Social Role Narrative of Disabled Artists and Both Their Work in General and in Relation to Science and Technology
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Imagining Disability Futurities
This is a repository copy of Imagining Disability Futurities. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/106691/ Version: Accepted Version Article: Liddiard, K. orcid.org/0000-0002-1220-3740 (2016) Imagining Disability Futurities. Hypatia. ISSN 0887-5367 "This is the peer reviewed version of the following article: Liddiard, K (2016) Imagining Disabilities Futurities. Hypatia, which has been published in final form at [Link to final article using the DOI]. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving." Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Title: Imagining Disability Futurities Keywords: temporality; disability futurity; disability arts; activist art; dis-topia Word Count: 7987 To watch the stories presented in our paper, go to https://vimeo.com/album/3853805. Following the prompts, type in the password “futurities.” Please note: these videos are intended for readers only and are not for public screening. -
The Joy of Autism: Part 2
However, even autistic individuals who are profoundly disabled eventually gain the ability to communicate effectively, and to learn, and to reason about their behaviour and about effective ways to exercise control over their environment, their unique individual aspects of autism that go beyond the physiology of autism and the source of the profound intrinsic disabilities will come to light. These aspects of autism involve how they think, how they feel, how they express their sensory preferences and aesthetic sensibilities, and how they experience the world around them. Those aspects of individuality must be accorded the same degree of respect and the same validity of meaning as they would be in a non autistic individual rather than be written off, as they all too often are, as the meaningless products of a monolithically bad affliction." Based on these extremes -- the disabling factors and atypical individuality, Phil says, they are more so disabling because society devalues the atypical aspects and fails to accommodate the disabling ones. That my friends, is what we are working towards -- a place where the group we seek to "help," we listen to. We do not get offended when we are corrected by the group. We are the parents. We have a duty to listen because one day, our children may be the same people correcting others tomorrow. In closing, about assumptions, I post the article written by Ann MacDonald a few days ago in the Seattle Post Intelligencer: By ANNE MCDONALD GUEST COLUMNIST Three years ago, a 6-year-old Seattle girl called Ashley, who had severe disabilities, was, at her parents' request, given a medical treatment called "growth attenuation" to prevent her growing. -
The Stone Age Origins of Autism
Chapter 1 The Stone Age Origins of Autism Penny Spikins Additional information is available at the end of the chapter http://dx.doi.org/10.5772/53883 ‘Their strengths and deficits do not deny them humanity but, rather, shape their humanity’ Grinker 2010: 173 [in [1]] © 2013 Spikins; licensee InTech. This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. 4 Recent Advances in Autism Spectrum Disorders - Volume II 1. Introduction 1.1. Minds from a stone age past Our modern societies have been said to house ‘stone age minds’ (see [2]). That is to say that despite all the influences of modern culture our hard wired neurological make-up, instinc‐ tive responses and emotional capacities evolved in the vast depths of time which make up our evolutionary past. Much of what makes us ‘human’ thus rests on the nature of societies in the depths of prehistory thousands or even millions of years ago. Looking back on the archaeological record of the early stone age there is much to be proud of in our ancestry. Not only our remarkable intelligence but also our deep capacities to care about others and work together for a common good come from evolutionary selection on early humans throughout millions of years of the stone age. As far back as 1.6 million years ago we have archaeological evidence from survival of illnesses and trauma that those who were ill were looked after by others, and by the time of Neanderthals extensive care of the ill, infirm and elderly was common, see [3,4]. -
From Constitutional Rights to Further Legal Claims
