The Influence of Le Corbusier on the Emergence of the Aesthetic Values
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Le Corbusier Charles-Édouard Jeanneret-Gris
Le Corbusier Charles-Édouard Jeanneret-Gris Portrait on Swiss ten francs banknote Personal information Name: Charles-Édouard Jeanneret-Gris Nationality: Swiss / French Birth date: October 6, 1887 Birth place: La Chaux-de-Fonds, Switzerland Date of death: August 27, 1965 (aged 77) Place of death: Roquebrune-Cap-Martin, France 1 Created with novaPDF Printer (www.novaPDF.com). Please register to remove this message. Major buildings and projects The Open Hand Monument is one of numerous projects in Chandigarh, India designed by Le Corbusier 1905 - Villa Fallet, La Chaux-de-Fonds, Switzerland 1912 - Villa Jeanneret-Perret, La Chaux-de-Fonds [1] 1916 - Villa Schwob, La Chaux-de-Fonds 1923 - Villa LaRoche/Villa Jeanneret, Paris 1924 - Pavillon de L'Esprit Nouveau, Paris (destroyed) 1924 - Quartiers Modernes Frugès, Pessac, France 1925 - Villa Jeanneret, Paris 1926 - Villa Cook, Boulogne-sur-Seine, France 1927 - Villas at Weissenhof Estate, Stuttgart, Germany 1928 - Villa Savoye, Poissy-sur-Seine, France 1929 - Armée du Salut, Cité de Refuge, Paris 1930 - Pavillon Suisse, Cité Universitaire, Paris 1930 - Maison Errazuriz, Chile 1931 - Palace of the Soviets, Moscow, USSR (project) 1931 - Immeuble Clarté, Geneva, Switzerland 1933 - Tsentrosoyuz, Moscow, USSR 1936 - Palace of Ministry of National Education and Public Health, Rio de Janeiro 1938 - The "Cartesian" sky-scraper (project) 1945 - Usine Claude et Duval, Saint-Dié-des-Vosges, France 1947-1952 - Unité d'Habitation, Marseille, France 1948 - Curutchet House, La Plata, Argentina 1949-1952 - United Nations headquarters, New York City (project) 1950-1954 - Chapelle Notre Dame du Haut, Ronchamp, France 1951 - Cabanon Le Corbusier, Roquebrune-Cap-Martin 2 Created with novaPDF Printer (www.novaPDF.com). -
Universidade Federal Do Rio Grande Do Sul Programa De Pesquisa E Pós-Graduação Em Arquitetura – Propar Faculdade De Arquitetura Departamento De Arquitetura
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PESQUISA E PÓS-GRADUAÇÃO EM ARQUITETURA – PROPAR FACULDADE DE ARQUITETURA DEPARTAMENTO DE ARQUITETURA Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER PORTO ALEGRE 2018 AS MAISONS JAOUL DE LE CORBUSIER Adriana Coradini de Freitas Tumelero Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Área de concentração: Teoria, História e Crítica da Arquitetura. Orientador: Prof. Dra. Andréa Soler Machado PORTO ALEGRE 2018 Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Aprovada em: Porto Alegre, 28 de maio de 2018. Prof. Dra. Andréa Soler Machado, Arq. – Orientadora Prof. Dra. Cláudia Piantá Costa Cabral, Arq. Prof. Dra. Marta Silveira Peixoto, Arq. Prof. Dra. Anna Paula Canez, Arq. RESUMO Em 1951, o arquiteto Le Corbusier foi convidado por seu amigo, o industrialista André Jaoul para projetar duas casas uma para ele e sua esposa e outra para a família de seu filho, no subúrbio de Paris. Devido ao orçamento reduzido, Le Corbusier adotou o uso de paredes portantes de tijolos, coberturas em abóbadas catalãs e vigas de concreto aparente. Estas escolhas definiram a estética brutalista do projeto e fizeram com que as Maisons Jaoul se tornassem conhecidas mundialmente. -
VILLA SAVOYE: DESTRUCTION by NEGLECT July 2 - 2K, 1966
^r he Museum of Modern Art I yygst 53 street, New York, N.Y. 10019 Circle 5-8900 Cable-. Modernart VILLA SAVOYE: DESTRUCTION BY NEGLECT July 2 - 2k, 1966 WALL LABEL The Villa Savoye was built In open farmland In Polssy^ some kO kllotoeters outside Paris. From theicoment it was completed in I950, admirers of the emerging new archi tecture hailed it as a revolutionary masterpiece. In the years since then the Villa Savoye has become world famous — a classic that can be compared with the most brilliant achievements of the past. It demonstrates perfectly Le Corbusier's theories of design and planning^ but it is more than a demonstration: it is a unique and glorious work of art. That is why its slow destruction through neglect is scandalous. During World War II the Villa Savoye