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Nsn 11-13-13.Indd
IS BUGG “E Ala Na Moku Kai Liloloa” • D AH S F W R E E N E! E • R S O I N H C S E H 1 T 9 R 7 O 0 N NORTH SHORE NEWS November 13, 2013 VOLUME 30, NUMBER 23 1980's Buttons at a Pipieline Masters Contest Photo: Bill Romerhaus “Aloha Buttons” March 30, 1959 - November 2, radical surf maneuvers and aggressive In August, Buttons received the 2013 - A Hawaii surfing legend Mont- surfing on shorter boards in the 70’s. Ocean of Possibilities Award by a Ha- gomery Ernest Thomas “Buttons” Besides his accomplishments in waiian non profit for his dedication Kaluhiokalani dies at age 54 after a the surfing world, Buttons was also to helping those with disabilities. long battle with cancer. the “Ambassador of Aloha”. He was Buttons is survived by his wife Surfing in Waikiki since 7 years loved by many not only locally but Hiriata Hart, eight children and nine old, Buttons became the innovator of internationally as well. grandchildren. Aloha Buttons you will be missed. Permit No. 1479 No. Permit PROUDLY PUBLISHED IN Honolulu, Hawaii Honolulu, Hale‘iwa, Hawai‘i U.S. POSTAGE PAID POSTAGE U.S. STANDARD Home of the Vans Triple Hale‘iwa, HI 96712 HI Hale‘iwa, PRE-SORTED 66-437 Kamehameha Hwy., Suite 210 Suite Hwy., Kamehameha 66-437 Crown of Surfing Page 2 www.northshorenews.com November 13, 2013 OFF da Island in Gimmelwald, Switzerland North Shore residents Dave and Peggy Han- cock, owners of Paumalu Electric, finally took a va- cation alone to a place they could really get away from it all, and they left their cell phones at home. -
07.09.07 Final Submission.Pdf (6.841Mb)
THE BREAK by Zubin Kishore Singh A thesis presented to the University of Waterloo in fulfi llment of the thesis requirement for the degree of Master of Architecture Waterloo, Ontario, Canada, 2007 © Zubin Kishore Singh 2007 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required fi nal revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Through surfi ng man enters the domain of the wave, is contained by and participates in its broadcast, measures and is in turn measured, meets its rhythm and establishes his own, negotiates continuity and rupture. The surfer transforms the surfbreak into an architectural domain. This thesis undertakes a critical exploration of this domain as a means of expanding and enriching the territory of the architectural imagination. iii Supervisor: Robert Wiljer Advisors: Ryszard Sliwka and Val Rynnimeri External Examiner: Cynthia Hammond To Bob I extend my heartfelt gratitude, for your generosity, patience and encouragement over the years, for being a true mentor and an inspiring critic, and for being a friend. I want to thank Val and Ryszard for their valuable feedback and support, as well as Dereck Revington, for his role early on; and I would like to thank Cynthia for sharing her time and her insight. I would also like acknowledge the enduring support of my family, friends and fellow classmates, without which this thesis could not have happened. iv For my parents, Agneta and Kishore, and for Laila. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Nsn 11-12-14.Indd
IS BUGG “E Ala Na Moku Kai Liloloa” • D AH S F W R E E N E! “Mahalo to all our E • veterans, past, present R S O I N H and future” C S E H 1 T 9 R Fort Bliss 7 O 0 Page 27 N NORTH SHORE NEWS November 12, 2014 VOLUME 31, NUMBER 23 Reef Day 1, ASP/Cestari Florence, Sunset, ASP/Cestari Trophy, Pipe, ASP/Cestari PROUDLY PUBLISHED IN Permit No. 1479 No. Permit Hale‘iwa, Hawai‘i Honolulu, Hawaii Honolulu, Home of U.S. POSTAGE PAID POSTAGE U.S. STANDARD Hale‘iwa, HI 96712 HI Hale‘iwa, Vans Triple PRE-SORTED 66-437 Kamehameha Hwy., Suite 210 Suite Hwy., Kamehameha 66-437 Crown of Surfing Page 2 www.northshorenews.com November 12, 2014 Danny Fuller, Kauai, winner HIC Pro Photo: Banzai Productions The final day of the HIC Pro had an exciting finish ◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆◆ that saw a long overdue win for Kauai’s Danny Fuller. ◆ ◆ This was the first win for him at Sunset in 15 years. Fuller, ◆ ◆ 32, was the only backsider in the all Hawaiian final and ◆ The Hale‘iwa Family Dental Center, Ltd. ◆ his precise attack on the tricky sometimes closing out ◆ ◆ ◆ ◆ Sunset battle ground earned him the victory and a spot in ◆ ◆ the prestigious Vans Triple Crown of Surfing. Fuller won ◆ ◆ $15,000.00 for his efforts and was very emotional at the ◆ ◆ ◆ ◆ awards. “My Mom has sacrificed so much for me along ◆ ◆ the way, so to dedicate this win to her means so much,” ◆ presents ◆ Fuller said. Fuller has only surfed in the three events of ◆ ◆ the Vans Triple Crown once and and was injured right ◆ “Comfort Dentistry” ◆ ◆ ◆ before it. -
