DOCSLIB.ORG

Shadowverse: Champion's Battle Erscheint Im Sommer 2021 Für

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shadowverse: Champion's Battle Erscheint Im Sommer 2021 Für PR-Kontakt: ToLL Relations [email protected] Pressemeldung Shadowverse: Champion’s Battle erscheint im Sommer 2021 für Nintendo Switch™ Marvelous Europe Limited und Cygames schließen sich zusammen, um die storybasierte Neuinterpretation des erfolgreichen Multiplayer- Kartenstrategiespiels für Mobilgeräte nach Europa zu bringen. London, United Kingdom – 30. März 2021 – Marvelous Europe Limited freut sich, bekanntgeben zu können, Shadowverse: Champion’s Battle für Nintendo Switch im Sommer in Europa und Australien zu veröffentlichen. Shadowverse: Champion’s Battle wird für Nintendo Switch nur auf Englisch verfügbar sein. TRAILER: https://youtu.be/4YwLoK58DDI Shadowverse: Champion’s Battle basiert auf der Anime-Adaption von Cygames’ erfolgreichem Multiplayer-Kartenstrategiespiel für Mobilgeräte Shadowverse. Die Neuinterpretation bringt die vielschichtigen Mechaniken zum Zusammenstellen des eigenen Kartendecks auf eine neue Plattform und serviert sie mit einer originellen Erzählweise, die sich sowohl für Einsteiger als auch für Kenner des Originals eignet. Shadowverse: Champion’s Battle erscheint in Europa physisch und digital und in Australien digital, wobei alle Versionen einen Code für das Spiel Shadowverse (PC und Mobile) beinhalten, der für drei Karten je zwei exklusive Illustrationen, zehn Premiumsphären und kosmetische Gegenstände gewährt. Shadowverse: Champion’s Battle ist eine Neuinterpretation des mobilen Kartenstrategiespiels für Heimkonsolen. Spieler können im Laufe des Spiels neue Karten sammeln und so stärkere Decks bauen, die mächtigere Kombinationen ermöglichen. Shadowverse: Champion’s Battle kann sowohl alleine als auch in Multiplayer-Duellen erlebt werden, um neue komplexe Strategien gegen andere Spieler auszuprobieren. Shadowverse: Champion’s Battle bietet den Spielern via Battle Pass-System kosmetische Belohnungen und weitere Ingame-Boni, die durch erfolgreich beendete Missionen wie gewonnene Online-Matches freigeschaltet werden können. Die Veröffentlichung für Nintendo Switch™ fügt für eine noch immersivere Spielerfahrung fulminante Kampf-Animationen hinzu. In Shadowverse: Champion’s Battle schlüpfen Spieler in die Rolle eines Austauschschülers an der Tensei-Akademie. Dort werden sie von ihrem Klassenkameraden Hiro Ryugasaki schnell in das Shadowverse-Kartenspiel eingeführt. Die neuen Freunde machen es sich zusammen mit Rei, dem Präsidenten (und einzigen Mitglied) des Shadowverse-Clubs, zur Aufgabe, das beliebte Kartenspiel zu meistern und die nationale Meisterschaft zu gewinnen. So kann dem Club wieder zu seinem früheren Ruhm verholfen werden. Während des Abenteuers erkunden Spieler einzigartige Orte rund um die Schule und in der umliegenden Stadt, wo Ereignisse und Begegnungen an den ungewöhnlichsten Stellen auf sie warten. Sie schließen sich mit neuen Freunden zusammen, kämpfen um die nationalen Meisterschaften und retten dabei den Shadowverse-Club für die zukünftigen Generationen. Von Cygames entwickelt und durch Marvelous Europe Limited in Europa und Australien für Nintendo Switch™ herausgegeben, wird Shadowverse: Champion’s Battle im Sommer 2021 erscheinen. Weitere Informationen über die physischen und digitalen Versionen des Titels sowie zu Vorbestellungen werden zu einem späteren Zeitpunkt bekannt gegeben. Das Spiel wurde noch nicht von der USK eingestuft. Über Marvelous Europe Marvelous Europe wurde im April 2012 gegründet und ist die europäische Zweigstelle von Marvelous Inc., einem Börsenunternehmen mit Sitz in Tokio. Marvelous ist sowohl Spielentwickler als auch Publisher mit erfolgreichen PC- und Konsolenspielen wie Story of Seasons und Rune Factory sowie zusätzlichen Akquisitionen von Drittherstellern wie Granblue Fantasy Versus und Sakuna: Of Rice and Ruin. Weitere Informationen über Produkte von Marvelous Europe gibt es auf www.marvelousgames.com. Auf Facebook ist Marvelous Europe unter www.facebook.com/marvelousgames und auf Twitter unter www.twitter.com/marvelous_games zu finden. Nintendo Switch ist ein Warenzeichen von Nintendo. .
