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ELKO TRANSFER Graduates ' Elko, Nevada AMBULANCE SERVICE '
SSI Cx Xjbrjj Principal MR. GEORGE L. TURCOTT, Principal. Any institution, to be successful, must have a superior leader. We, the students of Elko County High School, look to our principal, Mr. George L. Turcott. It is he wno most ably shows us where and how to distribute our energies so that we may gain the utmost from our education, and it is he who maintains our most efficient school organization. £ckccl £var4 These three, Mrs. Stout, Mr. Gennette, and Mr. Agee (not pictured), have served on the board of education for two years. Their job is a hard one, but in this time they have proved themselves well qualified, efficient, understanding, and considerate. We are indeed for tunate to have such a capable group to guide us in that most important undertaking, our secondary education. Mr. Joe Gennette (President), Mrs. W. H. Norquist (Secretary), Mr. G. L. Turcott (Principal), Mrs. Mildred B. Stout (Member). Jacqttif WILLARD WEAVER: Boys' Athletics. LESTER MILLS: Social Science, American Sponsor- Block "E." History. B.A., University of Nevada. B.A., M.A., College of Pacific. University of California. University of California. University of Southern California. DONALD PARENT: Languages. \j»*V B.A., Linfield College. University of California. University of Washington. University of Southern California. ROBERT BROME: English, Dramatics. Sponsor: English "E," Masque and Gavel, CAROLINE MARKEY: Commercial. Assembly Program Committee. Wisconsin State Teachers' College. B.A., Nebraska State Teachers' College. University of Wisconsin. Colorado State College of Education. University of Wyoming. Schutt-Krasna School of Professional Teachers' University of Business, Indiana. Writing. faculty MILDRED GILMER: Mathematics. -
August 2004 Issue
VOLUME 12 NUMBER 6 FFRREEEE AUGUST 2004 cyclincyclingg utahutah PARKPARK CITYCITY CYCLINGCYCLING FESTIVALFESTIVAL PROGRAMPROGRAM GUIDEGUIDE PAGESPAGES 20-2320-23 •Brian Head Epic - p. 24 •Park City Cycling Festival Program - p. 20 •Calendar of Events - p. 16 •Park City’s’s SpiroSpiro TTrail - p. 3 •The Coolest July - p. 7 •Results - p. 18 DIRTDIRT •State Road Championships - p. 13 PAVEMENTPAVEMENT •E-100 - p. 12 ADVOCACYADVOCACY •Tour de France Trip - p. 2 •Boise Twilight Criterium - p. 6 RACINGRACING •Rumble Strips - p. 4 TOURINGTOURING •Campaign Trail - p. 9 •Endurance Supplements - p. 5 MOUNTAIN WEST CYCLING JOURNAL MOUNTAIN WEST CYCLING JOURNAL 2 cycling utah.com AUGUST 2004 SPEAKING OF SPOKES ClimbingClimbing thethe ColsCols -- AA TTriprip toto thethe TTourour dede FFrancerance By Dave Ward My wife, Karma, and I had an experience in itself. Despite Publisher arrived in Geneva on Sunday being two days before the Alpe evening. After a quick downtown d’Huez time trial, the 21 lacelets I had just started uphill again discovery trek on Monday morn- were already packed with tents, when it started to rain. I had been ing, we met up with our tour trailers, tourists and travelers all riding up toward the clouds for group from Graham Baxter staking out their spots to watch the over an hour, and so should not Sporting Tours. After the great professional peloton punish itself, have been surprised. Though it experience we had last year with one member at a time, up this had been overcast most of the this company, we did not hesitate famous and infamous climb. Our way, and more so the higher I got, to book with them again. -
Movie Trivia
------------------------------------------------------------------------------- MOVIE TRIVIA Frequently Asked Questions Copyright (C) 1992-5 Murray Chapman ------------------------------------------------------------------------------- Compiled by Murray Chapman ([email protected]), from sources too numerous too mention. Thank-you one and all. INTRODUCTION ------------ This is a list of interesting trivia, ``did you notice’’-type things for movies. This list is part of The Internet Movie Database. See the notes at the end for more information. This, and MANY other FAQs are available for anonymous FTP wherever news.answers is archived, for example: rtfm.mit.edu:/pub/usenet/news.answers/movies/trivia-faq The followup field is set to rec.arts.movies. Additions and suggestions welcome: if you can confirm any rumors, or dispute any ``facts’’, then please do so! PLEASE read the notes at end before you submit anything. This is becoming increasingly important. Thanks! DISCLAIMER ---------- The data contained in this file has been supplied by numerous sources, many of which are anonymous and second- or third-hand. By its very nature, the data contained herein is particularly susceptible to innuendo and rumor. While I have exercised considerable editorial control by: a) attempting to eliminate scandal, sensationalism, and/or slander, b) seeking confirmatin of rumours, and c) expressing a willingness to debate the validity of included data, I will not (and could not possibly be expected to) accept responsibility or liability for any views/claims/rumours/errors that appears herein. The views expressed in this file do not necessarily agree with my own. I have attempted to present information in a professional and non-sensationalist manner, but as far as the information itself goes, I am obviously at the mercy of those who supply the data. -
Considering Blackness in George A. Romero's Night of the Living Dead
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2006 Considering blackness in George A. Romero's Night of the Living Dead: an historical exploration Jennifer Whitney Dotson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the English Language and Literature Commons Recommended Citation Dotson, Jennifer Whitney, "Considering blackness in George A. Romero's Night of the Living Dead: an historical exploration" (2006). LSU Master's Theses. 3108. https://digitalcommons.lsu.edu/gradschool_theses/3108 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. CONSIDERING BLACKNESS IN GEORGE A. ROMERO’S NIGHT OF THE LIVING DEAD: AN HISTORICAL EXPLORATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in the partial fulfillment of the requirements for the degree of Master of Arts In The Department of English by Jennifer Whitney Dotson B.A., Middle Tennessee State University, 2004 August 2006 Table of Contents Abstract……………………………………………………………………...……iii Chapter 1 Introduction………………………………………………..…………..1 2 An Overview of the Twentieth Century Zombie in the West….….....12 3 Night of the Living Dead…………………………………………….39 4 Conclusion…………………………………………………...………66 Bibliography………….………………………………………………………….69 Filmography………………………….……………….……………….…………72 Vita.……………………………………………………………………..………..76 ii Abstract When George A. Romero’s Night of the Living Dead was released in 1968, the independent black and white zombie film stunned American moviegoers. -
The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 the post- 9/11 aesthetic: repositioning the zombie film in the horror genre Alan Edward Green, Jr. University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Film and Media Studies Commons Scholar Commons Citation Green, Jr., Alan Edward, "the post- 9/11 aesthetic: repositioning the zombie film in the horror genre" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4798 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Post-9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre by Alan Edward Green, Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Victor Peppard, Ph.D. Elizabeth Metzger, Ph.D. Amy Rust, Ph.D. Date of Approval: May 1, 2013 Keywords: Film Studies, Post-9/11 Cinema, Zombie Films, Non-Zombie Cinema Copyright © 2013, Alan Edward Green, Jr. Dedication I dedicate this scholarly enterprise to my daughter, Tousey Green; I love you always and forever. To my parents, Tom and Judy Trowbridge, all my love; your belief in me was immeasurable in seeing me through completion of this project. -
PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente
PRODUCING THE AMERICAN ZOMBIE FILM: A SOCIOLOGICAL UNDERSTANDING OF THE GENESIS AND EVOLUTION OF A GENRE A Dissertation Presented to the Graduate School University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by TODD PLATTS Dr. Wayne Brekhus, Dissertation Supervisor May 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled PRODUCING THE AMERICAN ZOMBIE FILM: A SOCIOLOGICAL UNDERSTANDING OF THE GENESIS AND EVOLUTION OF A GENRE Presented by Todd Platts A candidate for the degree of Doctor of Philosophy And hereby certify that in their opinion it is worthy of acceptance. ____________________________________ Professor Wayne Brekhus ____________________________________ Professor David Brunsma ____________________________________ Professor John Galliher ____________________________________ Professor Anand Prahlad Acknowledgments I thank the members of my committee for their fantastic guidance and patience throughout this project. I appreciate your willingness in