Lotus to Adjust Position and Center Spine Type Based on the Final Width of Spine
THE KAHALA Lotus to adjust position and center spine type based on the final width of spine. 2014-2015 VOL. 9, NO. 2 December 2014-june 2015, VOL. 9, NO.2 CONTENTS Volume 9, Number 2 Features 29 Layers of Meaning The abstract paintings of Honolulu-based artist Mary Mitsuda are a multilayered exploration of ideas, tracing lines of meaning and inviting the viewer to pause and look closer. Story by Christine Thomas Photography by Dana Edmunds 38 Journey Into Tranquility With its exquisite Japanese gardens, beautiful temple and impressive Amida Buddha, the Byodo-In shrine is a place for contemplation and introspection, in the lovely and serene Valley of the Temples on O‘ahu’s windward side. Story by Thelma Chang Lotus to adjust position and center spine type based on the final width of spine. 2014-2015 VOL. 9, NO. 2 46 The Eddie: The Ultimate Big-Wave Surfing Contest The Quiksilver in Memory of Eddie Aikau, one of the most prestigious competitions in surfi ng, is named for the ON THE COVER extraordinary man who inspired the phrase “Eddie Would Photographer Brian Go,” known to surfers around the world. Bielmann captures the wild and powerful Story by Stuart H. Coleman Photography by Brian Bielmann beauty of a wave on O‘ahu’s North Shore. 6 CONTENTS Volume 9, Number 2 10 Editor’s Note Depar tments PROFILES: 15 Miss Congeniality Senior Reservations Agent Lorna Barbosa Bennett Medeiros has greeted guests of The Kahala with her warm smile for nearly 40 years. Story by Simplicio Paragas Photography by Olivier Koning 21 INDULGENCES: Art of Zen Yoga can be experienced in many ways at The Kahala, from atop a standup AD paddleboard, in the pool or in the hotel’s fitness center. -
Surfing, Gender and Politics: Identity and Society in the History of South African Surfing Culture in the Twentieth-Century
Surfing, gender and politics: Identity and society in the history of South African surfing culture in the twentieth-century. by Glen Thompson Dissertation presented for the Degree of Doctor of Philosophy (History) at Stellenbosch University Supervisor: Prof. Albert M. Grundlingh Co-supervisor: Prof. Sandra S. Swart Marc 2015 0 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the author thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 8 October 2014 Copyright © 2015 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za Abstract This study is a socio-cultural history of the sport of surfing from 1959 to the 2000s in South Africa. It critically engages with the “South African Surfing History Archive”, collected in the course of research, by focusing on two inter-related themes in contributing to a critical sports historiography in southern Africa. The first is how surfing in South Africa has come to be considered a white, male sport. The second is whether surfing is political. In addressing these topics the study considers the double whiteness of the Californian influences that shaped local surfing culture at “whites only” beaches during apartheid. The racialised nature of the sport can be found in the emergence of an amateur national surfing association in the mid-1960s and consolidated during the professionalisation of the sport in the mid-1970s. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Grassroots
UNIVERSITY OF CALIFORNIA, SAN DIEGO Grassroots Surrealism: The Culture of Opposition and the Crisis of Development in 1930s California A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Elizabeth E. Sine Committee in charge: Professor Luis Alvarez, Co-Chair Professor Daniel Widener, Co-Chair Professor Dayo F. Gore Professor David G. Gutiérrez Professor Sara Clarke Kaplan Professor Nancy H. Kwak Copyright Elizabeth E. Sine, 2014 All rights reserved. The Dissertation of Elizabeth E. Sine is approved, and it is accepted in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Co-Chair ________________________________________________________________________ Co-Chair University of California, San Diego 2014 iii DEDICATION For my grandma Eileen, mother Shelley, and Nicholas. iv “In some periods and circumstances, the given relationships, socially and politically, seem inert and fixed. Culture signifies the predictable and overpowering reproduction of what ‘is.’ It claims the verities of tradition and authorizes familiar futures from the repetitions of a naturalized past (‘what has always been the case’). -