Load more

Recommended publications
  • Game Changer: Investing in Digital Play to Advance Children’S Learning and Health, New York: the Joan Ganz Cooney Center at Sesame Workshop
    Game 2 changer: June 2009 Investing in digital play to advance children's learning and health Ann My Thai David Lowenstein Dixie Ching David Rejeski The Joan Ganz Cooney Center at Sesame Workshop © The Joan Ganz Cooney Center !""#. All rights reserved. The mission of the Joan Ganz Cooney Center at Sesame Workshop is to foster innovation in children’s learning through digital media. The Center supports action research, encourages partnerships to connect child development experts and educators with interactive media and technology leaders, and mobilizes public and private investment in promising and proven new media technologies for children. For more information, visit www.joanganzcooneycenter.org. The Joan Ganz Cooney Center is committed to disseminating useful and timely research. Working closely with our Cooney Fellows, national advisers, media scholars, and practitioners, the Center publishes industry, policy, and research briefs examining key issues in the $eld of digital media and learning. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission from The Joan Ganz Cooney Center at Sesame Workshop. A full-text PDF of this document is available for free download from www.joanganzcooneycenter.org. Individual print copies of this publication are available for %&' via check, money order, or purchase order sent to the address below. Bulk-rate prices are available on request. For permission to reproduce excerpts from this report, please contact: Attn: Publications Department The Joan Ganz Cooney Center Sesame Workshop One Lincoln Plaza New York, NY &""!( p: !&! '#' ()'* f: !&! +,' ,("+ [email protected] Suggested citation: Thai, A., Lowenstein, D., Ching, D., & Rejeski, D.
    [Show full text]
  • Cyberagent, Inc. All Rights Reserved. 0 Table of Contents
    CyberAgent, Inc. All Rights Reserved. 0 Table of Contents 1 Overview of Quarterly Consolidated Financial Results 2 Business Forecast for FY2014 3 Internet Advertisement Business 4 Game and Other Media Businesses 5 Investment Development Business 6 Ameba Business 7 Summary 0 CyberAgent, Inc. All Rights Reserved. 1 Overview of Quarterly Consolidated Financial Results Overview of Consolidated Financial Results for 3Q (April 2014-June 2014) 1 CyberAgent, Inc. All Rights Reserved. 1 Overview of Quarterly Consolidated Financial Results Third Quarter Highlights (Apr. Jun. 2014) Consolidated To the multi-year harvest season Financial Sales: 51.2 billion yen 34.8% increase from the same quarter of the previous year Results Operating profit: 4.0 billion yen 2.5-time increase from the same quarter of the previous year Internet Sales growth rate remains high Advertisement Sales: 28.2 billion yen 42.8% increase from the same quarter of the previous year Business Operating profit: 2.2 billion yen 24.7% increase from the same quarter of the previous year Increase of top-ranked native games Game and Other Sales: 16.3 billion yen 15.1% increase from the same quarter of the previous year Media Businesses Operating profit: 1.6 billion yen 41.5% decrease from the same quarter of the previous year Ameba Sales: 9.6 billion yen 43.2% increase from the same quarter of the previous year Business Operating profit: 0.2 billion yen -2.6 billion yen → 2.9 billion increase from the same quarter of the previous year 2 CyberAgent, Inc. All Rights Reserved. 1 Overview of Quarterly Consolidated Financial Results Quarterly Consolidated Sales Sales for the 3Q FY2014: 51.2 billion yen (up 34.8% from the same quarter of the previous year) Sales have been going up steadily, although there was a recoil after the ad demand period in Mar (Unit: billion yen) Quarterly Consolidated Sales 52.4 Sales of CyberAgent FX, Inc.