allowing me to tackle a topic not traditionally pursued by sociologists. To Wayne I express my utmost gratitude not just in serving as my mentor, but for providing an intellectual platform in your classes that allowed me to explore the sociological purchase of zombies from a variety of perspectives – some of which led to dead ends; more importantly, however, some of which resulted in conference presentations, a research grant, and two publications. Beyond the classroom environment, I am humbled by your willingness to always to listen to my ideas and put everything aside in helping me traverse whatever structural or personal hurdles were put in the way (and there were many). To Dave your constant encouragement and enthusiasm for the project helped me through numerous difficult times. -
The Development of the Zombie Film Narrative
Zombies in a Time of Terror The Development of the Zombie Film Narrative Jasper Wezenberg 5947634 [email protected] Ferdinand Bolstraat 27-3 1072LB Amsterdam 06-20924216 Thesis guide: dr. C.J. Forceville Second reader: Amir Vudka 2 Acknowledgements First of all I would like to thank dr. Charles Forceville for being an excellent thesis guide who always provide me with pragmatic tips, interesting insights and fast comments. Thanks to Amir Vudka for being my second reader. I would like to thank Absaline Hehakaya and Maarten Stolz for reading parts of my unfinished thesis and providing comments. Many thank to Saskia Mollen for designing the awesome front cover. Thank to my colleagues Joost Mellink and Renée Janssen for covering for me. Thanks to my friends Niels de Groot and Rufus Baas for encouraging me. Thanks to Marek Stolarczyk, Roeland Hofman, and Marije Ligthart for being funny and supportive. Thanks to Nika Pantovic for making nice music and providing inspiration. And finally thanks to my parents and brother for being awesome people. 3 Contents Acknowledgements 3 Introduction 5 1. Generic difficulties 6 2. On zombie studies 12 3. The Quantitative of the dead 16 3.1 Introduction 20 3.2 Corpus and zombie movie production numbers 21 3.3 Results 23 3.3.1 Zombie invasion narrative 23 3.3.2 Shots of deserted streets 24 3.3.3 Use of news- or found footage 25 3.3.4 Speed of zombie movement 25 3.3.5 Are they dead? 27 3.3.6 Extra: funny zombies 28 4. Zombies in a time of terror: invoking images 29 4.1 REC 29 4.2 Train to Busan 34 4.3 Land of the Dead 40 Conclusion 45 Bibliography 48 Filmography 50 Appendix A 51 Appendix B 53 4 Introduction Of all the monstrous creatures that have populated the horror stories of Western culture, the zombie may well be the most characteristic for the late 20th and early 21th century. -
July 16-31, 1971
RICHARD NIXON PRESIDENTIAL LIBRARY DOCUMENT WITHDRAWAL RECORD DOCUMENT DOCUMENT SUBJECT/TITLE OR CORRESPONDENTS DATE RESTRICTION NUMBER TYPE 1 Manifest Helicopter Passenger Manifest – 7/18/1971 A Appendix “A” 2 Manifest Marine One – Appendix “A” 7/24/1971 A 3 Manifest Marine One – Appendix “A” 7/26/1971 A 4 Manifest Helicopter Passenger Manifest – 7/31/1971 A Appendix “B” COLLECTION TITLE BOX NUMBER WHCF: SMOF: Office of Presidential Papers and Archives RC-8 FOLDER TITLE President Richard Nixon’s Daily Diary July 16, 1971 – July 31, 1971 PRMPA RESTRICTION CODES: A. Release would violate a Federal statute or Agency Policy. E. Release would disclose trade secrets or confidential commercial or B. National security classified information. financial information. C. Pending or approved claim that release would violate an individual’s F. Release would disclose investigatory information compiled for law rights. enforcement purposes. D. Release would constitute a clearly unwarranted invasion of privacy G. Withdrawn and return private and personal material. or a libel of a living person. H. Withdrawn and returned non-historical material. DEED OF GIFT RESTRICTION CODES: D-DOG Personal privacy under deed of gift -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- NATIONAL ARCHIVES AND RECORDS ADMINISTRATION *U.S. GPO; 1989-235-084/00024 NA 14021 (4-85) nn"...,...."'"....I'T' n'''II"nn .IIV,,,,,,,,,,, nAllV n'An\..1 r~I:."''',IL''! "l\Jn~'ru" """'.JI' ~ Llt\!!..l UIM!'\! (See Travel Record for Travel Activity) PLACE DAY BEGAN • '. DATE (Mo,. Day. Yr.) r .' JULY 16, 1971 THE WESTERN WHITE HOUSE ~1 IJI ""-61! DAY SAN CLEHENTE, CALIF0 Ri.'UA . f. ;: ~~PDT 12:17 a.m. FRIDAY u ~ '" \.J PHONE TIME P-Pl.ccd Jl=Received ACTIVITY , Ia Out to LO PlYf 12:17 12:35 R The President talked with his Assistant, H.