HOS Transcript 12/16/02
Heart of the Sea -Transcript RELL: A lot of grand-parents come up with the name before you're even in your mom. They have a dream and they tell your mother, well you’re going to have another girl and her name’s going to be: Kapolioka’ehukai, that means Heart of the Sea. COMMENTATOR (WOMAN): Next up is a native of Hawaii: Rell Sunn COMMENTATOR (MAN): She grew up at Makaha and really knows these waves well. Look at her maneuver here. Look right there, Andrea, that’s a nose ride, you don’t see many of them anymore, it’s an extremely different maneuver to perform on these small boards. Looking at in slow motion, you’ll notice she pulls herself up high in the wave, drops her weight back, stalls her board into the critical section and simply walks to the front of the board...plants herself on the nose and rides the wave; extremely difficult, it’s going to score. RELL: Before I could read, I could read the ocean. I knew the tides , I could read the wind on the ocean, I thought I knew everything I ever needed to know just from being on that beach every day, everything. I started surfing when I was four. It’s like you’re four and you’re having a revelation; you can’t quite articulate it but you know the feeling. And my dad was like a beach boy. And he used to surf all the time and so of course that was going to be a part of our lives. -
Question Asked Best Answer General Surfing My Answer Techniques/Endurance Need Help with a 6'5" Fish Surfboard? I Think You Probably Just Need a Little More Practice
The following questions were asked on Yahoo Answers with selected best answers provided by Bruce Gabrielson Question Asked Best Answer General Surfing My Answer Techniques/Endurance Need help with a 6'5" fish surfboard? I think you probably just need a little more practice. As you paddle I'm able to handle longboarding quite more the rocking will taper off and you will naturally develop better well and so before i left for college i got a balance. shorter board. it's a 6'5" fish with a round A couple of things to think about are how you take off with a short nose like a longboard. it's a very classic board and what you need to do immediately that you can't do well on fish style board. I've been able to catch a longboard. To start with, when you take off on your fish, lean some waves but a lot of the times i either forward and push your board down the face. You don't necessarily feel really shaky or as if I’m just going to need to paddle harder if you can get into the steep part of the wave a completely nose dive in. advice?? Also, little later than on a longboard. Also, you have more room to drop and paddling, I know you have to paddle turn with your fish. It will seem like you are too late to make the wave harder but i see people with these super since the transition from a longboard requires less room to maneuver short boards just gliding. -
The Indians of Los Angeles County
The Indians of Los Angeles County Hugo Reid at Rancho Santa Anita. SOUTHWEST MUSEUM PAPERS NUMBER TWENTY-ONE The Indians of Los Angeles County Hugo Reid's Letters of 1852 Edited and Annotated by ROBERT E. HEIZER SOUTHWEST MUSEUM HIGHLAND PARK, LOS ANGELES, CALIFORNIA 90042 1968 Copyright 1968 SOUTHWEST MUSEUM LOS ANGELES, CALIF. Library of Congress Catalog Card Number: 68-8964 The Indians of Los Angeles County http://www.loc.gov/resource/calbk.007 Printed by SOUTHLAND PRESS, INC. v CONTENTS FORWORD, by Carl Schaefer Dentzel vii INTRODUCTION, by Robert F. Heizer 1 THE HUGO REID LETTERS (I - XXII) 7 NOTES 105 REFERENCES 137 ILLUSTRATIONS Hugo Reid at Rancho Santa Anita Frontispiece The Hugo Reid Adobe in 1938 xii Rogerio Rocha, Gabrielino Indian 6 Mrs. James Rosemyre, Gabrielino Indian 10 Jose Salvideo, Gabrielino Indian 18 Gabrielino Baskets 28 Gabrielino Throwing Sticks 62 Gabrielino Artifacts