    [Show full text]
  • Esports Insights
    GLOBAL eSports Insights Making Sense of the Economics There has been much discussion regarding eSports team valuation recently, particularly given that Blizzard is currently seeking franchise investors for its Overwatch League (LINK). In general, eSports franchise valuations have varied significantly, with estimated valuation ranges from $2m-$5m in non-major market to upwards of $30m in major markets. We expect valuations to continue to vary widely based on various factors, with roughly three distinct levels. (Keep in mind that much of the valuation is driven by Macquarie’s eSports Thesis the future expected revenue from sponsorship and/or tournament winnings). 1. eSports is becoming an important part of 1. Semi-pro level teams are valued from $1m-$5m USD. These teams have publishers’ product and marketing strategy. one or two years of track record and less mature organizational structure. 2. eSports to gain mainstream traction as Team Echo Fox (purchased by Rick Fox for $1-2m) and Cloud9 Challenger advertisers capitalize on the growing and engaged viewers. (purchased by Milwaukee Bucks co-owner Wesley Edens for $2.5m) are examples of this category. 3. Professionalization of eSports will lead to industry consolidation and greater media rights. 2. Pro level teams are valued from $5m-$15m USD. Recall that the 76ers 4. Pro sports teams to invest in eSports to hedge invested in Team Dignitas last September reportedly at these levels. Our against the decline in traditional sports viewing. conversations with industry professionals and eSports team owners suggested 5. eSports could gain Olympics status as the IOC that pro team valuations are approximately $10m USD.
    [Show full text]
  • 2019 Annual Report
    2019 Corporate Philosophy To spread happiness across the globe by providing unforgettable experiences This philosophy represents our company’s mission and the beliefs for which we stand. Each of our customers has his or her own definition of happiness. The Square Enix Group provides high-quality content, services, and products to help those customers create their own wonderful, unforget- table experiences, thereby allowing them to discover a happiness all their own. Management Guidelines In working to make our Corporate Philosophy a reality, we will manage our Group with the following policies as our key guidelines. 1. We will strive to be a company that delivers unparalleled entertainment. Through our games, amusement offerings, publications, merchandising, and other contents and services, we will be steadfast in our efforts to deliver unpar- alleled entertainment to our customers. 2. We will value innovation and creativity. By giving rise to new expressions and ideas and creating experiences like none ever encountered before, we will deliver contents and services that surpass the expectations of our customers. We believe that it is in our unrelenting efforts to this end that our existential value and the value of our brand lie. 3. We will respond with sensitivity and flexibility to environmental changes. We are surrounded by an environment that is ever changing. We will stay attuned to those changes and be flexible in adapting the nature and format of our contents and services as well as our business models accordingly. In addition, we will stay at the forefront of change so that we can provide our customers with excitement and fun.
    [Show full text]
  • Found in Translation: Evolving Approaches for the Localization of Japanese Video Games
    arts Article Found in Translation: Evolving Approaches for the Localization of Japanese Video Games Carme Mangiron Department of Translation, Interpreting and East Asian Studies, Universitat Autònoma de Barcelona, 08193 Bellaterra, Barcelona, Spain; [email protected] Abstract: Japanese video games have entertained players around the world and played an important role in the video game industry since its origins. In order to export Japanese games overseas, they need to be localized, i.e., they need to be technically, linguistically, and culturally adapted for the territories where they will be sold. This article hopes to shed light onto the current localization practices for Japanese games, their reception in North America, and how users’ feedback can con- tribute to fine-tuning localization strategies. After briefly defining what game localization entails, an overview of the localization practices followed by Japanese developers and publishers is provided. Next, the paper presents three brief case studies of the strategies applied to the localization into English of three renowned Japanese video game sagas set in Japan: Persona (1996–present), Phoenix Wright: Ace Attorney (2005–present), and Yakuza (2005–present). The objective of the paper is to analyze how localization practices for these series have evolved over time by looking at industry perspectives on localization, as well as the target market expectations, in order to examine how the dialogue between industry and consumers occurs. Special attention is given to how players’ feedback impacted on localization practices. A descriptive, participant-oriented, and documentary approach was used to collect information from specialized websites, blogs, and forums regarding localization strategies and the reception of the localized English versions.