PROTECTION AND LEGAL RIGHTS FOR DISABLED PEOPLE HYPERTEXT FROM CONSTITUTIONAL RIGHTS TO FURTHER LEGAL CLAIMS Edited by Ernesto Stasi Associazione Crescere – Bologna Domenico Posterino Associazione Prader-Willi – Calabria Domenica Taruscio Director of the National Centre for Rare Diseases, Istituto Superiore di Sanità (ISS), Rome With a contribution by: Marta De Santis National Centre for Rare Diseases, Istituto Superiore di Sanità (ISS), Rome Translated by: Mariavittoria Spina Year 11 - Rev. 2019/02 CONTENTS Preface Introductory Note Italian Constitution Health Rights Learning and Education Rights Determining Disability Rights in Work Workers' Rights Mobility Tourism Sport Further Legal Claims and Other Benefits Legal Protection Tax Relief and Benefits Exemptions from Payment Link List to Legislative Provisions Annexes 2 PREFACE In June 2009, the National Centre for Rare Diseases directed by Dr Domenica Taruscio within the ISS (Istituto Superiore di Sanità, the Italian NHS), cooperated with the Associazione Crescere in Bologna (J.D. Ernesto Stasi) and with the Associazione Prader Willi in Calabria (Dr Domenico Posterino) in order to update and enhance the Guide “From Constitutional Rights to Further Legal Claims”, which is edited by Associazione Prader Willi and available for free download in PDF format on the website of the National Centre for Rare Diseases (CNMR): the Associazione Crescere and the Associazione Prader Willi are both non-profit organizations. This starting project led to the issue of a summary guide, which provides hypertext links to legislative provisions and other related documents: is a challenging project which requires constant updating. The hypertext “From Constitutional Rights to Further Legal Claims” is the result of this project in collaboration with the CNMR. -
December 2012 Table of Contents
NEWSLETTER DECEMBER 2012 TABLE OF CONTENTS Table is hyperlinked to each article! WELCOME – by Martyn Sibley ...............................................................................................................................................................................................3 Differently abled through digital art .....................................................................................................................................................................................4 Viewing disability and difference through the eye of a lens ................................................................................................................................................7 Disability art and Turning Points ...........................................................................................................................................................................................9 Accessibility with style .........................................................................................................................................................................................................11 The British Paraorchestra: recruiting new talents ..............................................................................................................................................................13 Q&A with one-handed pianist Nicholas McCarthy .............................................................................................................................................................14 -
DIS STD 187: the Politics of Disability Aesthetics in Visual Culture
DIS STD 187: The Politics of Disability Aesthetics in Visual Culture Disability Studies Minor, Undergraduate Education Initiatives University of California Los Angeles Fall 2016: Wednesdays, 3pm – 5:50pm, MS 5200 COURSE SYLLABUS Instructor: Amanda Cachia E-mail: [email protected] www.amandacachia.com Office hour: Wednesdays, 1:30-2:30pm, Kaufman Room 185 Course website: https://ccle.ucla.edu Course Overview: Inscribed surface, political object, sign, flesh, boundary, matter, cultural product, artistic work—these are some of the many ways that the disabled body has been theorized and imagined in a wide cross-section of critical scholarship and cultural production. This interdisciplinary course seeks to provide a broad overview of the presence of disability and its various manifestations throughout modern day visual culture, with a special emphasis on how disabled artists have offered a revision to the existing negative constructs typically associated with the disabled form. Conventional art history has not typically accounted for intellectually and physically disabled subjects and their accompanying atypical bodies through the art museum and their curated exhibitions, through commercial art galleries and biennials, or the entire exhibition complex structure. A small number of patronizing and demeaning representations have appeared in art genre presentations such as ‘outsider art’ but these derogatory constructs have generally failed to be challenged by art historians, critics, curators and artists. It is important to build a new vocabulary and methodology around disability and access in challenging and stimulating ways, and this class will attempt to find the language to build this framework around how disability might fit into the discourse of visual culture. -
PRELUDE Disability Arts and Culture As Public Pedagogy Leslie G