was occupied successively by German and American forces. When the Germans left they poured concrete down the toilets; when the Americans arrived they shot bullets through the windows. Mme. Savoye, widowed and impoverished by the war, moved to a nearby farm. But she refused to sell the house because she hoped her grandson would one day be able to restore it. Mieanwhile the quiet village of Poissy was linked to Paris by a super highway. It is now a crowded suburb. For many years Vtae, Savoye farmed the land, using the building as a barn. Although it was closed to the public, visitors who were able to get in picked their way over potatoes and hay, admiring an architectural composition so powerful and subtle that it could survive all indignities. -
India Architecture Guide 2017
WHAT Architect WHERE Notes Zone 1: Zanskar Geologically, the Zanskar Range is part of the Tethys Himalaya, an approximately 100-km-wide synclinorium. Buddhism regained its influence Lungnak Valley over Zanskar in the 8th century when Tibet was also converted to this ***** Zanskar Desert ཟངས་དཀར་ religion. Between the 10th and 11th centuries, two Royal Houses were founded in Zanskar, and the monasteries of Karsha and Phugtal were built. Don't miss the Phugtal Monastery in south-east Zanskar. Zone 2: Punjab Built in 1577 as the holiest Gurdwara of Sikhism. The fifth Sikh Guru, Golden Temple Rd, Guru Arjan, designed the Harmandir Sahib (Golden Temple) to be built in Atta Mandi, Katra the centre of this holy tank. The construction of Harmandir Sahib was intended to build a place of worship for men and women from all walks *** Golden Temple Guru Ram Das Ahluwalia, Amritsar, Punjab 143006, India of life and all religions to come and worship God equally. The four entrances (representing the four directions) to get into the Harmandir ਹਰਿਮੰਦਿ ਸਾਰਹਬ Sahib also symbolise the openness of the Sikhs towards all people and religions. Mon-Sun (3-22) Near Qila Built in 2011 as a museum of Sikhism, a monotheistic religion originated Anandgarh Sahib, in the Punjab region. Sikhism emphasizes simran (meditation on the Sri Dasmesh words of the Guru Granth Sahib), that can be expressed musically *** Virasat-e-Khalsa Moshe Safdie Academy Road through kirtan or internally through Nam Japo (repeat God's name) as ਰਿਿਾਸਤ-ਏ-ਖਾਲਸਾ a means to feel God's presence. -
Chandigarh Was De Aanzet Voor De Architecturale Zoek- Tocht Van Archipel Doorheen Een Fractie Van Het Indische Subcontinent
archipel reisgids Passage to India reis doorheen een deel van het i ndiase subcontinent Chandigarh was de aanzet voor de architecturale zoek- tocht van Archipel doorheen een fractie van het Indische subcontinent. Wat na die zoek- tocht blijft en beklijft, is het gevoel essentie te hebben ontdekt. teksten Arnout Fonck Wim Supply Bruno Van Besien Gery Vandenabeele Hera Van Sande foto’s Arnout Fonck Grafisch ontwerp Ronny en Johny.be met dank aan onze sponsors voorwoord Archipel in India “Er is maar één weg in een ontwikke ling die voor de maatschappij als geheel voor delen oplevert en dat is een ontwikkeling in een langzaam tempo met een langetermijnvisie. Kortetermijndenken dwingt de maatschap pij om winsten te maximaliseren en vernietigt de lokale middelen en vaardigheden in het proces. Dit leidt tot daling van de zelfredzaam heid en het verlies van economische en sociale onafhankelijkheid. Daarom is bescherming en conserveren van roerend en onroerend erfgoed erg belangrijk. Een architecturaal ontwerp moet gebaseerd zijn op de lokale mogelijkheden en de afhan kelijkheid van externe vreemde hulp moet gemini maliseerd worden. Inspraak in plaats van exclusieve monopolies. Terughoudendheid is een deugd en moet de basis zijn van elk ontwerp. Instellingen zijn de ruggengraat van de maatschappij en moeten alle prioriteit krijgen in een ontwikkelings proces. In gebouwen moeten geavanceerde technologieën worden vermeden, zodat de maatschappij zelfreddend kan blijven.” Architect Balkrishna Doshi sprak deze profetische woorden in 1980. Vandaag, meer dan 30 jaar later, zit de wereld gevangen in de pijnlijke confrontatie met het falen van een geglobaliseerde neo-liberale maatschappij die net het tegendeel wil bewerkstelligen en daar willens nillens nog een tijd mee wil doorgaan. -