    [Show full text]
  • HITMAN GO (For Oculus/Gear VR) ・Kai‐Ri‐Sei Million Arthur Coming May 12, 2016
    1 Statements made in this document with respect to SQUARE ENIX HOLDINGS CO., LTD. and its consolidated subsidiaries' (together, “SQUARE ENIX GROUP") plans, estimates, strategies and beliefs are forward‐looking statements about the future performance of SQUARE ENIX GROUP. These statements are based on management's assumptions and beliefs in light of information available to it at the time these material were drafted and, therefore, the reader should not place undue reliance on them. Also, the reader should not assume that statements made in this document will remain accurate or operative at a later time. A number of factors could cause actual results to be materially different from and worse than those discussed in forward‐looking statements. Such factors include, but not limited to: 1. changes in economic conditions affecting our operations; 2. fluctuations in currency exchange rates, particularly with respect to the value of the Japanese yen, the U.S. dollar and the Euro; 3. SQUARE ENIX GROUP’s ability to continue to win acceptance of our products and services, which are offered in highly competitive markets characterized by the continuous introduction of new products and services, rapid developments in technology, and subjective and changing consumer preferences; 4. SQUARE ENIX GROUP’s ability to expand international success with a focus on our businesses; and 5. regulatory developments and changes and our ability to respond and adapt to those changes. The forward‐looking statements regarding earnings contained in these materials were valid at the time these materials were drafted. SQUARE ENIX GROUP assumes no obligation to update or revise any forward‐looking statements, including forecasts or projections, whether as a result of new information, subsequent events or otherwise.
    [Show full text]
  • TOKYO GAME SHOW 2020 ONLINE Starts !
    The Future Touches Gaming First. Press Release September 24, 2020 TOKYO GAME SHOW 2020 ONLINE Starts ! Official Program Streaming from 20:00, September 24 in JST/UTC+9 Computer Entertainment Supplier’s Association Computer Entertainment Supplier’s Association (CESA, Chairman: Hideki Hayakawa) announces that TOKYO GAME SHOW 2020 ONLINE (TGS2020 ONLINE: https://tgs.cesa.or.jp/) has opened for the five- day period from September 23 (Wed.) to 27 (Sun.), 2020. Online business matching started yesterday, and official program streaming will kick off with the Opening Event from 20:00, Thursday, September 24 (JST/ UTC+9) featuring the Official Supporter Hajime Syacho and other popular figures. The Official Program page offers 35 Exhibitor Programs delivering the latest news and 16 Organizer’s Projects including Keynote Speech, four competitions of e-Sports X, the indie game presentation event SENSE of WONDER NIGHT (SOWN), and the announcement and awarding for each category of Japan Game Awards. No pre-registration or log-in is required to enjoy viewing the programs for free of charge. Keynote Speech, Grand Award of Japan Game Awards 2020 and SOWN will be streamed in English as well as Japanese for global audience in Asia and other parts of the world. In TGS2020 ONLINE, 424 companies and organizations from 34 countries and regions exhibit in a virtual space, providing the updates on newly-released titles and services through streaming and each exhibitor’s page. By region, more companies and organizations from overseas (221) exhibit in this year’s TGS than those from Japan (203). Ten or more exhibitors participate from South Korea (46), China (22), Canada (20), Taiwan (19), the United States (17), Poland (13), and Colombia (10).