as Illustrated by Hoffman 104 MAP Territories of the Gabrielino and Adjoining Tribes End papers vii Foreword THE YEAR 1969 WILL MARK THE BICENTENNIAL OF THE settling of Alta California. Few areas on the face of the earth have witnessed changes as great as those made in California in the past 200 years. From an insignificant colony on the perimeter of the tremendous Spanish Empire in the New World, California has emerged as one of the most famous and significant spots on the entire globe -- a far cry from its humble beginnings in 1769. Of all the areas settled by Spain in North, Central and South America, California has undergone the greatest transformation. Not only has the state become first in population of the 50 United States of America, but several of its counties and cities are among the first in population and affluence as The Indians of Los Angeles County http://www.loc.gov/resource/calbk.007 well. -
Surfboard Blank Catalog
SurfboardSurfboard BlankBlank CatalogCatalog FOAM E-Z 6341 Industry Way #I Westminster, CA 92683 Phone (714) 896-8233 Fax (714) 896-0001 www.foamez.com Catalog current as of October , 2004 1 TABLE OF CONTENTS INTRODUCTION..................................... PAGE 1 As a consequence our catalog is often changed. We therefore do not produce a lot of catalogs in ad- PURPOSE ................................................. PAGE 1 vance but instead, make them as we need them. On the lower right corner of the front page we put the CURRENT VERSION OF CATALOG.... PAGE 1 date the catalog was printed. At the date of printing the catalog is current. Keep in mind that a few days DESCRIPTION OF BLANK PICTURES.. PAGE 1 later it might be changed. We realize the impor- tance of keeping customers updated on new close DENSITY INFORMATION ..................... PAGE 2 tolerance blanks, as they save the shaper a lot of time. We have a considerable investment in this STRINGER INFORMATION .................. PAGE 3 technology, and for this reason, we encourage shapers to request a current version of our catalog ROCKER INFORMATION ..................... PAGE 3 as often as they wish. INVENTORY MANAGEMENT TOOLS . PAGE 6 DESCRIPTION OF BLANK PICTURES MATERIAL SAFETY DATA SHEET .... PAGE 7 TO-SCALE BLANK PICTURES BLANK CODE DESCRIPTION .............. PAGE 9 . All blank pictures in this catalog are drawn to the REPLACEMENT BLANK LIST ............. PAGE 10 actual scale of the blanks. The blanks under 9 feet are on a scale of 1 to 12 and the blanks 9 feet and BLANK PICTURES ................................ PAGE 13 longer are on a scale of 1 to 16. The rocker is taken from the “natural” rocker template and is also to scale. -
Wets Lose in House by Vote of 227-187
;• • - - / . r :•* A V k B A C ® D AILT CnOOLAIION far the MoBth of FM rvaiy, IMS • r C r K W tim m B m m Hmitfoei ^ 5 , 5 3 5 fU r ^ odder tealgM; Jtoeedey Btanber of AnOt Boreaii iiatttb p fitfr fd r and conttnoed cold; tkiag tern* of dreolBtloii. pei'ature.. WodDeedigr« VOL. U ., NO. 140. (CteMlfled Adverttdng on Pace 10.), SOUTH MANCHfiSTEIL CONN., MONDAY, MARCH 14, 1932. (TWELVE PAGES) PRICE THREE CENTS HINDENBURG WINS; Off on Canoe Trip From Washingrton to Mexico .V V • WETS LOSE IN HOUSE X v-r-x -X vix W jv.v-: A MUST RUN AGAIN '—V ’/»} ..... --------------------- ^ ----------------------------------------------------------------------------------------------------------------------- 'yy BY VOTE OF 227-187 Akhongh Seven IHiHion Votes ■ (XUK GALORE- First Vote Oo ProhibitioD Re Eastman Kills Self; NORESDITSIN vision Held In Twelve Hy-IsCerlainofElecfion^ LINDBERGH CASE Noted Camera Maker Years Puts Members On Rochester, N. Y., March 14— (AP)— George Eastman, 77, Record For Or Against; Berlin, March 14.—(AP) —Presi From Many Parts of Nation millionaire manufacturer, phil Philanthropist dent Paul von Hindenburg, who anthropist and big game hunt Wet Vote Larger Tban missed re-election yesterday by Come Stories of Infant er, shot himself to death today 169,752 votes although he ran near in his East Avenue home here. Many of Tbem Expected. ly 7,500.000 ahead of Adolf Hitler, Dr. Audley D. Stewa(rt, an consented today to run again on the Being Seen Bot They All nouncing that Eastnlan had second ballot, April 10, and his elec shot himself after putting all Washington, March 14.—(AP) — tion was regarded as a certainty.