Mary Elizabeth Mastrantonio on the Perfect Storm
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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
The Beneficence of Gayface Tim Macausland Western Washington University, [email protected]
Occam's Razor Volume 6 (2016) Article 2 2016 The Beneficence of Gayface Tim MacAusland Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation MacAusland, Tim (2016) "The Beneficence of Gayface," Occam's Razor: Vol. 6 , Article 2. Available at: https://cedar.wwu.edu/orwwu/vol6/iss1/2 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. MacAusland: The Beneficence of Gayface THE BENEFICENCE OF GAYFACE BY TIM MACAUSLAND In 2009, veteran funny man Jim Carrey, best known to the mainstream within the previous decade with for his zany and nearly cartoonish live-action lms like American Beauty and Rent. It was, rather, performances—perhaps none more literally than in that the actors themselves were not gay. However, the 1994 lm e Mask (Russell, 1994)—stretched they never let it show or undermine the believability his comedic boundaries with his portrayal of real- of the roles they played. As expected, the stars life con artist Steven Jay Russell in the lm I Love received much of the acclaim, but the lm does You Phillip Morris (Requa, Ficarra, 2009). Despite represent a peculiar quandary in the ethical value of earning critical success and some of Carrey’s highest straight actors in gay roles. -
10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
Julie Doiron and the Wooden Stars Julie Doiron and the Wooden Stars (Reissue)
JULIE DOIRON AND THE WOODEN STARS JULIE DOIRON AND THE WOODEN STARS (REISSUE) The Last Time Available for the first time on vinyl, Julie Doiron and the Wooden Stars is Doiron's most Gone Gone critically acclaimed album, going so far as to win the 2000 Juno Award — the Canadian The Longest Winter equivalent to the Grammy — for best independently released album of the year. Recorded & The Best Thing For Me released in 1999 by Tree Records & Sappy Records (reissued by Jagjaguwar in 2002), the album In This Dark finds Ottawa-based quartet the Wooden Stars playing Doiron's back-up band, helping her step Drums + Horns out of the solitary, introspective robe she'd been wearing and venture into a more urgent and Dance Music upbeat — albeit still fundamentally spartan — direction. Combining elements of rock and jazz Au Contraire a la Joni Mitchell's early '70s work, Julie and the Wooden Stars somehow translated the Seven coldness of the Canadian winter into one of the warmest and most tender records to be The Second Time produced in the Eastern province in years. Sweeter CATALOG #: JAG057 RELEASE DATE : FEBRUARY 19, 2013 FORMAT: LP/DIGITAL BOX LOT: 25 GENRE: ALTERNATIVE/INDIE ROCK KEY MARKETS: NEW YORK, BOSTON, CHICAGO, SAN FRANCISCO, LOS ANGELES, AUSTIN, MINNEAPOLIS, PITTSBURGH VINYL NOT RETURNABLE SELLING POINTS LP UPC: 656605205717 1. Winner of the prestigious Juno Award in 2000, recognizing it as the best independently released album in Canada. 6 56605 20571 7 DIGITAL UPC: 656605205762 2. Available on vinyl for the first time. 3. Includes digital download of the entire album. -
Paul Rudd Strikes a Comedic Pose While Bowling for Children Who Stutter
show ad Funnyman with a heart of gold! Paul Rudd strikes a comedic pose while bowling for children who stutter By Shyam Dodge PUBLISHED: 03:33 EST, 22 October 2013 | UPDATED: 03:34 EST, 22 October 2013 30 View comments He's known for being one of the funniest men working in Hollywood today. But Paul Rudd proved he's also got a heart of gold as he hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday. The 44-year-old actor could be seen throughout the fund raising event performing various comedic antics while bowling at the lanes. Gearing up: Paul Rudd hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday The I Love You, Man star taught some of the fundamentals of the sport to the children gathered for the event. But when it came his turn to demonstrate his bowling prowess it appeared he may have needed some practise in the art. Performing a comedic kick in the air after seeming to land the ball in the gutter the surrounding kids erupted into both applause and giggles. Getting a rise: The 44-year-old actor looked to have missed his mark during the event The set up: Rudd got his form down before letting loose But the antics also seemed to have been choreographed to entertain the youngsters, who the star was intent upon helping. Wearing brown suede loafers and tan chinos, Rudd went casual in a simple chequered button down shirt. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Story by Rhiannon Kirkland, Illustrations by Jen Grond Editorial and Letters Editor-In-Chief: Cam Cotton-O’Brien 220-7752 [email protected]
81,9(56,7<2)&$/*$5< 92/80( _ ,668( 12 _ -81( _ I WWANTANT OOUTUT hen Josh Stieber to separate out the people he was supposed to 5,000 miles by foot and bicycle, and expects was deployed in be fi ghting from civilians. to take eight months. February 2007 as “You don’t know who’s going to attack you “If I’m saying the military is the wrong way a part of the surge and a lot of times, when you get hit or attacked, to solve problems, then I need to show what in Iraq, he was un- you don’t even see who did it,” said Stieber. the right answer is,” he said. “So this trip is aware that what he “Oft en times you end up attacking and hurting about visiting a lot of diff erent organizations Wwas going to experience would change who the people who had nothing to do with it. that focus on bringing people together and he was and how he saw the world. He came “I learned a lot more about people and being proactive and dedicated to solving back transformed, an advocate of non-vio- that it doesn’t matter what country you’re problems in the world non-violently.” lence and opposed to the surge he had been from or if you have a uniform on or not, it’s As Stieber travels across the U.S., he plans a part of. about how you treat people,” he continued. to showcase 12 charitable organizations. He Stieber joined the U.S. -