Villa Savoye Poissy, France [ La Maison Se Posera Au Milieu De L’Herbe Comme Un Objet, Sans Rien Déranger
Villa Savoye Poissy, France [ La maison se posera au milieu de l’herbe comme un objet, sans rien déranger. ] Le Corbusier Villa Savoye Située dans les environs de Paris, et terminée en 1931, la Villa Savoye est une maison de campagne privée conçue par l’architecte d’origine suisse Charles-Édouard Jeanneret, plus connu sous le nom de Le Corbusier. Elle est rapidement devenue l’un des plus célèbres bâtiments dans le style international d’architecture et établit la réputation de Le Corbusier comme l’un des architectes les plus importants du vingtième siècle. Importance architecturale Lorsque la construction de la Villa Savoye commença en 1928, Le Corbusier était déjà un architecte internationalement célèbre. Son livre Vers une Architecture avait été traduit en plusieurs langues, et son travail sur le bâtiment Centrosoyuz à Moscou l’avait mis en contact avec l’avant-garde russe. En tant que l’un des premiers membres du Congrès International d’Architecture Moderne (CIAM), il devenait aussi célèbre comme un défenseur important et éloquent de l’architecture © Fondation Le Corbusier moderne. La Villa Savoye allait être la dernière d’une série de « villas puristes » blanches, conçues et construites par Le Corbusier famille Savoye, Le Corbusier s’est assuré que la conception et son cousin Pierre Jeanneret à Paris et dans les environs de la maison devienne la représentation physique de ses dans les années 1920. Encouragé par la liberté donnée par la idéaux de « pureté totale ». © Fondation Le Corbusier 2 La villa allait être construite en accord avec les « cinq points » emblématiques que Le Corbusier avait développés comme principes directeurs pour son style architectural : 1. -
Villa Savoye Poissy, France [ the House Will Stand in the Midst of the Fields Like an Object, Without Disturbing Anything Around It
Villa Savoye Poissy, France [ The house will stand in the midst of the fields like an object, without disturbing anything around it. ] Le Corbusier Villa Savoye Lying on the outskirts of Paris, France, and completed in 1931, Villa Savoye was designed as a private country house by the Swiss-born architect, Le Corbusier. It quickly became one of the most influential buildings in the International style of architecture and cemented Le Corbusier’s reputation as one of the most important architects of the 20th century. Architectural significance When the construction of Villa Savoye began in 1928, Le Corbusier was already an internationally known architect. His book Vers une Architecture (Towards a New Architecture) had been translated into several languages, while his work on the Centrosoyuz Building in Moscow, Russia, had brought him into contact with the Russian avant-garde. As one of the first members of the Congrès International d’Architecture Moderne (CIAM), he was also becoming known as an important and vocal champion of modern architecture. Villa Savoye would be the last in a series of white ‘Purist villas’ designed and © Fondation Le Corbusier constructed by Le Corbusier and his cousin Pierre Jeanneret in and around the city of Paris during the 1920s. Encouraged by the Savoye family’s open brief, Le Corbusier ensured that the design of the house would become the physical representation of his ‘Total Purity’ ideals. © Fondation Le Corbusier 2 The villa was to be constructed according to the emblematic ‘Five Points’ Le Corbusier had developed as guiding principles for his modernist architectural style: 1. -
Of Ronchamp's East Wall: Constellations of Thought