    [Show full text]
  • Pocketgamer.Biz Top 50 Developer 2020
    2020 2020 in association with The mobile movers & shakers of the last 12 months Top 50 Developer 2020 in association with 1 2020 2020 Contents a-z Welcome… 2020 Our Top 50 Mobile Game Makers list is now in its 11th year, in association with From breaking industry stories and and what a year it’s been already. p27 p6 p21 p15 p10 in-depth interviews with key executives to updates on industry 2020 will be remembered for a lot of things, but in the events and detailed analysis of mobile mobile games industry it will likely be remembered for the games metrics, PocketGamer.biz is the continued growth of hypercasual as a genre, some first port of call for mobile game impressively large acquisitions, and a string of battles waged developers, publishers, operators, handset manufacturers, investors, and across and about the app stores. p4 p19 p19 p14 p5 p14 p25 service providers. We’ve seen Apple Arcade offer a new avenue for premium mobile developers, while free-to-play revenues have surged www.pocketgamer.biz thanks to people spending more time at home. And we’ve seen streaming services start kicking into high gear, with Stadia and xCloud battling it out on smaller screens with p6 p13 p15 p9 p7 p4 p7 console titles. It’s been tough picking out the developers we consider to be “the best” amongst all the chaos of 2020. It’s been a difficult year, and it isn’t getting any easier. Realistically, every Your top 50 p11 p9 p10 p13 p12 company still hanging on deserves recognition of some kind.
    [Show full text]
  • Programming Descriptions 2019
    5000 Hours in MS Paint! We had some free time on our hands so we decided to draw some of our favorite anime scenes in MS PAINT! Think you can decipher our cryptic masterpieces for a chance at prize? A Guide to Neptunia Join us as we go over the Neptunia games and have fun, talk about some conspiracies with the games and as well go over the anime. Join and nd out what kind of stu happens in Gamindustry. Aikatsu Stars! 101 Come join us as we explore a popular idol anime addition to the 'Aikatsu!' idol franchise, We'll tell you everything you need to know from characters to plot to their outfits! Aikatsu! You-katsu! We-katsu! PART 1 Interested in new idol animes? Ever heard of an anime called Aikatsu!, but don't know anything about it? Well this panel is for you! The team of AZ Aikatsu! Cosplay wants to explain all about the anime Aikatsu! and introduce you to our world. Aikatsu! You-katsu! We-katsu! PART 2 Now that you know about the world of Aikatsu!, let's take a closer look at the franchise. We'll let you in on everything you need to know about the franchise so you can dive right into it! Come join us for all the fun! An Introduction to Cosplay Photography An introduction to cosplay photography for beginners and amateurs brought to you by professional cosplay photographers. Ando's Art Tips: Characters and Posing Let’s all take a look at what goes into creating great character designs and strong, dynamic posing! Learn how YOU can apply these tips and tricks to your own art! Anime Anonymous This is a meet-up/discussion group panel that will discuss the feelings fans will experience when watching anime, reading manga and playing through anime related games.
    [Show full text]
  • Esports): El Espectáculo De Las Competiciones De Videojuegos
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN TESIS DOCTORAL Los deportes electrónicos (esports): el espectáculo de las competiciones de videojuegos MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Marcos Antón Roncero Director Francisco García García . Madrid Ed. electrónica 2019 © Marcos Antón Roncero, 2018 FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE TEORÍAS Y ANÁLISIS DE LA COMUNICACIÓN DOCTORADO EN COMUNICACIÓN AUDIOVISUAL, PUBLICIDAD Y RELACIONES PÚBLICAS LOS DEPORTES ELECTRÓNICOS (ESPORTS) El espectáculo en las competiciones de videojuegos TESIS DOCTORAL PRESENTADA POR: D. Marcos Antón Roncero DIRECTOR: D. Francisco García García MADRID, 2018 Todas las imágenes y textos con copyright referenciados en el presente trabajo han sido utilizados bajo el derecho de cita, regulado en el artículo 32 del Texto refundido que recoge la Ley de la Propiedad Intelectual (TRLPI) según se recoge en el Decreto Legislativo 1/1996, de 12 de abril. AGRADECIMIENTOS Estamos demasiado acostumbrados a leer agradecimientos, incluso a escribirlos, pero pocas veces se agradece de palabra y de corazón, mirando a los ojos. Que esta página sea una mirada a los ojos para quienes aparecen en ella, pues muchos están lejos y a otros no les agradezco lo suficiente su paciencia, experiencia y visión del mundo, cualidades que me han hecho crecer y madurar para convertirme en quien soy ahora y llevarme a realizar el trabajo que aquí se presenta. Gracias a mis padres por darme los medios y la voluntad para seguir un camino que ellos no tuvieron la opción de elegir. De ellos son todos los logros conseguidos (con y sin títulos de por medio).
