunch Jazz: Jitter Kings b Sun 5th: Dean Brown Band e Mon 6th - Tues 7th: Joe Lovano Classic Quartet r Wed 8th: Ronnie Scott’s Gala Charity Night feat. Curtis Stigers + Special Guests Thurs 9th: Marius Neset Quintet Fri 10th - Sat 11th: Manu Dibango & The Soul Makossa Gang Sun 12th Lunch Jazz: Salena Jones “Jazz Doyenne” Sun 12th: Matthew Stevens Preverbal November and December are the busiest times Mon 13th - Tues 14th: Mark Guiliana Jazz Quartet of the year here at the club, although it has to be Wed 15th - Thurs 16th: Becca Stevens Fri 17th - Sat 18th: Mike Stern / Dave Weckl Band feat. Tom Kennedy & Bob Malach UT said there is no time when we seem to slow down. Sun 19th Lunch Jazz: Jivin’ Miss Daisy feat. Liz Fletcher SOLD O November this year brings our Fundraising night Sun 19th: Jazzmeia Horn Sun 19th: Ezra Collective + Kokoroko + Thris Tian (Venue: Islington Assembly Hall) for the Ronnie Scott’s Charitable Foundation on Mon 20th - Tues 21st: Simon Phillips with Protocol IV November 8th featuring the Curtis Stigers Sinatra Wed 22nd: An Evening of Gershwin feat. -
Coconut and Feeling Inside of My Self Into How the Music’S Captured
BUY 1 GET 1 1/2 OFF Buy any dinner entree at regular price, get the second for HALF OFF! Must present coupon, cannot combine with other discounts. Sounds across the divide One per table. Valid Mon-Thu only. Expires 10/30/19. Kendrick Scott Oracle’s music builds bridges out of walls Happy Hour BY MARCUS CROWDER Monday–Friday 3–6pm Voted “Best of Sacramento” 1315 21st St • Sacramento 3 years in a row! 916.441.7100 to forwards,” Scott says. “How we could best tell that story of walking on a bridge?” Scott’s producer Derrick Hodge finally told him to use the insecurity he felt and let it be a part of the music he was making. Freed into exploring Thai Food & gluten free options ideas rather than second-guessing them, Scott pulled THE together the record he wanted. on T “Derrick helps me translate what I’m hearing coconut and feeling inside of my self into how the music’s captured. He understands the wavelength that I work on,” he says. & Veggi ofu es Scott says he was also buoyed by the engagement T of longtime Oracle colleagues—pianist Taylor Eigsti, th PHOTO COURTESY OF BLUE NOTE RECORDS i w guitarist Mike Moreno, reedist John Ellis and bassist ’19 y Joe Sanders, along with special guest turntablist Jahi r Sundance—who contributed compositions during the r sessions. u Best Thai C “When I compose a record I think of the d grand arc of the record itself and how each track e fits inside of the record and inside of the narra- R tive,” Scott says. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Monterey Jazz Notes.Indd
Cal Performances Presents About the Artists Saturday, January , , pm Th e Monterey Jazz Festival th Anniversary Monterey Jazz festivals, both in performance and Zellerbach Hall Band refl ects the long history of artistic excel- instruction. lence and sophisticated informality for which the Grammy-winning trumpeter Terence Festival has gained international fame. Blanchard was the MJF’s Artist-in-Residence, All-star bands at Monterey have been part and appeared at the MJF in and with Monterey Jazz Festival of the casual atmosphere of the Monterey Jazz his own groups. Terence is a strong supporter of Festival (MJF). Since , the Festival has as- jazz education and is the Artistic Director of the th Anniversary Tour sembled master musicians under the “Monterey Th elonious Monk Institute of Jazz Performance in All-Stars” moniker. At least all-star bands have New Orleans. graced Festival stages and have included Gil Evans, NEA Jazz Master Recipient James Moody has Gerry Mulligan, Elvin Jones, Dizzy Gillespie, appeared at the MJF six times since , where he Clark Terry, Ray Brown, Sonny Stitt, Max Roach, has performed with Quincy Jones, Dizzy Gillespie, Shelly Manne, Bobby Hutcherson, Hank Jones, the Preservation Bebop Jazz Band, the Terence Milt Jackson and many more. Blanchard Sextet and the MJF th Anniversary Th e MJF th Anniversary all-star band epito- Band, among others. In , he performed a mizes the spirit and history of the MJF’s artistic special free concert to celebrate the MJF’s th legacy. Chosen for their devotion to spreading jazz Anniversary. to the world, outstanding leadership abilities and Vocalist Nnenna Freelon is a six-time Grammy masterful performances, the th Anniversary nominee who the Los Angeles Times placed “in the Band celebrates the Festival’s golden moment as very top echelon” of jazz singers. -
Marc Shapiro
ADELE The Biography MARC SHAPIRO ST. MARTIN’S GRIFFIN NEW YORK adele. Copyright © 2012 by Marc Shapiro. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. www .stmartins .com Design by Steven Seighman ISBN 978- 1- 250- 02516- 6 (trade paperback) ISBN 978- 1- 250- 02547- 0 (hardcover) ISBN 978- 1- 250- 02515- 9 (e-book) First Edition: July 2012 10 9 8 7 6 5 4 3 2 1 10. NO BALLAD, NO CRY dele began writing new material for her follow- up record in April 2009. But not before she agreed to take a fl yer as an actress with a guest shot on the hit tele vi- sion sitcom Ugly Betty. It seemed like a harm- Aless diversion from all the drama and pressure in her life. She reasoned, how hard could it be to play herself? In the episode, Betty is dancing with her husband at their wedding when the couple is suddenly interrupted by Adele. Th ere is some harmless banter and the next thing we know Adele is up on stage singing the song “Right As Rain.” Adele realized that that kind of promotion in America was well worth the eff ort, but would later acknowledge in Vogue that the Ugly Betty experience cured her of any future acting aspirations. “I can’t watch it. I was so uncomfortable. I am the worst actress of all time.” But Adele was thankful for the momentary respite from Marc Shapiro her day job as singer-songwriter on the rise. -
Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.