Montreal Architectural Review ‘In the sky with diamonds’ of Ronchamp’s East Wall: Constellations of Thought* Marcia F. Feuerstein Virginia Tech (Virginia Polytechnic Institute and State University) Abstract The Chapelle Notre-Dame-du-Haut in Ronchamp designed by Charles-Edouard Jeanneret, also known as Le Corbusier, has been studied, analyzed and explored by architects, theorists and historians ever since it was completed. Despite these studies, scholars have paid little attention to the east wall of the chapel as a unique architectural element. An important and iconic element within this project, it is distinguished by the turning statue of the Virgin Mary set in a cabinet within the wall and surrounded by small openings allowing light into the chapel. While the moving statue had always been part of the original design, the small openings -- the stars -- were not. Somehow and sometime the eastern wall became a sky when, at the beginning of construction, it was a wall. The story began with Le Corbusier’s slow design process, which allowed him to develop an evolving vision even after a design was finalized. His creative process allowed him to envision the building as a full scale model, which provided him with freedom to take advantage of new opportunities of designing during construction. This occurred with the east wall. A serendipitous * This essay was initially conceived in the late 1990s but developed for and presented at the AHRA conference on models and buildings at Nottingham in November 2005. I wish to thank Lisa Landrum and Margarita McGrath for their recent suggestions, as well as Peter Carl for his generous and extensive comments on the initial paper. -
Rise of Modernism
AP History of Art Unit Ten: RISE OF MODERNISM Prepared by: D. Darracott Plano West Senior High School 1 Unit TEN: Rise of Modernism STUDENT NOTES IMPRESSIONISM Edouard Manet. Luncheon on the Grass, 1863, oil on canvas Edouard Manet shocking display of Realism rejection of academic principles development of the avant garde at the Salon des Refuses inclusion of a still life a “vulgar” nude for the bourgeois public Edouard Manet. Olympia, 1863, oil on canvas Victorine Meurent Manet’s ties to tradition attributes of a prostitute Emile Zola a servant with flowers strong, emphatic outlines Manet’s use of black Edouard Manet. Bar at the Folies Bergere, 1882, oil on canvas a barmaid named Suzon Gaston Latouche Folies Bergere love of illusion and reflections champagne and beer Gustave Caillebotte. A Rainy Day, 1877, oil on canvas Gustave Caillebotte great avenues of a modern Paris 2 Unit TEN: Rise of Modernism STUDENT NOTES informal and asymmetrical composition with cropped figures Edgar Degas. The Bellelli Family, 1858-60, oil on canvas Edgar Degas admiration for Ingres cold, austere atmosphere beheaded dog vertical line as a physical and psychological division Edgar Degas. Rehearsal in the Foyer of the Opera, 1872, oil on canvas Degas’ fascination with the ballet use of empty (negative) space informal poses along diagonal lines influence of Japanese woodblock prints strong verticals of the architecture and the dancing master chair in the foreground Edgar Degas. The Morning Bath, c. 1883, pastel on paper advantages of pastels voyeurism Mary Cassatt. The Bath, c. 1892, oil on canvas Mary Cassatt mother and child in flattened space genre scene lacking sentimentality 3 Unit TEN: Rise of Modernism STUDENT NOTES Claude Monet. -
Art 150: Introduction to the Visual Arts David Mccarthy Rhodes College, Spring 2003 414 Clough, Ext
Art 150: Introduction to the Visual Arts David McCarthy Rhodes College, Spring 2003 414 Clough, Ext. 3663 417 Clough, MWF 11:30-12:30 Office Hours: MWF 2:00- 4:00, and by appointment. COURSE OBJECTIVES AND DESCRIPTION The objectives of the course are as follows: (1) to provide students with a comprehensive, theoretical introduction to the visual arts; (2) to develop skills of visual analysis; (3) to examine various media used by artists; (4) to introduce students to methods of interpretation; and (5) to develop skills in writing about art. Throughout the course we will keep in mind the following two statements: Pierre Auguste Renoir’s reminder that, “to practice an art, you must begin with the ABCs of that art;” and E.H. Gombrich’s insight that, “the form of representation cannot be divorced from its purpose and the requirements of the society in which the given language gains currency.” Among the themes and issues we will examine are the following: balance, shape and form, space, color, conventions, signs and symbols, representation, reception, and interpretation. To do this we will look at many different types of art produced in several historical epochs and conceived in a variety of media. Whenever possible we will examine original art objects. Art 150 is a foundation course that serves as an introduction for further work in studio art and art history. A three-hour course, Art 150 satisfies the fine arts requirement. Enrollment is limited to first- and second-year students who are not expected to have had any previous experience with either studio or art history. -