    [Show full text]
  • Shadowverse: Champion’S Battle Se Lanzará En Verano De 2021 En Switch
    Shadowverse: Champion’s Battle se lanzará en verano de 2021 en Switch Shadowverse: Champion’s Battle para Nintendo Switch llegará a Europa este verano con localización en inglés. Basado en la adaptación anime de Shadowverse, el exitoso juego de cartas estratégico multijugador para móviles de Cygames, Shadowverse: Champion’s Battle lleva las complejas mecánicas de construcción de mazos a una nueva plataforma y las combina con una experiencia narrativa original y perfecta tanto para los jugadores nuevos como para los experimentados. Shadowverse: Champion’s Battle estará disponible en formato físico en Europa. Además, llegará con un código promocional especial que otorgará 2 cartas con ilustración alternativa (3 copias de cada una), 10 esferas animadas y objetos canjeables en la versión de móvil o PC de Shadowverse. Shadowverse: Champion’s Battle es una nueva versión del juego de cartas estratégico multijugador para móviles en Nintendo Switch™. A medida que los jugadores progresan en el juego, pueden coleccionar nuevas cartas para construir mazos más poderosos. El juego puede jugarse en solitario o puede conectarse a Internet para jugar en modo multijugador y probar nuevas y complejas estrategias contra otros jugadores. Shadowverse: Champion’s Battle también contará con un sistema de pase de batalla con recompensas de skins de líder y otras bonificaciones en el juego que se desbloquean al completar misiones, como ganar partidas en línea.Esta versión de Nintendo Switch™ también añade animaciones espectaculares a las batallas para una experiencia más inmersiva. En Shadowverse: Champion’s Battle, los jugadores toman el papel de un estudiante recién llegado a la Academia Tensei, donde enseguida aprende a jugar al juego de cartas Shadowverse gracias a su compañero de clase Hiro Ryugasaki.
    [Show full text]
  • Monographic Issue: Interdisciplinary Links Between Children's Literature and the Arts
    Monographic issue: Interdisciplinary links between Children's Literature and the arts Issue 1 - 2018 Editorial Team Directors Xavier Mínguez-López (University of València, Spain) Tzina Kalogirou (National and Kapodistrian University of Athens, Greece) Editorial Advisory Group Perry Nodelman (University of Winnipeg, emeritus) Junko Yokota (National Louis University, USA, emerita) Niels Bakker (Dutch Reading Foundation, Holland) Anezka Kuzmicova (Stockholm University, Sweden) Massimo Salgaro (University of Verona, Italy) Ana Margarida Ramos (University of Aveiro, Portugal) Ana Vogrincic (University of Ljubljana, Slovenia) Macarena García González (Catholic University of Chile, Chile) Weronika Kostecka (University of Warsaw, Poland) Venetia Apostolidou (University of Thessaloniki, Greece) Theodoros Grammatas (National and Kapodistrian University of Athens, Greece) Elena Delgadova (Trenčianska Univerzita Alexandra Dubčeka v Trenčíne, Slovakia) Konstantinos Malafantis (National and Kapodistrian University of Athens, Greece) Rosa Tabernero Sala (University of Zaragoza, Spain) Editorial board Olga Mínguez-López (Free-lance) Maria Alcantud Díaz (University of València, Spain) Betlem Soler (University of València, Spain) Elia Saneleuterio (University of València, Spain) Juan Senís (University of Zaragoza, Spain) Francesca Romero-Forteza (Politecnic University of València, Spain) Anna Devís (University of València, Spain) Lina Iordanaki (University of Cambridge, UK) Kerenza Ghosh (University of Roehampton, UK) Kimberly McFall (Marshall University,
    [Show full text]