International Journal of Inclusive Education Vol. 13, No. 7, November 2009, 667–675 PRELUDE Disability arts and culture as public pedagogy Leslie G. Roman* Faculty of Education, Department of Educational Studies, University of British Columbia, Vancouver, BC, Canada TaylorTIED_A_404364.sgm10.1080/13603110903041912International1360-3116Editorial20091370000002009LeslieRomanleslie.roman@ubc.ca and& Francis (print)/1464-5173Francis Journal of Inclusive (online) Education This article considers the implications of a disability arts, culture and scholarship series ‘The Unruly Salon’, undertaken at the University of British Columbia, Vancouver in Canada, which ran from January to March 2008. It asks how and whether the encounter of this Series with its diverse audiences makes a lasting contribution to the reshaping of education at the University of British Columbia in terms of curriculum, pedagogy, place, space and culture. It argues that The Unruly Salon Series is but a cornerstone in the groundwork for the ‘global citizenship’ to which the University’s Trek 2010 policy and mission statement aspire. The question is not only: what have the disabled and non-disabled participants of this timely and creative series learned from about working within the ‘fragile spaces between impairment and disability’?, but also the article asks: how will Canada’s third largest public university learn so as to transform its intellectual, social culture and built environment for prospective and existing students, faculty and staff with disabilities? The article concludes that such social change advantages the impaired and non-disabled alike. Keywords: disability arts and culture; politics; policy; inclusion A truth that’s deeper than the truth of dreams: the truth of the body. -
Autism, Creativity and Aesthetics
Open Research Online The Open University’s repository of research publications and other research outputs Autism, Creativity and Aesthetics Journal Item How to cite: Roth, Ilona (2018). Autism, Creativity and Aesthetics. Qualitative Research in Psychology, 17(4) pp. 498–508. For guidance on citations see FAQs. c 2018 Taylor Francis https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.1080/14780887.2018.1442763 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 1 Autism, Creativity and Aesthetics Ilona Roth Affiliation Dr Ilona Roth, BA (Hons), DPhil, BA (Hons) Hum (Open), CPsychol, AFBPsS Senior Lecturer in Psychology, School of Life, Health and Chemical Sciences, The Open University Contact details School of Life, Health and Chemical Sciences, STEM Faculty, The Open University, Walton Hall, Milton Keynes, MK 7 6AA, United Kingdom [email protected] Biographical note Ilona Roth is Senior Lecturer in Psychology, School of Life Health and Chemical Sciences, The Open University. With background in cognitive psychology, she has teaching and research specialisms in autism. Roth’s longstanding personal and professional interest in the arts led her recently to complete a degree in Humanities and Romance languages. She is author of film, multi-media and written material on autism, including Roth et.al. (2010) ‘The Autism Spectrum in the 21st Century: Exploring Psychology, Biology and Practice’. -
“Disability Is an Art…”: Disability As Discourse/Counter-Discourse
University of South Carolina Scholar Commons Theses and Dissertations 2018 “Disability Is An Art…”: Disability As Discourse/ Counter-Discourse David Adelman University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Film and Media Studies Commons Recommended Citation Adelman, D.(2018). “Disability Is An Art…”: Disability As Discourse/Counter-Discourse. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/4750 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “DISABILITY IS AN ART…”: DISABILITY AS DISCOURSE/COUNTER-DISCOURSE by David Adelman Bachelor of Arts University of South Carolina, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Arts College of Arts and Sciences University of South Carolina 2018 Accepted by: Heidi Rae Cooley, Director of Thesis Evan Meaney, Reader Mark Cooper, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by David Adelman, 2018 All Rights Reserved. ii DEDICATION This work is dedicated to my mother, who said I could. And should. iii ACKNOWLEDGEMENTS A task as big as this requires a lot of people. To begin, my thesis committee: Dr. Heidi Rae Cooley, one of the most brilliant people I know and a fantastic mentor among mentors. Evan Meaney, who always indulged me, while also pushing me to be a better artist. No pun intended. A most brilliant “sous chef.” And of course, Dr. -
Disability Studies - Enabling Equality