District Census Handbook, 11 Ahmedabad
CENS:US 1961 GUJARAT DISTRICT CENSUS HANDBOOK 11 AHMEDABAD [)ISTRICT R. K. TRIVEDI Superintendent of Census Operations, Gujarat PRICE 'as. 9.45 nP. DISTRICT AHMEDABAD • M~H'ANA - J' .' :" ." ..... : .•. .... , REFERENCES ., DiSTRICT H Q S TALUKA H Q -- D,STRICT BOUNDARY ..•.••.•• TALUKA BOUNDARY :tmm BROAO GAUGE - METER GAUGE .,e= CANAL _RIVER ® RUT HOUSE ® POLICE STATION o LlNI"HAet~!~ • VILLAGE~ • VILLAGe2ooo~ • VILLAGE _ 50._ e TOWN 1!!!!J MUNICIPALITY -=- NATIONAL HIGHWAY = STATE HIGHWAY ---- LOCAL ROAD PO POST OFFICE P T POST • TELEGRAPH CENSUS OF INDIA 1961 LIST OF PUBLICATIONS CENTRAL GOVERNMENT PUBLICATIONS Census of India, 1961 Volume V-Gujarat is being published in the following parts: I-A General Report I-B Report on Vital Statistics and Fertility Survey I-C Subsidiary Tables II-A General Population Tables II-B (1) General Economic Tables (Tables B-1 to B-IV-C) II-B (2) General Economic Tables (Tables B-V to B-IX) I1-C Cultural and Migration Tables III Household Economic Tables (Tables B-X to B-XVII) IV-A Report on Housing and Establishments IV-B Housing and Establislunent Tables V-A Tables on Scheduled Castes and Scheduled Tribes V-B Ethnographic Notes on Scheduled Castes and Scheduled Tribes (including reprints) VI Village Survey Monographs (25 Monographs) VI I-A Selected Crafts of Gujarat VII-B Fairs and Festivals VIIJ-A Administration Report-Enumeration Not for Sa)"'_: VIII-B Administration Report-Tabulation } -~( IX Atlas Volume X Special Report on Cities STATE GOVERNMENT PUBLICATIONS 17 District Census Handbooks i~ English -
Modernism and Identity in the Indian Subcontinent: a Sketch of Minnette De Silva and Her Works
Modernism and Identity in the Indian Subcontinent: A Sketch of Minnette de Silva and her Works A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfilment of the requirements for the degree of Master of Science in Architecture In the School of Architecture and Interior design of the College of Design, Architecture, Art and Planning By Anam Akhter (B.Arch) M.S. Architecture University of Cincinnati July 2018 Committee Chair: Jeff Tilman, PhD Committee Member: Rebecca Williamson, PhD i /Abstract Problem: How does national politics affect architecture and how are architects an important influence in not only the design process (as an opposition to the prevalence of ‘process’ in architectural design), but also as politically conscious individuals that can determine and act on social issues and make an impact or contribution? The Thesis focuses on the life and work of post-independent Sri Lanka’s first Modernist architect Ms. Minnette de Silva and her contribution to Regional Modernism which was an attempt to synthesize modernism with vernacular forms and crafts of the country. By looking at de Silva’s work through several lenses like national politics, identity issues, Modernism & CIAM, it will be shown how crucial developments in architecture have taken place (and could take place in the future), due to these influences, and the agency of the architect. More specifically, it will be shown how the question of IDENTITY came about in politics and hence in architecture (due to the influence of the Indian Independence movement whose ethos lay in asserting an ‘Indian-ness’ that was radically different from the colonial power), how de Silva asserted herself as a new voice in Sri Lankan architecture as a modernist trained form the AA, and how the identity of de Silva touched aspects of the ‘exotic’ – which has political connotations in itself, and how modernism figured out in her designs that sought to be modern as well as regional.