Online Versions of the Handouts Have Color Images & Hot Urls September
Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B. -
Cynthia Erivo to Receive the 'Rising Star' Award at The
FOR IMMEDIATE RELEASE CYNTHIA ERIVO TO RECEIVE THE ‘RISING STAR’ AWARD AT THE 2020 AMERICAN BLACK FILM FESTIVAL HONORS Show Returns to Los Angeles Sunday, February 23, 2020 #ABFFHonors November 26, 2019, Los Angeles, CA – Today, ABFF Ventures announced Cynthia Erivo will receive the “Rising Star Award” at the 2020 ABFF Honors. The fourth annual ceremony, hosted by actor and comedian Deon Cole, will take place on Sunday, February 23, 2020 at the Beverly Hilton in Los Angeles. ABFF Honors is the American Black Film Festival’s awards season gala dedicated to saluting excellence in the motion picture and television industry. The event celebrates Black culture by paying tribute to individuals who have made significant contributions to American entertainment through their work, as well as those who champion diversity and inclusion in Hollywood. In addition to the acclamations, the show presents a competitive award for “Movie of the Year” and a “Classic Television Award” in recognition of a time-honored series that has made an indelible impact on audiences. Each year, ABFF Honors presents a “Rising Star Award” in recognition of an individual’s recent success and future promise in the film and television industry. Previous recipients have included Tiffany Haddish (Kids Say the Darndest Things), Issa Rae (Insecure) and Ryan Coogler (Black Panther). Cynthia Erivo is a Tony®, Emmy®, and Grammy® award-winning actress who burst onto West End and Broadway stages in The Color Purple and has taken the big screen by storm. Erivo’s film debut was in 2018 in Drew Goddard’s Bad Times at the El Royale. -
180-TFM153.Feat Btoe
T H E A - Z O F C O M E D Y B Is for... British comedy and the Boat that rocked... ... starring Nick Frost, out of the Wright/Pegg comfort zone and into Richard Curtis' sure-to-be hit comedy. WORDS MATT MUELLER “I don’t like watching comedy,” Even Frost admits it’s as soft-centred and declares Nick Frost. “I know that gooey as Curtis’ previous labours. “What makes me sound like a miserable old else do you expect from bastard but I just don’t.” a Richard Curtis film? This is the most Filling, as he does, the second slot in uncynical, nicest piece of cinema that the comedy A-Z, it’s only natural to you’ll probably see this year. It’s lovely. question the burly funnyman on his own And I managed to watch it without just particular heroes of British comedy during thinking, ‘Oh fuck, I look fat.’” his youth in Essex. “The thing is,” Frost Curtis, an admirer of Hot Fuzz and Shaun continues, “I was a very different person as Of The Dead, wrote the part of cretinous a kid. I only watched slasher pics. When DJ Dave for Frost. “I was tremendously mum and dad were in the pub, they’d let touched,” the actor enthuses. “He’s British me go and hire Halloween or Friday The comedy’s headmaster! And he wrote in a 13th. The first time I remember laughing love scene with Gemma Arterton. Thank like an idiot was The Young Ones. So that you very much, Richard Curtis! We can’t and Blackadder, I guess.” really mention Quantum Of Solace in my And now? “I try not to watch any comedy. -
'The Force' As Law: Mythology, Ideology and Order in George Lucas's Star Wars
'The Force' as Law: Mythology, Ideology and Order in George Lucas's Star Wars Author Peters, Timothy Published 2012 Journal Title Australian Feminist Law Journal Copyright Statement © 2012 Socio-Legal Research Centre, Griffith Law School. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/48301 Link to published version https://www.tandfonline.com/doi/abs/10.1080/13200968.2012.10854471 Griffith Research Online https://research-repository.griffith.edu.au ‘THE FORCE’ AS LAW: MYTHOLOGY, IDEOLOGY AND ORDER IN GEORGE LUCAS’S STAR WARS Timothy D. Peters Abstract. Where is the Law in Star Wars? Why in films so resonant with our current times, saturated with technology, enmeshed in political turmoil and structured by international—or, rather, intergalactic—commerce has the law been jettisoned like space trash from an Imperial Cruiser? My argument is that despite the lack of any overt references to law and legality, the Star Wars franchise in its mythological creation, as well as its capitalist construction, is in fact saturated with law. This law can be found in both the mythology and legality of ‘the Force’—that mystical energy field that supposedly binds the galaxy together, desires a sense of universal order and balance and seeks to regulate destiny itself. This is not simply to read ‘the Force’ in its mythical trappings as a form of natural law that seeks to provide balance to the universe, but, rather, as a representation of modern law and its concern with the defence and preservation of order. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.