Rembis; Yes We Can Change 19 Yes We Can Change: Disability Studies - Enabling Equality Michael A. Rembis, Ph.D. University at Buffalo Abstract In this article, I offer a brief assessment of the international disability rights and culture movements and disability studies, as well as a commentary on the future of disability and disability studies. A diverse group of activists, artists, and scholars have brought about momentous legal changes in dozens of countries around the world. They have also enabled a critical rearticulation of what it means to be disabled. Yet, this revisioning of disability and this repositioning of disabled people remains fraught. I contend that while movement participants, scholars, and their allies are off to a great start, they have yet to grapple in any serious way with some of the most important and contentious issues within the disability rights and culture movements and disability studies, namely their own internal diversity and the material reality of many disabled peoples’ lives. Despite these complexities, I maintain that the disability rights and culture movements and disability studies have tremendous transformative potential. We are living at a critical moment of history. The monolith), we recognized that we, the disabled, had ar- election of Barack Obama as the 44th President of the rived socially and politically. Or had we? United States on November 4, 2008 was greeted the In this article, I will offer a brief assessment of the world over with a potent mixture of unrestrained joy recent past and a commentary on the future of disability and hope by those individuals, groups, and organiza- and disability studies. -
Joseph Grigely
Beautiful Progress to Nowhere by Joseph Grigely I’m not a specialist in the field of disability studies; but, being deaf, and an artist, and an academic (I teach visual and critical studies at an art school), I am often asked my thoughts about disability and art by disabled artists. Are disabled artists ‘ghettoised’? Offhand, I can’t really say I know the answer to this. It is a question that feels familiar from discussions about race and gender in the 1970s. But it’s not quite the same question because of the complexity of disability: disability transcends both race and gender, it transcends religion and national origin, it is visible and not visible, and where it is not present it is always latent. Disability is not just an identity but a legal ontology, and the conditions that define a person as disabled are themselves unstable – at least in the USA, where I live.(1) It could be argued that disability theory has its own ghetto in academia – most disability studies programmes are linked to programmes in pathology and rehabilitation, not culture; the first American PhD in Disability Studies is based within the College of Applied Health Sciences at the University of Illinois. This is almost inevitable because disability is, by definition, a study of human pathology, not culture. When we start talking about disability and art, the disability may or may not be relevant, either to the art or the artist, and so it is hard to generalise about it. What I can do is offer some empirical observations that derive largely from my experience as an artist and academic over the past 20 years. -
PUSH! Real Athletes. Real Stories. Real Theatre
REAL ATHLETES. REAL STORIES. REAL THEATRE. A TANGLED ART + DISABILITY PRODUCTION PRESENTED BY PANAMANIA PRESENTED BY CIBC AND IN ASSOCIATION WITH PING CHONG + COMPANY. WITH SPECIAL THANKS TO RYERSON UNIVERSITY FOR THEIR SUPPORT. A MESSAGE FROM THE ARTISTIC DIRECTOR We are proud to have partnered with Ping Chong + Company and the PANAMANIA arts and culture festival to bring you this outstanding piece of theatre that showcases Canadian Parasport athletics. By weaving together a history of Parasport competition, personal histories, disability rights, triumphs, challenges, and record-breaking victories with video and a live musical score, PUSH! delivers a crescendo that rivals the intensity of any sporting event of the summer. Although they share in their passion, commitment and excellence, PUSH! shows us that each athlete’s journey is unique. We are pleased that this show reaches the highest accessibility standard, by offering ASL interpretation, captioning, and live audio description. For the past 14 years, Tangled Art + Disability has been contributing to Disability Arts in Canada by exhibiting the best that this art scene has to offer. Including PUSH! in this arts and culture festival that showcases diverse cultures and artistic excellence, announces that Disability Arts has a significant role in the Pan American cultural landscape. This piece honours a diversity of disability experiences, which is what Tangled does best. PUSH! launches what is sure to be a phenomenal year for Tangled. Enjoy the show and we hope to see you again so on! Eliza Chandler, Artistic Director ABOUT TANGLED Tangled Art + Disability is a registered charitable organization dedicated to the advancement of artists with disabilities and to enhancing access to arts and culture for all.